To see the other types of publications on this topic, follow the link: Tawfīq.
Dissertations / Theses on the topic 'Tawfīq'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 38 dissertations / theses for your research on the topic 'Tawfīq.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Sewilam, Mohamed. "La France dans l'oeuvre de Tawfīq al-Hakīm." Bordeaux 3, 2004. http://www.theses.fr/2005BOR30032.
Full textAbstract:
Cette thèse a pour objectif principal l'étude des représentations, des sentiments et des jugements élaborés par le dramaturge égyptien Tawfīq al-Hakīm (1898--1987) à partir de ses contacts avec la France. Notre programme de recherches peut se résumer ainsi : situer, inventorier et expliquer les représentations de la France avec lesquelles Tawfīq al-Hakīm a écrit , pensé et aussi vécu. Notre étude aboutit aux conclusions suivantes : à partir de débuts difficiles et peu applaudis, Tawfīq al-Hakīm acquiert progressivement une immense notoriété, car son écriture évolue et gagne en originalité. Cette évolution est dûe, pour une large part, à une fréquentation des idées françaises. Sa longue familiarité avec la France et les Français, à travers ses amitiés, ses émotions, ses expériences, ses lectures se traduit par une influence qui s'exerce dans les domaines littéraire, artistique, scientifique et philosophiqueThis thesis as a principal objective the study of the representations, the feelings and the judgements orked out by the Egyptian playwright Tawfīq al-Hakīm (1898-1987) to start from its intellectual or effective contacts with France. Our research program can be summarized as follows : to locate, inventory and explain the representations of the France, it with which Tawfīq al-Hakīm wrote, thought and thus lived. Our study arrives at the following conclusions : starting from difficult and little applauded beginnings : Tawfīq al-Hakīm acquires an immense notoriety gradually because its writing evolves/moves and gains in originality. This evolution is due, to a large extent, with a frequentation of French ideas. His long familiarity with France and Frenches, through his friendships, his emotions, his experiments, his readings results in an influence which is exerted in the literay fields, artistic, scientific and philosophical
2
Afkir, Fatima. "L'image de l’Égypte dans l’oeuvre de Tawfīq al-Ḥakīm." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30059/document.
Full textAbstract:
Si on contemple l’abondante production du dramaturge, on réalise à quel point l’Égypte est omniprésente dans ses écrits et dans sa vie. Elle couronne l’ensemble de son oeuvre littéraire qui met en lumière chacun des différents aspects de ce pays : social, historique, culturel et politique. Cependant, dans cette étude, nous allons essayer de limiter notre sujet de l’Image de l’Égypte dans l’oeuvre de T. al-Ḥakīm à deux époques celle de la révolution de 1919, et celle de 1952. Ses écrits retracent clairement ces deux évènements importants. Sa façon de penser, d’écrire, de critiquer et d’analyser avant et après la révolution de 1919 n’est plus la même après la révolution de 1952. D’un écrivain rêveur, idéaliste, il en devient un autre plus réaliste et engagé littérairement. Notre problématique globale s’articulera autour des questions suivantes : quelle représentation l’oeuvre de Tawfīq al-Ḥakīm donne-t-elle de l’Égypte ? Peut-on considérer son retour aux mythes anciens comme une continuité entre l’Égypte moderne etl’Égypte ancienne ? Dans une première partie nous traitons les deux révolutions qui ont eu des répercussions sur ses écrits et sa vision politique. La deuxième partie, abordera la société de son roman ‛Awdat al-rūḥ, (l’Âme retrouvée), 1933, dans lequel il décrit une Égypte vue par un égyptien de souche et les liens forts qui unissent ce peuple à sa nation. La troisième partie sera réservée à la femme et au fallāḥ qui ont énormément inspiré l’écrivain. La quatrième partie sera consacrée à l’Égypte pharaonique. On va voir comment il a pu être influencé par l’Égypte ancienne pour décrire l’Égypte moderne. Nous nous appuyons aussi sur plusieurs lectures de différents auteurs afin de trouver une authenticité entre ce qu’il écrit et ce qu’il pense, entre la réalité et l’imagination dans ces oeuvres. Nous analyserons comment il voit, observe et critique son pays natalIf we contemplate the playwright's rich production, we realise to what extent Egypt plays a prominent part in his work and life. It is the crowning achievement of his literary work which highlights all the aspects of this country, social, historical, cultural and political However, in this study, we will try to limit our subject of The image of Egypt in T.al-Hakim's work to two particular eras, the revolutions of 1919 and 1952. His writings clearly relate those major events. The way he thinks, writes, criticizes and analyses before and after the 1919 revolution is no longer the same after the 1952 revolution. He started being a dreamy idealistic writer, and turned into another one, more realistic and committed in his literary work. Our global problematics will hinge on the following issues: what representation of Egypt does Tawfiq al-Hakim's work give? Can we regard his return to ancient myths as a continuity between modern Egypt and ancient Egypt? In a first part, we deal with the two revolutions which have had repercussions on his writings and political vision. The second part will tackle the society of his novel, in which he describes a country seen through a native Egyptian, and the strong ties which link the Egyptian people to their nation. The third part will focus on women and on the fallah, which greatly inspired the writer. The fourth part will be dedicated to the Pharaonic Egypt. We will see how far he has been influenced by ancient Egypt to descibe the modern one. We have relied on a few works of different writers so as to find an authentic link between what he writes and thinks reality and imagination in his works. We will analyse the way he sees, observes and criticizes his own country
3
PUGLIESI, GIROLAMO GIUSEPPE MARIA. "Un canone per il teatro arabo. Una lettura de Qālabu-nā al-masraḥī di Tawfīq al-Ḥakīm." Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/747.
