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Books on the topic 'Tate Gallery (Londen)'

Author: Grafiati
Published: 13 December 2022
Last updated: 27 January 2023

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1

1942-, Wilson Simon, ed. Tate Gallery: Souvenir guide. London: Tate Gallery Publications, 1995.

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2

(Gallery), Tate Modern, ed. Tate Modern Guide. London: Tate Publishing, 2006.

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3

(Gallery), Tate Modern, ed. Tate Modern guide. London: Tate Pub., 2007.

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4

Gallery, Tate. Tate Gallery: An illustrated companion. London: Tate Gallery, 1989.

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5

Gallery, Tate. The Tate Gallery: Illustrated biennial report. London: Tate Gallery, 1988.

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6

Tate Gallery: Illustrated catalogue of acquisitions 1986-88. London: Tate Publishing, 1996.

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7

The Tate Gallery: An illustrated companion to the national collections of British & modern foreign art. 4th ed. London: Tate Gallery, 1987.

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8

Wagstaff, Sheena, Nicholas Serota, Frances Morris, Andrew Marr, and Michael Craig-Martin. Tate Modern: The handbook. 2nd ed. London: Tate, 2010.

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9

1793-1861, Danby Francis, Tate Gallery, and City of Bristol Museum and Art Gallery., eds. Francis Danby, 1793-1861. London: Tate Gallery in association with the City of Bristol Museum and Art Gallery, 1988.

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10

Gasworks to gallery: The story of Tate St Ives. St Ives, Cornwall: J. Axten and C. Orchard, 1995.

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11

Gallery, Tate, and Musée d'art moderne Saint-Etienne, eds. Ben Nicholson: [exposition] Tate Gallery, Londres, Musée d'art moderne, Saint Etienne. Paris: Réunion des Musées nationaux, 1994.

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12

Derek, Pullen, and Tate Gallery, eds. The Lipchitz gift: Models for sculpture. London: Tate Gallery, 1986.

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13

Marysia, Lewandowska, ed. Capital: A project. London: Tate Publishing, 2001.

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14

missing], [name. Whistler, Sargent, and Steer: Impressionists in London from Tate collections. Nashville, TN: Frist Center for the Visual Arts, 2003.

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15

Martin, Myrone, Tate Gallery, and Tate Publishing (London England), eds. Representing Britain, 1500-2000: 100 works from Tate collections. London: Tate Pub., 2000.

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16

Stewards of the nation's art: Contested cultural authority, 1890-1939. Toronto: University of Toronto Press, 2010.

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17

Sabbagh, Karl. Power into art. London, England: Allen Lane, the Penguin Press, 2000.

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18

Sabbagh, Karl. Power into art. London: Penguin, 2001.

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19

1697-1764, Hogarth William, and Tate Gallery, eds. Manners & morals: Hogarth and British painting 1700-1760. London: Tate Gallery, 1987.

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20

Baselitz, Georg. Georg Baselitz: Grabados = gravures = prints, 1964-1990 : Cabinet des estampes, Genève, 12/IX - 3/XI/1991; Ivam Centre Julio González, Valencia, 21/XI/1991 - 19/I/1992; Tate Gallery, London, 8/VII - 1/XI/1992. Genève: Estampes, Musée d'art et d'histoire, 1991.

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21

The Tate: A History. Tate Gallery Pubn, 1998.

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22

Turner Prize (Tate Gallery London). Tate, 2000.

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23

The Tate Gallery Illustrated Catalogue of Acquisitions: 1986-88. Tate Gallery Publishing Ltd, 1996.

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24

(Foreword), Alan Bowness, and Tate Gallery Trustees (Editor), eds. The Tate Gallery: An Illustrated Companion to the National Collections of British & Modern Foreign Art. 4th ed. Tate Gallery Publications Department, 1987.

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25

(Editor), Michael Tooby, and David Shalev (Editor), eds. Tate Gallery St. Ives: The Building. Tate Publishing(UK), 1996.

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26

Tate Modern: The Handbook. University of California Press, 2000.

