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Journal articles on the topic 'Teenagers' writings, Greek'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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1

Mishra, Aman Kumar, Dr Shivani Dubey, Prof Vikas Singhal, and Dr Pankaj Gupta. "Digital Signature Verification System Using Convolutional Neural Networks." International Journal of Innovative Research in Advanced Engineering 11, no. 01 (2024): 01–07. http://dx.doi.org/10.26562/ijirae.2024.v1101.01.

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The design, development, and evaluation of a signature verification system, a critical component of biometric authentication. The study employs two primary datasets, the MCYT (MasterCard Young Teenager) Signature Dataset and the GPDS (Greek Sign Language Recognition) Signature Dataset, to assess the system's adaptability and accuracy. The MCYT dataset, featuring 6600 signature samples, provides variability in writing styles and demographic information for potential nuanced analyses. In contrast, the GPDS dataset, comprising 4000 signatures, introduces dynamic signing variations during Greek Si
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2

Trisnanda, Averedinta Delia, and Lilia Indriani. "CORPUS LINGUISTICS RESEARCH: ANALYZE THE USE OF INFLECTIONAL MORPHEME IN “THE FAULT IN OUR STARS” NOVEL BY JOHN GREEN." Journal of Research on Applied Linguistics, Language, and Language Teaching 4, no. 1 (2021): 37–42. http://dx.doi.org/10.31002/jrlt.v4i1.1529.

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Novels are timeless. From teenagers to adults, they still choose a novel to spend time with, entertain themselves before bedtime, or even make a hobby. One of the most important yet unseen is the inflectional morpheme. The inflectional morpheme is a morpheme that does not alter the sense of the word. It is used to identify the type of words used in the text. This makes inflectional morpheme an essential ingredient in writing. Inflectional morpheme consists of suffixes added at the end of words that do not change either part of speech or meaning. It gives extra grammatical information about the
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3

Smythe, Anna. "Adea Eurydice the 'Warrior Queen'?" Crossings: An Undergraduate Arts Journal 4, no. 1 (2024): 98–108. http://dx.doi.org/10.29173/crossings258.

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This paper examines whether or not Adea Eurydice, the teenage Queen of Macedon after the death of Alexander the Great, personally fought in the Battle of Euia. If she did, she would earn the title of ‘Warrior Queen.’ However, only three extant primary sources cover her involvement in this battle: Justin’s Epitome, Diocorus Siculus’ Library of History, and a fragment of Duris of Samos’ writing. All of these sources are contradictory and subject to Greek and/or Roman bias, necessitating further investigation into Adea Eurydice’s involvement in the Battle of Euia. Thus, I examine Adea Eurydice’s
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Sulz, David. "Awards, Announcements, and News." Deakin Review of Children's Literature 3, no. 1 (2013). http://dx.doi.org/10.20361/g2dk6h.

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Here’s hoping your summer has started off marvelously and you have plenty of stimulating reads already gathered. If there is still room for a few more, here are some ideas. As noted in the previous Deakin Review, the Rocky Mountain Book Award winners were announced in April with The Case of the Missing Deed by Ellen Schwartz getting the most votes from readers in grades 4-7. Mark your calendars now for late August 2013 to register a reading group to participate in the next round. The 2014 short list is available at http://rmba.lethsd.ab.ca (see the United Library Services or Univ. of Lethbridg
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5

Brien, Donna Lee. "Fat in Contemporary Autobiographical Writing and Publishing." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.965.

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At a time when almost every human transgression, illness, profession and other personal aspect of life has been chronicled in autobiographical writing (Rak)—in 1998 Zinsser called ours “the age of memoir” (3)—writing about fat is one of the most recent subjects to be addressed in this way. This article surveys a range of contemporary autobiographical texts that are titled with, or revolve around, that powerful and most evocative word, “fat”. Following a number of cultural studies of fat in society (Critser; Gilman, Fat Boys; Fat: A Cultural History; Stearns), this discussion views fat in socio
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6

Quinn, Karina. "The Body That Read the Laugh: Cixous, Kristeva, and Mothers Writing Mothers." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.492.

