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Journal articles on the topic 'Tatar Personal narratives'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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1

Leparskienė, Lina. "Tatars by the Vokė River: Historical Memory and Personal Experiences." Tautosakos darbai 63 (July 20, 2022): 62–80. http://dx.doi.org/10.51554/td.22.63.03.

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In the historical narrative of Lithuania, the Vokė River is inseparable from the settling of Tatars in the territory of the Grand Duchy of Lithuania in the end of the 14th century, under the rule of Vytautas the Great. Until the present day, members of this Muslim ethnic community continue to live in villages and towns scattered along the banks of the river. According to their life stories, identity narratives and dreams analyzed in this article, the Tatars primarily perceive the landscape by the Vokė River through their community life, and in terms of their personal and family life evolving i
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2

Karimova, Liliya. "Muslim Revival in Tatarstan." Nova Religio 17, no. 1 (2013): 38–58. http://dx.doi.org/10.1525/nr.2013.17.1.38.

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This article examines post-Soviet Muslim revival among the Volga Tatars, historically Sunni (Hanafi) Muslims, in the central Russian Republic of Tatarstan. Drawing on ethnographic research among practicing Muslim Tatar women and discourse analysis of their piety stories, I argue that at the heart of the revival is the Tatars’ debate over the extent and nature of Islam that should be part of Tatar identity. In this debate, sources of Islamic knowledge and physical manifestations of Muslim piety function as the primary, if inaccurate, indicators of one’s Muslim identity. I conclude that practici
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3

Karimova, Liliya. "(Re)constructing Muslim Identities from the Soviet Past: Muslim Tatar Women’s Stories of Soviet Moral Selves." Central Asian Affairs 3, no. 2 (2016): 117–41. http://dx.doi.org/10.1163/22142290-00302002.

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The revival of Islam in the central Russian republic of Tatarstan has transformed the daily landscape and the very notion of Muslim piety in the region. While a growing number of historically Muslim Tatars of all ages are embracing embodied piety, an older generation’s turn to religion is often perceived as late in coming and insincere. Based on ethnographic research and personal narratives of practicing Muslim Tatar women, I explore the ways the older women (re)construct their Muslim identities in the context of Tatars’ recent interest in Islam. Specifically, I analyze two older Tatar women’s
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4

Sozina, Elena Konstantinovna. "“BETWEEN EUROPE AND ASIA.” ORIENTALIST NARRATIVES OF ALEXANDRA FUCHS: THE RHETORIC OF WRITING AND THE AUTHOR’S POSITION." Yearbook of Finno-Ugric Studies 14, no. 3 (2020): 465–75. http://dx.doi.org/10.35634/2224-9443-2020-14-3-465-475.

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The article discusses ethnographic essays and novellas in the poems by Alexandra Andreevna Fuchs. The wife of a famous professor Karl Fuchs, she was resident of Kazan, hosted a literary salon, which was frequented by many local and visiting writers and poets, and met with Alexander Pushkin during his stay in the town. Alexandra Fuchs became the first Russian ethnographer writer; she purposefully traveled to places where the Chuvash, Mari (Cheremis), and Udmurts (Votyaks) lived, and wrote essays about the life, daily routine, manners and customs of these peoples drawing on her personal observat
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5

Pchelovodova, Irina Vyacheslavovna, and Nikolai Vladimirovich Anisimov. "THE PERFORMER AND TRADITION: PERSONALITY AS A PHENOMENON IN TRANSMISSION OF THE UDMURT CULTURAL HERITAGE." Yearbook of Finno-Ugric Studies 14, no. 3 (2020): 418–33. http://dx.doi.org/10.35634/2224-9443-2020-14-3-418-433.

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For the first time, this article concentrates on the phenomenon of personality in the Udmurt ethnical culture. This is a good framework to talk about Olga Nikolaevna Solovyova (1932-2018), well-known among the Udmurt as Dzhaky/Dzhakapay/Dzhakyapay (litt.: Jay/aunt Jay). There are several reasons for scientific interest about her: she had a huge knowledge of singing repertoire and rituals, she was able to improvise freely within her local tradition, she had exceptional musical abilities. The analysis of Olga Solovyova’s character as a performer allows to connect the songs in her repertoire with
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Zagidullina, D. F. "Depiction of the “ethnic past” in Turkic language Soviet literature (1960s)." Vestnik of North-Eastern Federal University 22, no. 1 (2025): 92–106. https://doi.org/10.25587/2222-5404-2025-22-1-92-106.