Full textAbstract:
Un'analisi della teoria teatrale di Tawfīq al-Ḥakīm a partire dal suo Qālabu-nā l-masraḥī. Lo studio intende dimostrare come in tutta l’opera di Tawfīq al-Ḥakīm sia presente, seppure in modalità diverse, una teleologia performativa della scrittura teatrale.An analysis of Tawfiq al-Hakim's theatrical theory in the light of his Qālabu-nā al-masraḥī. The study aims at showing how in Tawfīq al-Ḥakīm's whole work is present, although in different ways, a performative teleology of playwriting.
4
Barhoumi, Mohamed Akremi. "Analyse de Yā Tāli al Sǎgǎra : "o toi qui montes à l'arbre" : pièce de Tawfīq al-Hakīm." Paris 3, 1988. http://www.theses.fr/1989PA030066.
Full textAbstract:
Ya tali al-sagara, "o toi qui montes a l'arbre", appartient au registre de l'irrationnel. La piece revele le drame de l'incommunicabilite du couple, les epoux vivant, sur le mode de l'illusion, deux existences paralleles (reve obsessionnel d'un arbre fabuleux pour bahadir, d'une enfant imaginaire pour bahana). Une lecture semiotique met en evidence la fuite du sens. Deux parcours narratifs apparaissent : l'enqueteur recherche vainement les causes de la disparition de l'epouse et commet une erreur judiciaire en accusant bahadir (acte un) puis l'epoux entreprend une quete du grand art, symbolise par l'arbre merveilleux (acte deux). Le discours tend a prouver la faillite du langage. Les personnages se trouvent reduits a des signes exprimant des relations conflictuelles. Dans cet univers absurde, tout lien de causalite disparait, temps et espace s'interpenetrent. Des unites de sens peuvent finalement etre degagees : la solitude qui entraine la fossilisation de l'humain, l'angoisse liee aux conflits psychiques, la condition humaine vouee a l'ennui et a l'absurde, l'echec de la connaissance, l'evasion dans l'imaginaire et la fatalite de la mort. Seul art represente une victoire sur le temps. Tawfiq al-hakim montre le tragique de l'homme moderne. .Ya tali al-sagara, "you are climbing the tree", belongs to the repertory of the irrationnal. The play reveals the drama of the couple's lack of communication. The husband and the wife live, in illusion, two parallel existence (it's an obessional dream of a fabulous tree for bahadir, of an imaginar for bahana). A semiotical reading underlines the lack of the meaning. Two narrative directions appear : the officer in charge of the investigation searches for the causes of the wife's disappearance and commits a miscarriage of justice accusing bahadir (act one) then the husband goes in search of the great art, symbolized by the wonderful tree (act two). The speech proves the failure of the language. The characters are reduced to signs expressing conflictual relationships. In this absurde universe, there is no logical connection. Time and space intermingle. Significants can finally be revealed : loneliness, bringing about human being's fossilization, anguish connected with psychological conflicts, human condition devoted to the boredom and the absurd, impossible knowledge, escape in the imaginar world and fatality of death. It's only the art that represents victory over time. Tawfiq al-hakim shows the tragedy of the modern. .
5
Profeti, Barbara. "Le théâtre de Bsisû : essai d'analyse narrative et figurative suivi de la traduction des pièces." Aix-Marseille 1, 1998. http://www.theses.fr/1998AIX10061.
Full textAbstract:
Cette etude cherche a explorer le theatre poetique de mu'in bsisu. La premiere section est consacree a la composante narrative et discursive. L'auteur essaie de retrouver le contexte historique auquel chaque piece (dont la traduction figure en annexe) fait reference ; de mettre a jour les relations entre les actants de facon a faire ressortir les programmes narratifs et le schema narratif sous-jacent ; d'eclaircir la structure actorielle ainsi que l'espace et le temps dans lesquels s'inscrivent les programmes narratifs. Ces pages se proposent aussi une reflexion. Sur le discours mythique que le dramaturge exploite pour revisiter et reinterpreter en termes contemporains et palestiniens certains mythes ;. Sur le fonctionnement antiphrastique qui caracterise son discours poetique ;. Sur la manipulation du discours historique et sur son interpretation ;. Sur l'investissement pluri-isotope du discours poetique et les figures qui engendrent plusieurs parcours figuratif ;. Sur le chevauchement entre isotopies figuratives et thematiques dans le discours parabolique ;. Sur le parallelisme entre les figures du revolutionnaire et de la revolution et celles de certains phenomenes cosmologiques. La deuxieme section est, en revanche, entierement consacree a la composante figurative. L'auteur commence par definir le langage de bsisu, puis par en eclaircir le fonctionnement. Le poete vise a frapper le lecteur par un langage qui se caracterise par des antiphrases ironiques, des synecdoques en cascade, des associations et des metaphores inusuelles. Nul lexeme n'echappe a la recategorisation et a la resemantisation chez bsisu. Celui-ci percoit les figures dans leurs qualites sensibles et les resemantise, en jouant souvent sur les cinq sens et, en particulier, sur le toucher et la vue. Par ailleurs, c'est la dimension plastique des figures qu'il semble surtout interesser cet auteur. Il exploite tout specialement la dimension eidetique et chromatique des figures.
6
Houssay, Martine. "Problématique identitaire et vérité singulière : étude de trois autobiographies arabes : Ḥayātī de Aḥmad Amīn, Tarbiyyat Salāmā Mūsā de Salāmā Mūsā, Siǧn al-ʿumr de Tawfīq al-Ḥakīm." Bordeaux 3, 2001. http://www.theses.fr/2001BOR30010.
