Relevant bibliographies by topics / Teenage girls in motion pictures

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Teenage girls in motion pictures'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Teenage girls in motion pictures"

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Hylmö, Annika. "Girls on Film: An Examination of Gendered Vocational Socialization Messages Found in Motion Pictures Targeting Teenage Girls." Western Journal of Communication 70, no. 3 (2006): 167–85. http://dx.doi.org/10.1080/10570310600843488.

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Maryani, Anne, O. Hasbiansyah, Doddy Iskandar, Maman Suherman, and Oji Kurniadi. "THE CHARACTERISTICS OF THE USE OF INSTAGRAM AMONG ADOLESCENT GIRLS." International Journal of Research -GRANTHAALAYAH 7, no. 10 (2020): 146–54. http://dx.doi.org/10.29121/granthaalayah.v7.i10.2019.381.

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Social media provides opportunities for users to express their thoughts and feelings through writing, pictures and videos. The rich features of this platform make Instagram the most preferred platform for adolescents, including teenagers in Indonesia. Various activities can be done through Instagram such as building friendships, seeking information and entertainment. The phenomenon of communicating online especially on Instagram can be observed through self-penetration theory that observes the closeness of relationships through communication intensity. Informants' preference for using Instagra
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Abrori, Abrori, Andri Dwi Hernawan, and Ermulyadi Ermulyadi. "FAKTOR YANG BERHUBUNGAN DENGAN KEJADIAN KEPUTIHAN PATOLOGIS SISWI SMAN 1 SIMPANG HILIR KABUPATEN KAYONG UTARA." Unnes Journal of Public Health 6, no. 1 (2017): 24. http://dx.doi.org/10.15294/ujph.v6i1.14107.

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Vaginal discharge is one of reproductive tract infections that commonly occure among teenage girls. It actually does not need a treatment, but its impact will lead to infertility and cervical cancer. The aim of this study was to determine factors associated with the occurrence of pathologic vaginal discharge among high school girls in Kayong Utara Regency. This study was an analytical obervational research with cross sectional approach. Sampling technique used was simple random sampling. Sample size were 59 respondents. Data were collected by interview using questionnaire. Data analysis was do
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Widegren, Kajsa. "Sexualiserade bilder av flickor. Pippi Examples och den manliga blicken." Tidskrift för genusvetenskap 25, no. 4 (2022): 9–27. http://dx.doi.org/10.55870/tgv.v25i4.4048.

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The aim of this article is to examine shifts of meaning of the visual material in a piece of art called Pippi Examples (2001). The Swedish artist Palle Torsson uses parts of the Pippi Långstrump motion picture for this video work, which has been accused of "making porn of Pippi". It is when the visual material is moved from its original context of children'scultureand placed in a context ofart, that the perception of the viewers' position changes. Four pictures from Pippi Examples are examined through a semiotic method. These pictures are related in different ways to signs of sexualisation use
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Katalo, Kamel. "Love and Hate in a Sample of Palestinian Females Children's Drawings and their Emotional Assimilation." Dirasat: Human and Social Sciences 49, no. 1 (2022): 325–50. http://dx.doi.org/10.35516/hum.v49i1.1662.

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The study aims to identify emotional Assimilation (love and hate) in a sample of drawings by Palestinian refugee children(female). The sample consisted of 68 pictures drawn by girls, aged 9 and 10, from Al-Arroub Refugee Camp, north of the southern West Bank city of Hebron. Each girl provided two drawings: one representing love and one representing hate. The study used the descriptive approach and the content analysis method. A model was designed for analysis, and its validity and consistency were calculated. The study checked for the emotional assimilation of love and hate in all symbolic exp
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강성현. "The U.S. Army Photography and the “Seen Side” and “Blind Side” of the Japanese Military Comfort Women: The Still Pictures and Motion Pictures of the Korean Comfort Girls in Myitkyina, Sungshan, and Tengchung." Korea Journal 59, no. 2 (2019): 144–76. http://dx.doi.org/10.25024/kj.2019.59.2.144.

