Relevant bibliographies by topics / Techno-orientalism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Techno-orientalism'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Techno-orientalism"

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Sohn, Stephen Hong. "Techno-Orientalism Goes to the Stars: The Space Asian/American and Interstellar Company Rule in Simon Jimenez's The Vanished Birds." Science Fiction Studies 51, no. 2 (2024): 280–306. http://dx.doi.org/10.1353/sfs.2024.a931156.

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ABSTRACT: This article explores how Simon Jimenez's The Vanished Birds participates in but also moves beyond the discourse of techno-Orientalism through its depiction of characters, companies, and interstellar travel. Readers encounter a seemingly quintessential techno-Orientalist construct when they meet the book's protagonist, Fumiko. But their attention is soon redirected to a corporate entity whose predatory capitalist practices make it the new, menacing techno-Orientalist figure in the plot. The novel intervenes in discourses of techno-Orientalism by emphasizing how exploitative economic
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Kim, Tae Yun. "Sinofuturism, Digital Utopia or Techno Orientalism." Journal of Modern China Studies 25, no. 3 (2023): 81–108. http://dx.doi.org/10.35820/jmcs.25.3.3.

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MCKAY, DANIEL. "Camera Men: Techno-orientalism in Two Acts." Journal of American Studies 51, no. 3 (2017): 939–64. http://dx.doi.org/10.1017/s0021875817000548.

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During the years of Japan's “bubble” economy, writers and artists in the United States became increasingly susceptible to “Japan-bashing,” a discourse that objectified Japanese for their trade practices, overseas purchases, and tourist presence. In the following article, I draw upon a range of cultural texts, from Truman Capote's novellaBreakfast at Tiffany'sto Michael Crichton's novelRising Sun, in order to investigate how the trope of the camera-toting Japanese expatriate encapsulated the fears of the era. I then move to explore the ways in which Japanese Americans negotiated these tropes in
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Taillandier, Denis. "New Spaces for Old Motifs? The Virtual Worlds of Japanese Cyberpunk." Arts 7, no. 4 (2018): 60. http://dx.doi.org/10.3390/arts7040060.

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North-American cyberpunk’s recurrent use of high-tech Japan as “the default setting for the future,” has generated a Japonism reframed in technological terms. While the renewed representations of techno-Orientalism have received scholarly attention, little has been said about literary Japanese science fiction. This paper attempts to discuss the transnational construction of Japanese cyberpunk through Masaki Gorō’s Venus City (Vīnasu Shiti, 1992) and Tobi Hirotaka’s Angels of the Forsaken Garden series (Haien no tenshi, 2002–). Elaborating on Tatsumi’s concept of synchronicity, it focuses on th
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Goto-Jones, Chris. "Playing with Being in Digital Asia: Gamic Orientalism and the Virtual Dōjō." Asiascape: Digital Asia 2, no. 1-2 (2015): 20–56. http://dx.doi.org/10.1163/22142312-12340019.

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Seeking to address the general question, ‘Where is Digital Asia?’, this paper explores the various ways in which the digital and virtual realm interacts with the problematic and contested category of Asia. Beginning with a discussion of the relationship between Asia and Digital Asia, as both cartographic and ideological sites, it moves on to connect Digital Asia with the discourse of techno-Orientalism. Using the example of the videogame as an instance of a digital location that can be visited and explored, this article suggests that the gamic quality of interactivity adds a new, experiential
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McLeod, Ken. "Afro-Samurai: techno-Orientalism and contemporary hip hop." Popular Music 32, no. 2 (2013): 259–75. http://dx.doi.org/10.1017/s0261143013000056.

