Relevant bibliographies by topics / Television and art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Television and art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Television and art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Television and art"

1

Кокарев, Александр Сергеевич. "ART - TELEVISION OR TELEVISION ART?" Вестник Тверского государственного университета. Серия: Филология, no. 3(70) (September 21, 2021): 177–81. http://dx.doi.org/10.26456/vtfilol/2021.3.177.

Full text
Abstract:
Автор рассматривает эстетическую природу телевидения, составляющие компоненты художественного образа, язык выразительных средств различных искусств и природную связь ТВ с кинематографом. The article examines the aesthetic nature of television, the components of the artistic image, the «language» of expressive means of arts and the natural connection of TV with cinema.
APA, Harvard, Vancouver, ISO, and other styles
2

Cardwell, Sarah. "Television Amongst Friends: Medium, Art, Media." Critical Studies in Television: The International Journal of Television Studies 9, no. 3 (September 1, 2014): 6–21. http://dx.doi.org/10.7227/cst.9.3.2.

Full text
Abstract:
From the perspective of analytic philosophical aesthetics, this paper disputes the commonplace practice of referring to television as a ‘medium’. It proposes instead that television be regarded as an art composed of many media. Individual works employ various media available to television and also to other arts. The paper evaluates the usefulness of these distinctions for our conceptual understanding of television, appraisal of television works and appreciation of television in relation to other arts. Via its reconfiguration of ‘medium/media’, it challenges narrowly contemporary notions of the televisual, positing a more historicised model and situating television alongside other arts — amongst friends.
APA, Harvard, Vancouver, ISO, and other styles
3

Song, Lu, Xiujiang Pan, and Peiran Fan. "The Practice of Virtual Reality Technology in the Teaching of Film and Television Art." Journal of Education and Educational Research 5, no. 3 (October 1, 2023): 220–26. http://dx.doi.org/10.54097/jeer.v5i3.13724.

Full text
Abstract:
With the progress of science and technology, virtual reality technology has gradually been integrated into People’s Daily life. As a technology that can provide immersive experience, the application of virtual reality in the field of film and television art has gradually attracted attention. For film and television art colleges, the introduction of this technology has brought revolutionary changes to teaching and creation, and brought new possibilities for teaching and creation. This paper will discuss the application practice of virtual reality technology in film and television art colleges and its influence on film and television art education. This paper first introduces the concept and characteristics of virtual reality technology, and then expounds the practical application of virtual reality technology in the teaching of film and television art universities, including the application of film and television production, film and television theory teaching and distance education. Finally, this paper discusses the effects and challenges of virtual reality technology in the college teaching of film and television art, and prospects the future development trend of film and television art.
APA, Harvard, Vancouver, ISO, and other styles
4

Sun, Lin. "Research on Digital Media Art Film and Television Special Effects Technology Based on Virtual and Reality Algorithm." Scientific Programming 2022 (September 24, 2022): 1–7. http://dx.doi.org/10.1155/2022/4424772.

Full text
Abstract:
Art special effects, as a kind of new media art form, bring different visual impacts to viewers in film and television animation. This study discusses the application of digital media art film and television special effects’ technology through virtual and realistic algorithms. The wide application of digital media art film and television special effects’ technology has achieved the purpose of saving production time and cost for the creation of film and television dramas. Through the comprehensive analysis and research on art creation, image impact, film viewing perception, and natural interactive emotion under different technological environments, and the analysis of the comparison results, it can be seen that digital media art film and television special effects’ technology has a far-reaching impact on film and television animation, can better carry out the sustainable development of film and television field, also promote the sustainable development of science and technology to a certain extent, promote the modern development of digital media art design, support society's continuous development and progress, and better promote the all-round integration of digital media art and film and television creation.
APA, Harvard, Vancouver, ISO, and other styles
5

