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Journal articles on the topic 'Tatiany'

Author: Grafiati

Published: 29 July 2024

Last updated: 19 July 2025

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1

Kalita, Liliana. "Parodia w opowiadaniach Tatiany Tołstoj." Studia Rossica Posnaniensia 40, no. 2 (2016): 15–25. http://dx.doi.org/10.14746/strp.2015.40.2.2.

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Tatyana Tolstaya is one of the most accomplished contemporary Russian writers. She represents a postmodernist trend of which parody is a vital part. In her prose one can find parodies of political systems, social groups, romantic ideals, Soviet reality and human behavior. The article analyzes Tolstaya’s use of parody in her most popular stories, i.e. Hunting the Wooly Mammoth, Fire and Dust, Night, The Fakir and Okkervil River.

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2

Małek, Krzysztof Robert. "Ekoteologia rosyjskiego prawosławia według Tatiany Goriczewej." Przegląd Rusycystyczny, no. 1 (185) (February 12, 2024): 7–28. https://doi.org/10.31261/pr.15345.

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Rozważania nad relacją człowiek–przyroda wykraczają poza obszar nauk przyrodniczych i społecznych. Wszystkie stworzenia mają równe prawo do istnienia. Zgodnie z prawosławną ekoteologią to Absolut powołał byty do istnienia i nadał im określone prawa. Celem artykułu jest analiza znaczenia środowiska naturalnego w prawosławiu na przykładzie twórczości rosyjskiej filozofki i teolożki Tatiany Goriczewej. Odwołując się m.in. do refleksji filozoficzno–teologicznej i hagiograficznej zawartych w pracach autorki Świętych zwierząt, omówiono status środowiska naturalnego w prawosławiu i jego roli w historii zbawienia oraz podjęto rozważania na temat biocentryzmu i antropocentryzmu chrześcijańskiego w prawosławiu.

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3

Tymieniecka-Suchanek, Justyna Barbara. "Święte zwierzęta bez zwierząt?" Przegląd Rusycystyczny, no. 2 (186) (April 19, 2024): 235–48. https://doi.org/10.31261/pr.16598.

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Tekst pt. Święte zwierzęta bez zwierząt? jest recenzją książki Tatiany Goriczewej Święte zwierzęta w polskim przekładzie Grzegorza Ojcewicza, która została opublikowana przez wydawnictwo „GregArt” w 2022.

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4

Smagina, Nadzieja. "Futurologiczna wizja świata w powieści Tatiany Tołstoj „Kyś”." Kultury Wschodniosłowiańskie - Oblicza i Dialog, no. 2 (October 6, 2018): 147–55. http://dx.doi.org/10.14746/kw.2012.2.18.

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5

Małek, Krzysztof. "Zwierzęca eseistyka Tatiany Goriczewej w refleksji genologicznej. Rekonesans." Postscriptum Polonistyczne 33, no. 1 (2024): 1–20. http://dx.doi.org/10.31261/ps_p.2024.33.05.

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Zooteologia jako nowa dyscyplina badawcza w Polsce zajmuje się kwestią zwierzęcą w odniesieniu do religii, jej świętych tekstów, praktyk religijnych oraz szeroko rozumianej tradycji, do której zaliczają się również hagiografie chrześcijańskie – wśród wyznawców zarówno wschodnich, jak i zachodnich cieszące się wyjątkową estymą. Celem tego artykułu jest analiza i interpretacja prezentacji istot pozaludzkich w eseistyce Tatiany Goriczewej. W niniejszym opracowaniu uwzględniono refleksje filozoficzne, teologiczne, w tym hagiograficzne, zaproponowane przez współczesną prawosławną filozofkę i teolożkę. Autor szkicu odpowiada na następujące pytania: Czy zwierzęta posiadają w myśli Goriczewej status samodzielnego bytu? Czy można mówić o świętości istot nie-ludzkich? Czy opisy zachowania zwierząt zaprezentowane w hagiografiach zgadzają się z ich behawiorem opisywanym przez biologów/zoologów/etologów? Przeprowadzona analiza pozwoli na wstępne rozstrzygnięcie hipotezy postawionej w tytule artykułu. Badania te mogą stać się przyczynkiem do pogłębiania tego zagadnienia w kolejnych publikacjach, w ramach zarówno zooteologii, jak i ekokrytyki, posthumanizmu czy też animal studies.

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6

Kručayová, A. "Rozvoj osobnosti žiaka umením – koncepcia hudobného vzdelávania Tatiany Ivanovny Smirnovej." Slovenska hudba 46, no. 03 (2020): 226–48. http://dx.doi.org/10.4149/sh_2020_3_2.

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7

Ojcewicz, Grzegorz. "Wokół dziennika podróży ekoteolożki Tatiany Goriczewej „Człowiek ustawicznie szuka szczęścia”." Studia Rossica Gedanensia, no. 9 (December 31, 2022): 53–78. http://dx.doi.org/10.26881/srg.2022.9.03.

