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1

Damis, Christine. Autorentext und Inszenierungstext: Untersuchungen zu sprachlichen Transformationen bei Bearbeitungen von Theatertexten. Niemeyer, 2000.

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2

Greenhut, DeborahS. Feminine rhetorical culture: Tudor adaptations of Ovid's Heroides. P. Lang, 1988.

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3

Savage sight, constructed noise: Poetic adaptations of painterly techniques in the French and American avant-gardes. U.N.C. Dept. of Romance Languages, 2003.

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4

Sweet, David LeHardy. Savage sight/constructed noise: Poetic adaptations of painterly techniques in the French and American avant-gardes. University of North Carolina Press, 2003.

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5

Callens, Johan. From Middleton and Rowley's Changeling to Sam Shepard's Bodyguard: A contemporary appropriation of a Renaissance drama. E. Mellen Press, 1997.

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6

Feminine rhetorical culture: Tudor adaptations of Ovid's Heroides. P. Lang, 1988.

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7

Autori, attori, adattatori: Drammaturgia e prassi scenica nell'Ottocento italiano. Esedra, 2008.

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8

Hearthside cooking: An introduction to Virginia plantation cuisine, including bills of fare, tools and techniques, and original recipes with adaptations for modern fireplaces and kitchens. EPM Publications, 1986.

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9

Subsequent performances. E. Sifton Books/Viking, 1986.

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10

Miller, Jonathan. Subsequent performances. E. Sifton Books/Viking, 1986.

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11

Kojŏn sosŏl ŭi tasi ssŭgi: 'minjok kojŏn' esŏ 'kojŏn k'ont'ench'ŭ' ro. Pagijŏng, 2012.

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12

Miller, Jonathan. Subsequent performances. Faber, 1986.

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13

Subsequent performances. Faber, 1986.

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14

Salome and Judas in the cave of sex: The grotesque : origins, iconograpy, techniques. Northwestern University Press, 1987.

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15

A history of Shakespeare on screen: A century of film and television. 2nd ed. Cambridge University Press, 2004.

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16

Rothwell, Kenneth S. A history of Shakespeare on screen: A century of film and television. Cambridge University Press, 1999.

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17

Klanten, Robert. Fully booked: Ink on paper : design & concepts for new publications. Gestalten, 2013.

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18

The art of adaptation: Turning fact and fiction into film. H. Holt and Co., 1992.

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19

Scheick, William J. The ethos of romance at the turn of the century. University of Texas Press, 1994.

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20

Malick, Javed. Toward a theater of the oppressed: The dramaturgy of John Arden. University of Michigan Press, 1995.

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21

Dickens and the dream of cinema. Manchester University Press, 2003.

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22

Opacity in the writings of Robbe-Grillet, Pinter, and Zach: A study in the poetics of absurd literature. E. Mellen Press, 1991.

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23

Michelle, MacArthur, Wilkinson Lydia, and Zaiontz Keren, eds. Performing adaptations: Essays and conversations on the theory and practice of adaptation. Cambridge Scholars, 2009.

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24

Performing adaptations: Essays and conversations on the theory and practice of adaptation. Cambridge Scholars, 2009.

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25

Babbage, Frances, Mark Taylor-Batty, and Enoch Brater. Adaptation in Contemporary Theatre: Performing Literature. Bloomsbury Publishing Plc, 2017.

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26

Adaptation in Contemporary Theatre: Performing Literature. Bloomsbury Publishing Plc, 2017.

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27

Williams, Eric R. Screen Adaptation : Beyond the Basics: Techniques for Adapting Books, Comics and Real-Life Stories into Screenplays. Taylor & Francis Group, 2017.

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28

Gérard-Denis, Farcy, Butel Yannick, and Université de Paris VIII: Vincennes. Centre de recherche documentaire sur les arts du spectacle., eds. L' adaptation théâtrale, entre obsolescence et résistance. Presses universitaires de Caen, 2000.

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29

Fowles's The French Lieutenant's Woman (Reader's Guides). Continuum International Publishing Group, 2007.

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30

Stephenson, William. Fowles's the French Lieutenant's Woman (Reader's Guides). Continuum International Publishing Group, 2007.

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31

Preter, Sabina E., Theodore Shapiro, and Barbara Milrod. The Anxiety Disorders. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190877712.003.0006.

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Chapter 6 consists of six subsections, describing the anxiety disorders treated with child and adolescent anxiety psychodynamic psychotherapy (CAPP). These include generalized anxiety disorder, social anxiety disorder, separation anxiety disorder, panic disorder, agoraphobia and phobic avoidance, and (comorbid) posttraumatic stress disorder. Each section is organized as follows: the authors describe the phenomenology and diagnostic criteria, followed by the salient psychodynamic factors and conflicts. Each section concludes with treatment considerations, addressing transdiagnostic techniques,
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32

Popper, Nicholas. European Historiography in English Political Culture. Edited by Malcolm Smuts. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199660841.013.14.

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Historical study flourished in early modern Europe, as scholars and counselors adapted venerable genres and modes of analysis and devised new methods and techniques. Their works intended to advance political ends by augmenting their readers’ strategic acumen, familiarizing them with recent events, or deciphering broad providential patterns at work. Early modern England witnessed the importation of every significant form of historical work produced in this period, and these methods came to occupy a central, if variegated, place in its political culture. Above all, the interpretive model of ‘pol
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33

Ruxton, Graeme D., William L. Allen, Thomas N. Sherratt, and Michael P. Speed. Avoiding Attack. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199688678.001.0001.