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The first time I read Hélène Cixous’s The Laugh of the Medusa I swooned. I wanted to write the whole thing out, large, and black, and pin it across an entire wall. I was 32 and vulnerable around polemic texts (I was always copying out quotes and sticking them to my walls, trying to hold onto meaning, unable to let the writing I read slip out and away). You must "write your self, your body must be heard" (Cixous 880), I read, as if for the hundredth time, even though it was the first. Those decades old words had an echoing, a resonance to them, as if each person who had read them had left their
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Heckman, Davin. "Being in the Shadow of Hollywood." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2436.

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Landing in the Midwest after a lifetime in Los Angeles, I was shocked to learn how “famous” that great city really is. It used to seem perfectly reasonable that the freeways on CHiPs looked just like the ones I rode to school. When I was five, I remember being secretly bummed that my mom never took us to the disco-classical mural from Xanadu, which I was convinced had to be hidden somewhere in Venice Beach. In high school, it never seemed strange that the Peach Pit on Beverly Hills 90210 was the same as the Rose City Diner. From the L.A. River to the Griffith Park Observatory, from the Hollywo
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8

Dudek, Debra, Madalena Grobbelaar, and Elizabeth Reid Boyd. "Wondering about a Love Literacy." M/C Journal 27, no. 4 (2024). http://dx.doi.org/10.5204/mcj.3073.

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Romancing the Fantasy: #Booklove TikTok has been credited with encouraging young readers to #booklove through its BookTok community. However, the BookTok “trend for ‘spicy’ (i.e. sexy) books has led to fears children may be reading titles with adult content” (Knight). To ascertain the tenor of the adult content in these sexy books, we analyse a popular BookTok novel known for its spicy sex scenes: A Court of Mist and Fury (ACOMAF), a novel by Sarah J. Maas, the “reigning queen of romantasy” (Grady) and “mortal queen of faerie smut” (VanArendonk). Positively, Maas’s novel includes extended erot
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Herb, Annika. "Non-Linear Modes of Narrative in the Disruption of Time and Genre in Ambelin Kwaymullina’s The Interrogation of Ashala Wolf." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1607.

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While Young Adult dystopian texts commonly manipulate expectations of time and space, it is largely in a linear sense—projecting futuristic scenarios, shifting the contemporary reader into a speculative space sometimes only slightly removed from contemporary social, political, or environmental concerns (Booker 3; McDonough and Wagner 157). These concerns are projected into the future, having followed their natural trajectory and come to a dystopian present. Authors write words and worlds of warning in a postapocalyptic landscape, drawing from and confirming established dystopian tropes, and af
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Leurs, Koen, and Sandra Ponzanesi. "Mediated Crossroads: Youthful Digital Diasporas." M/C Journal 14, no. 2 (2010). http://dx.doi.org/10.5204/mcj.324.

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What strikes me about the habits of the people who spend so much time on the Net—well, it’s so new that we don't know what will come next—is in fact precisely how niche in character it is. You ask people what nets they are on, and they’re all so specialised! The Argentines on the Argentine Net and so forth. And it’s particularly the Argentines who are not in Argentina. (Anderson, in Gower, par. 5) The preceding quotation, taken from his 1996 interview with Eric Gower, sees Benedict Anderson reflecting on the formation of imagined, transnational communities on the Internet. Anderson is, of cour
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Green, Lelia, and Carmen Guinery. "Harry Potter and the Fan Fiction Phenomenon." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2442.

