Relevant bibliographies by topics / Technology of animated films production

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Technology of animated films production'

Author: Grafiati
Published: 24 April 2022
Last updated: 30 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Technology of animated films production.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Technology of animated films production"

1

Liu, Peng. ""Hand-drawn +3D" Disney Animation Film Artistic Adherence and Technological Innovation." Highlights in Art and Design 4, no. 3 (2023): 17–18. http://dx.doi.org/10.54097/hiaad.v4i3.05.

Full text
Abstract:
Throughout the long development of Disney's animated films for more than half a century, after experiencing the brilliance of the "hand-drawn animation era" and the downturn and hesitation of the "3D animation era", Disney opened up a new era of animated films with the new "3D+ hand-drawn" technology. Its breakthrough in production technology and the inheritance of animation art make it represent the highest level of today's animated films. This paper will try to explore the technical breakthrough and artistic inheritance of Disney's animated films through the brief tracing of Disney's animati
APA, Harvard, Vancouver, ISO, and other styles
2

Abdulah Rosyidouddin El Islami and Charles De Haan. "Sistem Penulangan pada Karakter 3D dalam Film Animasi The Relativity Of Reality." Jurnal Riset Rumpun Seni, Desain dan Media 4, no. 1 (2025): 372–92. https://doi.org/10.55606/jurrsendem.v4i1.5764.

Full text
Abstract:
Digital animation technology is increasingly advancing, as evidenced by the proliferation of animated films worldwide. This is also true in Indonesia, where the production of animated films has increased significantly due to the improvement and ease of digital animation technology. One of the most important parts of the animation process is the rigging process, which involves creating a skeleton for the character or object so that it can move and appear lifelike. The rigging process in the short animated film "The Relativity Of Reality" tells the story of Rei, a young boy who discovers advance
APA, Harvard, Vancouver, ISO, and other styles
3

Ding, Wei, Hongjie Yuan, and Sheng Zhang. "Mining Chinese Animation Movie Audience Concern Themes Based on BERTopic and UGC." Transactions on Social Science, Education and Humanities Research 9 (July 10, 2024): 285–300. http://dx.doi.org/10.62051/adargr12.

Full text
Abstract:
[Objective] To explore how Chinese animated movies can effectively utilize hot topics to feed the box office and improve the competitiveness of the movies by mining hot topics of users' concern through User-Generated Content (UGC). [Methods] Based on the UGC text of Douban reviews of the Chinese animated movie "30,000 Leagues in Chang'an", we adopt the BERTopic algorithm to cluster topics based on the category-based TF-IDF (Word Frequency-Inverse Text Frequency)-weighted clustering, and introduce the semantic fine-tuning of the topics by the ChatGLM2-6B model to excavate the hot topics of user
APA, Harvard, Vancouver, ISO, and other styles
4

Abdullah, Siti Aisyah Yap, Norrodzoh Hj Siren, and Nurul Husna Mansor. "CRITERIA CONTENT OF ANIMATED SERIES UPIN AND IPIN FROM THE VIEW OF PRODUCTION LES’ COPAQUE COMPANY." International Journal of Islam and Contemporary Affairs 3, no. 1 (2023): 74–94. http://dx.doi.org/10.61465/jurnalyadim.v3i1.114.

Full text
Abstract:
Local animated works face great challenges when faced with animated films from the west, especially from the aspect to sustain the processing and organising of the product and company. However, the development of technology and organizational knowledge nowadays has made local producers able to market their animated series proudly and have their fans in the entire local media and internationally. Les Copaque, which publishes the animated series Upin and Ipin, has taken up the challenge with a line of young creators to internationalize the Upin and Ipin Animation series as well as introduce the
APA, Harvard, Vancouver, ISO, and other styles
5

Jin, Jiasheng, Sharul Azim Sharudin, and Tingting Wang. "Visual Design of Chinese Animated Films Infused with Oriental Punk Aesthetics." Journal of Theory and Practice of Social Science 4, no. 04 (2024): 1–8. http://dx.doi.org/10.53469/jtpss.2024.04(04).01.

Full text
Abstract:
In recent years, China's movie industry has been advancing, and movies based on ancient myths, which can combine cultural expression with technical expression, have become a hot topic for creation. Especially the ancient mythological novels such as "The Legend of Deification" and "Journey to the West" have become the source of creative ideas for movie adaptations, and Light Chaser Animation, as one of the most important forces in Chinese film production, has been exploring new possibilities for animation movies, inheriting and innovating traditional Chinese cultural elements. Light Chaser Anim
APA, Harvard, Vancouver, ISO, and other styles
6

Zainal, Rizuan, and Mohd Asyiek Mat Desa. "Agent Ali: Exploring Emotional Elements in Story Development with Artificial Intelligence." PaperASIA 40, no. 2b (2024): 72–82. http://dx.doi.org/10.59953/paperasia.v40i2b.53.