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The article is devoted to the understanding of the renaissance processes that took place in the national Turkic language literatures of the USSR in the second half of the 20th century. The combination of contextual and hermeneutic methods made it possible to identify the key artistic trends in the depiction of the ethnic past within Turkic language literatures. The study is based on literary works by Azerbaijani, Kazakh, Chuvash, Yakut, Turkmen, and Tatar authors that initiated a positive way to portray the ethnic past, way of life, and traditions. These works include socio-psychological, hist
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7

Predescu, Alina. "Public Performance of Private Interviews: Reinserting the Self into the Family Narrative." University of Bucharest Review. Literary and Cultural Studies Series 11, no. 1 (2021): 41–52. http://dx.doi.org/10.31178/ubr.11.1.4.

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Serban Oliver Tataru and Alfred Guzzetti are filmmakers that investigate on camera the role of memory in the construction of family history. They interview family members, gather old home movies and family photographs, and dig for public archival footage, in an effort to assume their position within a personal historical continuum, and to affirm their agency within their familial community. In their creative affirmation of generational subjectivity, they push against accepted familial narratives, and use the camera as a surgical tool that troubles lingering wounds beyond the surface of old ima
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8

Weideman, Julian. "TAHAR HADDAD AFTER BOURGUIBA AND BIN ʿALI: A REFORMIST BETWEEN SECULARISTS AND ISLAMISTS". International Journal of Middle East Studies 48, № 1 (2016): 47–65. http://dx.doi.org/10.1017/s0020743815001464.

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AbstractUnder the Bourguiba and Bin ʿAli regimes, the early 20th-century women's rights advocate Tahar Haddad (1899–1935) was a symbol of “state feminism.” Nationalist intellectuals traced the 1956 Personal Status Code to Haddad's work, and Bourguiba and Bin ʿAli claimed to “uphold” his ideals and “avenge” the persecution he suffered at the hands of the ʿulamaʾ at the Zaytuna mosque-university. Breaking with “old regime” narratives, this article studies Haddad as a reformist within Tunisia's religious establishment. Haddad's example challenges the idea that Islamic reformists “opened the door
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9

Khabutdinova, M. M., and G. R. Gaynyllina. "Amirkhan Eniky’s frontline diaries in the mirror of Russian-Tatar literary relationships." Philology and Culture, no. 1 (April 6, 2024): 99–105. http://dx.doi.org/10.26907/2782-4756-2024-75-1-99-105.

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The article systematizes information on the history of the diary entries “Front daftarlarennan” (“From Frontline Notebooks”, 1941–1944) by Amirkhan Eniky, which served as a starting point for the creation of his war stories. They were published in the media half a century later, on the 50th anniversary of the Great Victory. In his brief comments, the writer admits that he kept notes secretly while working as an HQ clerk, serving in the guard, in between battles, and he decided to publish them in his declining years, considering their content to be instructive for a new generation. Our analysis
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10

Tallone, Giovanna. "Beyond Folklore: Gothic Intersections in Éilís Ní Dhuibhne’s Fiction." Irish University Review 54, no. 1 (2024): 37–44. http://dx.doi.org/10.3366/iur.2024.0643.

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The purpose of this essay is to investigate the way in which gothic topoi intertwine with the background of folk and fairy tales in Ní Dhuibhne’s fiction, in terms of characters, setting, motifs, situations and atmosphere. Recognising the presence of gothic tropes can highlight the dynamic intersections of genres, and sharpen the reading of Ní Dhuibhne’s short stories. In her very personal and unique approach to fiction, Éilís Ní Dhuibhne intertextually reworks traditional stories and juxtaposes them to their modern counterparts, thus expanding a sort of ‘palimpsestic memory’ that Maria Tatar
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11

Аминева, В. Р. "GENRE OF IN MODERN TATAR LITERATURE: FEATURES OF FUNCTIONING (BASED ON THE MATERIAL OF R. GABDULKHAKOVA'S "SMALL" PROSE)." Актуальные вопросы современной филологии и журналистики, no. 4(39) (February 2, 2021): 83–90. http://dx.doi.org/10.36622/aqmpj.2020.39.4.011.

