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Books on the topic 'Technological arts'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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1

Mexican modernity: The avant-garde and the technological revolution. Cambridge, Mass: MIT Press, 2005.

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2

Revolutionizing arts education in K-12 classrooms through technological integration. Hershey, PA: Information Science Reference, an imprint of IGI Global, 2015.

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3

Aesthetics in present future: The arts and the technological horizon. Lanham: Lexington Books, 2013.

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4

Cyborg theatre: Corporeal/technological intersections in multimedia performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011.

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5

Technological tools for the literacy classroom. Hershey PA: Inormation Science Reference, 2013.

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6

Follert, Melene. Data transmission for the graphic arts industry. Arlington, VA: National Composition Association, 1987.

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7

Entangled: Technology and the transformation of performance. Cambridge, MA: MIT Press, 2010.

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8

Motzkus, Frank C. I teknikkens tjeneste 1882-2007. Albertslund]: Kemp & Lauritzen, 2007.

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9

Education, Ontario Ministry of. Broad-based technological education: Curriculum guideline, grades 10, 11, and 12. [Toronto]: The Ministry, 1995.

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10

International Printing & Graphic Arts Conference (2000 Savannah, Ga.). 2000 International Printing & Graphic Arts: October 1-4, 2000, Hyatt Regency Savannah, Savannah, GA. Atlanta, Ga: TAPPI Press, 2000.

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11

National, Seminar on Applied Technology Science and Arts (1st 2009 Surabaya Indonesia). The proceeding. Surabaya]: Institut Teknologi Sepuluh Nopember, Lembaga Penelitian dan Pengabdian Kepada Masyarakat, 2009.

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12

Images numériques?: Leurs effets sur le cinéma et les autres arts. Aix-en-Provence: Presses universitaires de Provence, 2014.

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13

Precisions: Architektur zwischen Wissenschaft und Kunst = architecture between sciences and the arts. Berlin: Jovis Verlag, 2008.

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14

Switching codes: Thinking through digital technology in the humanities and the arts. Chicago: University of Chicago Press, 2011.

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15

Woiceshyn, Jaana. Technological change in the context and dynamics of the firm: A study of the Canadian graphic arts industry. Helsinki: The Helsinki School of Economics, 1988.

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16

Benjamin, Walter. The work of art in the age of its technological reproducibility, and other writings on media. Cambridge, Mass: Belknap Press of Harvard University Press, 2008.

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17

Lester Beall: Trailblazer of American graphic design. New York: W.W. Norton, 1996.

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18

International Printing and Graphic Arts Conference. (1990 Vancouver, B.C.). 1990 International Printing and Graphic Arts Conference: Hyatt Regency, Vancouver, British Columbia, Canada, November 6-8, 1990. Montreal: Technical Section, CPPA, 1990.

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19

Seminar on Technological Development and the Traditional Performing Arts (1981 Jakarta, Indonesia). Seminar on Technological Development and the Traditional Performing Arts (I-W4), Jakarta, Indonesia, December 15-20, 1981: Final report. [S.l.]: Southeast Asian Ministers of Education Organization, 1985.

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20

Selfe, Richard. Sustainable computer environments: Cultures of support in English studies and language arts. Cresskill, N.J: Hampton Press, 2005.

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21

Morgan, Robert C. Commentaries on the new media arts: fluxus & conceptual art, artists' books, correspondence art, audio and videoart. Pasadena, Ca: Umbrella/Banana production, 1992.

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22

W, Birkenshaw John, ed. Short run digital colour printing. Leatherhead: Pira International, 1998.

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23

Terzo, Maurizio. Il set virtuale: La scena digitale nel cinema e nella televisione. Roma: Gremese, 2010.

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24

Il set virtuale: La scena digitale nel cinema e nella televisione. Roma: Gremese, 2010.

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25

Digital drama: Teaching and learning art and media in Tanzania. Abingdon, Oxon: Routledge, 2011.

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26

Brett, Geoffrey. Short-run digital colour printing. 2nd ed. Leatherhead: Pira International, 2001.

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27

Pan-Pacific and International Printing and Graphic Arts Conference (1998 Québec, Québec). Preprints: 1998 Pan-Pacific and International Printing and Graphic Arts Conference : October 6-8, 1998, Château Frontenac, Québec City, Québec, Canada. Montréal: Pulp and Paper Technical Association of Canada, 1998.