Full textAbstract:
Comment l'autobiographie articule-t-elle identité et vérité? c'est à travers l'étude de trois autobiographies arabes, menée au plus près des textes, que l'on a tenté de répondre à cette question, en dégageant la problématique qui fonde et sous-tend chacune de ces "enquêtes" autobiographiques, en repérant les processus de vérité dont elles restituent et constituent la trace singulière, et en montrant comment la narration rétrospective impose sa propre logique au questionnement subjectif. La thèse comprend trois parties, correspondant aux trois œuvres (Hayati: ma vie, Tarbiya t-Salama Musa: l'éducation de Salama Musa et Sign-al-umr: la prison de la vie). Celles-ci ont été écrites au milieu du vingtième siècle par des intellectuels égyptiens -Ahmad Amin, Salama Musa et Tawfiq al-Hakim- dont les noms sont respectivement associés au réformisme musulman, au socialisme évolutionniste et au théâtre arabe. En annexe figurent les résumés détaillés des trois autobiographies.
7
Loulidi, Younes. "Le Langage théâtral de Tawfiq al-Hakim." Aix-Marseille 1, 1986. http://www.theses.fr/1986AIX10057.
Full textAbstract:
Depuis le jour ou le dramaturge egyptien tawfiq al-hakim a reussi a integrer le theatre comme genre litteraire a la litterature arabe contemporaine, il a continuellement recherche un style et un langage propres qui lui permettront de developper les genres et les formes artistiques. Les recherches hakimiennes ont abouti a un langage qui a trois aspects, mais qui ne se contredisent pas, bien au contraire, ils s'incorporent et se completent. Le langage hakimien se constitue donc d'un aspect realiste, d'un aspect symboliste et d'un aspect theatral. Grace a l'aspect realiste de son langage, al-hakim projette sur scene les malheurs et les angoisses profondes de la societe egyptienne, les dialogue et les incarne, ce qui nous permet de dire qu'al-hakim parle le langage de chaque periode qu'il vit. A travers l'aspect symboliste de son langage, al-hakim est essentiellement tragique, parce que, justement, chez lui, c'est la totalite de la condition humaine qui entre en jeu et non l'homme de telle ou telle societe. Ce langage symboliste, qui se trouve a mi-chemin entre la fiction et la realite, evolue selon une methode mathematique, c'est pour cela qu'il demande une certaine souplesse d'esprit de la part du spectateur et du lecteur. L'aspect theatral du langage hakimien prouve qu'al-hakim est capable de parler au public un langage ou le tout n'est pas seulement dit mais aussi represente; d'ailleurs, le langage scenique dont se sert, avec habilete, al-hakim, prouve qu'il est tout-a-fait conscient que son oeuvre n'aura sa raison d'etre et ne sera realisee que si elle aboutit a un spectacle, meme si parfois il essaie de nous faire croire que son oeuvre n'est pas concue en vue d'etre representeeSince the time when the egyptian dramatist taoufiq-al-hakim succeeded in integrating drama as a litrary type in the contemporary arab litrature, he continually looked for a pure style and a pure language that would allow him to develop the artistic types and forms. Al-hakim's researches led to a language which has three aspects which do not contradict themselves; on the contrary they incorporate and complete each other. Al-hakim's language, then, has a realistic aspect, a symbolic aspect and a theatrical aspect. Thanks to the realistic aspect of his language, al-hakim projects the unhapiness and deep anguish of egyptian society, puts them into dialogues and incarnates them, that allow us to say that al-hakim speaks the language of each period he lives in. Through the symbolic aspect of al-hakim's language, he is mainly dramatic because he takes into account the human condition and not the individual of a society. This symbolic language, which is in half-way between fiction and reality, evolues according to a mathematical method, that is why it requires a certain flexibility of mind from both the reader and the spectator. The theatrical aspect of al-hakim's language proves that he is able to speak to the public a language in which everything is not only said but performed. Thus the stage language he skilfully uses proves that he is really aware that his work is aimed at being performed on stage, though sometimes he tries to prove the contrary
8
Shaw, Shereen. "A study of Tawfiq al-Hakim's Equilibrium doctrine and philosophical narratives." Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2034659/.
Full textAbstract:
Tawfiq al-Hakim is known across the Arab world as a pioneer dramatist. He is one of many misunderstood writers and philosophers. My aim is to introduce him to the English-speaking public in order to shed some light on a specific period known to be one of the best in Egypt intellectually and culturally. Former President Nasser’s ideologies, and those of former President Sadat such as his “open-door” policy to the West, have contributed positively to the forming of an intellectual renaissance in Egypt. This rich period in Egyptian history is one that can directly shed light on the literary and philosophical contributions of al-Hakim, and on the social and cultural issues that should be revisited in order to gain an understanding of the problems that face Egyptians today. With this said, it is my hope that by reviving al-Hakim’s philosophical doctrines and by examining the major issues he addresses in his texts, I will be able to explain and clarify some misconceptions about this author, his philosophy and his work. I would also like to show ways in which his distinctive doctrine of equilibrium can be of use to us both in the East and the West. The objectives, accordingly, are twofold: (1) To introduce and critically examine al-Hakim’s equilibrium doctrine; and, (2) To identify the philosophical traits and Western influences that had an impact on his character and philosophy. The core problem that this work will indirectly address is the problem of how philosophy in the Arab world, according to Sari Nusseibeh’s article “The Arab World: What role for philosophy?” has been blatantly used as a tool in order to defend one version or another of the religious beliefs of those who pursued it. I ask what specific role a philosopher or intellectual can play in his or her society and how his philosophy can be put to use. This question is one that has been long forgotten in the Arab world. Freeing the Arab world from the colonizer, back in the 1930s, was clearly a goal for many intellectuals. Today, freeing the Arab mind by introducing a philosophy or an ideology that can be of use to the Muslim world as well as to the West would be a great task to accomplish.