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AbstractThis article examines the practice and recent rise in the use of various aspects of Japanese popular culture in hip hop, particularly as manifest in the work of RZA, Kanye West and Nicki Minaj. Often these references highlight the high-tech, futuristic aesthetic of much Japanese popular culture and thus resonate with concepts and practices surrounding Afro-futurism. Drawing on various theories of hybridity, this article analyses how Japanese popular culture has informed constructions of African American identity. In contrast to the often sensational media coverage of racial tensions be
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Hayes, Christopher J. "Utopia or Uprising? Conflicting Discourses of Japanese Robotics in the British Press." Mutual Images Journal, no. 6 (June 20, 2019): 135–67. http://dx.doi.org/10.32926/2018.6.hay.utopi.

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Technology is a particularly interesting example of where media portrayal of Japan is inconsistent. For many years, Japan has been known as a technologically advanced nation. This image persists, especially in the last couple of years with the introduction of service and retail robots such as Softbank’s Pepper. While sometimes news publications present this as a positive image of the future, an idea of what we in the West have to look forwards to, at other times, the image of technology in Japan is decidedly negative. Sometimes it has too much technology, or it has technologies that ‘we in the
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Miyake, Esperanza. "Politicizing motorcycles: Racialized capital of technology, techno-Orientalism and Japanese temporality." East Asian Journal of Popular Culture 2, no. 2 (2016): 209–24. http://dx.doi.org/10.1386/eapc.2.2.209_1.

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Ueno, Toshiya. "Techno‐Orientalism and media‐tribalism: On Japanese animation and rave culture." Third Text 13, no. 47 (1999): 95–106. http://dx.doi.org/10.1080/09528829908576801.

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Thouny, Christophe. "Lu Yang." Screen Bodies 7, no. 1 (2022): 183–87. http://dx.doi.org/10.3167/screen.2022.070112.

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Where is Lu Yang? Not here nor there; they might well be this new supernatural life form Maupassant could feel invading his everyday when the world became planetary, an invisible entity coming from abroad and unstoppable. Indeed, Lu Yang (LY) is unstoppable, unlocalizable, out of time and space. Planetary being? Asian superhero? Their aesthetics are avowedly Asianesque, with clear references to Japanese otaku culture, Buddhism, Chinese characters. This is 1990s techno-orientalism on speed opening onto what Livia Monnet calls a planetary unconscious.
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Dissertations / Theses on the topic "Techno-orientalism"

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Bergsten, Lisa. "Evil Monsters and Machines : A Techno-Orientalist Perspective on Threat Perception in the United Kingdom." Thesis, Försvarshögskolan, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:fhs:diva-9697.

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This thesis looks at the construction of China as a security threat in the United Kingdom, through the theoretical lens of techno-Orientalism. The main argument is that techno-Orientalist ideas influence the Western perception of China as a security threat, which leads to the creation of certain fears regarding China which affects the identity creation of both the United Kingdom and China. Techno-Orientalism shows how the West perceives itself as losing its grip on modernity, and thus the future; the East is being perceived as the producers of technology which lead to the opposite of the desir
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Zhou, Amelia. "Towards new future terrains: Reorienting Asiatic femininities in the speculative imagination." Thesis, Department of Gender and Cultural Studies, 2018. http://hdl.handle.net/2123/18231.

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This thesis investigates Asian feminist imaginations of the future through the lens of speculative fiction. It aims to revise binary techno-orientalist understandings of Asia and its subjectivities predominant in Western heteronormative visions of tomorrow. I intervene in the West’s exclusionary claims for futurity dependent on the subjugation of Asia as a feminised, machinic and passive site. Instead, I argue for rearticulations of alternate speculative futurities attending for more multiple, nuanced and irreducible becomings for racialised, gendered citizens. Through close readings of two ke
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Yip, Sheenie. "Sinofuturism." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1174.

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Books on the topic "Techno-orientalism"

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Roh, David S., Betsy Huang, Greta A. Niu, et al. Techno-Orientalism. Edited by David S. Roh, Betsy Huang, and Greta A. Niu. Rutgers University Press, 2015. http://dx.doi.org/10.36019/9780813570655.