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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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 From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha
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Rutherford, Amanda, and Sarah Baker. "The Disney ‘Princess Bubble’ as a Cultural Influencer." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2742.

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The Walt Disney Company has been creating magical fairy tales since the early 1900s and is a trusted brand synonymous with wholesome, family entertainment (Wasko). Over time, this reputation has resulted in the Disney brand’s huge financial growth and influence on audiences worldwide. (Wohlwend). As the largest global media powerhouse in the Western world (Beattie), Disney uses its power and influence to shape the perceptions and ideologies of its audience. In the twenty-first century there has been a proliferation of retellings of Disney fairy tales, and Kilmer suggests that although the main
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Lerner, Miriam Nathan. "Narrative Function of Deafness and Deaf Characters in Film." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.260.

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Introduction Films with deaf characters often do not focus on the condition of deafness at all. Rather, the characters seem to satisfy a role in the story that either furthers the plot or the audience’s understanding of other hearing characters. The deaf characters can be symbolic, for example as a metaphor for isolation representative of ‘those without a voice’ in a society. The deaf characters’ misunderstanding of auditory cues can lead to comic circumstances, and their knowledge can save them in the case of perilous ones. Sign language, because of its unique linguistic properties and its la
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Brien, Donna Lee. "The Real Filth in American Psycho." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2657.

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 1991 An afternoon in late 1991 found me on a Sydney bus reading Brett Easton Ellis’ American Psycho (1991). A disembarking passenger paused at my side and, as I glanced up, hissed, ‘I don’t know how you can read that filth’. As she continued to make her way to the front of the vehicle, I was as stunned as if she had struck me physically. There was real vehemence in both her words and how they were delivered, and I can still see her eyes squeezing into slits as she hesitated while curling her mouth around that final angry word: ‘filth’. Now, almost fifteen years later, the
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Dissertations / Theses on the topic "Teenage girls in motion pictures"

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McCord, Mary Larken. ""So Very," "So Fetch": Constructing Girls on Film in the Era of Girl Power and Girls in Crisis." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-11182008-162945/.

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Thesis (M.A.)--Georgia State University, 2008.<br>Title from file title page. Amira Jarmakani, committee chair; Mary Hocks, Marian Meyers, committee members. Description based on contents viewed Oct. 14, 2009. Includes bibliographical references (p. 97-103).
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Folkins, Claire. "Disney's girl next door exploring the star image of Annette Funicello /." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1143408809.

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Martin, Michelle H. Trites Roberta Seelinger. "Periods, parody, and polyphony ideology and heteroglossia in menstrual education /." Normal, Ill. Illinois State University, 1997. http://wwwlib.umi.com/cr/ilstu/fullcit?p9819894.

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Thesis (Ph. D.)--Illinois State University, 1997.<br>Title from title page screen, viewed June 29, 2006. Dissertation Committee: Roberta Seelinger Trites (chair), Jan Susina, Bruce W. Hawkins. Includes bibliographical references (leaves 170-177) and abstract. Also available in print.
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Beavers, Hannah. "Deva Plus Dog." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849735/.

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Deva Plus Dog is a look at the life of a teenage girl singularly devoted to the sport of dog agility. The film explores how relationships develop and evolve in the high stakes world of competition, and how an alternative lifestyle impacts a youth’s coming of age.
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White, Theresa Renee. "Media as pedagogy and socializing agent influences of feminine beauty aesthetics in American teen-oriented films and magazines on African American adolescent female self image /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1610103761&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Clark, Isabel Stirling. "The challenge of being yourself adaptation, adolescence, and disguise in teenage romantic comedy films of the late 1990s and early 2000s /." Diss., Connect to the thesis Connect to the thesis, 2009. http://hdl.handle.net/10066/3614.