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На материале произведений современной татарской писательницы Р. Габдулхаковой выявляются конститутивные черты жанра парча в современной татарской литературе. Охарактеризованы жанровые разновидности парчи в творчестве Р. Габдулхаковой, которые соответствуют двум направлениям сюжетного движения: от внешнего к внутреннему или от единичного к универсальному и двум типам повествования - от 1-го или от 3-го лица. Художественное завершение в парчах первого типа определяется постижением некой нравственной истины, вытекающей из лично пережитой лирическим субъектом ситуации, в парчах второго типа оно со
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12

Marfouq, Assia. "L’Expérience du sable dans L’Enfant de sable et La Nuit sacrée de Tahar Ben Jelloun." Expressions maghrébines 23, no. 1 (2024): 43–58. http://dx.doi.org/10.1353/exp.2024.a930859.

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Résumés: Le sable, matière riche en symbolisme, évoque à la fois l’éphémère et l’abondance, la fragilité et la résilience. Cette dualité complexe se reflète dans diverses cultures où le sable est associé à la vie, au temps qui passe, à la fertilité, mais aussi à l’instabilité et à l’isolement. Dans la littérature maghrébine, notamment, le désert de sable incarne l’identité et la mémoire collective, tout en étant le théâtre de quêtes personnelles et spirituelles. Les romans de Tahar Ben Jelloun, L'Enfant de sable et La Nuit sacrée , explorent cette symbolique à travers le personnage d'Ahmed/Zah
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13

Чернышов, С. А. "Эволюция мифа о «Казанском взятии» в официальных коммуникациях и локальной исторической памяти". Historical bulletin 8, № 1 (2025): 11–19. https://doi.org/10.58224/2658-5685-2025-8-1-11-19.

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статья посвящена анализу возникновения и эволюции мифа о «Казанском взятии» в октябре 1552 г. в символической политике и локальной исторической памяти. На основе реконструкции исторического контекста и военно-политической динамики делается вывод о малозначительном характере событий октября 1552 года, которые стали очередным эпизодом во внутриэлитарной борьбе Казанского ханства и противостоянии Москвы и Казани одновременно. Для анализа практик коммеморации «Казанского взятия» в официальных коммуникациях и локальной исторической памяти используются правительственные (в том числе, дипломатические
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14

Kwiatkowski, Krzysztof. "Informowanie o wyprawie wojennej w końcu XVII w. – przypadek Johanna Reyera i kampanii krymskiej 1689 roku." Klio - Czasopismo Poświęcone Dziejom Polski i Powszechnym 59, no. 3 (2021): 81–114. http://dx.doi.org/10.12775/klio.202.023.

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Artykuł dotyczy niemieckojęzycznej relacji z przebiegu wyprawy wojska rosyjskiego przeciwko Tatarom krymskim wiosną 1689 r. (tzw. drugiej wyprawy krymskiej). Autorem tego przekazu był pruski dyplomata i tajny radca Johann Reyer (* 1641, † 1718). Odbył on w 1688–1689 r. jako poseł księcia-elektora Fryderyka III podróż na dwór moskiewski. Analiza źródłoznawcza i treściowa zredagowanej przez niego relacji z owej wyprawy, opartej na pierwotnym tekście rosyjskim, daje możliwość zbadania sposobów percepcji wydarzeń wojennych, jak również ich pojmowania w końcu XVII stulecia. W pierwotnej, rosyjskiej
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15

Akiş, Tonguç. "Emigration Chests in Ankara, Turkey: Tracing Spatial Trajectories of Tatar Community." Space and Culture, February 6, 2020, 120633121989424. http://dx.doi.org/10.1177/1206331219894247.

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During migration, whether due to war, political conflict, or poverty, immigrants of turmoil carry their limited personal belongings, family items, and supportive objects in their luggage, bags, and, in some cases, chests to their new homes. Throughout this displacement, chests of migration are necessary and valuable witnesses via their materiality and they wait in their specific corners of houses dare to be contemplated. After the demanding journey, some immigrants continue to use both the chest itself and its contents at their new house in the target locations. In addition, used chests and th
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16

Ahmad Khoiri, Faizi, and Jindar Muttaqin. "The Transmission of Islamic Populism and Extremist Ideology Through Social Media in Indonesia." Tashwirul Afkar 40, no. 1 (2021). https://doi.org/10.51716/ta.v40i1.43.