PÁLMAI, KATALIN. "Art Appreciation on Hungarian Television." Journal of Art & Design Education 5, no. 1-2 (June 1986): 159–66. http://dx.doi.org/10.1111/j.1476-8070.1986.tb00196.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Gray, Robert H. "Youth, Culture, Art Education, Television." Design For Arts in Education 90, no. 4 (April 1989): 23–25. http://dx.doi.org/10.1080/07320973.1989.9935556.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Hung, Wu. "Television in Contemporary Chinese Art." October 125 (July 2008): 65–90. http://dx.doi.org/10.1162/octo.2008.125.1.65.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Li, Xiaoxu. "The Practical Application of Film and Television Packaging Art in Television News Programs." Communications in Humanities Research 24, no. 1 (January 3, 2024): 270–75. http://dx.doi.org/10.54254/2753-7064/24/20231794.

Full text
Abstract:
Film and television packaging art plays a crucial role in television news programs. By employing film and television packaging, television news programs can achieve more sophisticated production and higher levels of visual effects, thereby enhancing the program's visibility and appeal and strengthening its communication effectiveness. The application of film and television packaging art is wide-ranging, including aspects such as title design, image and visual effects, sound design, and color and style. Successful television news programs often leverage the advantages of film and television packaging art to garner audience recognition and attention. With the continuous innovation and development of film and television packaging technology, the film and television packaging of television news programs in the future will have more possibilities, bringing viewers more rich, vivid, and immersive visuals.
APA, Harvard, Vancouver, ISO, and other styles
9

Keinonen, Heidi. "Arts and Advertising: Aesthetics of Early Commercial Television in Finland." Acta Universitatis Sapientiae, Film and Media Studies 6, no. 1 (August 1, 2013): 165–77. http://dx.doi.org/10.2478/ausfm-2014-0010.

Full text
Abstract:
Abstract Finnish television was launched by a commercial company in 1956. TES-TV, the first television station, was later followed by a programming company called Tesvisio and joined by the television channel of YLE, the Finnish Broadcasting Company. The TES-TV/Tesvisio years are a unique period in television history, since they witnessed the creation of a connection between commercial television and the arts. In this article I aim to study early Finnish television aesthetics by analyzing television as art and also the relations between television and other art forms. My focus is on the representations of high and low culture and the search for a television style. TES-TV aired both popular programmes and high culture, like ballet, while on Tesvisio, these cultural extremities were gradually replaced by a middle-brow culture. The early programming included both filmed and live material, which had a contribution to the evolution of Finnish television aesthetics. The television style was further developed by Tesvisio’s first professional set designer and his experimental work. Therefore I claim that in these commercial companies television was seen as an art form in its own right, not only as a mediator of art
APA, Harvard, Vancouver, ISO, and other styles
10

Jianchao, Ren. "The influence of traditional culture on the role shaping of Chinese local film and television animation." OOO "Zhurnal "Voprosy Istorii" 2023, no. 8-2 (August 1, 2023): 164–69. http://dx.doi.org/10.31166/voprosyistorii202308statyi36.

Full text
Abstract:
This article mainly summarizes the role building of Chinese local film and television animation, analyzes the influence of traditional culture on the role building of Chinese local film and television animation, and introduces in detail the application of traditional culture such as paper cutting art, ink painting art, costume art and opera art in the role building of film and television animation.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Television and art"

1

SAMPIETRO, SARA. "Teen Television: televisione crossmediale e adolescenti in Italia." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1529.