Full text
Abstract:
Emotional research in film and animation has long been implemented in the West. This is because Elements of emotion are essential in an animated film to generate an affective impression and emotions in the audience. Malaysia's animation industry has increased recently, and Malaysian animators have produced many animation products. However, previous studies stated that the current situation of local animated films needed a more potent storytelling technique. There is a West scholar who argues that good storytelling can evoke the emotions of the audience. Applying emotions in animation through c
APA, Harvard, Vancouver, ISO, and other styles
7

Krivulya, Natalia G. "Education Genres Animated Poster in the Second Half of the 20th Century." Journal of Flm Arts and Film Studies 8, no. 4 (2016): 28–42. http://dx.doi.org/10.17816/vgik8428-42.

Full text
Abstract:
After WWII the genre of the animated poster was predominantly presented as advertisment films. The movie posters imagery in the 1950s tended to have an illustrative and spatial-pictorial artistic propensity. Grotesque and satire gave way to the dominance of realistic images, and the artistic design had gained coloration and splendor, creating the image of a cheerful world, affluence and prosperity. Films with propaganda and ideological orientations appeared along with the advertisement films, as the political and social poster developed. A special role in the poster genre development was playe
APA, Harvard, Vancouver, ISO, and other styles
8

Sulistiyono, Arif. "Punakawan Sebagai Inspirasi Penciptaan Film Pendek Animasi Bertema Pendidikan Karakter." Journal of Animation & Games Studies 2, no. 2 (2017): 173. http://dx.doi.org/10.24821/jags.v2i2.1420.

Full text
Abstract:
Educational animation is an animated product produced specifically for the purpose of learning. Its popularity in helping students understand and remember information presented increased since the advent of computer graphics technology. The lack of an increase in the production of animated short films in Indonesia resulted in at least encountered the works of domestically-made animation education. Stimulation of creation of animated works based on the local culture should be a concern for creators to produce Indonesian animated film. This has encouraged the idea of research and the creation of
APA, Harvard, Vancouver, ISO, and other styles
9

Putra, I. Nyoman Agus Suarya, Putu Gede Surya Cipta Nugraha, and Ni Wayan Wardani. "Analisis Penggunaan Lego dalam Pembelajaran Sejarah Perang Kusamba untuk Anak Usia Dini." Jurnal Bahasa Rupa 7, no. 3 (2024): 166–76. https://doi.org/10.31598/bahasarupa.v7i3.1569.

Full text
Abstract:
There is limited research that combines three things, namely, early childhood, technology and local wisdom. Current conventional education requires digital-based technology with all its advantages. Historical knowledge is best instilled as knowledge in early childhood in the age range of 4-6 years. The knowledge taken in this research is knowledge from a hero statue located in Kusamba village in the form of a woman holding a palm leaf named I Dewa Agung Istri Kanya. This research aims as an educational tool. Through the means of animated films, the Lego game is hoped to be able to provide hist
APA, Harvard, Vancouver, ISO, and other styles
10

Krivulya, Natalia G. "Development of the Animated Poster in the First Half of the XX century." Journal of Flm Arts and Film Studies 8, no. 3 (2016): 19–33. http://dx.doi.org/10.17816/vgik8319-33.

Full text
Abstract:
The genre of animated posters emerged at the dawn of animation. In 1899, A. Cooper an English director created one of the first movie-posters in the history of world animation. The need for movie-posters with propaganda characteristics arose during the period of the WW1. During that time, the genre of the animated poster had been developed and had even become a stimulus to the development of the animation and film industry. It had achieved its greatest success in the UK due to the advanced level of printed graphics, as well as the fact that the British pioneered the development of systematic p
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Technology of animated films production"

1

Carter-Hansen, Jill, University of Western Sydney, and of Performance Fine Arts and Design Faculty. "Travelling light - with a case for discovery : the making of the film Songs of the Immigrant Bride." THESIS_FVPA_XXX_CarterHansen_J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/680.

