Academic literature on the topic 'Technological aspects of Renaissance'

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Journal articles on the topic "Technological aspects of Renaissance"

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Fischnaller, Franz, and Alex Hill. "CITYCLUSTER “From the Renaissance to the Megabyte Networking Age”: A Virtual Reality and High-Speed Networking Project." Presence: Teleoperators and Virtual Environments 14, no. 1 (February 2005): 1–19. http://dx.doi.org/10.1162/1054746053890251.

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This paper presents the CITYCLUSTER project, a virtual-reality networking matrix, in a high-tech framework with original technological features, navigation, interactivity, graphic, and content style, in which multiple environments, ambiences, and cities, both real and imagined, can be hosted, coexist, and be interrelated within themselves through a common virtual territory. It can be interconnected by high-speed network, enabling remote participants to access, interact, and collaborate in shared environments and work together in a common virtual space over distance in real time. The framework can be expanded and modified in accordance with the digital environment to be incorporated. Meta-Net-Page, a virtual-reality collaborative networking tool, was designed and implemented ad hoc for CITYCLUSTER. “From the Renaissance to the Megabyte Networking Age” is the first CITY-CLUSTER virtual-reality networked application, which offers visitors a thrilling interactive journey, from the Renaissance to the Super Broadband Networking and Electronic Age. Florence represents the “Renaissance Age”, Chicago the “Gigabits Networking Age.” Each virtual city is inhabited by a group of avatars: David, Venus, and Machiavelli in Florence, and Mega, Giga, and Picasso in Chicago. The implementation of CITYCLUSTER has given rise to a range of technological challenges, which in turn have revealed innovative aspects and salient features relative to content management, the development of juxtaposed virtual environments, networking interactive techniques, avatar design, architecture, and virtual effects. A series of special features and enhancements have been added to the software Ygdrasil, to satisfy content and quality levels of interactivity. In consequence, the Ygdrasil system was further refined as software tools that aid the rapid and intuitive development of interactive virtual environments for artists and other nontechnical users. The CITYCLUSTER project is primarily designed to run in the CAVE and on the AGAVE (Access Grid Augmented Virtual Environment). It can run either locally or through remote networking in both SGIs and the Linux platform.
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El-Jaichi, Saer. "Preface." Tidsskrift for Islamforskning 9, no. 1 (February 5, 2017): 1. http://dx.doi.org/10.7146/tifo.v9i1.25342.

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I stedet for et abstract er her begyndelsen på indledningen: The contributions presented in this issue deal with a range of debates and questions in contemporary Arab-Islamic thought, focusing especially on the ideas, and key methodological approaches, of prominent twentieth-century Arabic-speaking thinkers who attempt in various ways, and from various intellectual positions, to revive (iḥyāʾ) and renew (tağdīd) the tradition of Islām against the backdrop of modern thought. Historically speaking, the endeavour toward reviving the cultural and religious legacy of Islām within the context of modernity began in the early nineteenth century in direct response to European invasions of the Muslim lands, starting with the Napoleonic invasion of Egypt in 1798. Indeed, in many ways, contemporary Arab-Islamic thought emerged in response to the shock of Western modernity – that is, the unexpected shock that left Muslims with a feeling of inferiority and backwardness vis-à-vis the Christian West due to the latter’s economic, political and technological advances, and military superiority. In the face of this somehow traumatic event, one question, which would be repeated countless times in ideological writings, historical studies, and even fictional works, became especially urgent: “Why did the Renaissance, which fostered the Age of Enlightenment, emerge out of Western thought, not Arab-Islamic thought?” Thus, when Muslim thinkers began to understand why modernity has arisen in the West, they were conscious of the close correlation between the development of European intellectual culture and its culmination in the (re)birth of the Renaissance culture in all its multifarious aspects. (...)
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Panke, Sven. "Taming the Beast of Biology: Synthetic Biology and Biological Systems Engineering." CHIMIA International Journal for Chemistry 74, no. 5 (May 27, 2020): 402–6. http://dx.doi.org/10.2533/chimia.2020.402.