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On “Man ceaselessly seeks happiness”, a travel diary of an eco-theologian Tatiana Goricheva The author faces the main task of a comprehensive – to its possible extent – overview of Man ceaselessly seeks happiness. He approaches the text from the perspective of its genre and the subject matter. By taking into consideration the main thought behind the title of the book, he examines what the search for happiness means to the writer. The notions of poetics intersect with remarks on the essay-like narration of the diary, in which the writer shares her thoughts on religions and cultures of the West, the East, South Asia, Russian migrants scattered around the world, the contemporary state of the Church and Christians in Europe and outside it, individual and collective ways of searching for God or human approach towards animals. The author reaches a conclusion that “Man ceaselessly seeks happiness” is not a traditional travel diary and Tatiana Goricheva’s musings present a deeply individual outlook on the notions of Christianity and faith.

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8

Ziomek, Marcin. "Dialog z klasyką. Sonieczka Ludmiły Ulickiej i Sonia Tatiany Tołstoj." Świat i Słowo 41 (2023): 165–77. http://dx.doi.org/10.53052/17313317.2023.34.

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9

Pitrus, Andrzej. "Prawie wszystkie kolory Indii." Kwartalnik Filmowy, no. 93-94 (June 30, 2016): 301–3. http://dx.doi.org/10.36744/kf.2253.

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Tekst jest recenzją tomu zbiorowego Od Ramajany do Slumdoga. Filmowe adaptacje literatury indyjskiej (2015) pod redakcją Grażyny Stachówny i Tatiany Szurlej. Książka zawiera dwadzieścia esejów poświęconych filmom zrealizowanym na podstawie literatury indyjskiej. Autor recenzji zwraca uwagę na eklektyzm publikacji wynikający z różnorodności literatury Indii czy wręcz niemożności zdefiniowania jednej literatury indyjskiej. Tom został jednak oceniony wysoko jako pionierskie wydawnictwo będące odpowiedzą na wzrastające zainteresowanie przedstawionym w nim fenomenem.

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Kortus, Nadzieja. "Pomiędzy psychologizmem a psychoanalizą. Problem psychologicznej konstrukcji bohaterów w powieści „Kyś” Tatiany Tołstoj." Kultury Wschodniosłowiańskie - Oblicza i Dialog, no. 3 (September 23, 2018): 37–47. http://dx.doi.org/10.14746/kw.2013.3.4.

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11

Sowińska, Iwona. "Kilka trudności z historią muzyki filmowej." Kwartalnik Filmowy, no. 44 (December 31, 2003): 76–84. https://doi.org/10.36744/kf.3735.

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Sowińska w swoim tekście zastanawia się nad różnymi modelami badania muzyki filmowej i jej historii – nad jej ujęciem diachronicznym, synchronicznym, nad socjokulturowymi jej kontekstami. Zestawia ze sobą dwie książki: Tatiany Jegorowej Soviet Film Music. An Historical Survey (na temat muzyki filmowej w kinie radzieckim) oraz Twenty Four Frames Under: A Buried History of Film Music Russela Lacka. Zestawienie to wypada zdecydowanie na korzyść drugiej – podczas gdy Jegorowa traktuje swój przedmiot dość sztywno a zarazem powierzchownie, Lack jest bardziej elastyczny, a jego tekst wielowymiarowy. Sowińska wspomina też o sytuacji muzyki filmowej w Polsce i o różnicach potraktowania jazzu w kinie europejskim i polskim.

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12

Ursulenko, Anna. "Chronos contra Tanatos w postapokaliptycznym świecie na materiale powieści Kyś Tatiany Tołstoj i Kaharłyk Ołeha Szynkarenki." Slavica Wratislaviensia 168 (April 18, 2019): 185–96. http://dx.doi.org/10.19195/0137-1150.168.15.

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Chronos versus Thanatos in a post-apocalyptic world as presented in Tatyana Tolstaya’s The Slynx and Oleh Shynkarenko’s KaharlykThe article explores issues related to images and concepts used by the writers of dystopias imagining a post-apocalyptic world to diagnose the condition of their national communities. The author discusses, among other things, the means of presenting time such as metaphors of looping or stopping time, which help construct the messages conveyed in the novels. Particular attention is paid to the contrast between Chronos and Thanatos — figures representing time and death, which are widely used in culture. In the analyzed novels, this contrast, which is characteristic of post-Enlightenment secular consciousness, is reflected in the creation of an antithesis between the historic and the archaic. Хронос contra Танатос в постапокалітичному світіна матеріалі романів Кись Тетяни Толстої і Кагарлик Олега ШинкаренкаВ статті розглядаються питання, пов’язані з образами і концепціями, за допомогою яких автори дистопій, зображуючи постапокаліптичний світ, діагностують кондицію власних національних спільнот. Аналізуються, зокрема, засоби представлення часу, як-то метафора часової петлі чи зупиненого часу, що допомагають будувати ідейне наповнення даних творів. Особлива увага звертається на характерне для післяпросвітницької світської свідомості протиставлення Хроноса і Танатоса, тобто культурних фігур смерті й часу, що в обраних творах знаходить своє віддзеркалення в побудові антитези історія — архаїка.

