Relevant bibliographies by topics / Telenovela mexicana

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  2. Dissertations / Theses
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Academic literature on the topic 'Telenovela mexicana'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Telenovela mexicana"

1

Herrera Guerra, Susana. "Orígenes, desarrollo y actualidad de la telenovela mexicana." Telos 21, no. 1 (2019): 163–91. http://dx.doi.org/10.36390/telos211.09.

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Las telenovelas mexicanas producidas por Televisa continúan siendo exitosas, aun bajo los embates de la competencia. El presente artículo pretende, como objetivo central, definir los factores que han provocado la permanencia del mensaje y el público televidente, especialmente femenino, frente a la telenovela en la señal de televisión abierta mexicana. Para tal fin se llevó a cabo una investigación cualitativa, la cual en el ámbito teórico-metodológico partió desde un enfoque documental – analítico, en el que se desarrollaron tres frentes de análisis: Primero a partir de un corte histórico – do
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Lima, Elcivanni Santos. "WILLIAMSON, R. e Diego, F. Verbo e imagen en la telenovela mexicana. NOVA York, Ottawa e Toron to: LEGAS, 2005, 347 Págs." Cadernos de Linguagem e Sociedade 9, no. 2 (2010): 86–89. http://dx.doi.org/10.26512/les.v9i2.9252.

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Williamson, Rodney. "Situación comunicativa y estructura genérica en la telenovela mexicana." Revista Latinoamericana de Estudios del Discurso 2, no. 1 (2021): 51–68. http://dx.doi.org/10.35956/v.2.n1.2002.p.51-68.

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A través de diferentes caracterizaciones teóricas del género discursivo se perfila la naturaleza compleja y dinámica de esta noción, tomándola como base de un modelo jerárquico de análisis del discurso de la telenovela mexicana. Se justifica la inclusión de las nociones de registro y de marco en el mismo modelo, ejemplificando el empleo de estos tres espacios semánticos para examinar la generación y la expresión de sentidos en una serie de niveles que van desde el macrotexto más amplio hasta los niveles microtextuales. Se comenta brevemente la articulación genérica y subgenérica de la telenove
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Rocha, Rose De Melo. "Dá-me tua rebeldia que eu te compro uns belos sapatos: o “ser admirável” como moeda midiática de troca*." Revista FAMECOS 16, no. 38 (2009): 21. http://dx.doi.org/10.15448/1980-3729.2009.38.5297.

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Tomando como objeto de análise a telenovela mexicana Rebelde, tem-se por objetivo problematizar algumas das bases estésicas e estéticas que compõem o modo de aparecimento juvenil neste produto midiático, problematizando, entre outros, o sistema de agenciamento do gosto ali evidenciado e as estratégias de visibilidade por ele articuladas. Dialogando com Landowsky, Morin e Prokop, entre outros, propõe uma reflexão sobre alguns dos impactos das articulações entre imagem do jovem e imaginário juvenil propostas e percebidas desde esta telenovela.
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Charlois Allende, Adrien José. "Mexican Historical Telenovela: a memory mode, two narrative models." Comunicación y Sociedad 2020 (March 4, 2020): 1–24. http://dx.doi.org/10.32870/cys.v2020.7460.

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Correa Maneiro, Yoconda. "WILLIAMSON, RODNEY Y DE DIEGO, FERNANDO (2005) Verbo e Imagen en la Telenovela mexicana." Revista Latinoamericana de Estudios del Discurso 5, no. 2 (2016): 138. http://dx.doi.org/10.35956/v.5.n2.2005.p.138-146.

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Fernanda, Andri, Nurvita Wijayanti, and M. Afifulloh. "WOMEN’S LANGUAGE OF MEXICAN FEMALE CHARACTERS DEPICTED IN TELENOVELAS: AN AMERICAN STUDIES." JURNAL BASIS 7, no. 2 (2020): 343. http://dx.doi.org/10.33884/basisupb.v7i2.2477.

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 The issue about gender equality seemed in its glory in all over the world. Women might enjoy the equality and even they had a chance to promote themselves to become the future woman leaders. Not even Mexican-American women who got the impacts of the movement of gender equality. However their telenovela show told the opposite. This study aimed to examine the female characters of telenovela through the language choices. This research wanted to prove that by having telenovela as the soap opera, Mexico had their female characters to be the subaltern which showed the inferiority toward male
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Franco Migues, Darwin. "Ciudadanos de ficción: discursos y derechos ciudadanos en las telenovelas mexicanas. El caso Alma de Hierro." Comunicación y Sociedad, no. 17 (January 8, 2015): 41–71. http://dx.doi.org/10.32870/cys.v0i17.274.

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Las telenovelas mexicanas han comenzado a “naturalizar” diversos derechos ciudadanos para construir un discurso social que, anclado al debate, busca promover la inhibición tanto del derecho como del ciudadano que lo ejerce. Este artículo aborda el análisis de la telenovela Alma de Hierro y la forma en cómo ésta representó la Ley de Interrupción Legal del Embarazo y la Ley de Sociedad de Convivencia.
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Grimm, Anja. "El español de las telenovelas mexicanas." Epos : Revista de filología, no. 35 (May 25, 2020): 109. http://dx.doi.org/10.5944/epos.35.2019.24357.