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27

Iwona, Blazwick, and Wilson Simon 1942-, eds. Tate Modern: The handbook. Berkeley [Calif.]: University of California Press, 2000.

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28

(Editor), Iwona Blazwick, and Simon Wilson (Editor), eds. Tate Modern: The Handbook. University of California Press, 2000.

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29

Tate Modern: Building a Museum for the 21st Century. Tate Publishing, Limited, 2016.

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30

David, Shalev, and Tooby Michael, eds. Tate Gallery St Ives: The building : Evans and Shalev architects. Millbank, London: Tate Pub., 1995.

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31

Berswordt-Wallrabe, H.-L. Alexander von, 1943-, Sylvester David, and Tate Gallery, eds. Stephan Erfurt, Richard Serra: Weight and measure : Henrichshütte Hattingen, Tate Gallery London. Düsseldorf: Richter, 2000.

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32

Another London. Tate Publishing, Limited, 2012.

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33

Give & take: 1 exhibition 2 sites : Serpentine Gallery, London, Victoria and Albert Museum, London, 30 Januayt-1 April 2001. London: Serpentine Gallery, 2001.

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34

Berman, Avis, Tate Britain (Gallery), Tenn.) Frist Center for the Visual Arts (Nashville, and David Fraser Jenkins. Whistler, Sargent, and Steer: Impressionists Iin London from Tate Collections. Visual Arts, 2002.

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35

Monique, Beudert, Rainbird Sean, and Tate Gallery, eds. Contemporary art: The Janet Wolfson de Botton gift. London: Tate Gallery Publishing, 1998.

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36

Foley O'Connor, Elizabeth. Pamela Colman Smith. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781949979398.001.0001.

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Today, Pamela Colman Smith is primarily remembered for designing the storied 1909 tarot deck that served as the model for T. S. Eliot’s Madame Sosostris and “her wicked pack of cards” in The Waste Land. For almost one hundred years it was known as the Rider-Waite deck, named for the mystic A. E. Waite, who is credited with conceiving the deck, and the London publisher, William Rider. This omission perfectly encapsulates Colman Smith’s gendered erasure from the cultural imagination, a type of misogyny that affected many women artists and writers at the turn of the twentieth century but, in her case, was also tinged with racism. Colman Smith was much more than the graphic designer of the tarot deck. Active from the mid-1890s through the 1920s, Colman Smith had a burgeoning career as an American artist, writer, folklore performer, editor, publisher, stage designer, and suffrage activist. Colman Smith’s letters to friends, patrons, publishers, and gallery owners reveal an irrepressible spirit who was committed to rooting out all types of hypocrisy and prejudice, including classism, sexism, and racism, but who, nonetheless, capitalized on racial stereotypes through her Afro-Jamaican Anansi performances. Taken as a whole, Colman Smith’s prodigious body of work is particularly notable for its ability to take on, and often as quickly cast aside, a range of personas and identities.
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37

Through our own eyes: Document of a training project for artists in six Tower Hamlets school[s], September - December 96 : a collaboration between The Art of Change, Tate Education, Tate Gallery, [and the] University of East London. London: University of East London, 1997.

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38

Die letzten Tage der Menschheit: Bilder des Ersten Weltkrieges : Eine Ausstellung des Deutschen Historischen Museums, Berlin, der Barbican Art Gallery, ... mit dem Imperial War Museum, London. Ars Nicolai, 1994.

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39

Rainer, Rother, Deutsches Historisches Museum, Barbican Art Gallery, Imperial War Museum (Great Britain), Staatliche Museen zu Berlin--Preussischer Kulturbesitz., and Altes Museum (Berlin Germany), eds. Die letzten Tage der Menschheit: Bilder des Ersten Weltkrieges : eine Ausstellung des Deutschen Historischen Museums, Berlin, der Barbican Art Gallery, London, und der Staatlichen Museen zu Berlin-Preussischer Kulturbesitz in Verbindung mit dem Imperial War Museum, London. Berlin: Das Historische Museum, 1994.

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