Full text
Abstract:
This paper examines the background, development and production of the film ‘Songs of the immigrant bride’ and explains the general decisions made throughout the creation of the film. It proposes the idea that visuals, combined in an abstract narrative with music/sound, can create a language outside that generally accepted in real-time film (generally) and animation (specifically) to create a communicating ‘mythopoetic’ film-style from combined, selected elements, of both genres. Some of the issues presented and examined are: how relevant background experiences and influences directed the image
APA, Harvard, Vancouver, ISO, and other styles
2

Amir, Shahkarami Sayed Najmedin. "The pre-production phase in the making of Iranian full-length animated films 1979-2012." Thesis, University of West London, 2013. https://repository.uwl.ac.uk/id/eprint/611/.

Full text
Abstract:
As the pre-production phase is a vital process in feature-length animation filmmaking, this study focuses on the arrangement of this phase in Iranian animation film projects. They are Mouse and Cat, Tak Taz, Namaki & The Giant, The Sun of Egypt, Jamshid & Khorshid, Simorq’s Heart and Tehran 2121. In support of the investigation of these, the research reviews the background of Iranian cinema, television and animation. It looks also at the emergence and evolution of the pre-production phase in Disney and Pixar studios. Moreover, comparisons of pre-production phases implemented by Japanese, Briti
APA, Harvard, Vancouver, ISO, and other styles
3

Caplan, Elizabeth A. "The Effects Of Animated Textual Instruction On Learners' Written Production Of German Modal Verb Sentences." Scholar Commons, 2002. http://purl.fcla.edu/fcla/etd/SFE0000042.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Hamonic, Wynn Gerald. ""Disney is the Tiffany's and I am the Woolworth's of the business" : a critical re-analysis of the business philosophies, production values and studio practices of animator-producer Paul Houlton Terry." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/6436.

Full text
Abstract:
Animator-producer Paul Houlton Terry has been portrayed as having little passion for the animation he produced and being more concerned with making a profit than producing entertaining cartoons with high production values. The purpose of the dissertation is to re-evaluate Terry‘s legacy to animated cartooning by analyzing his business philosophies, production values, and studio practices. Application of four psychodynamic factors to the early life and career of Terry, 1887-1929, found that his economic decision making was characterized by: an external locus of control, risk-averse financial be
APA, Harvard, Vancouver, ISO, and other styles
5

Montañez-Arica, Jimena-del-Rosario. "Largometrajes animados digitalmente en el Perú. Los casos de Red Animation, Origami Studio y Aronnax." Bachelor's thesis, Universidad de Lima, 2017. http://repositorio.ulima.edu.pe/handle/ulima/4547.

Full text
Abstract:
Esta investigación analiza el panorama de largometrajes animados digitalmente en la ciudad de Lima, Perú, durante los años 2004-2016. Se aborda el proceso de realización de las películas, sus dificultades y características primordiales, a través del estudio de tres productoras: Origami Studio, Red Animation y Aronnax. El presente texto ofrece una perspectiva de la industria de la animación en Lima y desagrega tanto sus capacidades como sus posibilidades de desarrollo<br>The aim of this research is to analyze the feature film digital animation scene, in the city of Lima, Peru, between the years
APA, Harvard, Vancouver, ISO, and other styles
6

Ankerfors, Mikael. "Microfibrillated cellulose : Energy-efficient preparation techniques and key properties." Licentiate thesis, KTH, Fiberteknologi, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-102949.

Full text
Abstract:
This work describes three alternative processes for producing microfibrillated cellulose (MFC) in which pulp fibres are first pre-treated and then homogenized using a high-pressure homogenizer. In one process, fibre cell wall delamination was facilitated with a combined enzymatic and mechanical pre-treatment. In the two other processes, cell wall delamination was facilitated by pre-treatments that introduced anionically charged groups into the fibre wall, by means of either a carboxymethylation reaction or irreversibly attaching carboxymethyl cellulose (CMC) onto the fibres. All three processe
APA, Harvard, Vancouver, ISO, and other styles
7

Margolis, Hanna. "Filmy animowane kobiet w (męskich) strukturach kinematografii w Polsce w perspektywie komparatystycznej." Doctoral thesis, 2021. https://depotuw.ceon.pl/handle/item/4089.