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The Harry Potter (HP) Fan Fiction (FF) phenomenon offers an opportunity to explore the nature of fame and the work of fans (including the second author, a participant observer) in creating and circulating cultural products within fan communities. Matt Hills comments (xi) that “fandom is not simply a ‘thing’ that can be picked over analytically. It is also always performative; by which I mean that it is an identity which is (dis-)claimed, and which performs cultural work”. This paper explores the cultural work of fandom in relation to FF and fame. The global HP phenomenon – in which FF lists ar
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Scholfield, Simon Astley. "Newly Desiring and Desired." M/C Journal 2, no. 5 (1999). http://dx.doi.org/10.5204/mcj.1776.

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"... sphincters have no souls."-- Germaine Greer. "Love." The Whole Woman. 222. "Place your hands on my (w?)hole, run your fingers through my soul..." -- Gary Stringer. "Place Your Hands." Glow. A remarkable pseudo-sodomitical sight gag in the Hollywood comedy film Austin Powers: The Spy Who Shagged Me brings to mainstream discourse two new queer desiring and desired figures: the man-fisting woman and the woman-fisted man. The simulated act of anal fisting occurs in a tent between leading male and female agents Austin Powers (Mike Myers) and Felicity Shagwell (Heather Graham). While Powers is
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13

Dernikos, Bessie P., and Cathlin Goulding. "Teacher Evaluations: Corporeal Matters and Un/Wanted Affects." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1064.

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Introduction: Shock WavesAs I carefully unfold the delicate piece of crisp white paper, three rogue words wildly jump up off the page before sinking deeply into my skin: “Cold and condescending.” A charge of anger surges up my spine, as these words begin to now expand and affectively resonate: “I found the instructor to be cold and condescending.” Somehow, these words impact me both emotionally and physiologically (Brennan 3): my heart beats faster, my body temperature rises, my stomach aches. Yet, despite how awful I feel, I keep on reading, as if compelled by some inexplicable force. It is n
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14

Kenner, Alison. "The Healthy Asthmatic." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.745.

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Tiffany is running down a suburban street with headphones and a hoodie on. Her breath is clearly audible, rhythmic, steady, and in pace with her footsteps. The Tiffany’s Story video testimonial on the Be Smart. Be Well. website then cuts to Tiffany sitting at home describing her earlier experiences with asthma: “The hospital became like my second home... I couldn’t breathe on my own.” Dr. Wolf, who has been treating Tiffany since she was diagnosed with asthma at age 8, joins in, “At that time she had really severe asthma. It was very difficult to manage and remained very difficult to manage fo
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Ensminger, David Allen. "Populating the Ambient Space of Texts: The Intimate Graffiti of Doodles. Proposals Toward a Theory." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.219.

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In a media saturated world, doodles have recently received the kind of attention usually reserved for coverage of racy extra marital affairs, corrupt governance, and product malfunction. Former British Prime Minister Blair’s private doodling at a World Economic Forum meeting in 2005 raised suspicions that he, according to one keen graphologist, struggled “to maintain control in a confusing world," which infers he was attempting to cohere a scattershot, fragmentary series of events (Spiegel). However, placid-faced Microsoft CEO Bill Gates, who sat nearby, actually scrawled the doodles. In this
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Neilsen, Philip. "An extract from "The Internet of Love"." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.2012.

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There are three stages in internet dating: first, the emailing back and forth; second, the phone conversation; and third, the meeting for 'coffee'. But before we discuss the three stages, here are some hints about the preliminary work you have to do. At the outset, you have to trawl through the thousands of people who have placed their profiles on the site. This is aided by limiting your search to a certain age spread, and your city or region. Then you can narrow it down further by checking educational background, whether they have kids, whether they write in New Age jargon, etc You have to tr
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17

Sargeant, Jack. "Filth and Sexual Excess." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2661.

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 Pornography can appear as a staid genre with a rigid series of rules and representations, each video consisting of a specified number of liaisons and pre-designated sexual acts, but it is also a genre that has developed and focused its numerous activities. What was considered to be an arousing taboo in the 1970s would not, for example, be considered as such today. Anal sex, while once comparatively rare in pornographic films, is now commonplace, and, while once utterly unspoken in mainstream heterosexual culture it is now acknowledged and celebrated, even by female targete
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18

Bainbridge, Jason. "Soiling Suburbia." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2675.