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Las variedades en las clases de ELE / EL2 son un ingrediente indispensable y hay que recurrir a fuentes auténticas para ofrecer un input real a los alumnos. El uso de los recursos audiovisuales para tal efecto ya se ha normalizado en los últimos años, pero antes de usar las telenovelas mexicanas en el aula habría que determinar si el español hablado en las telenovelas mexicanas es realmente un reflejo de la(s) variedad(es) mexicana(s). En este artículo se investigan las características lingüísticas de nueve telenovelas mexicanas y se busca dar respuesta a la pregunta de si pueden constituir un
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Enne, Ana Lúcia da Silva, Joana D’Arc De Nantes, and Ohana Boy Oliveira. "Um “ofício de cartógrafo mestiço”: a proposta metodológica de Jesús Martín-Barbero como base para um estudo de caso da telenovela mexicana Rubi." PragMATIZES, no. 15 (November 12, 2018): 62. http://dx.doi.org/10.22409/pragmatizes.v0i15.27264.

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Tomando por base as propostas teóricas e metodológicas de Jesús Martín-Barbero, em seus livros Ofício de cartógrafo - Travessias latino-americanas da comunicação na cultura e Dos meios às mediações: comunicação, cultura e hegemonia, o presente artigo busca discutir a cartografia como inspiração metodológica para se analisar objetos televisivos e suas narrativas na contemporaneidade. A partir desse aporte, pretende-se ilustrar o mapa das mediações a partir das telenovelas mexicanas reprisadas pelo Sistema Brasileiro de Televisão (SBT), com ênfase na produção Rubi, exibida pela quarta vez em 201
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Dissertations / Theses on the topic "Telenovela mexicana"

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Palomares, Thais Maria Holanda Jerke Sevilla. "Rubí e o melodrama: a questão do estereótipo feminino na telnovela mexicana." Niterói, 2017. https://app.uff.br/riuff/handle/1/3026.

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Submitted by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-03-13T14:30:34Z No. of bitstreams: 1 Dissertação Thais Palomares.pdf: 2751568 bytes, checksum: 68c9fc71de58c7042e88c3b496383b1b (MD5)<br>Made available in DSpace on 2017-03-13T14:30:34Z (GMT). No. of bitstreams: 1 Dissertação Thais Palomares.pdf: 2751568 bytes, checksum: 68c9fc71de58c7042e88c3b496383b1b (MD5)<br>Nesta dissertação faremos um recorrido por três relatos diferentes nos quais encontraremos a mexicana Rubí. Rubí, que é nome de pedra preciosa e de mulher, e também de uma personagem, é o título de uma história em q
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Ruiz, Velasco Dávalos Liliana [Verfasser], and Wulf [Akademischer Betreuer] Oesterreicher. "Oralidad escenificada y argumentación en una telenovela mexicana / Liliana Ruiz Velasco Dávalos. Betreuer: Wulf Oesterreicher." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2012. http://d-nb.info/1076740782/34.

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Ekdahl, Jonna, and Martinsson Cajsa Mosbakk. "Not applauding the gay topic : Mexican Telenovela, communicating social learning?" Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-52002.

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Social learning is a key element in the methodology used in the Mexican telenovela Ultimo año, and suggest that people can adopt behaviour from watching television. An important aspect of social learning are role models to identify with and/or learn their behaviour, hopefully changing their behaviour. Entertainment Education is a tool to educate through entertainment like TV shows, and are often used to teach about health issues. Mexico legalized same sex marriages in the first state only five years ago. The culture is characterized by the “macho” machisimo culture. Therefore the study aims to
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Moran, Kristin Clare Engstrand. "Mexican telenovelas and Latina teenagers' understanding of romantic relationships : a reception analysis /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/6200.

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De, Anda Marissa Carolina. "Tomorrow is forever examining narrative structure and cultural archetypes in three Mexican telenovelas /." Thesis, [Tuscaloosa, Ala. : University of Alabama Libraries], 2009. http://purl.lib.ua.edu/54.

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Jiwaji, Aamera Hamzaali. "Negotiating the global : how young women in Nairobi shape their local identities in response to aspects of the mexican telenovela, Cuando seas mia." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1013364.

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Latin American telenovelas have been exported to more than a hundred countries across the globe. While they are popular in their country of production because their messages resonate with their audience’s everyday experiences, their popularity amongst global audiences with whom they share neither a social nor a cultural history is unexplained. Kenya has been importing and airing Latin American telenovelas since the early 1990s, and telenovelas have permeated many aspects of Kenyan daily life, when compared to other foreign globally-distributed media products that are aired on Kenyan television
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Abarca, Torres Ivan. "Construction de la fiction et la réalité dans l'image et le discours politique : analyse de la telenovela El Candidato et la campagne présidentielle mexicaine en 2000." Paris, EHESS, 2011. http://www.theses.fr/2011EHES0087.