Full text
Abstract:
Obiettivo della ricerca presentata in questa tesi è la comprensione delle pratiche televisive convergenti degli adolescenti, a partire da una ricostruzione dei fattori che possono orientare i differenti atteggiamenti fruitivi. Al di là dell’adesione al mito dei “nativi digitali” come soggetti dotati di competenze e abilità superiori a quelle dei loro genitori appare infatti necessario studiare le esperienze crossplatform, contestualizzandole all’interno del set di opportunità e di vincoli, culturali, sociali e contestuali che strutturano la quotidianità dei ragazzi. L’importanza data ai molteplici fattori che, a diverso titolo, interagiscono nel modellare i consumi convergenti ha guidato l’intero processo di analisi dei risultati fin verso la definizione di uno sguardo interpretativo situazionale e multifattoriale, volto a interpretare la natura contingente e provvisoria degli equilibri su cui si reggono le differenti esperienze di consumo crossmediale. I dati descritti e analizzati sono frutto di un processo di ricerca etnografica che ha coinvolto adolescenti iscritti ai primi quattro anni della scuola secondaria di secondo grado e residenti in diverse province italiane.
The research presented in this thesis explores convergent television-related consumer practices of teenagers by mapping factors which potentially orient fruition patterns. The myth of “digital natives” as more skilled and resourceful than their parents does not suffice: it is necessary to study actual cross-platform experiences by contextualizing them within the sets of affordances and limitations (cultural, social and contextual) which structure the daily lives of teenagers. The centrality assigned to the many factors shaping convergent consumptions has driven the analysis towards the definition of a situational multi-factor interpretative view able to interpret the contingent and ephemeral nature of the balances underpinning convergent consumption experiences.
APA, Harvard, Vancouver, ISO, and other styles
2

SAMPIETRO, SARA. "Teen Television: televisione crossmediale e adolescenti in Italia." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1529.

Full text
Abstract:
Obiettivo della ricerca presentata in questa tesi è la comprensione delle pratiche televisive convergenti degli adolescenti, a partire da una ricostruzione dei fattori che possono orientare i differenti atteggiamenti fruitivi. Al di là dell’adesione al mito dei “nativi digitali” come soggetti dotati di competenze e abilità superiori a quelle dei loro genitori appare infatti necessario studiare le esperienze crossplatform, contestualizzandole all’interno del set di opportunità e di vincoli, culturali, sociali e contestuali che strutturano la quotidianità dei ragazzi. L’importanza data ai molteplici fattori che, a diverso titolo, interagiscono nel modellare i consumi convergenti ha guidato l’intero processo di analisi dei risultati fin verso la definizione di uno sguardo interpretativo situazionale e multifattoriale, volto a interpretare la natura contingente e provvisoria degli equilibri su cui si reggono le differenti esperienze di consumo crossmediale. I dati descritti e analizzati sono frutto di un processo di ricerca etnografica che ha coinvolto adolescenti iscritti ai primi quattro anni della scuola secondaria di secondo grado e residenti in diverse province italiane.
The research presented in this thesis explores convergent television-related consumer practices of teenagers by mapping factors which potentially orient fruition patterns. The myth of “digital natives” as more skilled and resourceful than their parents does not suffice: it is necessary to study actual cross-platform experiences by contextualizing them within the sets of affordances and limitations (cultural, social and contextual) which structure the daily lives of teenagers. The centrality assigned to the many factors shaping convergent consumptions has driven the analysis towards the definition of a situational multi-factor interpretative view able to interpret the contingent and ephemeral nature of the balances underpinning convergent consumption experiences.
APA, Harvard, Vancouver, ISO, and other styles
3

Terzic, Marilyn. "Understanding television: the art and science of aesthetic response." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=104508.

Full text
Abstract:
This dissertation examines the processes of perception and cognition and demonstrates their application to the creation of aesthetically and artistically significant television content. By reexamining past understandings and assumptions, the ways in which artists and media producers have manipulated the information search and processing faculties of their audiences, and thus guided the meanings they ascribed to still and moving images, are explored. To reflect the multidisciplinary nature of television aesthetics, this research is not limited to a particular academic discipline. Instead, it draws on several streams of research and scholarship (media studies, marketing, psychology, neuroscience, and the fine arts) to bridge the gap between scientific theory and artistic practice and, in turn, develop effective guidelines for the construction of audiovisual materials that fulfill all three functions of the arts: the intensification, clarification, and interpretation of experience.
Cette thèse étudie les processus de perception et de cognition et démontre leurs applications à la création de contenu télévisuel ayant une valeur artistique et esthétique. En réexaminant les connaissances et hypothèses antérieures, les façons dont les artistes et les producteurs de médias ont manipulé les facultés de traitement des informations de leurs auditoires, et donc la signification qu'ils attribuaient à des images fixes et animées, sont explorées. Pour refléter la nature multidisciplinaire de l'esthétique de la télévision, cette recherche ne se limite pas à une discipline académique particulière. Au lieu de cela, elle s'appuie sur divers courants de recherche et domaines d'érudition (études sur les médias, le marketing, la psychologie, les neurosciences, et les beaux-arts) pour combler le fossé entre la théorie scientifique et la pratique artistique, afin de formuler des recommandations visant à la création de matériel audiovisuel qui remplit les trois fonctions de l'art: l'intensification, la clarification, et l'interprétation de l'expérience.
APA, Harvard, Vancouver, ISO, and other styles
4

