Academic literature on the topic 'Tate's and Mr'

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Journal articles on the topic "Tate's and Mr"

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Das, Prasanta. "Tate's Mr. Pope." Explicator 52, no. 3 (April 1994): 173–74. http://dx.doi.org/10.1080/00144940.1994.9938763.

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Faden, Eric, Aaron Mitchel, Alexander Murph, Taylor Myers, and Nathan C. Ryan. "Mr. Hulot’s Invisible Gorilla." Projections 15, no. 2 (June 1, 2021): 1–29. http://dx.doi.org/10.3167/proj.2021.150201.

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This article examines the work of mid-century French filmmaker Jacques Tati. Tati suggested that his films allow more visual freedom to audiences and that audiences discover new material upon multiple viewings of his films. We review the scholarship on Tati, especially in relation to critic André Bazin’s theories of realism, and then propose another model for understanding Tati’s films: the psychological concept of inattentional blindness. The article then discusses our experiment using eye tracking technology to study how subjects watch Tati’s films versus other types of cinema and also how they re-watch films. Finally, we applied several statistical and mathematical tests to the eye tracking data to understand key differences between Tati’s films and other filmmaking practices.
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Scheper-Hughes, Nancy. "Mr Tati’s Holiday and João’s Safari - Seeing the World through Transplant Tourism." Body & Society 17, no. 2-3 (June 2011): 55–92. http://dx.doi.org/10.1177/1357034x11402858.

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Kwatra, Pratigya, Nimisha Singh, Akhil Pandey, and Arunaditya Sahay. "CSR as a strategy in Tata Power Delhi Distribution Limited." Emerald Emerging Markets Case Studies 6, no. 4 (November 9, 2016): 1–23. http://dx.doi.org/10.1108/eemcs-03-2016-0034.

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Subject area The subject area is corporate social responsibility (CSR). Study level/applicability The study is applicable to undergraduate- and graduate-level courses on CSR. Case overview The case discusses the issue of integrating CSR in TPDDL’s (TPDDL – Tata Power Delhi Distribution Limited) business model. TPDDL was formed as the result of a joint venture between Delhi Vidyut Board and Tata Power. At the time of the joint venture, a large number of users of electricity in Jhuggi-Jhopdi (JJ) clusters were not paying for electricity usage. A huge number of residents were not even in the system where they could be billed. The ones who were in the system had strong political banking as they were huge vote banks and hence would not pay. Only 40 per cent of electricity that was going to JJ cluster was billed due to this TPDDL was incurring huge commercial losses. As residents had very low income, TPDDL decided to invest in CSR activities to train the residents so that they could secure a job and pay the bills as well. Mr Praveer Sinha, MD and chief executive officer (CEO), urged his team to bring 100 per cent JJ clusters under the billing net without any coercive measures. TPDDL adopted parent company Tata’s CSR code and came up with innovative ways of engaging with these communities. Expected learning outcomes The outcomes are: strategic CSR initiatives for business excellence; incorporating CSR in existing business Model 3; role of stakeholders in CSR implementation; and benefits accruing from CSR activities. Supplementary materials Teaching notes are available for educators only. Please contact your library to gain login details or email support@emeraldinsight.com to request teaching notes. Subject code CSS 11: Strategy.
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Books on the topic "Tate's and Mr"

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Kennedy, Margaret M. M. Mr. Luggie Tatters. Trafford Publishing, 2006.

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Book chapters on the topic "Tate's and Mr"

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"French writer Jean-Claude Carrière’s creative life has encompassed novels, plays, cartoons, poems, and short films. But it is his screenplays that have most assuredly cemented his position as one of the century’s great writers. Receiving his start in cinema in the mid-1950s by writing book adaptations of director Jacques Tati’s Mr. Hulot’s Holiday (1953) and Mon Oncle (1958), Carrière eventually teamed up with comic filmmaker Pierre Étaix on two short films, including the Oscar-winning Happy Anniversary (1962). From there, he began a long and fruitful collaboration with director Luis Buñuel, a 13-year partnership that resulted in six films: Diary of a Chambermaid (1964), Belle de Jour (1967), The Milky Way (1969), The Discreet Charm of the Bourgeoisie (1972), The Phantom of Liberty (1974), and That Obscure Object of Desire (1977). He has proved equally confident with original screenplays and adapted works, and he has received three Academy Award nominations for his scripts. Highlights of his filmography include The Tin Drum (1979), which won the Best Foreign Language Film Oscar, The Return of Martin Guerre (1982), which earned him and co-writer Daniel Vigne a César for Best Original Screenplay, his adaptation of The Unbearable Lightness of Being (1988), and his acclaimed Cyrano de Bergerac (1990) with Gérard Depardieu. A recipient of the Laurel Award for Achievement from the Writers Guild Of America, Carrière remains a prolific writer, contributing to the screenplays of both Birth (2004) and The White Ribbon (2009), which won the Palme d’Or at the Cannes Film Festival. “I’m writing every day,” he says at age 80. “When I’m not working on a script or on a play or on a book, I’m writing notes in the subway or in taxis. I’m working constantly.”." In FilmCraft: Screenwriting, 61–62. Routledge, 2013. http://dx.doi.org/10.4324/9780240824857-18.

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