Full text
Abstract:
Przedmiotem dysertacji są autorskie filmy animowane realizowane przez kobiety w strukturach polskiej kinematografii. Są one badane jako odrębne w całości polskiej filmowej produkcji w technice animacji (autorka nie bada filmów dla dzieci, propagandowych, reklamowych, oświatowych), stąd w istocie przedmiot badań stanowi niewielki procent filmów animowanych realizowanych w Polsce. Badania prowadzone są dwutorowo, łącząc analizę filmów z analizą instytucji kinematograficznej i kultury produkcji autorskiego filmu animowanego w Polsce. Dysertacja składa się z czterech rozdziałów. Rozdział I, pt. Ro
APA, Harvard, Vancouver, ISO, and other styles
8

Ramos, Luís António Gomes Tarrafa. "Production of 3D animated short films in Unity 5 : can game engines replace the traditional methods?" Master's thesis, 2017. http://hdl.handle.net/10400.14/22820.

Full text
Abstract:
In 3D animation cinema, the elements of a scene are created by artists using computer software. To generate the final result, there must be a conversion (rendering) of the threedimensional models to two-dimensional images (frames) that will later be joined together and edited into a video format. 3D animation films have traditionally been rendered using pre-rendering engines, a time consuming and expensive process that usually requires the use of multiple computers rendering at the same time (render farms), renders which may need to be repeated if the results are not ideal. Videogames,
APA, Harvard, Vancouver, ISO, and other styles
9

Carter-Hansen, Jill. "Travelling light - with a case for discovery : the making of the film Songs of the Immigrant Bride." Thesis, 1997. http://handle.uws.edu.au:8081/1959.7/680.

Full text
Abstract:
This paper examines the background, development and production of the film ‘Songs of the immigrant bride’ and explains the general decisions made throughout the creation of the film. It proposes the idea that visuals, combined in an abstract narrative with music/sound, can create a language outside that generally accepted in real-time film (generally) and animation (specifically) to create a communicating ‘mythopoetic’ film-style from combined, selected elements, of both genres. Some of the issues presented and examined are: how relevant background experiences and influences directed the image
APA, Harvard, Vancouver, ISO, and other styles
10

Vejvodová, Iva. "Vyobrazení rasových a etnických stereotypů v amerických kreslených filmech." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-329110.

Full text
Abstract:
This thesis deals with the depiction of racial and ethnic stereotypes in American animated cartoons particularly from the first half of the twentieth century. It studies the relationship between animation and American culture and examines how animation reflects and shapes American identity in terms of race and how it critiques and promotes American values and attitudes regarding race and ethnicity in particular. Considering the historical, political, legal and cultural background of the contemporary eras of American animation, the thesis analyses the portrayal of racial and ethnic features in
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Technology of animated films production"

1

An, Chong-hyŏk. 가장쉬운단편애니메이션 : pre-production, 시나리오 + 스토리보드: Pre-production, sinario + storibod. Konguk Taehakkyo Chulpanbu, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

An, Chong-hyŏk. Kajang swiun tanp'yŏn aenimeisyŏn: Pre-production, sinario + storibod. Konguk Taehakkyo Ch'ulp'anbu, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pak, Yu-sin. Hakkyo esŏ aeni haja: Sangsang ŭl hyŏnsil ro mandŭnŭn aenimeisyŏn tojŏn'gi. Tarŭn, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Yi, Sang-wŏn. Aenimeisyŏn mihak kwa yŏnch'ullon. K'ŏmyunik'eisyŏn Puksŭ, 2018.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Woolverton, Linda. Beauty & the Beast: Production 0254. 2nd ed. Hollywood Scripts, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Muir, Shannon. Gardner's guide to animation writing & production. GGC/Pub., 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

author, Pak Se-hŭi, and Han'guk Yŏnghwa Ak'ademi, eds. Sŏngin aenimeisyŏn Ŭnsiri t'ansaenggi. Ssine 21 Puksŭ, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hyŏn-ho, Ch'oe, ed. Manhwa yŏnghwa kihoek esŏ chejak kkaji: Animation. Yŏngjin Ch'ulp'ansa, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Ch'a, Yang-hun. Aenimeisyŏn tongjak yŏnch'ul tŭroing wŏk'ŭbuk: Kich'o put'ŏ kihoek, yŏnch'ul, chejak, mak'et'ing kkaji! = Animation production drawing workbook. Han'guk Kyŏngje Sinmun i, 2018.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Scaramozzino, Michael. Creating a 3D animated CGI short: The making of The audition. Jones and Bartlett, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Technology of animated films production"

1

Kitano, Masaaki, Masato Takeuchi, Masaya Matsuoka, Michio Ueshima, and Masakazu Anpo. "Photocatalytic Hydrogen Production from Water on Visible Light-Responsive TiO2 Thin Films Under Solar Light Irradiation." In Nanostructure Science and Technology. Springer New York, 2010. http://dx.doi.org/10.1007/978-0-387-48444-0_23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jing, Fan. "Accurate Teaching Data Analysis of “Special Effects Production for Digital Films and TV Programmes” Based on Big Data." In Business Intelligence and Information Technology. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-92632-8_16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Holliday, Christopher. "Notes on a Luxo World." In The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.003.0004.