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Avoiding Attack discusses the diversity of mechanisms by which prey avoid predator attacks and explores how such defensive mechanisms have evolved through natural selection. It considers how potential prey avoid detection, how they make themselves unprofitable to attack, how they communicate this status, and how other species have exploited these signals. Using carefully selected examples of camouflage, mimicry, and warning signals drawn from a wide range of species and ecosystems, the authors summarize the latest research into these fascinating adaptations, developing mathematical models wher
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34

Performing the Unstageable: Success, Imagination, Failure. Bloomsbury Publishing Plc, 2020.

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35

Dickens: The craft of fiction and the challenges of reading : Proceedings of the Milan Symposium, Gargnano, September 1998 (Biblioteca di anglistica). Edizioni Unicopli, 2000.

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36

Rossana, Bonadei, and Dickens Symposium (1998 : Gargnano, Italy), eds. Dickens: The craft of fiction and the challenges of reading : proceedings of the Milan Symposium, Gargnano, September 1998. Edizioni Unicopli, 2000.

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37

Sweet, David LeHardy. Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes (North Carolina Studies in the Romance Languages and Literature, 276). The University of North Carolina Press, 2006.

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38

Kropf, Nancy P., and Sherry M. Cummings. Cognitive Behavioral Therapy. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190214623.003.0003.

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Chapter 3, “Cognitive Behavioral Therapy: Theory and Practice,” presents the history, examines the theoretical underpinnings, and explains the essential skills and techniques of cognitive behavioral therapy (CBT). Theoretical principles, such as cognitive distortions, underlying assumptions and schema, and their presentation in older adults, are discussed. The treatment approach of CBT is outlined, including the nature of the therapeutic relationship, changing cognitions, behavioral strategies, the use of homework in treatment, and special considerations and adaptations for practice with older
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39

Goodman, Jessica. Goldoni’s Dilemma. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198796626.003.0006.

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This chapter considers how, in his two years at the Comédie-Italienne, Goldoni attempted to control his image and assert his authority in a new, problematic context of collective authorship and normative anonymity. It employs the few remaining traces of canevas Goldoni wrote for the Comédie-Italienne—anonymous manuscripts, summaries in contemporary journals, and adaptations for the Italian stage—along with texts written before his arrival in Paris to explore the techniques he developed in the moment for creating and maintaining a good name. The first of these is the creation of a proto-directo
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40

Jackson, MacDonald P. Screening the Tragedies. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.37.

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Jonathan Miller’s BBC TV production of King Lear and Michael Elliott’s version for Granada TV, starring Laurence Olivier, illustrate contrasting approaches to the small-screen medium, with Miller recording lengthy takes of characters artfully choreographed within bare sets, and Elliott employing a montage technique to view individuals in expressive close-ups. The near-monochrome BBC costumes suggest the world of Jacobean politics, whereas Granada’s pastel colours suit the ‘Once upon a time’ quality of Shakespeare’s opening. The cinematic adaptations by Peter Brooke and Grigori Kozintsev better
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41

Danièle, Berton, Simard Jean-Pierre, Equipe EsTRADes, and Université Jean Monnet-Saint-Etienne. Centre interdisciplinaire d'études et de recherches sur l'expression contemporaine., eds. Création théâtrale: Adaptation, schèmes, traduction : actes des séminaires et colloques organisés à l'université Jean Monnet de Saint-Étienne, de 2003 à 2006. Publications de l'Université de Saint-Étienne, 2007.

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42

Hassan, Waïl S., ed. The Oxford Handbook of Arab Novelistic Traditions. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.001.0001.

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The Oxford Handbook of Arab Novelistic Traditions traces the emergence of the Arabic novel in the second half of the nineteenth century and its development to the present, both in Arabic-speaking countries and in Arab immigrant destinations around the world. Several chapters consider the ways in which the Arabic novel arose from a syncretic merger between Arabic and European forms and techniques, rather than being a simple importation of the latter and rejection of the former, as earlier scholars claimed. Topics range from theories of the Arabic novel to the link between the novel and history,
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43

Dance portraits: A choreographic investigation of formal elements as parallel means of expression in painting and dance. 1987.

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44

Dance portraits: A choreographic investigation of formal elements as parallel means of expression in painting and dance. 1986.

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45

Rothwell, Kenneth S. A History of Shakespeare on Screen: A Century of Film and Television. Cambridge University Press, 2001.

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46

Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Theater: Theory/Text/Performance). University of Michigan Press, 1996.

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47

Scheick, William J. Ethos of Romance at the Turn of the Century. University of Texas Press, 2014.

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48

Kropf, Nancy, and Sherry Cummings. Evidence-Based Treatment and Practice with Older Adults. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190214623.001.0001.

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Evidence Based Treatment with Older Adults: Theory, Practice, and Research provides a detailed examination of five research-supported psychosocial interventions for use with older adults: cognitive behavioral therapy, problem-solving therapy, motivational interviewing, psychoeducational and social support approaches, and life review/reminiscence. Taken together, these interventions address the diversity of mental health conditions and late-life challenges that older adults’ experience. Complementary chapters provide comprehensive treatment and research information for each intervention. In the
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49

Milman, Yoseph. Opacity in the Writings of Robbe-Grillet, Pinter, and Zach: A Study in the Poetics of Absurd Literature (Studies in Comparative Literature). Edwin Mellen Press, 1992.

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