9
Mohamed, Hassan Youssef Hassan. "Mythes grecs et influences françaises dans le théâtre de Tawfiq Al-Hakim." Grenoble 3, 2004. http://www.theses.fr/2004GRE39009.
Full textAbstract:
L'étude a cherché et analysé les sources grecques et l'influence française dans Pygmalion et Le Roi Œdipe de l'écrivain égyptien Tawfiq Al-Hakim. Elle a également évalué la nouveauté de ces deux pièces et dégagé ce qu'elles apportent à la construction littéraire des mythes de Pygmalion et d'Œdipe. Nous avons divisé notre étude en trois parties. La première a traité de la naissance et de l'évolution du théâtre égyptien contemporain. Elle a également rapproché l'utilisation du mythe que fait T. Al-Hakim dans ces deux pièces de celle faite par les dramaturges français de l'entre-deux-guerres et défini la méthode que nous avons employée tout au long de cette étude. La deuxième et la troisième, consacrées respectivement au mythe de Pygmalion et à celui d'Œdipe, ont examiné les textes anciens et les versions françaises du mythe qui nous semblent avoir pu exercer une influence sur celle de T. Al-Hakim, réfléchi sur la version de l'auteur égyptien et cerné ses emprunts au mythe ancien, l'influence des textes français et les modifications qu'elle opère dans le mythe. L'étude a prouvé que lorsque T. Al-Hakim s'inspire des mythes et des sujets antiques, il applique toujours sur ceux-ci le principe de la dualité imitation-innovation. Il a donné des mythes de Pygmalion et d'Œdipe un traitement nouveau qui était en parfaite harmonie avec ses valeurs spirituelles orientales d'une part et avec sa propre vision de la vie d'autre part. Tout en s'inspirant de la mythologie grecque, l'auteur a rendu celle-ci conforme à ses pensées et l'a repensée en fonctions des valeurs du milieu dans lequel il vivait.
10
Dhanidina, Adil S. "Experiencing Tawḥīd : ibn 'Arabī and the power of imagination." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82699.
Full textAbstract:
This thesis will examine how the Islamic concept of tawḥid ("monotheism") was understood, and perhaps more importantly, experienced by the 12th/13th Sufi, Ibn 'Arabi (1165-1240), also known as al-Shaykh al-Akbar ("The Greatest Master"). It has been argued that tawḥid is not simply a belief but also an operation, that is to say, a continual process whereby the literal meaning of tawḥid ("asserting oneness") is upheld. This understanding of tawḥid implies a certain dualism which for Ibn 'Arabi is a reflection of the two perspectives which express God's oneness, namely, tanzih ("transcendence"), which literally means "declaring something to be pure and free of something else," and tashbih ("immanence"), of which the literal meaning is "declaring something to be similar to something else." As can be seen, tanzih and tashbih are mutually contradictory and thus present tawḥid as a paradox. However, for Ibn 'Arabi, it is essential to not ignore any one perspective in favor of the other. For him, the paradox can and must be reconciled through the power of khayal, or imagination, which alone has the ability to combine opposites and thus, bridge the gap between tanzih and tashbih , thereby allowing for the experience of tawḥid .
11
Sidebottom, Christina M. "An introductory survey of the plays, novels, and stories of Tawfiq al-Hakim, as translated into English." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1409229640.
Full text
12
Barhoumi, Mohamed Akremi. "Analyse de "Ya tali al-sagara", "O toi qui montes à l'arbre", pièce de Tawfiq al-Hakim." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37611517x.
Full text
13
Tawfik, Gindi Saskia [Verfasser]. "Alpha 1-Antitrypsin als neurochemischer Marker der Parkinson-Demenz / Saskia Tawfik Gindi." Ulm : Universität Ulm. Medizinische Fakultät, 2013. http://d-nb.info/104527870X/34.
Full text
14
Brekaa, Naglaa Ali Ali Saleh. "Liberté de parole, parole de liberté : étude de quelques oeuvres dramatiques d'Albert Camus et de Tawfik Al-Hakim." Thesis, Grenoble, 2011. http://www.theses.fr/2011GRENL011.
Full textAbstract:
Cette étude montre comment Albert Camus et Tawfik Al-Hakim, deux dramaturges appartenant à deux cultures différentes, se sont servi, chacun à sa manière, de la parole, pour défendre la liberté dans leurs théâtres. La thèse comprend quatre parties. Partant d'un panorama biographique qui permettra de situer les deux dramaturges dans le contexte social et littéraire de leur temps, nous passerons, dans la deuxième partie, à une analyse du thème de la liberté dans le corpus. A travers une analyse textuelle des pièces traitées, nous découvrirons, dans la troisième partie, comment la parole a été instituée en système de tyrannie. En dénonçant une telle stratégie des régimes totalitaires, les deux dramaturges ont défendu la liberté de parole délibérément écrasée par les tyrans de tous les temps. Nous réfléchirons enfin sur le double jeu de la parole dans les deux théâtres. En y examinant le cas des personnages-prisonniers, nous mettrons en évidence comment la parole peut être aussi bien un moyen de liberté qu'un moyen d'enfermement. Se servir des ressources du théâtre pour être la voix des sans-voix ; plaider en faveur de tous les opprimés sur la terre pour leur rendre la justice et la liberté qu'ils ont perdues, c'est le souci commun de Camus et d'Al-HakimThis study shows how Albert Camus and Tawfik Al-Hakim, two playwrights belonging to two different cultures, used speech, each to his manner, to defend freedom in their theatres. The thesis includes four parties. Starting with a biographical panorama that will allow situating the two playwrights in their social and literary time, we shall pass, in the second party, to an analysis of the theme of the freedom in the corpus. Through a textual analysis of studied plays, we shall discover, in the third party, how speech was instituted in totalitarian systems. By a denouncing such strategy of totalitarian regimes, the two playwrights defended the freedom of speech crushed by the tyrants of all the times. We shall reflect finally on the double set of speech in the two theatres. By examining the case of the figures-prisoners, we shall show how speech can be both a means of freedom that one way of confinement. Use the resources of the theater to be the voice of the voiceless, to plead in favor of all the oppressed on the earth to do them justice and freedom that they have lost, is the common concern of Camus and Al-Hakim
15
Irving, Sarah Rosalind. "Intellectual networks, language and knowledge under colonialism : the work of Stephan Stephan, Elias Haddad and Tawfiq Canaan in Palestine, 1909-1948." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31179.