Full text
Abstract:
This chapter advances the term ‘Luxo’ as a useful descriptor that awards definition to the unique fictional worlds of the computer-animated feature film. The main body of writing in the initial stages outlines how the Luxo worlds of computer-animated films intersect with (and depart from) other forms of animation and digital world construction, situating computer-animated films against scholarship dealing with world creation. Emphasis is paid to the multiplicity of cinema’s ‘computer-animated’ worlds across popular Hollywood cinema, drawing in comparisons with Rotoscoping and the current effec
APA, Harvard, Vancouver, ISO, and other styles
4

Kornhaber, Donna. "5. The secret afterlife of silent film." In Silent Film: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780190852528.003.0006.

Full text
Abstract:
The year 1929 is often seen as marking the end of silent film. “The secret afterlife of silent film” questions this date, demonstrating how that year only signaled the end of production in major studios in the United States. Once the technology for synchronization and amplification became available, the transition to sound in the motion picture industry was smoother than is often depicted. Silent film production continued in pockets around the globe until nearly the middle of the century, as did silent film exhibition. Elements of silent film persist even in the early twenty-first century, fro
APA, Harvard, Vancouver, ISO, and other styles
5

Yamamura, Koji. "Transforming the Intangible into the Real." In Animating the Spirited. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496826268.003.0003.

Full text
Abstract:
Seven short animated films are examined by the auteur-animator as he self-reflects on their creations. Making animation is not only an extension of the pictorial and comic-like expression, but also the act of mystically creating movement to be perceived in the real. The artist shares his personal experiences during the animation making process including the unconscious imaginative realm that creeps into his creative thoughts. Technology may play an important part of the animation production but the author maintains that there is a deeper spiritual world where he is somehow drawn into when he i
APA, Harvard, Vancouver, ISO, and other styles
6

Brown, Ross, and Rune Rasmussen. "Virtual Environment Visualisation of Executable Business Process Models." In Virtual Technologies for Business and Industrial Applications. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-61520-631-5.ch004.

Full text
Abstract:
Business Process Modelling is a fast growing field in business and information technology, which uses visual grammars to model and execute processes within an organisation. However, many analysts present such models in a 2D static and iconic manner that is difficult to understand by many stakeholders. Difficulties in understanding such grammars can impede the improvement of processes within an enterprise due to communication problems. In this chapter, we present a novel framework for intuitively visualising animated business process models in 3D Virtual Environments. We also show that virtual
APA, Harvard, Vancouver, ISO, and other styles
7

"Exposure Sheets and Production Folders1." In How to Make Animated Films. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81033-1.00043-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"About the DigiPen Institute of Technology." In How to Make Animated Films. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81033-1.00041-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Sofian, Sheila M. "Creative Challenges in the Production of Documentary Animation." In Drawn from Life. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9780748694112.003.0014.

Full text
Abstract:
In this chapter, Sheila M. Sofian examines animated documentary from a filmmaker’s perspective. This chapter explores the appropriateness of animation’s use within nonfiction film. This chapter also asks how and when animation’s use might enhance audience understanding of a given documentary topic, and how and when it might distract from the same. The chapter also examines whether animation’s use in documentary reveals the filmmaking process in a more overt fashion than witnessed within live action documentary, and what controversies arise as a result. This chapter discusses these and other is
APA, Harvard, Vancouver, ISO, and other styles
10

Holliday, Christopher. "Satisfying a Spirit of Adventure." In The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.003.0012.

Full text
Abstract:
The conclusion reflects on the meaningfulness of genre analysis as paving the way for more rigorously formalist approaches to computer-animated films, but also as a way of positioning industry, technology and textuality in relation to each other. The conclusion also argues that the features of the computer-animated film identified in the book engage with discourses of juvenile behaviour to stretch the terms of the adult/child distinction, with many computer-animated films demonstrating a notable fascination with the vicissitudes and values of the childhood experience. The narratives of compute
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Technology of animated films production"

1

Zhang, Yangxin, and Xue Yuan. "Innovative Production of AI Digital Films and Applications of Information Technology." In 2024 International Conference on Information Technology, Communication Ecosystem and Management (ITCEM). IEEE, 2024. https://doi.org/10.1109/itcem65710.2024.00016.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Watkinson, Charles J. "Heavy Duty Glass Flake Coatings for Arduous Anti-Corrosion Service." In CORROSION 2009. NACE International, 2009. https://doi.org/10.5006/c2009-09009.