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Despite the availability of a variety of ' -omics ' technologies to support the system-wide analysis of industrially relevant microorganisms, the manipulation of strains towards an economically relevant goal remains a challenge. Remarkably, our ability to catalogue the participants in and model ever more comprehensive aspects of a microorganism's physiology is now complemented by technologies that permanently expand the scope of engineering interventions that can be imagined. In fact, genome-wide editing and re-synthesis of microbial and even eukaryotic chromosomes have become widely applied methods. At the heart of this emerging system-wide engineering approach, often labelled ' Synthetic Biology ' , is the continuous improvement of large-scale DNA synthesis, which is put to two-fold use: (i) starting ever more ambitious efforts to re-write existing and coding novel molecular systems, and (ii) designing and constructing increasingly sophisticated library technologies, which has led to a renaissance of directed evolution in strain engineering. Here, we briefly review some of the critical concepts and technological stepping-stones of Synthetic Biology on its way to becoming a mature industrial technology.
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Garito, Maria Amata. "Alliances for Knowledge: MOOCs to Create New Professional Skills in a New Model of University (Positive and Negative Aspects)." International Journal of Advanced Corporate Learning (iJAC) 9, no. 1 (April 27, 2016): 12. http://dx.doi.org/10.3991/ijac.v9i1.5142.

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A generational clash of enormous scope is emerging within our institutions; the criticisms to the university advanced 15 years ago were "waiting ideas'': waiting for the new Web and for a new generation of students able to effectively put in question the old model of university. The university in the globalized and the interconnected knowledge society reached a turning point; we are at a crossroads between stagnation and renewal, between atrophy and renaissance. At present, however, there are very interesting facts going on worldwide; in some prestigious universities a new idea of global education is starting from the bottom; many universities are tearing down their ivory towers and are using the Internet, the most powerful platform in history to make their contents available in the Web. Lately, in the United States as well as in Europe, the “Knowledge Alliances” and the MOOCs (Massive Open Online Courses) are emerging. Unfortunately, The MOOCs show several shortcomings that are linked to their pedagogical-didactic models, to the courses evaluation systems as well as to the organizational models of the virtual structures meant to carry on the educational activities by using the MOOCs. Today we have to make a critical appreciation of the MOOCs in order to put them into a proper historical and cultural setting. Sharing the contents of different universities of the world can certainly represent a significant step towards renewal, however, in the universities, a true change can take place through the establishment of consortia among the various universities of the world and the technological enterprises linked to innovation that cooperate in the joint production of contents in the learning environments of the Internet.
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Topi, Skender, Luigi Santacroce, Lucrezia Bottalico, Andrea Ballini, Alessio Danilo Inchingolo, Gianna Dipalma, Ioannis Alexandros Charitos, and Francesco Inchingolo. "Gastric Cancer in History: A Perspective Interdisciplinary Study." Cancers 12, no. 2 (January 22, 2020): 264. http://dx.doi.org/10.3390/cancers12020264.

