Relevant bibliographies by topics / Tatiany

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Tatiany'

Author: Grafiati
Published: 29 July 2024
Last updated: 19 July 2025

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Journal articles on the topic "Tatiany"

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Kalita, Liliana. "Parodia w opowiadaniach Tatiany Tołstoj." Studia Rossica Posnaniensia 40, no. 2 (2016): 15–25. http://dx.doi.org/10.14746/strp.2015.40.2.2.

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Tatyana Tolstaya is one of the most accomplished contemporary Russian writers. She represents a postmodernist trend of which parody is a vital part. In her prose one can find parodies of political systems, social groups, romantic ideals, Soviet reality and human behavior. The article analyzes Tolstaya’s use of parody in her most popular stories, i.e. Hunting the Wooly Mammoth, Fire and Dust, Night, The Fakir and Okkervil River.
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Małek, Krzysztof Robert. "Ekoteologia rosyjskiego prawosławia według Tatiany Goriczewej." Przegląd Rusycystyczny, no. 1 (185) (February 12, 2024): 7–28. https://doi.org/10.31261/pr.15345.

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Rozważania nad relacją człowiek–przyroda wykraczają poza obszar nauk przyrodniczych i społecznych. Wszystkie stworzenia mają równe prawo do istnienia. Zgodnie z prawosławną ekoteologią to Absolut powołał byty do istnienia i nadał im określone prawa. Celem artykułu jest analiza znaczenia środowiska naturalnego w prawosławiu na przykładzie twórczości rosyjskiej filozofki i teolożki Tatiany Goriczewej. Odwołując się m.in. do refleksji filozoficzno–teologicznej i hagiograficznej zawartych w pracach autorki Świętych zwierząt, omówiono status środowiska naturalnego w prawosławiu i jego roli w historii zbawienia oraz podjęto rozważania na temat biocentryzmu i antropocentryzmu chrześcijańskiego w prawosławiu.
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Tymieniecka-Suchanek, Justyna Barbara. "Święte zwierzęta bez zwierząt?" Przegląd Rusycystyczny, no. 2 (186) (April 19, 2024): 235–48. https://doi.org/10.31261/pr.16598.

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Tekst pt. Święte zwierzęta bez zwierząt? jest recenzją książki Tatiany Goriczewej Święte zwierzęta w polskim przekładzie Grzegorza Ojcewicza, która została opublikowana przez wydawnictwo „GregArt” w 2022.
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Smagina, Nadzieja. "Futurologiczna wizja świata w powieści Tatiany Tołstoj „Kyś”." Kultury Wschodniosłowiańskie - Oblicza i Dialog, no. 2 (October 6, 2018): 147–55. http://dx.doi.org/10.14746/kw.2012.2.18.

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Małek, Krzysztof. "Zwierzęca eseistyka Tatiany Goriczewej w refleksji genologicznej. Rekonesans." Postscriptum Polonistyczne 33, no. 1 (2024): 1–20. http://dx.doi.org/10.31261/ps_p.2024.33.05.

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Zooteologia jako nowa dyscyplina badawcza w Polsce zajmuje się kwestią zwierzęcą w odniesieniu do religii, jej świętych tekstów, praktyk religijnych oraz szeroko rozumianej tradycji, do której zaliczają się również hagiografie chrześcijańskie – wśród wyznawców zarówno wschodnich, jak i zachodnich cieszące się wyjątkową estymą. Celem tego artykułu jest analiza i interpretacja prezentacji istot pozaludzkich w eseistyce Tatiany Goriczewej. W niniejszym opracowaniu uwzględniono refleksje filozoficzne, teologiczne, w tym hagiograficzne, zaproponowane przez współczesną prawosławną filozofkę i teolożkę. Autor szkicu odpowiada na następujące pytania: Czy zwierzęta posiadają w myśli Goriczewej status samodzielnego bytu? Czy można mówić o świętości istot nie-ludzkich? Czy opisy zachowania zwierząt zaprezentowane w hagiografiach zgadzają się z ich behawiorem opisywanym przez biologów/zoologów/etologów? Przeprowadzona analiza pozwoli na wstępne rozstrzygnięcie hipotezy postawionej w tytule artykułu. Badania te mogą stać się przyczynkiem do pogłębiania tego zagadnienia w kolejnych publikacjach, w ramach zarówno zooteologii, jak i ekokrytyki, posthumanizmu czy też animal studies.
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Kručayová, A. "Rozvoj osobnosti žiaka umením – koncepcia hudobného vzdelávania Tatiany Ivanovny Smirnovej." Slovenska hudba 46, no. 03 (2020): 226–48. http://dx.doi.org/10.4149/sh_2020_3_2.

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Ojcewicz, Grzegorz. "Wokół dziennika podróży ekoteolożki Tatiany Goriczewej „Człowiek ustawicznie szuka szczęścia”." Studia Rossica Gedanensia, no. 9 (December 31, 2022): 53–78. http://dx.doi.org/10.26881/srg.2022.9.03.

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On “Man ceaselessly seeks happiness”, a travel diary of an eco-theologian Tatiana Goricheva The author faces the main task of a comprehensive – to its possible extent – overview of Man ceaselessly seeks happiness. He approaches the text from the perspective of its genre and the subject matter. By taking into consideration the main thought behind the title of the book, he examines what the search for happiness means to the writer. The notions of poetics intersect with remarks on the essay-like narration of the diary, in which the writer shares her thoughts on religions and cultures of the West, the East, South Asia, Russian migrants scattered around the world, the contemporary state of the Church and Christians in Europe and outside it, individual and collective ways of searching for God or human approach towards animals. The author reaches a conclusion that “Man ceaselessly seeks happiness” is not a traditional travel diary and Tatiana Goricheva’s musings present a deeply individual outlook on the notions of Christianity and faith.
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Ziomek, Marcin. "Dialog z klasyką. Sonieczka Ludmiły Ulickiej i Sonia Tatiany Tołstoj." Świat i Słowo 41 (2023): 165–77. http://dx.doi.org/10.53052/17313317.2023.34.