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Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media. Rutgers University Press, 2015.

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Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media. Rutgers University Press, 2015.

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Roh, David S., Betsy Huang, and Greta A. Niu. Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media. Rutgers University Press, 2015.

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Roh, David S., Betsy Huang, and Greta A. Niu. Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media. Rutgers University Press, 2015.

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Lavender III, Isiah, ed. Dis-Orienting Planets. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496811523.001.0001.

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Dis-Orienting Planets: Racial Representations of Asia in Science Fiction continues where Black and Brown Planets: The Politics of Race in Science Fiction (2014) left off. This anthology features essays depicting Asia and Asians in science fiction literature, film, and fandom with particular attention paid to China, Japan, India, and Korea. The collection concentrates on political representations of Asian identity in science fiction’s imagination, from fear of the Yellow Peril and its host of stereotypes to techno-Orientalism and the remains of a post-colonial heritage. In fact, Dis-Orienting P
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Rivera, Takeo. Model Minority Masochism. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197557488.001.0001.

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There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model
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Book chapters on the topic "Techno-orientalism"

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Lin, Yirui, and Xiansheng Wang. "Media Portrayal of Techno-Orientalism." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2024. https://doi.org/10.2991/978-2-38476-327-6_2.

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Yoon, Tae-Jin, and Kyunghyuk Lee. "Techno-Orientalism in Global/Korean Esports." In Introducing Korean Popular Culture. Routledge, 2023. http://dx.doi.org/10.4324/9781003292593-24.

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Bernola, Allegra Clara Rosa. "Techno-Orientalism in Modern Cyberpunk Cinema." In Göttinger Schriften zur Englischen Philologie. Göttingen University Press, 2025. https://doi.org/10.17875/gup2025-2772.

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Wu, Xiaotong. "Examining the Portrayal of Hua Wei as a “Oriental Other” in American Mass Media: A Phenomenon of Techno-Orientalism." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2025. https://doi.org/10.2991/978-2-38476-384-9_91.

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Adib-Moghaddam, Arshin. "Techno-Orientalism." In The myth of good AI. Manchester University Press, 2025. https://doi.org/10.7765/9781526189516.00006.

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"Acknowledgments." In Techno-Orientalism. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813570655-001.

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"Technologizing Orientalism: An Introduction." In Techno-Orientalism. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813570655-002.

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"1. Demon Courage and Dread Engines: America’s Reaction to the Russo-Japanese War and the Genesis of the Japanese Invasion Sublime." In Techno-Orientalism. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813570655-003.

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"2. “Out of the Glamorous, Mystic East”: Techno-Orientalism in Early Twentieth-Century U.S. Radio Broadcasting." In Techno-Orientalism. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813570655-004.

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"3. Looking Backward, from 2019 to 1882: Reading the Dystopias of Future Multiculturalism in the Utopias of Asian Exclusion." In Techno-Orientalism. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813570655-005.

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Conference papers on the topic "Techno-orientalism"

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Xu, Chengkai, Weiting Li, Laila Zhong, et al. "Tradition, Desire, Techno-Orientalism and Popularity: Oriental Elements in the 21st-century Cyberpunk Video Games." In Intelligent Human Systems Integration (IHSI 2023) Integrating People and Intelligent Systems. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002894.

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Cyberpunk is one genre with distinctive features, which depicts an apocalyptic world seeing technology as associated with capitalist oligarchy with highly solidified social identity and social class (Akşit and Nazlı, 2021). Nowadays, research about cyberpunk video games mainly focuses on the visual aesthetics of cyberpunk video games (Johnson, 2017). We adopted content analysis first to identify the oriental visual elements in 6 video games: Cyberpunk 2077 (CD Projekt RED, 2020) (CP2077), Gamedec (Anshar Studios, 2021), The Red Strings Club (Deconstructeam, 2018) (TRSC), VA-11 Hall-A: Cyberpun
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