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Abstrak Penelitian ini bertujuan mengkaji transmisi ekstremisme yang terjadi di media sosial dan menjadi musabab merebaknya populisme Islam di Indonesia. Sementara kalangan beranggapan bahwa populisme identik dengan satu organisasi, yaitu FPI, dengan mobilisasi massa simbolis semisal 212, dan setelah eksistensinya terlarang ia tidak lagi menyebar dengan perhitungan yang berarti. Tulisan ini hendak mengulas bahwa di media sosial, ternyata populisme Islam justru menguat dan transmisi ekstremisme menjadi tren kalangan populis itu sendiri. Di YouTube, kanal Khilafah Channel dan Fokus Khilafah Chan
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17

"Teacher education." Language Teaching 38, no. 3 (2005): 147–50. http://dx.doi.org/10.1017/s0261444805252990.

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05–334Angelides, Panayiotis, Maria Evangelou & James Leigh (Intercollege, Cyprus), Implementing a collaborative model of action research for teacher development. Educational Action Research (Oxford, UK), 13.2 (2005), 275–290.05–335Brock, Cynthia, Lori Helman & Chitlada Patchen (U of Nevada, USA), Learning to conduct teacher research: exploring the development of mediated understandings. Teachers and Teaching: Theory and Practice (Abingdon, UK) 11.1 (2005), 73–94.05–336Burdelski, Matthew (California U, USA; mburdel@ucla.edu), Close- and open-ended narratives of personal experience: week
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18

Verba, T. "STRUCTURAL ELEMENTS OF THE PLOT AND COMPOSITION OF THE HISTORICAL STORIES OF M. MOROZENKO’S DILOGY "IVAN SIRKO, THE GREAT SORCERER", "IVAN SIRKO, THE GLORIOUS KOSHOVOY"." Fìlologìčnì traktati, 2019, 14–22. http://dx.doi.org/10.21272/ftrk.2019.11(3-4)-2.

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The writers pay increased attention to the philosophical and historiographical interpretation of events and phenomena, the moral and human essence of historical persons, which absorbs their upbringing, social roles, and innate mental dominants. The article establishes that the main types of plot creation of historical novels are chronicled, events in which unfold in a temporal sequence, and concentric (“single action”), where events develop in a causal relationship. The conceptual storyline of the novel by M. Morozenko “Ivan Sirko, the Great Sorcerer” is the confrontation of the young main cha
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19

Rybas, Natalia. "American Girl Dolls as Professionals." M/C Journal 26, no. 2 (2023). http://dx.doi.org/10.5204/mcj.2953.

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Introduction Toys and games are important elements of child growth and development. When children play, they have fun. They also learn to perform and contest ideas making up their culture. The potential professional affiliations and skills offer an illustration of the roles that children learn about in the early years of their lives. Therefore, toys may serve as a site to research professional aspirations. In light of this, a question emerges: what do toys teach about professions and professionalism? As a feminist communication researcher, I study toys primarily intended for girls – the dolls
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20

Kivijärvi, Sanna, and Taru-Anneli Koivisto. "Ethical questions in transforming music practices." Approaches: An Interdisciplinary Journal of Music Therapy 17, no. 1 (2025). https://doi.org/10.56883/aijmt.2025.611.

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The themes of equity and justice in professional activities are becoming increasingly important for those working in music-related fields. This special issue explores these topics through the lens of ethical dilemmas and challenges, drawing on international perspectives from scholars and practitioners. Ethical decision-making requires professionals not only to engage in critical thinking and self-reflection but also to take action by transforming organisational and institutional structures. In music-related professions, where individual practitioners often have significant autonomy and agency
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Blackwood, Gemma. "<em>The Serpent</em> (2021)." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2835.

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The Netflix/BBC eight-part limited true crime series The Serpent (2021) provides a commentary on the impact of the tourist industry in South-East Asia in the 1970s. The series portrays the story of French serial killer Charles Sobhraj (played by Tahar Rahim)—a psychopathic international con artist of Vietnamese-Indian descent—who regularly targeted Western travellers, especially the long-term wanderers of the legendary “Hippie Trail” (or the “Overland”), running between eastern Europe and Asia. The series, which was filmed on location in Thailand—in Bangkok and the Thai town of Hua Hin—is set
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22

McGillivray, Glen. "Nature Transformed: English Landscape Gardens and Theatrum Mundi." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1146.

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IntroductionThe European will to modify the natural world emerged through English landscape design during the eighteenth century. Released from the neo-classical aesthetic dichotomy of the beautiful and the ugly, new categories of the picturesque and the sublime gestured towards an affective relationship to nature. Europeans began to see the world as a picture, the elements of which were composed as though part of a theatrical scene. Quite literally, as I shall discuss below, gardens were “composed with ‘pantomimic’ elements – ruins of castles and towers, rough hewn bridges, Chinese pagodas an
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