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28

Bridging the Gap (Symposium) (1989 New York). Bridging the gap: Rethinking the relationship of architect and engineer : the proceedings of the Building Arts Forum/New York Symposium, held in April of 1989 at the Guggenheim Museum. New York: Van Nostrand Reinhold, 1991.

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29

New technologies and new skills: Two-year colleges at the vanguard of modernization. Chapel Hill, N.C: Regional Technology Strategies, 1995.

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30

1939-, Haller Klaus, and Mertsch Sabine, eds. Neue Medien und Kommunikationsformen: Auswirkungen auf Kunst und Kultur : Untersuchungen zum künftigen Verhältnis von neuen Techniken und traditionellen Kunst- und Kulturbereichen. München: Saur, 1985.

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31

Clausing, Don. Effective innovation. New York: ASME Press, 2004.

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32

tourism, Technology impact on cultural. Technology impact on cultural tourism conference proceedings. Istanbul: Boğaziçi University, 2000.

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33

(Emanuela), Montagnari Kokelj E., Budinich M. (Marco), and Tuniz C. (Claudio), eds. Science for cultural heritage: Technological innovation and case studies in marine and land archaeology in the Adriatic region and inland : VII International Conference on Science, Arts and Culture : August 28-31, 2007, Veli Lošinj, Croatia. Singapore: World Scientific, 2010.

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34

Ahamed, Syed V. The art of scientific innovation: Cases of classic creativity. Upper Saddle River, N.J: Pearson Prentice Hall, 2005.

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35

Inc, World Book, ed. The arts. Chicago, IL: World Book, 2009.

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36

Transmedia Frictions: The Digital, the Arts, and the Humanities. University of California Press, 2014.

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37

McPherson, Tara, and Marsha Kinder. Transmedia Frictions: The Digital, the Arts, and the Humanities. University of California Press, 2014.

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38

Slow, Contemporary Violence : Damaged Environments of Technological Culture: Jussi Parikka. MIT Press, 2020.

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39

Controlling Our Reproductive Destiny: A Technological and Philosophical Perspective (New Liberal Arts). The MIT Press, 1996.

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40

Howes, Anton. Arts and Minds. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691182643.001.0001.

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From its beginnings in a coffee house in the mid-eighteenth century, the Royal Society for the Encouragement of Arts, Manufactures and Commerce has tried to improve British life in every way imaginable. It has sought to influence how Britons work, how they are educated, the music they listen to, the food they eat, the items in their homes, and even how they remember their own history. This book is the remarkable story of an institution unlike any other—a society for the improvement of everything and anything. The book shows how this vibrant and singularly ambitious organisation has evolved and adapted, constantly having to reinvent itself to keep in step with changing times. The Society has served as a platform for Victorian utilitarian reformers, purchased and restored an entire village, encouraged the planting of more than sixty million trees, and sought technological alternatives to child labour. But this is more than just a story about unusual public initiatives. It is an engaging and authoritative history of almost three centuries of social reform and competing visions of a better world-the Society's members have been drawn from across the political spectrum, including Adam Smith, Edmund Burke, and Karl Marx. The book reveals how a society of public-spirited individuals tried to make their country a better place, and draws vital lessons from their triumphs and failures for all would-be reformers today.
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41

100 Ideas That Changed Graphic Design 100 Ideas That Changed. Laurence King, 2012.

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42

Modern science and technology in journalism and graphic arts: Basic aspects and applications : seminar lectures. Prague: International Organization of Journalists, 1987.

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43

Interfaces of performance. Farnham, England: Ashgate, 2009.

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44

Maria, Chatzichristodoulou, Jefferies Janis, and Zerihan Rachel, eds. Interfaces of performance. Farnham, Surrey: Ashgate, 2009.

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45

Interfaces of performance. Farnham, Surrey: Ashgate, 2009.

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46

Interfaces of performance. Farnham, England: Ashgate, 2009.

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47

Repository, Gill's Scientific Technolog. Gill's Technological Afterw. Gill's Scientific, Technological & Microscopic Repository; or, Discoveries and Improvements in the Useful Arts, a Continuation of His Technical Repository, by T. Gill. HardPress, 2020.

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48

Light, Wind, and Structure: The Mystery of the Master Builders (New Liberal Arts). The MIT Press, 1994.

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49

Caridad, Svich, ed. Trans-global readings: Crossing theatrical boundaries. Manchester, U.K: Manchester University Press, 2003.

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50

Moeran, Brian, and Bo T. Christensen. Exploring Creativity: Evaluative Practices in Innovation, Design, and the Arts. Cambridge University Press, 2014.

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