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Background: Gastric adenocarcinoma is the fourth most common type of cancer and the second leading cause of cancer death in the world. Despite abundant traces of an ancient history, the comprehension of its pathogenic mechanisms is rather recent and continuously updated. Methods: We investigated about how the ancient civilizations tried to understand the exactly physiopathology of gastric cancer, from the time when they could not examine deeply the histological and pathophysiologic aspects of the disease, but they just based their knowledge on a visual analysis of the signs and consequences of such disease. We examined the historical evolving knowledge of the disease along the centuries on the gastroenterological, pharmacological, and surgical fields, defining how gastric cancer became an increasingly curable disease. Results: Cancer was known in the ancient world. Ancient people did not know exactly the causes but the climatic, hygienic, and food conditions were the first to be considered over time, also taking into consideration supernatural negative influences. During the Renaissance, a tumultuous time of scientific discoveries started, thanks to an increasing number of autopsies made on cadavers and to the progressions in visual analysis of the stomach mucosa throughout endoscopy. From the first gastric surgery in 1879, many steps forward have been made and, today, gastric cancer is regarded as a more curable disease; one important discovery in this field has been the revelation of the role of Helicobacter pylori in the peptic ulcer disease (PUD) and in some forms of gastric lymphoma. Conclusions: Gastric cancer has the fourth highest incidence of various cancers worldwide and is ranked second as a cause of cancer-related death. It exists from the antiquity and a lot of hypotheses have been developed about its etiology during the centuries, influencing its therapy. During the 20th century, thanks to the scientific and technological progresses the causes of the cancer have been discovered and the role of the bacterium Helicobacter pylori has been demonstrated, and new perspective research are currently trying to investigate the role of other microorganisms in gastric physiopathology, as well as its possible modulation by probiotics.
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Сербул, Н. Б. "Textbook in Polyphony by Anatoly P. Milka: Achievements and Prospects of the Petersburg School." OPERA MUSICOLOGICA, no. 5 (December 31, 2020): 160–67. http://dx.doi.org/10.26156/om.2020.12.5.010.

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В рецензии отражены важнейшие аспекты сложного и многогранного труда автора. Систематизируется понятийный аппарат, в частности, обсуждаются проблемы терминологии в области обратимого контрапункта. Предпринята попытка рассмотреть и объяснить позицию автора по этому вопросу в контексте истории формирования других точек зрения. Анализируются инновации в области методики преподавания полифонии, особенности сочетания исторического и технологического подходов к изучению предмета, новизна и практическая актуальность научных положений. Отмечаются инновационные разработки автора в области теории малых и больших имитационных форм. Универсальность и последовательность применения этой теории придает цельность и логическую стройность всему труду автора. Особое внимание привлекается к приемам, способствующим детальному освоению и реконструкции в учебных работах стиля ренессансной полифонии. Подробно рассматриваются новые формулировки правил метроритмической организации, типы работы над мелодией строгого письма, предложенные автором учебника. Отмечается важность рецензируемого издания как этапа развития петербургской музыковедческой школы, обобщения ее научных достижений и методических разработок. Выявляется ряд направлений, объединяющих исследования А. П. Милки с ведущими отечественными научными школами. The review specifies the most important aspects of the complex and multifaceted work of the author, systematizing and discussing the conceptual apparatus, in particular, the problems of terminology in the field of reversible counterpoint. An attempt is made to consider and explain the author's position on this issue in the context of the history of formation of other points of view. The author analyzes innovations in the field of polyphony teaching methods, the peculiarities of the combination of historical and technological approaches in the study of the subject, the novelty and practical relevance of scientific provisions. The author's innovative developments in the field of the theory of small and large imitation forms are noted. The versatility and consistency of the application of this theory gives integrity and logical harmony to the entire work of the author. Particular attention is drawn to techniques that contribute to the detailed development and reconstruction of the Renaissance polyphony style in educational works. The new formulations of the rules of metro-rhythmic organization, new types of work on the melody of strict writing, proposed by the author of the textbook, are considered in detail. The importance of the peer-reviewed publication is noted as a new stage in the development of the St. Petersburg school of music, as a generalization of its scientific achievements and methodological developments. A number of areas are identified that connect the research of Anatoly P. Milka with the leading Russian scientific schools.
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HUTSON, LORNA. "Forensic Aspects of Renaissance Mimesis." Representations 94, no. 1 (2006): 80–109. http://dx.doi.org/10.1525/rep.2006.94.1.80.

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ABSTRACT Current approaches to Renaissance drama, rejecting the older idea of mimesis as likeness to an essential ““nature,”” have also rejected the assumption that Shakespeare's drama is especially mimetic. This article argues that these approaches neglect the contribution of narrative coherence or plot tomimesis and shows that a judicial conception of narrative underlies the mimesis of neoclassical Renaissance drama, including Shakespeare. Mimetic readings of Shakespeare may thus be appropriately legalistic responses to an evidentially based conception of plot.
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Laurent, Pierre-Henri. "Eureka, or the Technological Renaissance of Europe." Washington Quarterly 10, no. 1 (March 1987): 55–66. http://dx.doi.org/10.1080/01636608709477369.

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Meeùs, Nicolas. "Aspects of Modality in Renaissance Polyphony." Musurgia XXVI, no. 2 (2019): 11. http://dx.doi.org/10.3917/musur.192.0011.

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Meier, Bernhard. "Rhetorical Aspects of the Renaissance Modes." Journal of the Royal Musical Association 115, no. 2 (1990): 182–90. http://dx.doi.org/10.1093/jrma/115.2.182.

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The ‘rhetorical’ character of Renaissance music – or, more precisely, of the vocal music of that period – is generally well known. Briefly: the musical segmentation of every vocal composition of that period is determined by the syntactic division of its text; each individual word that is suited to musical ‘translation’ not only renders this quasi-allegorical representation possible, but absolutely requires it; and the ability to discover such ‘allegories’, to apply them appropriately and thus to enrich the expressive vocabulary of music was regarded as the chief measure of the competence of a composer.
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Dissertations / Theses on the topic "Technological aspects of Renaissance"

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Belford, Troy A. "Technological and ethical aspects of anthropological film." Thesis, Wichita State University, 2010. http://hdl.handle.net/10057/3294.

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This thesis demonstrates how factors of technological innovation in filmmaking and anthropological ethical considerations will have an influence over how a particular film will be theorized, created and distributed. The definitions of ethnographic and anthropological film are examined as well as the methods of presenting anthropological information in a film. Technological advances and how they apply to filming, editing and distribution possibilities are also described. The process of creating my own anthropological films about the Asmat and Korowai developed my thesis argument that technology and ethical sensitivities will have a developmental aspect in creating an anthropological film not only in the shooting of footage but the editing of that footage for audience viewing. The proposed goal of the film will also define what will be filmed and how the filmmaker will adapt to the challenges of the field and the construction of the culture.
Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of Anthropology
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Taylor, Matthew. "Technological aspects of corrosion control of metals." Thesis, Lyon, INSA, 2012. http://www.theses.fr/2012ISAL0107.

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La prévention contre la corrosion est un facteur déterminant pour la durabilité des matériaux. Historiquement, le développement des applications des matériaux avancés n'est pas envisageable sans une approche scientifique poussée des mécanismes fondamentaux qui conduisent à la dégradation en service. L'histoire humaine a été ponctuée par les progrès technologiques, qui ont tous été permis par les progrès de la science des matériaux, de l'âge du fer à l'âge de silicium. Par exemple, c'est la fusion du minerai qui a fait basculer l'humanité de l'âge de pierre aux premiers alliages (bronze) et la fondation ultérieure d'une société basée sur les métaux. Ces métaux retournent à l'état naturel en suivant des lois thermodynamiques et cinétiques. l'objet de la thèse vise à comprendre le comportement de certains matériaux dits passivables pour tenter de proposer des lois de comportement à partir du modèle du défaut ponctuel. Cette approche s'appuie sur des caractérisations électrochimique et physico-chimique des matériaux métalliques considérés
Corrosion control is an important facet of durable and responsible engineering. Historically, the development of advanced materials applications stymied without sufficient scientific understanding of the fundamental mechanisms that dominate degradation in the system of application. Human history has been punctuated by advances in technology, all of which were enabled by advances in materials science, from the iron age to the silicon age. For instance, it was the invention of smelting ores that brought humanity out of the stone age, leading to the first alloys (bronze) and the subsequent foundation of a metals based society. During the infancy of the planet earth, around four billion years ago, the first photosynthesizers began converting carbon dioxide into oxygen. However, oxygen gas was not released into the atmosphere in great quantities because it was immediately bound up with dissolved metals in the ocean; mostly iron, forming a large fraction of the iron ores we rely upon. Producing such metals from oxides formed during the previous four billion years involves flying in the face of the thermodynamic desire to return to the oxide state
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Carter, Sarah. "Aspects of Ovidian sexual myth in English Renaissance texts." Thesis, University of Sheffield, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419598.

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Smellie, R. L. "Political and governmental aspects of major technological risks." Thesis, University of Manchester, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234228.

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Wong, Katrine Ka-Ki. "Theatrical Aspects and Meanings of Music in English Renaissance Drama." Thesis, University of Leeds, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490819.

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The central concern of this thesis is the negotiation between the dichotomous qualities with which ~usic is associated: the heavenly and the demonic. This duality has always been an important concept in social and philosophical perception ofthe art since classical times. Despite the moral threat that some thinkers have warned about with regards to engaging oneself in musical activities, the element ofmusic is indispensable on the Renaissance stage. The thesis is constructed around a discussion ofthe theatrical meanings ofmusic and its expression of gender, love, and love-related madness in Renaissance drama. One of my major intentions is to e~plore music in non-Shakespearean works in order to provide a wider context, one that has received very little critical discussion. Theatrical music, both songs and instrumental episodes, helps in shaping audience response toward characters and events. Therefore an important aspect of this thesis is the discussion of recent stage productions of Shakespearean plays, which are used to illustrate theoretical questions encountered in the process ofexamining theatrical music and its meanings. The Introduction explores questions related to the mechanisms of meaning-making I in music and in various types of musical episodes in the theatre. As is informed or implied by . . stage directions, instrumental music can be classified as diegetic or non-diegetic, but I argue that both diegetic and non-diegetic music can be further described as either inset or non-inset. Song episodes are relatively more straightforward to be identified as either perfonnative or impromptu. Some of these issues regarding theatrical meanings of music and the musical portrayal of characters and dramatic atmosphere are explored in detail in a case study of Autolycus's songs in recent productions of The Winter sTale. The chapter 'Music and Women' investigates the parallelism between music and women in the Renaissance, and the moral dichotomy of good and evil present in women engaged in singing and instrumental perfonnance. The existing scholarship on music and Shakespearean female characters will be expanded into an analysis of a much wider range of women on the Renaissance stage and their relationship with their music. 'Music and Men' develops similar questions, with masculinity as the focal point. The central argument of this chapter is that Renaissance men are also concerned with the binary effects of music on their masculine identity. The subject of music and masculinity in Renaissance literature has hardly received any examination, a lack which this chapter attempts to begin to repair. The chapter discusses the paradox that while music is an indispensable part of a boy's education in becoming' a well-developed and multi-skilled man, as \vell as a vital factor found in male bondjng, it can, however, also effeminate' a man unless appropriate 'masculine' music is practised in a temperate and moderate ~anner. 'In 'Music and Love', that music is ubiquitously dualistic is once again manifested in the central theme of love and lust in Renaissance drama. Following the observation in the two chapters on women and men that music can trigger off both divine and vulgar feelings, so can the feeling of love be celestial or obscene. Love can also lead to erotomania and various kinds of madness, which will be discussed in the latter half of the chapter. Two more case studies of Twelfth Night and Hamlet are included to further explore queries developed in the examination of the bipolarity in the practice of music related to men and women in times of both sanity and madness. These questions include the distinction between diegeticlnon-diegetic music and in-set/non in-set music; how music contributes to the semantics of love and madness in a specific performance environment; how our modem understanding and interpretation of theatrical music differ from or resemble the socio-culturally positioned perception in Renaissance England.
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Meehan, Sorcha. "Aspects of the Renaissance in Ireland and Sweden c. 1345-1662." Thesis, Ulster University, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.654095.

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The aim of the present work is to investigate elements of Renaissance culture in Ireland and Sweden through specific case studies and to set these alongside one another to ascertain what similarities and differences existed between the two societies. As yet, no comparative studies between the nature and extent of Renaissance influences on these two countries have been attempted and the findings should thus provide some insight into how they experienced one of the most important and influential periods in modern history. The work focuses on the reception of aspects of the Renaissance with particular reference to the period between the mid-fourteenth century and the seventeenth century.
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Aries, R. E. "Some technological aspects of reversed phase narrow bore HPLC columns." Thesis, University of Reading, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373123.

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Melanitou, Maria A. "Sulphur dried figs in Greece : technological aspects and aflatoxin contamination." Thesis, University of Bath, 1995. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.760676.

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Moreira, Catarina Nascimento. "Light wine. Technological and legal aspects of alcohol reduced wine." Master's thesis, ISA/UL, 2015. http://hdl.handle.net/10400.5/11041.

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Mestrado em Viticultura e Enologia - Instituto Superior de Agronomia / Faculdade de Ciências. Universidade do Porto
The work investigates the technological and legal aspects of producing and commercializing alcohol reduced wine. For various reasons – related to health concerns, consumer fashions, and tax regimes among others – the global wine consumer market currently demands lower alcohol products. In response, industry and researchers have been working together to examine how to produce alcohol-reduced wines that maintain the technological features and organoleptic character of quality wine. As part of this effort, this work reviews the current state of the art in wine alcohol reduction technology, especially the stabilization of the wines during storage and their organoleptic quality. Through a series of cellar-based trials, the work shows that 50 mg/L of free SO2 are efficient to avoid microbial spoilage in wines containing 4% and 8% (v/v), respectively. Moreover, based on a series of sensorial taste panels, the work makes recommendations on how to improve the organoleptic quality of alcohol-reduced wines, especially with regard to acidity, bitterness and body. At a different level, the work examines the legal framework for alcohol-reduced wines. It argues that once the actually available technology allows the production of quality alcohol-reduced wines and consumers desire such products, current OIV and EU regulations defining wine as grape fermented beverage containing at least 8.5% (v/v) may need to be revised. It is recommended to create a new legal category for ‘light wines’ containing between 4% and 8,5% (v/v).
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Matthews, Rolf Benjamin. "The technological economics of glass recycling." Thesis, University of Stirling, 1986. http://hdl.handle.net/1893/3539.

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This thesis examines the technological economics of glass recycling in Britain. Attention was focused on recovery schemes operated within Scotland, comparisons being made with schemes in the rest of Britain and in Europe. An examination was made of general recycling problems and of glass recycling problems in particular. The various systems for glass recycling were reviewed and were put in the context of the waste management system as a whole. A survey was undertaken of Local Authorities operating glass recycling schemes. The aim was to provide a comprehensive data set to enable a consistent assessment of glass recovery schemes to be taken. This emphasised the importance of taking a standard approach to assessing the viability of recovery schemes. This needs to be done in terms of both private and social costs and benefits to provide a full economic assessment of the system. A general computer model has been developed to allow local authorities to check the viability of their on-going operations. As they operate under different conditions this model was split into separate assessment of a Bottle Bank scheme and a trade collection scheme. In addition, an investment appraisal model was developed to cover both situations. These allow managers to assess the viability of their schemes and can be used to highlight key costs. An International review was undertaken to see what lessons may be learned and what actions may be taken by the local authorities, industry, the general public, and by central government.
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Books on the topic "Technological aspects of Renaissance"

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Jones, Benjamin F. The burden of knowledge and the 'death of the Renaissance man': Is innovation getting harder? Cambridge, Mass: National Bureau of Economic Research, 2005.

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Jones, Benjamin F. The burden of knowledge and the 'death of the renaissance man': Is innovation getting harder? Cambridge, MA: National Bureau of Economic Research, 2005.

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Staikos, K. Charta of Greek printing: The contribution of Greek editors, printers and publishers to the renaissance in Italy and the west. Cologne: Dinter, 1998.

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Nayar, Sheila J. Renaissance Responses to Technological Change. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-96899-5.

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Platt, Richard. How They Made Things Work in the Renaissance. Mankato, Minn: Sea-to-Sea Publications, 2011.

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DeBresson, Chris. Understanding technological change. Montréal: Black Rose Books, 1987.

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O, Petersen James, ed. Understanding technological change. Montréal: Black Rose Books, 1987.

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Pfeiffer, Friedrich, and Teresa Zielinska, eds. Walking: Biological and Technological Aspects. Vienna: Springer Vienna, 2004. http://dx.doi.org/10.1007/978-3-7091-2772-8.

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Fairchild, Alea M. Technological Aspects of Virtual Organizations. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-94-017-3211-6.

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Creative Technological Change. London: Taylor & Francis Inc, 2004.

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Book chapters on the topic "Technological aspects of Renaissance"

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Lütjering, Gerd, and James C. Williams. "Technological Aspects." In Titanium, 51–148. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-540-71398-2_3.

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Di Giovacchino, Luciano. "Technological Aspects." In Handbook of Olive Oil, 17–59. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/978-1-4757-5371-4_2.

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Di Giovacchino, Luciano. "Technological Aspects." In Handbook of Olive Oil, 57–96. Boston, MA: Springer US, 2013. http://dx.doi.org/10.1007/978-1-4614-7777-8_3.

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Brown, Alison. "Aspects of the movement." In The Renaissance, 119–25. Third edition. | New York : Routledge, 2020. | Series: Seminar studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429055560-28.

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Pfeiffer, Friedrich. "Technological Aspects of Walking." In Walking: Biological and Technological Aspects, 119–53. Vienna: Springer Vienna, 2004. http://dx.doi.org/10.1007/978-3-7091-2772-8_5.

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Hirotsu, C. "Technological Aspects of TQM." In Quality Improvement Through Statistical Methods, 275–87. Boston, MA: Birkhäuser Boston, 1998. http://dx.doi.org/10.1007/978-1-4612-1776-3_22.

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Mayevsky, Avraham. "Technological Aspects of NADH Monitoring." In Mitochondrial Function In Vivo Evaluated by NADH Fluorescence, 43–67. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-16682-7_4.

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Rump, Niels. "Digital Rights Management: Technological Aspects." In Lecture Notes in Computer Science, 3–15. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/10941270_2.

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de Grey, Aubrey. "Radical Life Extension: Technological Aspects." In Religion and the Implications of Radical Life Extension, 13–24. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100725_2.

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Feld, Bernard T. "Technological Aspects of World Security." In Arms Control and Disarmament, 5–12. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62259-0_1.

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Conference papers on the topic "Technological aspects of Renaissance"

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Yablon, Andrew D. "A Review of Heat Transfer in Contemporary Optical Fiber Technology." In ASME 2005 Summer Heat Transfer Conference collocated with the ASME 2005 Pacific Rim Technical Conference and Exhibition on Integration and Packaging of MEMS, NEMS, and Electronic Systems. ASMEDC, 2005. http://dx.doi.org/10.1115/ht2005-72468.

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Several recent technological breakthroughs have led to a renaissance of interest in optical fibers, which are now widely used for applications as diverse as telecommunications, medicine, and sensing. Contemporary optical fiber technology is inherently multidisciplinary, inter-relating fields as diverse as glass science, mechanical engineering, and optics. This paper reviews several aspects of silica optical fiber technology in which thermal transport plays a critical role. Future research directions are discussed.
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Swanson, Bret. "Great Stagnation or Technological Renaissance." In Dawn or Doom. Office for the Vice President of Information Technology, Purdue University, 2015. http://dx.doi.org/10.5703/1288284315995.

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Orwig, Richard, Dianne Hall, and Jim Courtney. "Technological Aspects of Knowledge Systems." In 2007 40th Annual Hawaii International Conference on System Sciences (HICSS'07). IEEE, 2007. http://dx.doi.org/10.1109/hicss.2007.513.

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Shrihari, Solanke Vikas, Katgaonkar Pawan, Maske Vishnu, and Shivkumar Mahajan. "Technological aspects of grid computing." In 2015 2nd International Conference on Electronics and Communication Systems (ICECS). IEEE, 2015. http://dx.doi.org/10.1109/ecs.2015.7124829.

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Vondrakova, Alena. "NON-TECHNOLOGICAL ASPECTS OF MAP PRODUCTION." In 13th SGEM GeoConference on INFORMATICS, GEOINFORMATICS AND REMOTE SENSING. Stef92 Technology, 2013. http://dx.doi.org/10.5593/sgem2013/bb2.v1/s11.026.

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Gawlak, Anna. "Technological aspects of electrical energy distribution." In 2014 15th International Scientific Conference on Electric Power Engineering (EPE). IEEE, 2014. http://dx.doi.org/10.1109/epe.2014.6839420.

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Kosmachev, Pavel, Viktor Vlasov, and Nelli Skripnikova. "Technological aspects of obtaining SiO2 nanoparticles." In THE 6TH INTERNATIONAL CONFERENCE ON THEORETICAL AND APPLIED PHYSICS (THE 6th ICTAP). Author(s), 2017. http://dx.doi.org/10.1063/1.4973032.

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Afsarmanesh, Hamideh, Simon S. Msanjila, and Luis M. Camarinha-Matos. "On technological aspects of active ageing." In 4th International ICST Conference on Pervasive Computing Technologies for Healthcare. IEEE, 2010. http://dx.doi.org/10.4108/icst.pervasivehealth2010.8911.

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d'Avanzo, B. "Digital engines - business and technological aspects." In 10th International Conference on Digital Satellite Communications (ICDSC-10). IEE, 1995. http://dx.doi.org/10.1049/cp:19950001.

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Perminov, A. S. "TECHNOLOGICAL ASPECTS OF THE RUSSIAN BEEKEEPING." In Современные проблемы пчеловодства и апитерапии. Рыбное: Федеральное государственное бюджетное научное учреждение "Федеральный научный центр пчеловодства", 2021. http://dx.doi.org/10.51759/pchel_api_2021_186.

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Reports on the topic "Technological aspects of Renaissance"

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Fang, Chen. Unsettled Issues in Vehicle Autonomy, Artificial Intelligence, and Human-Machine Interaction. SAE International, April 2021. http://dx.doi.org/10.4271/epr2021010.

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Artificial intelligence (AI)-based solutions are slowly making their way into our daily lives, integrating with our processes to enhance our lifestyles. This is major a technological component regarding the development of autonomous vehicles (AVs). However, as of today, no existing, consumer ready AV design has reached SAE Level 5 automation or fully integrates with the driver. Unsettled Issues in Vehicle Autonomy, AI and Human-Machine Interaction discusses vital issues related to AV interface design, diving into speech interaction, emotion detection and regulation, and driver trust. For each of these aspects, the report presents the current state of research and development, challenges, and solutions worth exploring.
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Perdigão, Rui A. P. Earth System Dynamic Intelligence - ESDI. Meteoceanics, April 2021. http://dx.doi.org/10.46337/esdi.210414.

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Earth System Dynamic Intelligence (ESDI) entails developing and making innovative use of emerging concepts and pathways in mathematical geophysics, Earth System Dynamics, and information technologies to sense, monitor, harness, analyze, model and fundamentally unveil dynamic understanding across the natural, social and technical geosciences, including the associated manifold multiscale multidomain processes, interactions and complexity, along with the associated predictability and uncertainty dynamics. The ESDI Flagship initiative ignites the development, discussion and cross-fertilization of novel theoretical insights, methodological developments and geophysical applications across interdisciplinary mathematical, geophysical and information technological approaches towards a cross-cutting, mathematically sound, physically consistent, socially conscious and operationally effective Earth System Dynamic Intelligence. Going beyond the well established stochastic-dynamic, information-theoretic, artificial intelligence, mechanistic and hybrid techniques, ESDI paves the way to exploratory and disruptive developments along emerging information physical intelligence pathways, and bridges fundamental and operational complex problem solving across frontier natural, social and technical geosciences. Overall, the ESDI Flagship breeds a nascent field and community where methodological ingenuity and natural process understanding come together to shed light onto fundamental theoretical aspects to build innovative methodologies, products and services to tackle real-world challenges facing our planet.
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