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13

Mills, Ian N. "Zacchaeus and the Unripe Figs: A New Argument for the Original Language of Tatian's Diatessaron." New Testament Studies 66, no. 2 (2020): 208–27. http://dx.doi.org/10.1017/s0028688519000389.

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Did Tatian write his gospel in Greek or Syriac? Treatments of this most beleaguered crux in Diatessaronic studies have largely depended on a now defunct approach to the source material. The ‘New Perspective’ on Tatian's Diatessaron wants for a new study of this old question. A problematic arrangement of textual data at Luke 19.4 offers unrecognised evidence that Tatian composed in Greek – namely, contradictory testimonia to the Syriac word for Zacchaeus’ ‘sycamore’ in Tatian's gospel reflect different etymological translations of a distinctive, Greek textual variant.

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14

Pawletko, Beata. "„Między nieobecnością a utratą”. Trauma blokady Leningradu i jej echa na materiale utworów Natalii Krandijewskiej-Tołstoj oraz Tatiany i Natalii Tołstoj." Miscellanea Posttotalitariana Wratislaviensia 6 (October 10, 2017): 257–68. http://dx.doi.org/10.19195/2353-8546.6.20.

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“Between absence and loss”. Trauma of siege of Leningrad and its echoes literary works by Natalia Krandiyevska-Tolstaya, Tatyana and Natalia TolstayaThere is no denying that the contemporarily revealed truth about the siege of Leningrad is fitted in, citing Dominick LaCapra findings, two coupled terms, i.e. absence and loss. The tension between them concerns not only the witnesses, but also the next generations, which try to recover the memory on behalf of their loved ones. The category of postmemory created by Marianne Hirsch will be employed as a base to the specificity of the reception and presentation of “inherited experience” of the siege by the representatives of third generation. Literary works by Tatyana Tolstaya and her sister Natalia will be analyzed, where, as it turns out, the echoes of the siege sound not accidentally; the background is created by the oeuvre and attitude of their grandmother, Natalia Krandiyevska-Tolstaya. What does this remarkable literary cross-generational relation bring? Is it only an expression of memory, or maybe it is an attempt to confront traumatic events of the past? One thing goes without saying: the presence of the siege in the works of postmemory is a proof of inexhaustibleness, but mostly of not dealing with, not settling up this experience not only in the life of particular families but, most of all, within Russian literature.„Между отсутвием и утратой”. Травма блокады Ленинграда и ее эхо на материале произведений Натальи Крандиевской-Толстой, а также Татьяны и Натальи ТолстыхВ современные исследования блокады Ленинграда вписываются, ссылаясь на труды Доминика ЛаКапра, два параллельных понятия, т.е. отсутствие и утрата. Особенным напряжениям между ними подвергаются не только свидетели, но и следующие поколения пытающихся восстанавливать память о блокаде от имени своих родных. Кроме того, очередной исходной точкой по отношению к специфике приема и представления „перенятого опыта” блокады представителями третьего поколения послужит категория постпамяти Марианны Хирш. Предметом анализа будут произведения Татьяны Толстой и ее сестры Натальи, в которых эхо блокады, как известно, появляется неслучайно, поскольку фон образует творчество и жизненный путь их бабушки, Натальи Крандиевской-Толстой. Что несет с собой этот необыкновенный, литературный, межпоколенческий диалог? Является ли он лишь выражением памяти, или, может быть, это скорее всего попытка конфронтации с травматическим прошлым? Одно не подлежит сомнению присутствие блокадной темы в мемориальных произведениях это свидетельство ее неисчерпаемости, но прежде всего сигнал, что травматический опыт еще недостаточно проработан не только в случае конкретных семей, но и в области современной русской литературы.

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Chojnacka, Wiktoria. "Konstrukty cywilizacji i metafizyka transfiguracji w twórczości Romany Kaszczyc." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 12 (December 21, 2023): 157–68. http://dx.doi.org/10.18778/2299-7458.12.11.

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W twórczości Romany Kaszczyc – artystki przyrody, pogranicza, peryferii, ziemi zachodniopomorskiej i lubuskiej, Puszczy Barlineckiej – w perspektywie sąsiedztwa, współzależności i różnorodności, status granicy traci swoje ontologiczne znaczenie. Puszcza trwa, niezależnie od umownych granic wyznaczonych na administracyjnej mapie Polski. Jednocześnie warto zadać pytanie, czy kultura staje się – powiększającą zachłannie swoje terytorium – sąsiadką natury, a może jej ciemiężycielką? Barlinecka Roma kreuje w swojej twórczości świat, w którym schematy i role społeczne stają się więzieniem. Natomiast w oczach artystki współistniejąca binarność nocy i dnia, mroku i jasności, życia i śmierci jest metafizyczna. Czy zatem granica byłaby transcendentna, epistemologicznie wydarzająca się oraz niezależna od człowieka? Chciałabym przede wszystkim nie tylko przedstawić zasługującą na upamiętnienie artystkę, która świadomie wybrała życie na terenach pogranicza, ale i przyjrzeć się granicy samej w sobie, w jaki sposób wytwarzają się i konstytuują antagonizmy między kulturą i naturą, centrum i peryferiami, światowym uznaniem i regionalnością. Głównym moim celem badawczym jest natomiast stworzenie interpretacji wybranych tekstów kultury Romany Kaszczyc w świetle rozważań semantycznego doświadczenia pogranicza. Krytyczne opracowanie dzieł literackich i plastycznych przedstawię w perspektywie neoregionalnej oraz ekokrytycznej. Interpretacje staną się jednocześnie pre-tekstem do rozważań związanych z problematyką sąsiedztwa, granicy oraz ekocydu. Inspiracje badawcze czerpać będę z dorobku naukowego m.in. Julii Fiedorczuk, Aleksandry Ubertowskiej, Tatiany Czerskiej, Elżbiety Rybickiej.

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Barker, James W. "The Narrative Chronology of Tatian's Diatessaron." New Testament Studies 66, no. 2 (2020): 288–98. http://dx.doi.org/10.1017/s0028688519000468.

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The Synoptics narrate a single Passover during Jesus’ ministry, whereas John's Gospel spans three Passovers. The Diatessaron harmonised the Four Gospels, but previous scholarship has misapprehended Tatian's chronology of Jesus’ ministry. The Diatessaron included all the Johannine festivals, but Tatian rearranged the order of events. Distinctively resolving a significant disagreement between John and the Synoptics, Tatian innovated a narrative sequence wherein Jesus’ temple disruption occurs at the second of three Passovers.

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Volynkina, Svetlana V. "Friend, Teacher, Genre researcher (Review of the book: Prirashcheniye smysla: sbornik nauchnykh statey k yubileyu Tatiany Viktorovny Shmelyovoy [Speranskaya A. N., ed. Increment of Meaning: A collection of research articles for the anniversary of Tatiana V. Shmelyova]. Moscow, RU-SCIENCE, 2021. 320 p.)." International Journal “Speech Genres” 18, no. 1 (37) (2023): 96–102. http://dx.doi.org/10.18500/2311-0740-2023-18-1-37-96-102.

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This review was written in response to the publication of a collection of research articles dedicated to Tatiana V. Shmelyova’s anniversary. Therefore, all articles included in the collection “Increment of Meaning” are related to one of the leading Russian studies researchers of our time, her scientific interests and studies, among which are syntax, philology, speech genres, onomastics, media linguistics, history of science, and key words of the present moment. This review describes and analyses the research articles and reports included in the collection, describes the structure and contents of the publication, identifies the most distinct tendencies in the study of language. Some of the Tatiana V. Shmelyova’s original texts are mentioned as a favourable feature of the collection – the keynote speech at the VI International Russian Language Researchers Congress which opens the collection “Increment of Meaning”, as well as an interview with Tatiana V. Shmelyova which shows her personality as a Scientist, Teacher and Person. The unique thematic and compositional structure of the collection is especially noteworthy–the fact that along with Tatiana V. Shmelyova’s original texts there are also articles written by her colleagues, students and friends gives it a dialogic quality rarely seen in research papers, creates an impression of an unhurried conversation full of discussions about science and, at the same time, full of memories of days/months/years spent together that have inspired each of the participants of the “dialogue” to actively pursue their research and creative work. This dialogic quality is found in the form of other people’s numerous opinions and impressions of Tatiana V. Shmelyova and their experience of working with her which are present in almost every article in the collection (this review contains their quotations) as well as in a more concentrated form in the final section “Materials and Accounts”. The collection “Increment of Meaning” is not only an important research resource for specialists in the Russian language and modern linguistics, but also an invaluable source of information about Tatiana V. Shmelyova as a Person.

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Martins, José Miguel Quedi, and Tatiany Oleques Lukrafka. "Entrevista Prof. Dr. José Miguel Martins." Revista InterAção 13, no. 1 (2022): 8–24. http://dx.doi.org/10.5902/2357797570612.

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Esta entrevista originalmente foi concedida por escrito à jornalista Tatiany Lukrafka, responsável pelo Portal da Faculdade de Ciências Econômicas da UFRGS. Ela se deu por ocasião da 4ª edição do Curso de Simulação de Combate e Blindados, realizado pela UFRGS e pelo Comando Militar do Sul (CMS), ainda em 2021. Mas, como tardei demais em responder, o momento de sua publicação acabou passando. Contudo, em função da crescente participação da Universidade Federal de Santa Maria (UFSM), e da proximidade da 5ª edição do curso, a realizar-se entre os dias 27/06 e 01/07/2022, entendeu o professor Dr. José Renato Ferraz da Silveira, Editor-chefe desta prestigiosa revista, ser oportuno que se efetue sua publicação, dado que seu conteúdo permanece atual. Importa esclarecer que, à exceção dos trabalhos do corpo discente, para os quais recorreu-se ao auxílio das bases de dados da UFRGS, as referências a personagens e eventos foram feitas de memória. Portanto, podem conter lacunas ou imprecisões. Ademais, trata-se da experiência pessoal do autor e de suas percepções sobre a vida vivida. De modo algum tem-se a pretensão de efetuar-se uma história institucional, quer do curso de graduação ou de pós-graduação em Relações Internacionais da UFRGS. A referência a pessoas, ou personalidades, tem como propósito prestar reconhecimento e homenagem – por este percurso, gratidão. De modo algum associá-las às concepções defendidas no conteúdo do texto. Estas são de responsabilidade exclusiva do autor. Portanto, tampouco podem representar as posições de órgãos da UFRGS e, muito menos, do Exército Brasileiro.

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Lössl, Josef. "Between Hipparchian Cynicism and Priscillian Montanism: Some Notes on Tatian, or. 3.6." Vigiliae Christianae 74, no. 1 (2020): 84–107. http://dx.doi.org/10.1163/15700720-12341420.

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Abstract Tatian’s Oration to the Greeks (or.) contains a list of twelve ancient Greek philosophers whom Tatian berates for their arrogant stupidity (or. 2.1-3.7). In this list can be found a brief note (or. 3.6) in which Tatian singles out the Cynic Crates of Thebes (ca. 368/5-ca. 288/5 BC) and asks who would want to be a witness at his “dog-marriage” (κυνογαµία) or not reject the arrogant “tongue-madness” (γλωσσοµανία) “of people like him” rather than “seeking that which is truly worth pursuing.” This paper aims at contributing to an improved understanding of this sentence and in particular of the two words, κυνογαµία and γλωσσοµανία. For this purpose it looks 1) at Crates’ background, in particular his marriage with Hipparchia of Maroneia, and 2) at the wider context in which Tatian is writing, in particular the phenomenon of early Christian ecstatic prophecy personified by the leading Montanist women prophets Priscilla and Maximilla.

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Thorsen, Thea Selliaas. "Sappho, Corinna and Colleagues in Ancient Rome. Tatian’s Catalogue of Statues (Oratio ad Graecos 33-4) Reconsidered." Mnemosyne 65, no. 4-5 (2012): 695–715. http://dx.doi.org/10.1163/156852512x585124.

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Abstract In his Oratio ad Graecos Tatian claims to have seen Sappho’s statue among a number of other female figures in Rome, which, according to a passage in Pliny the Elder, seem to have been in the Portico of Pompey. This article examines how difficulties in the scholarly reception of Tatian’s Oratio ad Graecos continue to obstruct a fuller picture of the role of female figures such as Sappho in late Republican and Augustan Rome. Furthermore, by bringing fresh archaeological evidence into the discussion of Tatian’s text and pointing out previously ignored philological connections between Oratio ad Graecos and late Republican and Augustan literature, the article refines the image of a woman like Sappho in Ancient Rome.

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Crawford, Matthew R. "The Diatessaron, Canonical or Non-canonical? Rereading the Dura Fragment." New Testament Studies 62, no. 2 (2016): 253–77. http://dx.doi.org/10.1017/s0028688515000478.

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Among those texts that vied for a position as authoritative Scripture, but were eventually rejected by ecclesiastical authorities, was the so-called Diatessaron of Tatian. Having been compiled from the four canonical gospels, Tatian's work occupies a liminal position between the categories of ‘canonical’ and ‘apocryphal’, since the majority of its content was common to users of the fourfold gospel, though this content existed in a radically altered form and was tainted by association with an author widely accused of heresy. In order to demonstrate the originality of Tatian's gospel composition, this article gives a close reading of the only surviving Greek witness to it, a fragment of parchment found in excavations at Dura-Europos. Dura's very location as a borderland between Rome and Persia corresponds with the fact that in this outpost garrison city Christians were using a gospel text that would have appeared markedly strange to those in the mainstream of the Christian tradition. The wording that can be recovered from the Dura fragment shows how Tatian creatively and intelligently combined the text of the four gospels to produce a new narrative of the life of Jesus, choosing to leave out certain elements and to make deliberate emendations along the way. However, it was precisely such originality that made his gospel appear problematic, so in order to rescue his text from censure, later scribes had to domesticate it by making it conform throughout to the canonical versions. Comparison of the Dura fragment with the medieval Arabic gospel harmony and with the Latin version in Codex Fuldensis illustrates well this process whereby Tatian's gospel went from being a rival to the fourfold gospel to a designedly secondary, and therefore acceptable, work.