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 “The electronic media do away with cleanliness; they are by their nature ‘dirty’. That is part of their productive power…” (Enzensberger qtd. in Hartley 23) “Why do people have to be so ugly? Write about such ugly characters? It’s perverted. I know you all think that I’m being prissy but I don’t care. I was brought up in a certain way and this is … mean-spirited.” (Writing student, Storytelling). In 1986 David Lynch brought the suburbs into focus. Before Lynch they had remained slightly bland and indistinct, white picket fences and lush green lawns in the background of Dor
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19

Campbell, Sian Petronella. "On the Record: Time and The Self as Data in Contemporary Autofiction." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1604.

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In January of this year, artist Christian Marclay’s 24-hour video installation The Clock came to Melbourne. As Ben Lerner explains in 10:04, the autofictional novel Lerner published in 2014, The Clock by Christian Marclay “is a clock: it is a twenty-four hour montage of thousands of scenes from movies and a few from TV edited together so as to be shown in real time; each scene indicates the time with a shot of a timepiece or its mention in dialogue, time in and outside of the film is synchronized” (52). I went to see The Clock at ACMI several times, with friends and alone, in the early morning
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20

McRae, Leanne. "Rollins, Representation and Reality." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1925.

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Men in crisis Confused by society's mixed messages about what's expected of them as boys, and later as men, many feel a sadness and disconnection they cannot even name. (Pollack 1) The recent 'crisis in masculinity' has been punctuated by a plethora of material devoted to reclaiming men's 'lost' power within a society. Triggered by the recognition that their roles within our society are changing, this emerging cannon often fails to recognise men as part of a social continuum that subjectifies individuals within discursive frameworks. Rather it mourns this process as the emasculation of male id
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Hill, Wes. "Harmony Korine’s Trash Humpers: From Alternative to Hipster." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1192.

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IntroductionThe 2009 American film Trash Humpers, directed by Harmony Korine, was released at a time when the hipster had become a ubiquitous concept, entering into the common vernacular of numerous cultures throughout the world, and gaining significant press, social media and academic attention (see Žižek; Arsel and Thompson; Greif et al.; Stahl; Ouellette; Reeve; Schiermer; Maly and Varis). Trash Humpers emerged soon after the 2008 Global Financial Crisis triggered Occupy movements in numerous cities, aided by social media platforms, reported on by blogs such as Gawker, and stylized by multi
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Brown, Adam, and Leonie Rutherford. "Postcolonial Play: Constructions of Multicultural Identities in ABC Children's Projects." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.353.

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In 1988, historian Nadia Wheatley and indigenous artist Donna Rawlins published their award-winning picture book, My Place, a reinterpretation of Australian national identity and sovereignty prompted by the bicentennial of white settlement. Twenty years later, the Australian Broadcasting Corporation (ABC) commissioned Penny Chapman’s multi-platform project based on this book. The 13 episodes of the television series begin in 2008, each telling the story of a child at a different point in history, and are accompanied by substantial interactive online content. Issues as diverse as religious diff
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23

Brien, Donna Lee. "The Real Filth in American Psycho." M/C Journal 9, no. 5 (2006). http://dx.doi.org/10.5204/mcj.2657.

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 1991 An afternoon in late 1991 found me on a Sydney bus reading Brett Easton Ellis’ American Psycho (1991). A disembarking passenger paused at my side and, as I glanced up, hissed, ‘I don’t know how you can read that filth’. As she continued to make her way to the front of the vehicle, I was as stunned as if she had struck me physically. There was real vehemence in both her words and how they were delivered, and I can still see her eyes squeezing into slits as she hesitated while curling her mouth around that final angry word: ‘filth’. Now, almost fifteen years later, the
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