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Ce travail de recherche s'intéresse à deux thèmes principaux: la mise en place du modèle néolibéral dans la politique mexicaine et la telenovela El Candidato, diffusée en parallèle à la campagne présidentielle de 2000, où Vicente Fox, du PAN, a mis fin à 71 ans de domination du PRI. L'axe politique met au jour des indices d'un arrangement entre les dirigeants du PAN et les cercles des deux derniers présidents issus du PRl, arrangement ensuite consacré par les urnes. L'élection de Fox a révélé la soif de changement social. Dans le panorama politico-électoral, ce politicien s'est imposé comme le
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Graf, Amara Ann. "Literary translations : telenovelas in contemporary Chicana literature." 2008. http://hdl.handle.net/2152/11671.

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Chicana literature is often discussed in relation to broad literary or theoretical movements (post-modernism, magic realism, or feminism) but these approaches often fail to account for or even consider other culturally derived sources of critical interrogation. For example, Chicana authors, through direct references or allusions, demonstrate that Spanish-language soap operas, known as telenovelas, have a cultural currency that can bridge people across generations, nationalities, and class differences. Telenovelas also have theoretical value, for these productions often feature stories that add
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Books on the topic "Telenovela mexicana"

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Mi México imaginado: Telenovelas, televisión y migrantes. El Colegio de la Frontera Norte, 2009.

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Eu compro essa mulher: Romance e consumo nas telenovelas brasileiras e mexicanas. J. Zahar Editor, 2000.

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3

Williamson, Rodney. Verbo E Imagen En La Telenovela Mexicana. Legas Publishing, 2005.

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Book chapters on the topic "Telenovela mexicana"

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Quiñones, Gloria. "Play Performance and Affect in a Mexican Telenovela." In Children's Play and Development. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6579-5_6.

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Galarza, Litzy. "Language, Telenovelas, and Citizenship: A Mexican Immigrant’s Exploration of First-Generation American Narratives in Jane The Virgin." In Immigrant Generations, Media Representations, and Audiences. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75311-5_12.

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Slade, Christina. "Why Not lie?" In The Paideia Archive: Twentieth World Congress of Philosophy. Philosophy Documentation Center, 1998. http://dx.doi.org/10.5840/wcp20-paideia199818347.

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This paper proposes that we should aim to refine talk about issues in soap opera as a means of developing moral reasoning skills. I begin with a report of work at schools in New Jersey over 1996-97, during which excerpts of a popular soap opera, 'Party of Five,' were used as the basis of a rigorous philosophical discussion of moral behavior. I then turn to the distinctive role of soap opera as a locus of moral discussion, with an example of a Mexicana telenovela. I suggest that children are already engaged in moral debate about soap operas and are eager to develop a more rigorous critical framework for the debate. I argue that children appreciate the opportunity to flesh out the school yard gossip about soap operas with a philosophically sophisticated discussion. My approach draws on the work of Matthew Lipman in philosophy for children, Neil Postman's critique of television, and David Buckingham's analysis of children's responses to television.
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MacDonald, Candice. "Rhythm and Scene in the Mexican Telenovela." In Semiotics. Semiotic Society of America, 2003. http://dx.doi.org/10.5840/cpsem200334.

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Smith, Paul Julian. "HBO Latin America Effect: Capadocia (HBO/Argos, 2008–14)." In Dramatized Societies: Quality Television in Spain and Mexico. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781781383247.003.0009.

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Chapter 8 treats HBO Latin America’s first series to be made in Mexico. The chapter asks how the “HBO effect,” a paradigm of quality TV that is fully documented in the US, is transformed in a new territory and televisual ecology. The choice of a women’s prison drama thus not only connects the show with grittily realistic transnational titles from the network that addressed law and criminal justice; it also, in this new context, facilitates a connection with the melodramatic national genre of telenovela. The chapter further argues that authorship for the series should be assigned less to HBO than to the Mexican producer, Argos, which had been producing socially conscious and politically progressive dramas for some twenty years before.
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Allen, Craig. "Breakout of Spanish International." In Univision, Telemundo, and the Rise of Spanish-Language Television in the United States. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401643.003.0004.

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Period: 1968–1973. Anselmo, Nicolas, and Villanueva lead a succession of breakthroughs. With launch of WXTV, SIN enters New York. There, Columbia Pictures primes its New York station WNJU as hub of a rival Spanish-language network. In a locale predominated not by Mexican but Caribbean-descended viewers, competition in Spanish-language television begins. Anselmo responds with the first showcasing of Azcárraga’s fixed-duration soap operas called “telenovelas.” Attracting Latinos regardless of nationality, WXTV defeats WNJU and crushes Columbia’s planned network. Tragedy strikes. During rioting, KMEX newscaster Rubén Salazar is killed by police. Despite confrontation with Azcárraga Milmo, Anselmo extends SIN to Miami with purchase of WLTV. With stations in New York and Miami, SIN becomes a coast-to-coast network. However, the elder Azcárraga’s passing exposes his subsidization of SIN and Anselmo’s failure to pay fees.
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You might also be interested in the extended bibliographies on the topic 'Telenovela mexicana' for particular source types:
Journal articles
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