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Pitrus, Andrzej. "Prawie wszystkie kolory Indii." Kwartalnik Filmowy, no. 93-94 (June 30, 2016): 301–3. http://dx.doi.org/10.36744/kf.2253.

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Tekst jest recenzją tomu zbiorowego Od Ramajany do Slumdoga. Filmowe adaptacje literatury indyjskiej (2015) pod redakcją Grażyny Stachówny i Tatiany Szurlej. Książka zawiera dwadzieścia esejów poświęconych filmom zrealizowanym na podstawie literatury indyjskiej. Autor recenzji zwraca uwagę na eklektyzm publikacji wynikający z różnorodności literatury Indii czy wręcz niemożności zdefiniowania jednej literatury indyjskiej. Tom został jednak oceniony wysoko jako pionierskie wydawnictwo będące odpowiedzą na wzrastające zainteresowanie przedstawionym w nim fenomenem.
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Kortus, Nadzieja. "Pomiędzy psychologizmem a psychoanalizą. Problem psychologicznej konstrukcji bohaterów w powieści „Kyś” Tatiany Tołstoj." Kultury Wschodniosłowiańskie - Oblicza i Dialog, no. 3 (September 23, 2018): 37–47. http://dx.doi.org/10.14746/kw.2013.3.4.

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Dissertations / Theses on the topic "Tatiany"

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Martins, EstefÃnia Maria Almeida. "EspaÃos da imaginaÃÃo no processo criativo de Tatiana Belinky." Universidade Federal do CearÃ, 2011. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=6735.

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nÃo hÃ<br>Esta pesquisa se propÃe a fazer uma anÃlise dos EspaÃos da imaginaÃÃo no processo criativo da escritora Tatiana Belinky, a partir de uma investigaÃÃo de sua trajetÃria no universo da literatura infanto-juvenil, procurando verificar como ocorreu seu amadurecimento profissional desde sua atuaÃÃo como autora de peÃas de teatro, como roteirista à fase de autora de contos e histÃrias infantis e juvenis. Para a realizaÃÃo de uma anÃlise investigativa mais aprofundada, foram escolhidas duas histÃrias infantis: Bisaliques- Eta Bisa Boa! (2005) e Quatro Amigos (2007) e as histÃrias recriadas pela escritora nos contos Sapatinho de Cristal (2008), HistÃria de Terror (2008), HistÃria de Lobo (2008) e HistÃria de uma Ervilha (2008), constantes da ColeÃÃo Tapete de HistÃrias, por compreendermos que sÃo obras que provocam nos leitores a formulaÃÃo de novas indagaÃÃes. O trabalho està dividido em trÃs capÃtulos: o primeiro apresenta o Ãmbito das trocas sociais, em que a obra da escritora està inserida, sua formaÃÃo artÃstica e intelectual vivida em uma Ãpoca de conflitos mundiais, sua relaÃÃo com o teatro e a televisÃo assim como o estudo do campo intelectual e literÃrio; no segundo desenvolvem-se reflexÃes referentes à imaginaÃÃo no processo de construÃÃo das narrativas da escritora, e, no terceiro capÃtulo, nos concentramos nas questÃes de influÃncia e superaÃÃo de obras de autores importantes na formaÃÃo literÃria de Tatiana Belinky. No primeiro capÃtulo ressaltam-se a utilizaÃÃo de duas obras fundamentais para a compreensÃo das categorias âcampo literÃrioâ e âcontextoâ - As Regras da Arte (1973) de Pierre Bourdieu e O contexto da obra literÃria (2001) de Dominique Maingueneau. No segundo capÃtulo apresentamos a base teÃrica do trabalho cuja pesquisa foi norteada teoricamente pelos estudos de Hans Robert Jauss, precursor da EstÃtica da RecepÃÃo em HistÃria da Literatura como ProvocaÃÃo à Teoria LiterÃria (1994) e por Regina Zilberman em EstÃtica da RecepÃÃo e HistÃria da Literatura (2009) e ainda sobre o conceito de imaginaÃÃo refletido por Vigotski em ImaginaÃÃo e criaÃÃo na infÃncia (2009) e por Gaston Bachelard em A poÃtica do devaneio (2006). No terceiro capÃtulo, nos concentramos nas questÃes de influÃncia e superaÃÃo de obras de autores importantes na formaÃÃo literÃria de Tatiana Belinky. Estas impressÃes estÃo registradas nas publicaÃÃes de Tatiana Belinky: Transplante de menina (2003), Onde jà se viu?(2004), Mentiras...e Mentiras (2004), Olhos de Ver (2004) 17 à TOV!(2005), Sustos e Sobressaltos na TV sem VT e outros momentos (2006). Para examinar como a escritora transformou o mundo de suas leituras, empregaremos a concepÃÃo de âangÃstia da influÃnciaâ cunhado por Harold Bloom em A angÃstia da InfluÃncia (1991) e as categorias âestiloâ e âescrituraâ desenvolvido por Roland Barthes em O Grau Zero da Escritura (1972).Este trabalho faz parte da pesquisa Bibliotecas Pessoais: Escritores, Historiadores e CrÃticos LiterÃrios, sob a coordenaÃÃo da ProfÂ. Dr Odalice de Castro e Silva, do Programa de PÃs-GraduaÃÃo em Letras â Literatura Comparada, da Universidade Federal do CearÃ.
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Spreat, Eric. "Beyond the Feminine in Pushkin's Tatiana." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19257.