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Foster, Paul. "Tatian." Expository Times 120, no. 3 (2008): 105–18. http://dx.doi.org/10.1177/0014524608098729.

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Whitmarsh, Tim. "Justin, Tatian and the Forging of a Christian Voice." Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 28, no. 1 (2024): 123–44. http://dx.doi.org/10.1515/zac-2024-0006.

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Abstract This article considers the construction of the speaking subject in Justin’s First Apology and Tatian’s To the Greeks, two interlocking texts (often associated with the problematic genre of Christian apologetics). Bracketing questions of biographical reality, it explores the fictionalising techniques Justin and Tatian adopt to magnify their own authority, co-opt well-known narrative models (including martyrologies and imitatio Christi) in the service of their own self-fashioning. I take their autobiographies as stylised self-dramatisations, rather than guides to historical realities. There are strong parallels with the kind of self-modelling that we see in the works of pagan sophists of the era, notably Dio Chrysostom. Reading these two authors in this way blurs the sharp distinctions they seek to draw between Christian and pagan. It also requires a reading of their texts, in line with recent scholarship, as generically complex, sophisticated and absorbent, and open to the opportunistic appropriation of elements characteristic of pagan literature of the era. Foucault has argued that the voice of early Christianity was characterised by its confessional quality, which was new, confident and distinctive; this article argues, by contrast, that Justin and Tatian at any rate were intellectual bricoleurs and experimentalists, and had much more in common with their pagan peers.

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Zubarev, Vera, and Olga Peters Hasty. "Pushkin's Tatiana." Slavic and East European Journal 45, no. 1 (2001): 120. http://dx.doi.org/10.2307/3086416.

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Editor, O. "Tatiana Blass." Celeuma 2, no. 3 (2013): 129. http://dx.doi.org/10.11606/issn.2318-7875.v2i3p129-129.

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Petersen, William L., and Robert F. Shedinger. "Tatian and the Jewish Scriptures: A Textual and Philological Analysis of the Old Testament Citations in Tatian's Diatessaron." Journal of Biblical Literature 122, no. 2 (2003): 391. http://dx.doi.org/10.2307/3268458.

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Evans, Elliott. "Meta-Tatian." Indogermanische Forschungen 125, no. 1 (2020): 105–34. http://dx.doi.org/10.1515/if-2020-007.

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AbstractIn addition to inflecting adjectives for case, number, and gender, the early Germanic languages inflect adjectives as either strong or weak. Scholarly consensus is lacking regarding what triggers this fourth inflectional category, i.e. why an adjective surfaces as either strong or weak. While the traditional school of thought held that weak adjectives surface with definite determiners, some recent scholarship has argued that a semantic force such as definiteness or classification is responsible. To evaluate the two positions, I compared attributive adjectives in the Old High German translation of Tatian’s Diatessaron with the corresponding passages in Gothic and Old English. The conclusion supports the traditional school of thought that determiners trigger weak adjectives and refutes the idea that semantics is primarily responsible for whether an adjective surfaces as strong or weak.

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Okorie, Martha. "LES VOIX CACHEES : UN VOYAGE AU COEUR DE LA POLYPHONIE ET DU DIALOGISME LINGUISTIQUE ET LITTERAIRE Hidden Voices: A Journey to the Heart of Polyphony and Linguistic and Literary Dialogism." International Journal of Sub-Saharan African Research 2, no. 4 (2024): 501–8. https://doi.org/10.5281/zenodo.14567733.

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<strong>RESUME</strong> <strong>Arrière-plan</strong> <strong>:</strong> Dans un monde qui se globalise et devient de plus en plus un <em>village</em>, les grands efforts se déploient vers la fusion de toutes sortes. Ainsi, plusieurs voix peuvent arriver à se cacher dans une et même voix et c’est cela qui est à la base des notions de polyphonie et de dialogisme donnant naissance aux mondes parallèles et à la pluralité de sens et d’interprétation. <strong>Objectif :</strong> Cette communication vise donc à aller au fond de ces deux notions linguistico-littéraires pour établir leurs origines et démontrer leurs impacts dans les théories linguistique et littéraire d‘interprétation. <strong>Méthode :</strong> La méthode de cette étude consiste dans la documentation à la bibliothèque et à une étude intense des documents recueillis afin d’élargir nos connaissances sur le sujet et de donner nos propres interprétations.  <strong>Résultat :</strong> Cette étude montre que la polyphonie et le dialogisme font état de la pluralité des voix dans l’énonciation du sujet parlant donnant naissance à une pléthore d’interprétations, ce qui augmente et enrichit ladite énonciation. <strong>Conclusion :</strong> Nous constatons que la polyphonie et le dialogisme excluent par eux-mêmes la présence d’une seule entité responsable de sa propre expression et délèguent cette fonction à d‘autres êtres discursifs se cachant derrière l’unique énoncé du locuteur. <strong>Contribution unique :</strong> Les notions de la polyphonie et du dialogisme ont permis aujourd’hui une pléthore de l’interprétation des idées et élargi les champs des recherches <strong>Recommandations - Clé</strong> : Ces travaux sur la polyphonie et le dialogisme ont abouti à la théorie de l’intertextualité et nous recommandons cette théorie dans le domaine surtout de l’interprétation du sens.

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Russell, Paul S. (Paul Snowden). "Tatian and the Jewish Scriptures: A Textual and Philological Analysis of the Old Testament Citations in Tatian's Diatessaron (review)." Journal of Early Christian Studies 11, no. 1 (2003): 110–12. http://dx.doi.org/10.1353/earl.2003.0012.

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Perendy, László. "Ridiculing Astrologers Origen’s Sources and His Legacy." Studia Universitatis Babeș-Bolyai Theologia Catholica Latina 69, no. 1 (2024): 29–46. http://dx.doi.org/10.24193/theol.cath.latina.2024.lxix.1.02.

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This article examines the early Christian critique of astrology, focusing on its perceived conflict with the concept of free will. Key figures such as Origen, Tatian, and Bardesanes are highlighted for their contributions to this discourse. Origen's works, including his homilies and commentaries on the book of Genesis, notably oppose the deterministic implications of astrology by asserting human free will and divine omnipotence. Tatian's writings, particularly his "Oratio ad Graecos," condemn astrology as a demonic invention that undermines Christian doctrines. Bardesanes, who is well-informed in astrology, differentiates between cosmic influences and moral decisions, arguing that ethical behavior is not determined by the stars. The article also explores the theological and philosophical foundations of these arguments, tracing influences from earlier thinkers like Philo of Alexandria and Carneades. Overall, the text provides a comprehensive analysis of how early Christian writers engaged with and refuted astrological beliefs.

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Čupková, Lenka. "Tatiana Mandová: Realizmus." Philosophica Critica 1, no. 2 (2015): 102–4. http://dx.doi.org/10.17846/pc.2019.1.2.102-104.

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Bańkowska, Aleksandra. "Tatiana Brustin-Berenstein." Zagłada Żydów. Studia i Materiały, no. 7 (December 10, 2011): 211–30. http://dx.doi.org/10.32927/zzsim.783.

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Danticat, Edwidge. "Tatiana, Mon Amour." Callaloo 27, no. 2 (2004): 439–53. http://dx.doi.org/10.1353/cal.2004.0059.

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34

Chekisheva, T. A. "TATIANA IVANOVNA ALEKSEYEVA." Archaeology, Ethnology and Anthropology of Eurasia 36, no. 4 (2008): 153–55. http://dx.doi.org/10.1016/j.aeae.2009.03.016.

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35

Bensignor, François. "Tatiana Lambolez, Altan Art." Hommes & migrations, no. 1320 (January 1, 2018): 154–58. http://dx.doi.org/10.4000/hommesmigrations.4082.

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Silva, Martinho, Adriana Santos, and Roberto Preu. "Tatiana em três tempos." Ayvu: Revista de Psicologia 1, no. 2 (2015): 156. http://dx.doi.org/10.22409/ayvu.v1i2.22185.

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Yellen, Elizabeth, Jacques Baynac, Ruth Nybakken, and Lorraine Perlman. "The Story of Tatiana." Slavic and East European Journal 46, no. 1 (2002): 203. http://dx.doi.org/10.2307/3086263.

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Zhuk, Svetlana. "Tatiana Popova (20.01.1924–12.03.2018)." Stephanos. Peer reviewed multilanguage scientific journal 28, no. 2 (2018): 339–41. http://dx.doi.org/10.24249/2309-9917-2018-28-2-339-341.

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39

Team, Editorial. "Professor Tatiana Borisovna Tolpegina." Kazan medical journal 66, no. 1 (1985): 70–71. http://dx.doi.org/10.17816/kazmj60576.

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December 1984 marked the 60th anniversary of her birth and 37 years of work as the head of the department of general clinical pathology at the Kazan Institute for Advanced Medical Studies named after V.I. V.I. Lenin, Doctor of Medical Sciences, Professor Tatiana Borisovna Tolpegina

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Weill, Claudie, and Jacques Baynac. "Le roman de Tatiana." Le Mouvement social, no. 138 (January 1987): 125. http://dx.doi.org/10.2307/3778533.

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SUGINO, Yuri. "Tazit and Tatiana Larina:." Japanese Slavic and East European Studies 20 (1999): 43–58. http://dx.doi.org/10.5823/jsees.20.0_43.