Full textAbstract:
This thesis examines the biographies and intellectual and cultural works of Elias Haddad, Stephan Stephan and Tawfiq Canaan, Arab writers who lived in Jerusalem in the late Ottoman and British Mandate periods, a time when Palestinian identity was in a state of flux and when Ottoman, British and Zionist interests impacted upon Palestinian Arab society, economy and politics. Informed by ideas about colonial and postcolonial relations, the impacts of context and power on the development of texts, and theories of networks and entanglements, it argues that even in the absence of comprehensive biographical knowledge about individual actors, we can locate them in their intellectual and political environments. It also argues for the importance of using non-elite genres – including language manuals, travel guides and translations – in researching intellectual history, and for understanding debates and discourses within colonial societies. Drawing on my historical research into the lives of Haddad, Stephan and Canaan, and combining it with textual analysis, this thesis makes the argument for more diverse ideas of Palestinian identity than are often discussed for the Mandate period, and for the need to include a wider range of contributors than prominent intellectuals and politicians in our assessment of the discourses in play in this key period of Palestinian history.
16
M'Rabet, El Houcine. "Etude comparative du mythe d'oepide dans les oeuvres des dramaturges francais classiques : corneille et voltaire, celles d'andre gide et de tawfiq al-hakim." Paris 3, 1988. http://www.theses.fr/1989PA030007.
Full textAbstract:
Cette etude thematique comparative du mythe d'oepide dans les versions du dramaturge grec sophocle, des classiques francais corneille et voltaire, celles d'andre gide et de tawfiq al-hakim, permettra de relever les differents usages que ces dramaturges ont pu faire de cette legende depuis l'antiquite jusqu'a nos jours. Ce travail a ete divise en trois parties : - la premiere traite du theatre grec et des condi- tions sociales, politiques et religieuses dans lesquelles a ete ecrit le chef- d'oeuvre de sophocle. Sophocle traite du mythe d'oepide sous l'impulsion d'un envi- ronnement propice a l'eclosion d'un heros "surhomme". - la deuxieme partie a fait l'objet de l'analyse des versions des classiques corneille et voltaire et aussi celle d'andre gide. Quant aux deux classiques corneille et voltaire, leur piece a ete completement denaturee par l'episode amoureux qu'ils ont greffe au sujet. Andre gide quant a lui a suivi de tres pres la version grecque du mythe. Il traite cette tragedie dans un langage familier avec beaucoup de derision et d'anachronisme. -dans la troisieme partie, j'ai procede a l'analyse de la version arabe du mythe. Tawfiq al-hakim s'est incontestablement reporte a l'oeuvre de gide en ramenant le conflit non pas a celui de l'homme et de dieu mais a celui du pouvoir politique et du pouvoir religieux. Il n'a donc pas fonde son intrigue sur cet aspect courant de la lutte de l'homme et de son destin mais sur celui de la lutte de l'homme contre la verite et la realite. Il oppose ces deux notions verite realite et fait de sa piece une oeuvre tout a fait originaleThis thematic and comparative study of the oedipus'myth in the versions of the greek playwright sophocle, of the french classics corneille and voltaire and those of andre gide and tawfiq al-hakim, will allow to raise again the different usages that these playwrights had done to this legend from the antiquity till our days. This work was divided into three parts. The first treats the greek drama and also the social, political and religious conditions inwhich the masterpiece of sophocle was written, sophocle treats the myth of oedipus under the impulsion of a propitious surroundings in the hatching of a hero "superman". The second part was the object of analysis of the versions done by the classics corneille, voltaire and also andre gide. As for the two classics corneille and voltaire, their plays was completely unnatural by the loving episode which was added to the subject. But for andre gide, he followed closely the greek version of the myth. He treats this tragedy with a familiar language full of derision and anachronism. In the third part, i proceeded to analyse the arabic version of the myth. Tawfiq al-hakim unquestionably referred to the work of andre gide, by referring to the conflict of the political and the religious powers, and not to the conflict of man and god. Therefore, his plot was not based on the current aspect of struggle between man and his fate, but on man's struggle against truth and reality. He draws a parallel between these two notions
17
M'Rabet, El Houcine. "Etude comparative du mythe d'Oedipe dans les oeuvres des dramaturges français classiques Corneille et Voltaire, celles d'André Gide, et de Tawfiq al-Hakim /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37616814x.
Full text
18
Houssay, Martine Bū Nfūr ʻAbd Allāh. "Problématique identitaire et vérité singulière : étude de trois autobiographies arabes : Ḥayātī de Aḥmad Amīn, Tarbiyat-Salāmā Mūsā de Salāmā Mūsā et siǧn-al-ʻumr de Tawfīq al-Ḥakīm /." Lille : Atelier national de reproduction des thèses, 2007. http://catalogue.bnf.fr/ark:/12148/cb41153658h.