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Pushkin's Tatiana tends to be pigeonholed by criticism that acknowledges her dynamism and openness to creative possibilities but restricts her intertextual significance to the heroines of the European novelists she herself reads. I argue that only by viewing her as the construction of a narrator who relies heavily on the stylistics of Karamzin and Zhukovsky can Tatiana be pulled out of such narrow confines. By tracing the thread of these Russian texts in the novel in verse, I will show that they often beg comparison not with their predecessors' heroines but with their male counterparts. Tatiana’s ambiguous characterization when read in conjunction with "Domik v Kolomne" (1830) shows the explicit gender parodies that Onegin only hints at. Using this text, I will ultimately consider Tatiana as an example of the ambivalence of Pushkin's heroine-muse in relation to his own participation in the ‘ballad question’ of the early 19th century.
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Martins, Estefânia Maria Almeida. "Espaços da Imaginação no Processo Criativo de Tatiana Belinky." http://www.teses.ufc.br, 2011. http://www.repositorio.ufc.br/handle/riufc/3440.

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MARTINS, Estefânia Maria Almeida. Espaços da imaginação no processo criativo de Tatiana Belinky. 2011. 168f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2011.<br>Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-06-26T15:06:42Z No. of bitstreams: 1 2011_DIS_EMAMARTINS.pdf: 4442366 bytes, checksum: 66998981d93b84abdc05058c783d8f98 (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-07-23T12:36:12Z (GMT) No. of bitstreams: 1 2011_DIS_EMAMARTINS.pdf: 4442366 bytes, checksum: 66998981d93b84abdc05058c783d8f98 (MD5)<br>Made available in DSpace on 2012-07-23T12:36:12Z (GMT). No. of bitstreams: 1 2011_DIS_EMAMARTINS.pdf: 4442366 bytes, checksum: 66998981d93b84abdc05058c783d8f98 (MD5) Previous issue date: 2011<br>Esta pesquisa se propõe a fazer uma análise dos Espaços da imaginação no processo criativo da escritora Tatiana Belinky, a partir de uma investigação de sua trajetória no universo da literatura infanto-juvenil, procurando verificar como ocorreu seu amadurecimento profissional desde sua atuação como autora de peças de teatro, como roteirista à fase de autora de contos e histórias infantis e juvenis. Para a realização de uma análise investigativa mais aprofundada, foram escolhidas duas histórias infantis: Bisaliques- Eta Bisa Boa! (2005) e Quatro Amigos (2007) e as histórias recriadas pela escritora nos contos Sapatinho de Cristal (2008), História de Terror (2008), História de Lobo (2008) e História de uma Ervilha (2008), constantes da Coleção Tapete de Histórias, por compreendermos que são obras que provocam nos leitores a formulação de novas indagações. O trabalho está dividido em três capítulos: o primeiro apresenta o âmbito das trocas sociais, em que a obra da escritora está inserida, sua formação artística e intelectual vivida em uma época de conflitos mundiais, sua relação com o teatro e a televisão assim como o estudo do campo intelectual e literário; no segundo desenvolvem-se reflexões referentes à imaginação no processo de construção das narrativas da escritora, e, no terceiro capítulo, nos concentramos nas questões de influência e superação de obras de autores importantes na formação literária de Tatiana Belinky. No primeiro capítulo ressaltam-se a utilização de duas obras fundamentais para a compreensão das categorias “campo literário” e “contexto” - As Regras da Arte (1973) de Pierre Bourdieu e O contexto da obra literária (2001) de Dominique Maingueneau. No segundo capítulo apresentamos a base teórica do trabalho cuja pesquisa foi norteada teoricamente pelos estudos de Hans Robert Jauss, precursor da Estética da Recepção em História da Literatura como Provocação à Teoria Literária (1994) e por Regina Zilberman em Estética da Recepção e História da Literatura (2009) e ainda sobre o conceito de imaginação refletido por Vigotski em Imaginação e criação na infância (2009) e por Gaston Bachelard em A poética do devaneio (2006). No terceiro capítulo, nos concentramos nas questões de influência e superação de obras de autores importantes na formação literária de Tatiana Belinky. Estas impressões estão registradas nas publicações de Tatiana Belinky: Transplante de menina (2003), Onde já se viu?(2004), Mentiras...e Mentiras (2004), Olhos de Ver (2004) 17 é TOV!(2005), Sustos e Sobressaltos na TV sem VT e outros momentos (2006). Para examinar como a escritora transformou o mundo de suas leituras, empregaremos a concepção de “angústia da influência” cunhado por Harold Bloom em A angústia da Influência (1991) e as categorias “estilo” e “escritura” desenvolvido por Roland Barthes em O Grau Zero da Escritura (1972).Este trabalho faz parte da pesquisa Bibliotecas Pessoais: Escritores, Historiadores e Críticos Literários, sob a coordenação da Profª. Drª Odalice de Castro e Silva, do Programa de Pós-Graduação em Letras – Literatura Comparada, da Universidade Federal do Ceará.
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Baschirotto, Viviane. "Tatiana Blass : palavras e formas, ruínas e metamorfoses." Universidade do Estado de Santa Catarina, 2015. http://tede.udesc.br/handle/handle/714.

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Made available in DSpace on 2016-12-08T16:18:56Z (GMT). No. of bitstreams: 1 123187.pdf: 2404713 bytes, checksum: 4d7cfd67d0d9d928ee1dc3727387dae5 (MD5) Previous issue date: 2015-05-19<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Each artist has a gesture that remains with him or her in his or her production, as a way to create, like something that recurs as a unique combination of obstinacy and premeditation which is regular in his or her work. This dissertation has the objective of recognizing the singularity of the artistic gestures of the Brazilian artist Tatiana Blass (São Paulo, 1979). In the first chapter, it considers the decadence and downfall through wax resource as sculptural material, marking some persistence in the animal representation before the human being. In the second chapter, it approaches the presence and the absence of the word, highlighting the production of speeches and silences in her videos and works with biplane support. In the third chapter, it reflects about the metamorphosis and phantasmagoria of the shapes and matters that turn into her aintings and sculptures. The persistent and insistent gesture in the universe of this artist consists of the deconstruction of the shape and the objects to an afterthought building of the work of art.<br>Cada artista possui um gesto que permanece consigo em sua produção, como uma maneira de fazer, como algo que se repete como uma combinação única de obstinação e premeditação recorrentes em suas obras. Esta dissertação tem por objetivo reconhecer a singularidade dos gestos artísticos da artista brasileira Tatiana Blass (São Paulo, 1979). No primeiro capítulo, considera a decadência e ruína por meio do recurso da cera como material escultórico, assinalando uma persistência na representação do animal frente ao ser humano. No segundo capítulo, aborda a presença e a ausência da palavra, destacando a produção de discursos e silêncios em seus vídeos e obras com suportes biplanares. No terceiro capítulo, reflete sobre a metamorfose e fantasmagoria das formas e matérias que se transformam em suas pinturas e esculturas. O gesto que persiste e insiste no universo desta artista consiste na desconstrução da forma e dos objetos para uma posterior construção da obra de arte.
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Gasanova, Tatiana [Verfasser]. "Novel methods for text preprocessing and classification / Tatiana Gasanova." Ulm : Universität Ulm. Fakultät für Ingenieurwissenschaften und Informatik, 2015. http://d-nb.info/1075568404/34.

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Mellone, Karin Dormien. "Tatiana Belinky: a história de uma contadora de histórias." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-20052009-165223/.

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A pesquisa desta dissertação é sobre Tatiana Belinky e sua atividade pioneira no teatro e televisão para crianças e jovens. Ela, seu marido Júlio Gouveia e o grupo Teatro Escola de São Paulo foram os iniciadores do Teatro para Crianças na cidade de São Paulo em 1948. Foram também os pioneiros da televisão brasileira para crianças e jovens em 1951. Tatiana Belinky adaptou para a televisão, que era teatro ao vivo, sem vídeo tape, o teleteatro O Sítio do Picapau Amarelo, de Monteiro Lobato, nos anos cinqüenta e sessenta, num total de 360 episódios. Monteiro Lobato, o iniciador da literatura brasileira para crianças e jovens e criador da Emília, conheceu o casal e tiveram longas conversas. O primeiro Sítio do Picapau Amarelo da TV brasileira traz a influência das idéias renovadoras de Dewey na educação, através de Anísio Teixeira, que conheceu Monteiro Lobato em Nova Iorque em 1928, quando estudava no Teachers College da Columbia University. E o primeiro Sítio da TV mostra os personagens em uma varanda através de uma pequena tela de TV. O clima é de igualdade e liberdade, atores e espectadores compartilhando brincadeiras, fantasia e a aventura da busca do conhecimento. É a precursora da TV de qualidade. Dramaturga, escritora, jornalista, tradutora e adaptadora, Tatiana Belinky sempre defendeu a produção de qualidade influenciando todo o teatro, a televisão e a literatura para crianças e jovens. Vamos contar um pouco da sua história...<br>The research of this thesis is about Tatiana Belinky and her pioneer activity in theater and television for children and youngsters. She, her husband Júlio Gouveia and the group Theater School of São Paulo, were the beginners of Children Theater in the city of São Paulo in 1948. They were also the pioneers of brasilian television for children and youth in 1951. Tatiana Belinky adapted for television, that was live, without videotape, the teletheatre The Yellow Woodpecker Farm, by Monteiro Lobato, in the fifties and sixties, in a total of 360 episodes. Monteiro Lobato, the beginner of children and youngsters brasilian literature and creator of Emília, met the couple and they had long talks. The first The Yellow Woodpecker Farm of brasilian television brings the influence of Deweys renewing ideas in education, through Anísio Teixeira, who met Monteiro Lobato in New York in 1928, while studying at the Teachers College in Columbia University. And the first Farm of TV brings a porch with the characters through a small TV screen. The atmosphere is one of equality and freedom, actors and audience sharing play, fantasy and the adventure of knowledge search. It is the forerunner of quality TV. Playwright, writer, journalist, translater and adapter, Tatiana Belinky always defended quality production having influenced all children and youngsters theatre, television and literature. Lets tell you a bit of her story
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Silva, Celia Maria Marcondes Ferraz. "Por uma psicologia social brasileira: Sílvia Tatiana Maurer Lane." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/16984.

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Made available in DSpace on 2016-04-29T13:30:59Z (GMT). No. of bitstreams: 1 Celia Maria Marcondes Ferraz Silva.pdf: 899850 bytes, checksum: 8bf9aec6a377cbb7b8ce5bddb05ec61c (MD5) Previous issue date: 2012-08-14<br>The subject for the present project is to contribute for the history of the Social Psychology in Brazil showing that Silvia Tatiana Maurer Lane (1933-2006) has an important contribution for the theoretical propositions concerning the Brazilian social psychology that was adopted for other social psychologists, professors and social scientists. To work as a professor has a key influence for Silvia s thoughts and ideas. She has often been criticism of the psychology with American influence, as well as in relation to the classic methods of teaching in Brazil. The PUC-SP institution where she works for forty years provides her a freedom and an open environment that enhance her way. In order to study Silvia s publications and live had been used personal documents, books, interviews and biographies made by other authors. The personal documents found in the Núcleo de Estudos em História da Psicologia-NEHPSI give us an important contribution for our conclusions and show her strong image as a professor and scientist in Brazil and abroad. The analysis of Silvia s productions demonstrates a strong relationship among the socio historic environment and her ideas over the course of lifetime work. In order to analyze Silvia s thoughts and ideas has a key importance a non-edit text named My way wrote before her death with the intention to prepare a book with a collection of writings published or not, which ones was difficult to achieve. This text allows us to understand the structure given by her to her own thoughts. We discovered that the language psychology, the theoretical bases for a Brazilian social psychology, the community psychology, the studies concerning the process to become a group and the emotional mediation, represents subjects that have been present throughout the course of her life s generating researches, texts, courses and presentations. Time pass and new views and considerations have been added to these themes. The work was not finished before her death living space for other texts and studies in future<br>Nosso propósito ao elaborar esta tese é contribuir com o estudo da Psicologia Social no Brasil, mostrando que Silvia Tatiana Maurer Lane (1933-2006) teve importância relevante na formulação das bases teóricas de uma Psicologia Social Brasileira, adotada por psicólogos sociais, professores e pesquisadores. A atividade docente foi fundamental para a formação do pensamento da intelectual respeitada, tendo se desenvolvido por meio de uma postura crítica, permanente, à psicologia social de influência americana e aos métodos tradicionais de ensino. A PUC de São Paulo, instituição na qual trabalhou durante quarenta anos, proporcionou à Silvia um ambiente de liberdade intelectual que favoreceu o seu trajeto. Escolhemos para estudar a autora um caminho ainda não trilhado por outros pesquisadores que falaram a respeito da ilustre professora, conduzindo a nossa pesquisa, em especial, a partir dos documentos pessoais encontrados no acervo deixado na PUC de São Paulo sob a guarda do Núcleo de Estudos em História da Psicologia-NEHPSI, além de livros, entrevistas e biografias escritas por outros autores. A análise do percurso de Silvia nos mostrou conexões importantes entre o seu trabalho e o contexto sócio-histórico e revelaram o prestígio da professora no Brasil e no exterior. Para o estudo das ideias, tomamos por base um texto ainda não publicado, denominado: Caminhos percorridos , escrito pouco tempo antes da sua morte e cuja finalidade era preparar uma coletânea dos seus textos, publicados ou não, mas de difícil acesso. A leitura nos permitiu entender a estrutura dada por ela ao seu próprio pensamento. Constamos que a psicologia da linguagem, as bases teóricas para formulação de uma psicologia social brasileira, a psicologia comunitária, o processo grupal e a mediação emocional são temas que estão presentes ao longo de toda a obra, gerando pesquisas, textos, cursos e apresentações, recebendo ao longo do tempo, novos olhares e releituras que fizeram avançar a compreensão dos temas. A obra não se encerra com a sua morte, deixando espaço para novos estudos e textos a serem produzidos
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Rizzo, Nicolo' <1995&gt. "NUDE "IS A VERB": Conversazione con Tatiana Brodatch Studio della riscoperta del nudo scultoreo negli ultimi decenni, fino al caso di Tatiana Brodatch." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17008.

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L'intervista con l'artista Tatiana Brodatch permette di aprire uno studio attorno al nudo scultoreo. Lo scopo è quello di capire se il suo caso è isolato, oppure se altri artisti nei decenni precedenti hanno sperimentato con il nudo in scultura.
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Wiley, Robert Christopher III. "Make-A-Tation." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1394807281.

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Rocha, Pedro de Freitas Damasceno da. "Quadros de vida, quadros de morte: falência e ressurreição nas obras de Tatiana Salem Levy." Universidade Federal de Juiz de Fora, 2012. https://repositorio.ufjf.br/jspui/handle/ufjf/1933.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-07-01T13:07:29Z No. of bitstreams: 1 pedrodefreitasdamascenodarocha.pdf: 658443 bytes, checksum: bfa6c3662042f0427d937294c9352b8f (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-07-13T16:00:27Z (GMT) No. of bitstreams: 1 pedrodefreitasdamascenodarocha.pdf: 658443 bytes, checksum: bfa6c3662042f0427d937294c9352b8f (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-07-13T16:00:46Z (GMT) No. of bitstreams: 1 pedrodefreitasdamascenodarocha.pdf: 658443 bytes, checksum: bfa6c3662042f0427d937294c9352b8f (MD5)<br>Made available in DSpace on 2016-07-13T16:00:46Z (GMT). No. of bitstreams: 1 pedrodefreitasdamascenodarocha.pdf: 658443 bytes, checksum: bfa6c3662042f0427d937294c9352b8f (MD5) Previous issue date: 2012-12-19<br>Este trabalho se debruça sobre as obras de ficção da escritora Tatiana Salem Levy. Nas obras estudadas, é marcante a tendência que a vida tem para a calamidade, constantemente anunciada por tempestades, acentuando seu caráter imperativo e inevitável. Em contraposição, destaca-se igualmente sua capacidade de restauração que brota de ínfimas frestas do caos instalado no cenário em que se desenvolvem as ações. Nesta tensão, as personagens perdem suas referências e precisam reestabelecer-se de alguma forma para sentirem-se novamente integradas, preenchidas de vida. Outro ponto intrigante nas obras da autora é a constante parca possibilidade de identificação destas personagens, uma vez que na maioria dos casos elas não possuem nome e se fazem incógnitas para os leitores. É difícil estabelecer o motivo desta falta de identidade, se esta fora motivada pela perda, ou a perda apenas corrobora o sentimento de vazio e falta de traços identitários marcantes. Para o sujeito repleto de lacunas, a realidade é absorvida em pedaços, fragmentos colecionados e guardados como esboço de um ideal de vaga realidade a qual pertence e representa, acredita pertencer e representar, ou ainda, da qual deseja pertencer e representar. Estes fragmentos são monumentos da significação alegórica que determinam a passagem do tempo e da decomposição de seus elementos em detrimento da confirmação de perenidade da identidade fixa. Ou seja, da modificação do próprio sujeito que, ao ver-se apegado à determinada condição ou a fatos do passado de sua existência, embota o presente e deixa de vislumbrar o futuro. Constitui-se, assim, no fazer literário, no lugar da escrita, o espaço viabilizador da reafirmação da identidade perdida, uma vez que escrever como processo de busca ampara-se em um trabalho consciente do sujeito às disposições de si presente na sociedade que o circunda. O objetivo deste trabalho é estabelecer padrões de comportamento a partir das ações das personagens, partindo da ausência de um eu afirmativo que desempenha uma ação, e estratégias comuns de reconstrução de suas personalidades. Para tanto, destacarei algumas características notadas nos textos, que servirão de pilares estruturantes de minha argumentação, quais sejam: as perdas, os nomes, os espaços e os discursos.<br>This paper focuses on the works of fiction writer Tatiana Salem Levy. In the works studied, is remarkable the tendency life has to calamity, constantly heralded by natural disasters, pointing out to its inevitability. In contrast, there is also a restoring ability which comes from tiny cracks from the chaos described in the stories. In this tension, the characters lose their references and need to re-establish themselves in some way to feel again integrated, fulfilled with life. Another intriguing issue is the constant possibility of identifying these characters, since in most cases they do not have names and are unknown to the readers. It is difficult to establish the reason for this lack of identity, whether it was motivated by the loss, or loss only confirms the feeling of emptiness and lack of identity features striking. As the subject are full of gaps, the reality is absorbed into pieces, fragments collected and saved as an outline and vague ideal of reality to which they belong or believe to belong. These fragments are monuments of the allegorical significance that determine the passage of time and the decomposition of its elements to the detriment of the confirmation of durability of fixed identity. Writing thus becomes the ideal place to the replace the subjects into society, specially to the ones they believe to have lost. The objective of this work is to establish standards of behaviour from the actions of the characters through which they aim to rebuild their personalities. The structural pillars of my argument, are: losses, names, places and speeches.
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Books on the topic "Tatiany"

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Sopova, A. S. Khram svi︠a︡toĭ Tatiany: Svi︠a︡tyni, istorii︠a︡, sovremennostʹ. Khram svi︠a︡toĭ muchenit︠s︡y Tatiany pri MGU, 2010.

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Marie-Hélène, Sabard, ed. Tatiana. Éd. VDB, 2004.

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1923-, Rosenthal Jean, ed. Tatiana. Éd. du Rocher, 2000.

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-, Sabard Marie-Hélène 19, ed. Tatiana. R. Laffont, 2003.

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1850-1932, Sievers Eduard, ed. Tatian. 2nd ed. F. Schöningh, 1989.

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Ninghetto, Françoise. Tatiana Trouvé. Mamco Genève, 2022.

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Blass, Tatiana. Tatiana Blass. Artedardo, 2008.

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Hasty, Olga Peters. Pushkin's Tatiana. University of Wisconsin Press, 1999.

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Grinberg, Tatiana. Tatiana Grinberg. Galerias do IBEU Cenestesia Cirurgica, 1996.

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Tatiana, Trouvé, Grosse Katharina 1961-, and Accademia di Francia (Rome, Italy), eds. Tatiana Trouvé. Electa, 2018.

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Book chapters on the topic "Tatiany"

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Große, Gundula. "Tibuleac, Tatiana." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2023. http://dx.doi.org/10.1007/978-3-476-05728-0_23371-1.

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Tamcke, Martin. "Tatianos." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22565-1.

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Revilla, Tatiana. "Tatiana Revilla's Commentary." In Human-Centered AI. Chapman and Hall/CRC, 2024. http://dx.doi.org/10.1201/9781003320791-31.

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Shields, Jennifer A. E. "Tatiana Bilbao Estudio." In Collage and Architecture, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003126317-11.

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de Freitas Campos, Regina Helena. "Lane, Sílvia Tatiana Maurer." In The Palgrave Biographical Encyclopedia of Psychology in Latin America. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-38726-6_382-1.

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de Freitas Campos, Regina Helena. "Lane, Sílvia Tatiana Maurer." In The Palgrave Biographical Encyclopedia of Psychology in Latin America. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-56781-1_382.

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Tamcke, Martin. "Tatianos: Diatessarōn." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22566-1.

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Slezkine, Yuri. "The Two Faces of Tatiana Matveevna." In Writing the Stalin Era. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230116429_3.

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Williams, D. H. "Hellenized Antagonism toward Hellenism." In Defending and Defining the Faith. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190620509.003.0008.

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This chapter examines the work of Tatian (Tatianus), whose apologetic document has many of the same goals as that of his mentor, Justin the Martyr, except that Tatian’s final product is shorter and blunter, and vehemently argues that the “men of Greece” possess no originality and their very claim to being philosophers is manifestly false. Tatian’s style is surely more acidic than his mentor’s, but it is inaccurate to depict Justin as a “negotiator,” while designating Tatian as the combative confrontationist with the aim of presenting a general condemnation of Greek culture.
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Barker, James W. "Characteristics of the Diatessaron’s Sequence." In Tatian's Diatessaron. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844583.003.0004.

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This chapter elucidates the overarching structure of Tatian’s Diatessaron. The four separate Gospels differ among themselves in countless ways. To narrate Jesus’s ministry, Tatian incorporated all the Jewish festivals from the Gospel of John, but he rearranged the order of the feasts and the events surrounding them. Tatian’s narrative chronology has gone unrecognized in previous scholarship, because Ephrem’s commentary—albeit a key witness to the Diatessaron—suppressed most of the references to Jewish feasts. Besides the Diatessaron’s innovative chronology, Tatian often grouped characters and episodes thematically when rearranging the contents of the fourfold gospel. The Arabic harmony is the single best witness to the Diatessaron’s narrative sequence.
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Conference papers on the topic "Tatiany"

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Dyke, Gregory, Kristine Lund, and Jean-Jacques Girardot. "Tatiana." In the 9th international conference. Association for Computational Linguistics, 2009. http://dx.doi.org/10.3115/1600053.1600062.

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Shesteperov, A. A., and S. V. Lychagina. "SCARBILOVICH TATIANA S. (TO THE 120th BIRTH ANNIVERSARY)." In THEORY AND PRACTICE OF PARASITIC DISEASE CONTROL. VNIIP – FSC VIEV, 2024. http://dx.doi.org/10.31016/978-5-6050437-8-2.2024.25.35-40.

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It marked 120 years since the birth of Tatyana Semenovna Skarbilovich, the founder of Soviet and Russian phytonematology and helminthology (January 24, 1904). While in the Moscow University, T. S. Skarbilovich studied in a helminthological group organized by Academician K. I. Skryabin in 1924. In 1926 to 1933, T. S. Skarbilovich mainly worked in zoohelminthology. During this period, she published 20 scientific papers on helminth fauna of domestic and wild animals, as well as biology of some helminths. T. S. Skarbilovich stood at the origins of phytohelminthology in our country. From 1929 until the end of her life (1988), T. S. Skarbilovich’s scientific activity was associated with the All-Union Institute of Helminthology where she headed the Laboratory of Phytohelminthology for more than 25 years, and then continued to work as a consulting Professor. Tatyana Semenovna studied dozens of phytohelminth species that cause nematode diseases of agricultural, medicinal, and ornamental plants. The results of these studies were presented in the monograph that was translated into Chinese and published in the PRC. An in-depth and detailed study of biology and ecology of, and control measures against, the beet cyst nematode formed the basis of her doctorate thesis. She was the author of over 100 scientific papers. Bibliography "Domestic literature on nematodes of plants, insects, soil and aquatic environments for 1874 to 1980" published by T. S. Skarbilovich was translated into English in India.
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Butnaru, Tatiana. "George Meniuc vs Tatiana Găluşcă: regăsirea spirituală prin folclor." In Conferinta stiintifica nationala cu participare internationala „Lecturi in memoriam acad. Silviu Berejan”. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/lecturi.2021.05.03.

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În articolul de faţă este dezvăluită colaborarea lui G. Meniuc cu Tatiana Găluşcă pe tărâmul cuvântului artistic, ceea ce l-a determinat să pătrundă mai temeinic în universul spiritualităţii populare, să ajungă la „o sinteză dintre geniul anonim şi valoarea individuală”, oferindu-i noi posibilităţi de resurecţie în modulaţiile codului estetic al poporului, a eticii sale multiseculare de viaţă. Odată ce „lumea asta e o transpunere în mit, vis de care are nevoie omul”, sugestie vehiculată de T. Găluşcă, G. Meniuc a reuşit să sintetizeze nişte imagini poetice, ce se redimensionează în conformitate cu straturile arhaice ale mentalităţii populare, acestea fiind dirijate de o logică mitică interioară, de resorturi şi stări sufleteşti deosebite. Reprezentările populare şi toposurile folclorice prefigurează în viziunea lui G. Meniuc un mediu tradiţional, omniprezent în mai multe versuri, determină aprofundarea anumitor aspecte ale realităţii artistice curente. Dialogul G. Meniuc vs T. Găluşcă, colaborarea lor sufletească pe tărâmul creaţiei artistice a devenit un frumos exemplu de comunicare spirituală, „o creangă de aur” menită să dăinuie dincolo de hotarele existenţei terestre.
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Gherman, Oxana. "Identity expressions in contemporary Bessarabian novel (Tatiana Țîbuleac, Sașa Zare)." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.05.

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The present material proposes a comparative analysis of the image of the Soviet Bessarabian space, the artistic representations of childhood and the expressions of identity crises in the novels The Glass Garden by Tatiana Țîbuleac and Disrooting by Sașa Zare. The texts raise a series of issues related to the human condition, to social, cultural, linguistic, ethnic identity, reflecting, through the destinies of the central characters, the identity crisis of the man educated in the (post)soviet space and his attempt to configure a personal identity.
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BRÎNZA, Liliana. "Aspecte istorice în romanul Grădina de sticlă de Tatiana Țîbuleac." In "Învățământul superior: tradiţii, valori, perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2022. https://doi.org/10.46727/c.v1.1-2-10-2022.p142-147.

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This research article focuses on the historical aspects of the Bessarabian novel Grădina de sticlă de Tatiana Țîbuleac. The study starts from the approach of literature through the prism of the interdisciplinary and multidisciplinary connection, the diegetic pretext being the historical moments in the novel: the cruel reality of the entire Bessarabian people from the Soviet period.
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Burns, Peter D. "Application of Tatian"s method to slanted-edge MTF measurement." In Electronic Imaging 2005, edited by Rene Rasmussen and Yoichi Miyake. SPIE, 2005. http://dx.doi.org/10.1117/12.597074.

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Maguire, Ethan, Rajiv Sejpal, and Bruce W. Smith. "Defining Tatian-Zernike polynomials for use in a lithography simulator." In Optical and EUV Nanolithography XXXVI, edited by Anna Lio and Martin Burkhardt. SPIE, 2023. http://dx.doi.org/10.1117/12.2660861.