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BELINSKII, V. G. "TATIANA: A RUSSIAN HEROINE." Canadian-American Slavic Studies 29, no. 3-4 (1995): 371–94. http://dx.doi.org/10.1163/221023995x00377.

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43

Himmelstrand, U. "Interview with Tatiana Zaslavskaya." International Review of Sociology 10, no. 2 (2000): 261–74. http://dx.doi.org/10.1080/713674000.

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44

Graham, Ian. "Tatiana Proskouriakoff 1909–1985." American Antiquity 55, no. 1 (1990): 6–11. http://dx.doi.org/10.1017/s0002731600053816.

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Podosokorsky, Nikolay N. "Bibliography of Tatiana Kasatkina." Dostoevsky and World Culture. Philological journal, no. 3 (2023): 272–320. http://dx.doi.org/10.22455/2619-0311-2023-3-272-320.

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This contribution presents a bibliography of academic, critical, and literary works by Tatiana A. Kasatkina, Doctor of Philological Sciences, Director of Research at IWL RAS, Head of the Research Centre “Dostoevsky and World Culture” IWL RAS, Head of the Research Committee for Dostoevsky’s Artistic Heritage within the Academic Council for the History of World Culture RAS.

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Lebedeff, Tatiana, and Rosimar Serena Siqueira Esquinsani. "Diálogo com Tatiana Lebedeff." Revista Espaço Pedagógico 29, no. 1 (2022): 375–83. http://dx.doi.org/10.5335/rep.v29i1.13866.

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47

Mokrysheva, N. G., M. V. Shestakova, A. S. Ametov, et al. "Erratum: Insufficiency/deficiency of vitamin B12 in patients in the endocrinological practice (Diabetes mellitus. 2024;27(3). doi: 10.14341/DM13181)." Diabetes mellitus 27, no. 4 (2024): 402–4. http://dx.doi.org/10.14341/dm13221.

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An erratum on « Insufficiency/deficiency of vitamin B12 in patients in the endocrinological practice» by Natalya G. Mokrysheva, Marina V. Shestakova, Alexander S. Ametov, Mikhail B. Antsiferov, Igor G. Bakulin, Tatiana V. Vavilova, Gagik R. Galstyan, Tatiana Y. Demidova, Fatima K. Dzgoeva, Tatiana L. Karonova, Elena A. Lukina, Ashot M. Mkrtumyan, Rodion V. Ponomaryov, Natalia A. Suponeva, Olga Y. Sukhareva, Minara S. Shamkhalova (2024). Diabetes mellitus. 27(3). doi: 10.14341/DM13181An error was made in the list of authors: Nina A. Petunina was not indicated as author of this article. The correct list of authors: Natalya G. Mokrysheva, Marina V. Shestakova, Alexander S. Ametov, Mikhail B. Antsiferov, Igor G. Bakulin, Tatiana V. Vavilova, Gagik R. Galstyan, Tatiana Y. Demidova, Fatima K. Dzgoeva, Tatiana L. Karonova, Elena A. Lukina, Ashot M. Mkrtumyan, Nina A. Petunina, Rodion V. Ponomaryov, Natalia A. Suponeva, Olga Y. Sukhareva, Minara S. Shamkhalova.The identifier in the ORCID system for F.K. Dzgoeva was also indicated incorrectly. The correct link is: https://orcid.org/0000-0002-0533-7652.The editorial board apologize for this error and state that this does not change the scientific conclusions of the article in any way.The original article has been updated.

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HOUTMAN, C. "Der «Tatian» des Pentateuch." Ephemerides Theologicae Lovanienses 76, no. 4 (2000): 381–95. http://dx.doi.org/10.2143/etl.76.4.549.

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Alves, Alcione Corrêa. "tatiana nascimento, pensamento amefricano no presente." Revista Brasileira de Literatura Comparada 25, no. 48 (2023): 11–27. http://dx.doi.org/10.1590/2596-304x20232548aca.

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RESUMO O presente artigo propõe a discussão, a partir do pensamento de tatiana nascimento, da chave de leitura dor/resistência/denúncia, enquanto solução modelar a nossa comunidade científica, no tratamento científico a textos literários amefricanos. O exame do problema requer um diálogo entre o ensaio de tatiana nascimento e um corpus de obras literárias amefricanas, com destaque ao conto “El espíritu africano en Parque Capurro”, de Mónica dos Santos. Por fim, o artigo esboça o silenciamento como categoria de análise às obras literárias. Como uma de suas hipóteses, se ressalta o quanto interpretações a partir da referida chave de leitura correm o risco de implicar um gesto de violência epistêmica, no bojo de nosso fazer-ciência, quando lemos literaturas amefricanas [quiçá naturalmente] como literaturas de nossos Outros.

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Editorial, Article. "Tatiana Alexandrovna Bobrova (1944–2020)." Russian language at school 82, no. 2 (2021): 104. http://dx.doi.org/10.30515/0131-6141-2021-82-2-104.

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