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Bleach, Anthony Charles. "Girls consuming, girls creating : teen films of the 1980's and third-wave feminism /." Diss., 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3117139.

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Books on the topic "Teenage girls in motion pictures"

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Di Cecco, Daniela Pamela, 1966-, ed. Portraits de jeunes filles: L'adolescence féminine dans les littératures et les cinémas français et francophones. Harmattan, 2009.

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Dashman, Josi. Supernatural girls: An unauthorized biography. Price Stern Sloan, 2009.

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Chytilová, Vira, and Ladislav Fikar. Sedmikrasky: Daisies. Facets Video, 2001.

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Dashman, Josi. Supernatural girls: An unauthorized biography. Price Stern Sloan, 2009.

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Dashman, Josi. Supernatural girls: An unauthorized biography. Price Stern Sloan, 2009.

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Dashman, Josi. Supernatural girls: An unauthorized biography. Price Stern Sloan, 2009.

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Gina, Wendkos, McQuown Michael, Robinson Heather, and Torpey Katherine, eds. The Perfect Man. Scholastic, Inc., 2005.

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Block, Francesca Lia. Violet & Claire. Joanna Cotler Books, 2000.

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Weyn, Suzanne. Sleepover. Scholastic, 2004.

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B, Gilmour H. Clueless #1: Clueless. Pocket Books, 1995.

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Book chapters on the topic "Teenage girls in motion pictures"

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"Two. Is Any Girl Safe? Motion Pictures, Women's Leisure, and the White Slavery Scare." In Movie-Struck Girls. Princeton University Press, 2000. http://dx.doi.org/10.1515/9780691187754-004.

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Snyder, Sherri. "Four." In Barbara La Marr. University Press of Kentucky, 2017. http://dx.doi.org/10.5810/kentucky/9780813174259.003.0005.

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This chapter sheds light upon Reatha’s preteen and early teenage years after her father takes a newspaper job in California and the Watsons move to Fresno. Reatha is forced to abandon stock theater, resumes her education in a convent school, and again feels called to be a nun. Simultaneously struck by a serious illness, she then turns to Christian Science, developing a yearning to become a Christian Science practitioner. Increasingly rebellious, she is expelled from the convent and discards her plans to become a Christian Science practitioner when newly developing motion pictures awaken a new aspiration within her. Reatha travels with her mother to Los Angeles for a chance at a film career. The chapter also includes a treatise on early film history as it pertains to the trajectory of Reatha’s life.
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Cohen-Stratyner, Barbara. "Precision Dancing." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1925-1.

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Precision dancing epitomizes industrial production lines in the modernist era. The genre previewed the precision and formalism that is more associated with graphics and decorative art of the 1920s. Both a mass choral movement and a popular entertainment specialty, it symbolized good and bad aspects of American culture, and referenced militarism and mechanization to audiences in theatres, picture palaces and motion pictures on both sides of the Atlantic. The moving of large numbers of people in unison can be traced historically to both military manoeuvres and ballet, but the stage specialty is popularly associated with the Tiller Girls, troupes of six to eight short female dancers trained at John Tiller’s studio in Manchester, England in the 1890s. They appeared in extravaganzas, burlesques and pantomimes, as lines of jewels (in Aladdin’s cave) or flowers. A team of Tiller girls appeared in New York as The Original English Pony Ballet in Dolly Dollars (1905), and inspired the inclusion of short dancer precision lines in Broadway and vaudeville musicals and revues. Spurred by the popularity of twin and tandem acts in vaudeville, precision line dancing emerged as a popular, American genre in the 1920s, as vaudeville gave way to Prologues, the short shows that alternated with feature films in the ‘picture palaces’. In the latter format, precision lines became associated with the tallest dancers, whose long legs emphasized unison kicks. They often appeared in newsreels and were featured as aural components of the radio broadcasts emanating from the theatres.
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