Full text
Abstract:
Abstract Glass flakes have been used for a number of years to reduce gas and moisture vapour diffusion through coating and paint films. Advances in glass flake production over more recent years, have allowed thinner and more consistent flakes to be produced. This has led to investigative work into the properties that can be attained by way of using glass flake as a performance improver. The work has investigated many materials both organic and inorganic and in many areas of use - such as tyres and even cosmetics. But, the biggest field of application is in organic resinous materials, not least
APA, Harvard, Vancouver, ISO, and other styles
3

"Research on Production and Innovation of Contemporary Chinese Animated Films." In 2018 4th International Conference on Education & Training, Management and Humanities Science. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/etmhs.2018.29153.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Zhang, Yawen. "Optimization of the Animation Production Process utilizing Game Engine." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003708.

Full text
Abstract:
With the increasing demands of audiences, animated films are required to achieve higher quality. The traditional production process frame has an extreme slow development since the advent of the first 3D animated film in 1995, which leads to a continuously increasing requirement of both human labor and hardware. Nowadays, with the optimization and iteration of game engines, their application in animation has become more and more extensive. Utilizing game engines to optimize the traditional pipeline is a feasible approach, not only for industry, but for education field and independent artists. T
APA, Harvard, Vancouver, ISO, and other styles
5

Schur, Dmitry V., Eduard M. Shpilevsky, Mykola M. Baklanov, and Oleksander O. Lobodyuk. "Production and study of metal-fullerene films." In International Symposium on Optical Science and Technology, edited by Akhlesh Lakhtakia, Graeme Dewar, and Martin W. McCall. SPIE, 2002. http://dx.doi.org/10.1117/12.472995.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bian, Yi'nan, and Tianxing Jin. "A Prediction Model of Domestic Animated Films and Audience Psychology Based on Facial Expression Recognition." In 2021 5th International Conference on Electronics, Communication and Aerospace Technology (ICECA). IEEE, 2021. http://dx.doi.org/10.1109/iceca52323.2021.9675893.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Telis, V., K. Wolf, and P. Sobral. "Characterizations of Collagen Fibers for Biodegradable Films Production." In 13th World Congress of Food Science & Technology. EDP Sciences, 2006. http://dx.doi.org/10.1051/iufost:20060929.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Liu, Zining, and Lei Yao. "Research on the Impact of Chinese Elements on the Export Performance of Chinese Animated Films." In Proceedings of the 2nd International Conference on Public Management, Digital Economy and Internet Technology, ICPDI 2023, September 1–3, 2023, Chongqing, China. EAI, 2023. http://dx.doi.org/10.4108/eai.1-9-2023.2338750.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Guglietta, Glenn, Timon Wanga, Ranjan Pati, Sheryl Ehrman, and Raymond A. Adomaitis. "Chemical vapor deposition of copper oxide films for photoelectrochemical hydrogen production." In SPIE Solar Energy + Technology, edited by Frank E. Osterloh. SPIE, 2009. http://dx.doi.org/10.1117/12.826711.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Fernandez, A. M., and John A. Turner. "Preparation and photoelectrochemical characterization of GaN thin films for hydrogen production." In SPIE Solar Energy + Technology, edited by Hicham Idriss and Heli Wang. SPIE, 2010. http://dx.doi.org/10.1117/12.860829.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Technology of animated films production"

1

Tabakovic, Momir, Stefan Savic, Andreas Türk, et al. Analysis of the Technological Innovation System for BIPV in Austria. Edited by Michiel Van Noord. International Energy Agency Photovoltaic Power Systems Programme, 2024. http://dx.doi.org/10.69766/aocp4683.

Full text
Abstract:
This report analyses the Technological Innovation System (TIS) of Building Integrated Photovoltaics (BIPV) in Austria. The study’s scope is consistent with the IEA PVPS Task 15 report [1].The analysis aims to facilitate and support the innovation, development, and implementation of industrial solutions of BIPV technologies. In Austria, the use of BIPV is still a niche application and covers under 2% of all implemented PV systems [1]. BIPV technology in Austria has historically developed with the support of different public financial incentives, national and European. The history of BIPV is som
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Technology of animated films production' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography