Relevant bibliographies by topics / Teatr Ósmego Dnia

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  2. Dissertations / Theses
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Academic literature on the topic 'Teatr Ósmego Dnia'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Teatr Ósmego Dnia"

1

Watson, Ian. "Letter to an Editor: the Yesterday and Today of Poland's Teatr Ósmego Dnia." New Theatre Quarterly 21, no. 1 (2005): 52–60. http://dx.doi.org/10.1017/s0266464x04000338.

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Teatro Ósmego Dnia, the Theatre of the Eighth Day, has for forty years flourished in Poland, never as part of the established theatre, but as one of what Eugenio Barba calls the ‘floating islands’ – those companies which live as much as make theatre, and form part of an informal international circuit of like-minded though distinct and individual groups. Ian Watson here shapes his own memories of the group in the form of a letter to one of NTQ's co-editors, with whom he has shared experiences of Polish theatre, and in particular the work of Eighth Day, relating their history to the changing pol
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2

Tyszka, Juliusz. "Risky Hitchhiking, and Other Stories about the Theatre of the Eighth Day." New Theatre Quarterly 39, no. 3 (2023): 243–61. http://dx.doi.org/10.1017/s0266464x23000143.

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Teatr Ósmego Dnia (the Theatre of the Eighth Day), established in Poznań in 1964, was a part of Polish student theatre. Between 1976 and 1981, it became one of the most important companies in the history of the Polish theatre, producing several masterpieces. It also became a legendary grouping of democratic, anti-communist opposition. The persecution it was subjected to was caused by censorship, the secret police, and the administration at all levels. However, the members of the group managed to overcome everyday fear, face the totalitarian authorities openly, and create unforgettable artistic
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3

Tyszka, Juliusz. "Characters, Connections, Constructing an Action: Forty Years of Theatre of the Eighth Day." New Theatre Quarterly 23, no. 4 (2007): 403–26. http://dx.doi.org/10.1017/s0266464x07000322.

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Based in Poznań, Poland, Teatr Ósmego Dnia (Theatre of the Eighth Day) is now recognized not only as one of the most important companies in the history of Polish theatre, but as one of the leading avant-garde ensembles in the world. From its origins in a student theatre group of the late sixties, Theatre of the Eighth Day developed during the early seventies the artistically and socially radical methods of work and of living which have continued to be the hallmark of its work over four decades, but has remained in touch and in tune with the rapid changes in Polish life, first under martial law
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4

Musiał, Łukasz. "Kafka Ósmego Dnia." Czas Kultury XL, no. 4 (2024). https://doi.org/10.61269/r24n4baa/ygmf8982.

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The author presents the circumstances surrounding the work of Teatr Ósmego Dnia [Theater of the Eighth Day] on a play entitled Kafka: [the text breaks]. They are analyzed in the context of the earlier history of the Poznań group and the history of the so-called alternative theater in general, in relation to the current activities of the group, its present situation, and its artistic search, and finally, against the contemporary Polish reception of Franz Kafka’s work. Keywords: Franz Kafka, Teatr Ósmego Dnia, alternative theater
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5

Pilátová, Jana, Pavel Štourač, Biljana Golubovič, and Martin Frys. "Kontynuacje i migawki: Wspomnienia o Lechu Raczaku (1946-2020)." Pamiętnik Teatralny 69, no. 1 (2020). http://dx.doi.org/10.36744/pt.222.

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Lecha Raczaka (1946–2020) wspomina profesorka Wydziału Teatralnego praskiej Akademii Sztuk Scenicznych, Jana Pilátová i studenci. Znany reżyser teatralny, teatrolog, dramatopisarz, wykładowca akademicki był dla nich przede wszystkim nauczycielem i przyjacielem. Wizytę w Pradze Teatru Ósmego Dnia, pod jego kierownictwem, Pilátová zapamiętała nie tylko jako ważne wydarzenie artystyczne, ale też lekcję organizacji i ekonomii. Przez kilkadziesiąt lat współpracy sama czerpała inspirację ze spotkań z Raczakiem, obserwowała też, jak kontakty z nim otwierają innych na nowe możliwości twórcze i życiowe
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6

Tyszka, Juliusz. "Kryzys i rewolucja: Kształtowanie się estetyki Teatru Ósmego Dnia na początku lat siedemdziesiątych." Pamiętnik Teatralny 71, no. 4 (2022). http://dx.doi.org/10.36744/pt.848.

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Artykuł dotyczy działalności Teatru Ósmego Dnia w latach 1971–1975. Autor stawia tezę, że był to przełomowy okres w historii „Ósemek”, w którym zespół w nowym składzie zredefiniował metody pracy, sposób rozumienia misji teatru, założenia estetyczno-ideowe oraz strategie nawiązywania porozumienia z publicznością. Chłodno przyjęte przez krytykę spektakle Wizja lokalna (1973) oraz Musimy poprzestać na tym, co nazwano rajem na ziemi (1975) odegrały kluczową rolę w procesie przemian i dochodzenia do rozwiązań, które zaowocowały nowym spojrzeniem na egzystencjalny wymiar aktorstwa oraz społeczną rol
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Dissertations / Theses on the topic "Teatr Ósmego Dnia"

1

Kułakowska, Katarzyna. "Ruch teatralnej kontrkultury w Polsce z perspektywy doświadczeń jego uczestniczek." Doctoral thesis, 2017. https://depotuw.ceon.pl/handle/item/2189.

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The purpose of the research The dissertation presents and analyses the experience of women associated with the Polish counterculture theatre. I analyse experiences of selected women who took part in this movement, as conveyed by their interpretations in the form of biographical narratives they constructed and theatrical activity they took up. The starting point of the reflection I am undertaking is a preliminary hypothesis about the specificity of the experience of being a woman in the counterculture theatre – both in theatre ensemble's operation and work organisation as well as in an actor tr
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Books on the topic "Teatr Ósmego Dnia"

1

Gluza, Zbigniew. Ósmego dnia. 2nd ed. Karta, 1994.

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2

Tyszka, Juliusz. Teatr Ósmego Dnia-- pierwsze dziesięciolecie (1964-1973): W głównym nurcie przemian teatru studenckiego w Polsce i teatru poszukującego na świecie. Wydawn. Kontekst, 2003.

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3

Zembrzuski, Jacek. Ósmy dzień teatru. [publisher not identified], 2014.

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4

Zembrzuski, Jacek. Ósmy dzień Teatru. Nakład Autora, 2014.

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5

Raczak, Lech. Plac Wolności i inne scenariusze teatralne 1982-2010. Wydawnictwo Miejskie Posnania, 2012.

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6

Teatr Ósmego Dnia 1964-2009. Fundacja Ośrodka "Karta", 2009.

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