Full text
19
Al-Badawi, Mohammed Abdel Qader. "Pragmalinguistic analysis of (im)politeness in literary discourse : a case study of major works by Bernard Shaw, Oscar Wilde, Tawfiq Al-Hakim and Najuib Mahfouz." Thesis, University of Aberdeen, 2011. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=168318.
Full textAbstract:
The focus of this study is in the area of pragmatic-stylistics. The study argues that pragmatic tools such as (im)politeness theory and cooperative maxims can be applied to literary discourse to explain different dynamics in the conversation of dramatic and fictional characters in literary texts in relation to their sex, power, social distance, and interactive role. It also examines how these factors interrelate in explaining the tension in the characters’ dialogues. Brown and Levinson’s model of politeness and Culpeper’s framework of impoliteness, as well as Grice’s cooperative principle, have been used as a theoretical background to review critically the dialogues between the dramatic and fictional characters. The data of this study consists of four literary works. Two of them are written in English by Irish dramatists. These are Pygmalion by Bernard Shaw (1912), and The Importance of Being Earnest by Oscar Wilde (1895). The other two texts are Fate of a Cockroach (1966) by the Arab dramatist Tawfiq Al-Hakim. The second Arabic work is Palace of Desire by Egyptian novelist Najuib Mahfouz (1954). Each text is analyzed to see how sex, power, social distance, and interactive role affect characters’ use of (im)politeness. Following this analysis, a chapter on the discrepancies of the translation of (im)politeness formulas is presented. The aim is to discover whether characters’ (im)politeness utterances in English have the same pragmatic equivalence as the original Arabic texts. It has been found that, especially in the case of invocations; an exact English equivalent often does not exist, thereby causing a loss in meaning and degree of conveying of the politeness or impoliteness utterance. The dissertation concludes that the pragmalinguistic tools – politeness and impoliteness theories as well as Grice’s cooperative principles are useful in explaining the dynamics of characters in literay discourse, and in explaining the interactive role of characters in literary texts. This in turn can leave us with some evidence to the themes tackled by the writers such as presenting the female discourse to be stronger and more out spoken than the male discourse in the four selected texts to reflect on the themes in each text. The thesis also contemplates further areas of research, especially in Arabic literature and media discourse in the Arab world. By keeping this research’s findings in mind, it sheds light on the cultural aspect of language, hopefully drawing the focus away from the mere science of the language.
20
Elhisadi, Tawfeg A. A. [Verfasser]. "Nutrition, lifestyle and diabetes-risk of school children in Derna, Libya / eingereicht von Tawfeg A. A. Elhisadi." Giessen : VVB Laufersweiler, 2010. http://d-nb.info/1001133528/34.
Full text
21
Al-Shallal, Elham Abdullah. "The image of women in Tawfīq Al-Ḥakīm's works : a critical and analytical study." Thesis, University of Leeds, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412036.
Full text
22
Raihan, Tawfik [Verfasser], Michael [Akademischer Betreuer] Brenner, and Anna [Akademischer Betreuer] Leisner-Egensperger. "Der Inhalt der Grundrechte im Lichte sich verändernder ökonomischer Vorgaben / Tawfik Raihan. Gutachter: Michael Brenner ; Anna Leisner-Egensperger." Jena : Thüringer Universitäts- und Landesbibliothek Jena, 2014. http://d-nb.info/1062536266/34.
Full text
23
Tawfik, Harvey Nagy Mounier [Verfasser]. "Microfluidics Applications : Modelling of Artificial Synaptic Communications and Interactions of Unsupported Artificial Lipid Membranes / Harvey Nagy Mounier Tawfik." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2020. http://d-nb.info/1216877785/34.
Full text
24
Sabha, Dina Talat Tawfiq [Verfasser], Stefan [Akademischer Betreuer] Dhein, Friedrich-Wilhelm [Gutachter] Mohr, and Michael [Gutachter] Schäfer. "Pharmaceutical and chemical analysis of the components carrying the antiplatelet activity of extracts from allium ursinum and allium sativum / Dina Talat Tawfiq Sabha ; Gutachter: Friedrich-Wilhelm Mohr, Michael Schäfer ; Betreuer: Stefan Dhein." Leipzig : Universitätsbibliothek Leipzig, 2012. http://d-nb.info/1238020666/34.
Full text
25
Tawfik, Mohamed Ali El-Sheikh Doaa [Verfasser], Anna [Akademischer Betreuer] Trauzold, and Thomas [Gutachter] Roeder. "Interplay of TRAIL receptors in PDAC cells : the role of TRAIL-R4 / Doaa Tawfik Mohamed Ali El-Sheikh ; Gutachter: Thomas Roeder ; Betreuer: Anna Trauzold." Kiel : Universitätsbibliothek Kiel, 2017. http://d-nb.info/1236287800/34.
Full text
26
Tawfieq, Mahmoud [Verfasser], Günther [Akademischer Betreuer] Tränkle, Günther [Gutachter] Tränkle, Paul Michael [Gutachter] Petersen, and Bernd [Gutachter] Sumpf. "Development and characterisation of a diode laser based tunable high-power MOPA system / Mahmoud Tawfieq ; Gutachter: Günther Tränkle, Paul Michael Petersen, Bernd Sumpf ; Betreuer: Günther Tränkle." Berlin : Technische Universität Berlin, 2019. http://d-nb.info/1182423795/34.