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Сидельников, Н. И., П. Г. Мизина, and О. А. Семкина. "THE CONTRIBUTION OF TATIANA ALEXANDROVNA SOKOLSKAYA TO FUNDAMENTAL SCIENCE IN PHARMACY." In Современные тенденции развития технологий здоровьсбережения. Федеральное государственное бюджетное научное учреждение "Всероссийский научно-исследовательский институт лекарственных и ароматических растений", 2021. http://dx.doi.org/10.52101/9785870191027_2021_184.

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Bazant, L. "PUSHKIN AND TOLSTOY: PLOT LINES OF THE NOVELS «EUGENE ONEGIN» AND «ANNA KARENINA»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2023. https://doi.org/10.17223/978-5-907572-02-7-2023-73.

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Dmitriev, A. V., G. K. Garipov, O. R. Grigoryan, et al. "UV Radiation from the Night-Time Atmosphere seen from the “Universitetsky-Tatiana” Satellite." In COUPLING OF THUNDERSTORMS AND LIGHTNING DISCHARGES TO NEAR-EARTH SPACE: Proceedings of the Workshop. AIP, 2009. http://dx.doi.org/10.1063/1.3137703.

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Reports on the topic "Tatiany"

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Friske, P. W. B. Effects of limnological variation on element distribution in lake sediments from Tatin Lake, central British Columbia - implications for the use of lake sediment data in exploration and environmental studies. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1995. http://dx.doi.org/10.4095/205188.

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DiDomizio, Matthew, and Jonathan Butta. Measurement of Heat Transfer and Fire Damage Patterns on Walls for Fire Model Validation. UL Research Institutes, 2024. http://dx.doi.org/10.54206/102376/hnkr9109.

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Fire models are presently employed by fire investigators to make predictions of fire dynamics within structures. Predictions include the evolution of gas temperatures and velocities, smoke movement, fire growth and spread, and thermal exposures to surrounding objects, such as walls. Heat flux varies spatially over exposed walls based on the complex thermal interactions within the fire environment, and is the driving factor for thermally induced fire damage. A fire model predicts the temperature and heat transfer through walls based on field predictions, such as radiative and convective heat flux, and is also subject to the boundary condition represen-tation, which is at the discretion of model practitioners. At the time of writing, Fire Dynamics Simulator can represent in-depth heat transfer through walls, and transverse heat transfer is in a preliminary development stage. Critically, limited suitable data exists for validation of heat trans-fer through walls exposed to fires. Mass loss and discoloration fire effects are directly related to the heat transfer and thermal decomposition of walls, therefore it is crucial that the representation of transverse heat transfer in walls in fire models be validated to ensure that fire investigators can produce accurate simulations and reconstructions with these tools. The purpose of this study was to conduct a series of experiments to obtain data that addresses three validation spaces: 1) thermal exposure to walls from fires; 2) heat transfer within walls exposed to fires; and 3) fire damage patterns arising on walls exposed to fires. Fire Safety Research Institute, part of UL Research Institutes, in collaboration with the Bureau of Alcohol, Tobacco, Firearms and Explosives Fire Research Laboratory, led this novel research endeavor. Experiments were performed on three types of walls to address the needs in this validation space: 1. Steel sheet (304 stainless steel, 0.793 mm thick, coated in high-emissivity high-temperature paint on both sides). This wall type was used to support the heat flux validation objective. By combining measurements of gas temperatures near the wall with surface temperatures obtained using infrared thermography, estimates of the incident heat flux to the wall were produced. 2. Calcium silicate board (BNZ Marinite I, 12.7 mm thick). This wall type was used to support the heat transfer validation objective. Since calcium silicate board is a noncombustible material with well-characterized thermophysical properties at elevated temperatures, measurements of surface temperature may be used to validate transverse heat transfer in a fire model without the need to account for a decomposition mechanism. 3. Gypsum wallboard (USG Sheetrock Ultralight, 12.7 mm thick, coated in white latex paint on the exposed side). This wall type was used to support the fire damage patterns validation objective. Two types of fire effects were considered: 1) discoloration and charring of the painted paper facing of the gypsum wallboard; and 2) mass loss of the gypsum wallboard (which is related to the calcination of the core material). In addition to temperature and heat flux measurements, high resolution photographs of fire patterns were recorded, and mass loss over the entirety of the wall was measured by cutting the wall into smaller samples and measuring the mass of each individual sample. A total of 63 experiments were conducted, encompassing seven fire sources and three wall types (each combination conducted in triplicate). Fire sources included a natural gas burner, gasoline and heptane pools, wood cribs, and upholstered furniture. A methodology was developed for obtaining estimates of field heat flux to a wall using a large plate heat flux sensor. This included a numerical optimization scheme to account for convection heat transfer. These data characterized the incident heat flux received by calcium silicate board and gypsum wallboard in subsequent experiments. Fire damage patterns on the gypsum wallboard, attributed to discoloration and mass loss fire effects, were measured. It was found that heat flux and mass loss fields were similar for a given fire type, but the relationship between these measurements was not consistent across all fire types. Therefore, it was concluded that cumulative heat flux does not adequately describe the mass loss fire effect. Fire damage patterns attributed to the discoloration fire effect were defined as the line of demarcation separating charred and uncharred regions of the wall. It was found that the average values of cumulative heat flux and mass loss ratio coinciding with the fire damage patterns were 10.41 ± 1.51 MJ m−2 and 14.86 ± 2.08 %, respectively. These damage metrics may have utility in predicting char delineation damage patterns in gypsum wallboard using a fire model, with the mass loss ratio metric being overall the best fit over all exposures considered. The dataset produced in this study has been published to a public repository, and may be accessed from the following URL: &lt;https://doi.org/10.5281/zenodo.10543089&gt;.
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