Full text
27
Tawfik, Mohamed [Verfasser], and Bernhard A. [Gutachter] Sabel. "Nanoparticles delivery to the central nervous system in-vivo : PVP nanoparticles for brain drug delivery and neuroprotection with siRNA-caspase-3 / Mohamed Tawfik ; Gutachter: Bernhard A. Sabel." Magdeburg : Universitätsbibliothek Otto-von-Guericke-Universität, 2021. http://nbn-resolving.de/urn:nbn:de:gbv:ma9:1-1981185920-387735.
Full text
28
Rahman, Yusuf 1967. "The miraculous nature of Muslim Scripture : a study of ʻAbd al-Jabbār's Iʻjāz al-Qur'ān." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23239.
Full textAbstract:
This thesis is a study of 'Abd al-Jabbar's theory of i'jaz al-Qur'an (the miraculous inimitability of the Qur'an) as expounded in his magnum opus, al-Mughni fi abwab al-tawhid wa al-'adl, part XVI, and in his other works which are related to the subject. The importance of these works lies in the fact that the author was an erudite scholar and a respected leader of the Basra School of the Mu'tazila, and also because his Mughni/ is considered by many as the Encyclopedia of Mu'tazilite philosophy.As a Mu'tazilite, 'Abd al-Jabbar demonstrates the inimitability of the Qur'an in the light of both his doctrine of mu'jiza (the apologetic miracle of a prophet) and khalq al-Qur'an (the createdness of the Qur'an). This thesis argues that although his theory of mu'jiza is incredibly similar to that of the Ash'arites, 'Abd al-Jabbar's rendering of it and his main sources are not the Ash'arites but rather the "School of Jubba'i"
Besides demonstrating the Qur'anic inimitability through kalam, 'Abd al-Jabbar also discusses its unsurpassable nature, in terms of the Holy Book's literary uniqueness, fasaha. This argument is distinctly different from the theories of his predecessors. As such, the thesis examines his predecessors' and contemporaries' works on i'jaz in order to shed light on the peculiarity of 'Abd al-Jabbar's theory.
29
Benaissa, Abdallah. ""le theme de l'amour d'apres tawq al-hamama d'ibn hazm : etude historico-litteraire dans al-andalus de l'age d'or"." Montpellier 3, 1996. http://www.theses.fr/1996MON30013.
Full textAbstract:
Notre travail cherche a exprimer le phenomene du discours amoureux chez les araboandalous dans la cordoue califale en pleine dislocation. Apres les donnees bibliographiques et chronologiques qui forment la premiere partie, il nous a semble utile de retracer les faits essentiels de l'histoire d'al-andalus jusqu'au milieu du xie siecle, en evoquant plus specialement les facteurs qui permettent de mieux saisir cette histoire, surtout le contexte psychologique, socio-culturel et religieux dans lequel se debataient les andalous. Ainsi nous avons donne un large developpement a la femme andalouse et a ses intrigues ou rapports amoureux dans les rouages d'une societe morcellee politiquement. Etant protagoniste en temps de fitna, le parcours biographique d'ibn hazm nous a semble plus qu'indispensable pour comprendre les faits religieux et politiques de son epoque, de meme que son profil zahirite a travers son traite d'amour, tawq al-hamama. Un tableau laconique sur la nature textologique ou paleographique de ce document tronque a ete dresse dans la deuxieme partie pour mettre en valeur son historicite. Apres une breve dissertation eschatologique et scolastique de l'amour, ibn hazm suit la demarche methodique d'ibn dawud -theoricien oriental de l'amour, influence par le platonisme grec- en exposant les manieres de sa production, ses lois, ses calamites, son apogee. Il part de sa propre experience avec les jawari ou femmes "libres" et celle des autres andalous pour mettre en relief la ferveur de la passionThis work aims at relating the phenomenon of the spanish muslims'love discourse in the caliphate cordova, then fully disrupted. After the bibliographical and chronological data that build the first part of the work, i find it necessary to recount the main facts of al-andalus's history until the second half of the eleventh century, particulary through its significant factors which best enable to; understand this history, the very psychological, socio-cultural and religious backgrounds in which andalusian people were then struggling. Therefore, the subject of the andalusian woman, her intrigues or her love affairs within the intricate machinery of a politically divided society is largely developped. As ibn hazm was himself a protagonist during the fitna, his biography seemed absolutely essential to understand the political and religious facts of his time, as well as his zahirite profile, expressed in his love treatise, tawq al-hamama. A short account on the textual or paleographic type of this mutilated document has been established in the second part of the work in order to stree its historical value. After a brief eschatological and scholastic essay on love, ibn hazm works on the same methodological paths as ibn dawud did -the oriental theorist of love who has been influenced by greek platonism- as he reveals the essence, laws, disasters and apex of love. He originates his work from his own experience with the jawari or "free" women, and from that of other andalusians in order to emphasize the ardour of passion
30
Martin, Fernandez Amaya. "National, linguistic, and religious identity of Lebanese Maronite Christians through their Arabic fictional texts during the period of the French Mandate in Lebanon." Connect to Electronic Thesis (ProQuest) Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/451013418/viewonline.
Full text
31
Seleem, Amany Youssef. "The Interface of Religious and Political Conflict in Egyptian Theatre." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1373973567.
Full text
32
El-Said, Kamel Iman. "L'Orient et l'Occident, tranferts culturels et création romanesque : deux périodiques égyptiens francophones et deux romanciers égyptiens (1920-1956)." Paris 4, 2002. http://www.theses.fr/2002PA040093.
Full textAbstract:
Dans notre introduction nous étudions les contacts historiques et le réseau d'échanges interculturels entre l'Égypte et la France. Ensuite, nous décrivons le milieu francophone, en justifiant le choix de la langue française en Égypte. Après un aperçu de la presse francophone en Égypte, nous établissons, dans la première partie, la monographie de deux revues littéraires égyptiennes d'expression française : La Revue du Caire (1938-1961) et La Semaine Égyptienne (1926-1951). Ces périodiques sont considérés comme des canaux de diffusion de la littérature française en Égypte et un moyen efficace de transfert culturel. La deuxième partie intitulée "La dialectique de la relation Orient / Occident dans le roman égyptien au début du XXe siècle ", est axée sur l'étude des forces de tension qui dynamisent les interactions culturelles, complexes et évolutives, à travers l'analyse de trois romans : L'Âme Retrouvée (1933) et L'Oiseau d'Orient (1938) de Tawfiq Al-Hakim, Adib (1935) de Taha Husayn. La conclusion met l'accent sur le dialogue des cultures. Une appréciation et une compréhension réciproques des valeurs culturelles des deux pays sont une nécessité pour l'assurerIn our introduction, we study the historical contacts and the system of intercultural exchanges between Egypt and France. Then we discribe the French-speaking circle and justify the choice of the French language in Egypt. In the first part, we give a summary of the French-speaking press in Egypt and the monograph of two Egyptian literary reviews : La Revue du Caire (1938-1961) and La Semaine Égyptienne (1926-1951). These publications are considered as diffusion canals of French literature in Egypt and an efficient means of cultural transfer. The second part, headed "The dialectic of the relation between the East and the West in the Egyptian novel at the beginning of the XXe century", is centered on the study of tension forces who accelerate the complex and evolving cultural interactions. To do so we analyse three novels : The recovered soul (1933) and The bird of the East (1938) of Tawfiq Al-Hakim and Adib (1935) of Taha Husayn. The conclusion emphasises the dialogue between the two cultures. A reciprocal appreciation and comprehension of the cultural values of the two countries are necessary to secure this dialogue
33
Levy, Isabelle Charlotte. "The Poetics of Love in Prosimetra across the Medieval Mediterranean." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11359.
Full textAbstract:
Written as prose began to garner attention in literary cultures that had long privileged poetic composition, prosimetra offer a unique perspective on what authors in eleventh-century al-Andalus and thirteenth- and fourteenth-century Spain and Italy singled out as the special capabilities of poetry. Further, as the only shared theme across mixed-form texts in Arabic, Hebrew, Italian, and Spanish, love acts as a go-between across these varied literary traditions.
34
Sun, Chien-Fen, and 孫千芬. "Study of FMEA on the Back-filled Gas Cylinder Supply in the Medical Service." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/taw2hq.
Full textAbstract:
碩士長榮大學
職業安全與衛生研究所
97
Oxygen gas is widely utilized in the medical service process of diagnosis, examination, inspection, treatment and surgery. Oxygen gas in the medical institution is stored either in the trough body or in the back-filled cylinder. The quality and safety of medical-use gases are not regulated. However, manufacture, use, and storage of the main body of steel cylinders are regulated by the national standards, i.e., CNS, and also by the worker safety and health law. Besides, oxygen gas supply industry has its own standard regarding with handling gas cylinders. Unfortunately, taking example of oxygen supply, there is no any pro-gram to assure its quality and safety in the whole supply process from distributors to end users, except the production of oxygen gas. The objective of this research is to assess the risk associated with the entire process of oxygen gas supply in the back-filled cylinders. The failure mode and effect analysis (FMEA) is conducted in this study. The analysis reveals that risks caused by misconnection of oxygen tubes, use of sub-standard water quality during cleaning, moisture, and other species contamination are among the most severest . Effective preven-tion measures to reduce the risk of contamination and other potential hazards within the tolerable level are recommended to assure the safety of patients and the operation of hospitals.
35
Froukh, Tawfiq [Verfasser]. "Genetic population structure, gene flow, and evolutionary history of selected ornamental fish in the Red Sea / Tawfiq Froukh." 2007. http://d-nb.info/984581006/34.
Full text
36
Abdelaziz, Tawfig M. [Verfasser]. "Towards a comprehensive agent oriented software engineering methodology / von Tawfig M. Abdelaziz." 2008. http://d-nb.info/990918629/34.
Full text
37
Ziajka, Anna Rose. "Intimate encounters : the materiality of translation in Egyptian novels of the late Nahḍa." Thesis, 2013. http://hdl.handle.net/2152/24346.
Full textAbstract:
Foucault described translation as an instance of two languages colliding; Spivak calls translation “the most intimate act of reading.” Considering the two Egyptian novels ‘Uṣfūr min al-sharq by Tawfīq al-Ḥakīm (1938) and Qindīl umm hāshim by Yaḥyā Ḥaqqī (1944), this paper argues that the particularly subtle type of translation that they employ from French and English into Arabic can be best analyzed with a theoretical model of translation that, following Foucault and Spivak, emphasizes the material properties of languages, and specifically, their capacity to engage each other physically through acts of colliding, coupling, and reproducing.
Such a method of analysis suggests fruitful new implications for looking at how language and literature traveled between Egypt and Europe during the so-called Arab Renaissance (the nahḍa) of the nineteenth and early twentieth centuries, including what possibilities for the Arabic language might have emerged in its intimate engagement with the languages of the European other. Moreover, this model of translation allows us to move beyond the politicized paradigms that dominate the field of contemporary translation studies and embrace the contradictions and paradoxes inherent in any encounter between cultures, societies, and languages, and in any act of translation.text
38
El-Nagar, Hassan Abdel Razig. "The theme of encounter between East and West a study of six novels from Africa and the Middle East /." 1992. http://catalog.hathitrust.org/api/volumes/oclc/27555321.html.
Full textAbstract:
Thesis (Ph.D.)--University of Wisconsin--Madison, 1992.Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 301-307).