Cardinaletti, Michelangelo. "Ugo Gregoretti, autore e regista televisione : television, cinema, opera lirica e teatro." Electronic Thesis or Diss., Nantes Université, 2023. http://www.theses.fr/2023NANU2029.

Full text
Abstract:
La thèse de doctorat représente une enquête approfondie et complète sur la carrière vaste et diversifiée d'Ugo Gregoretti dans les domaines de la télévision, du cinéma, de l'opéra et du théâtre. À travers une approche biographique et une utilisation extensive des sources du Centre d'études Ugo Gregoretti à Pontelandolfo, cette recherche met en lumière la vie et les œuvres d'un artiste éclectique dont la signification a largement été négligée. Les résultats de l'analyse révèlent un profil artistique d'une grande polyvalence, caractérisé par une profonde sensibilité à l'ironie et une inclination marquée à exprimer sa vision artistique à travers divers médias. Gregoretti se présente comme un auteur d'une grande versatilité, capable de couvrir différents genres et modes d'expression tout en maintenant une originalité cohérente dans chacune de ses œuvres. Un aspect fondamental de la recherche est l'absence d'études approfondies dédiées à Gregoretti, malgré son impact significatif sur le paysage artistique et culturel italien. Cette thèse comble cette lacune en fournissant une analyse complète de sa carrière et de sa contribution au développement de l'art et du divertissement en Italie. Ainsi, la recherche dévoile non seulement une figure négligée, mais elle jette également une nouvelle lumière sur les dynamiques culturelles et artistiques du pays, enrichissant la compréhension globale de son évolution
The doctoral thesis represents an in- depth and comprehensive investigation into Ugo Gregoretti's extensive and diverse career in the fields of television, film, opera, and theater. Through a biographical approach and extensive use of sources from the Ugo Gregoretti Study Center in Pontelandolfo, this research sheds light on the life and works of an eclectic artist whose significance has been largely overlooked. The findings of the analysis reveal an artistically multifaceted profile, characterized by a deep sensitivity to irony and a marked inclination to express his artistic vision through a variety of media. Gregoretti emerges as an author with extraordinary versatility, capable of spanning different genres and modes of expression while maintaining consistent originality in each of his works. A fundamental aspect of the research is the absence of in-depth studies dedicated to Gregoretti, despite his significant impact on the Italian artistic and cultural landscape. This thesis fills this gap, providing a comprehensive analysis of his career and his contribution to the development of art and entertainment in Italy. In this way, the research not only unveils a neglected figure but also sheds new light on the cultural and artistic dynamics of the country, enriching the overall understanding of its evolution
APA, Harvard, Vancouver, ISO, and other styles
5

Krohn, Erik Allyn Varadarajan Kasturi. "Surveilling roads and protecting art." [Iowa City, Iowa] : University of Iowa, 2009. http://ir.uiowa.edu/etd/390.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hutchins, Christine Elizabeth. "Contextual Analysis of Meaning Through Adolescent Viewing of Music Television." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392908720.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Tung, Yu-Ting. "Nodame Cantabile: A Japanese Television Drama and its Promotion of Western Art Music in Asia." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1229915111.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

PENATI, CECILIA. "Il focolare elettronico. Una storia culturale dell'ingresso della televisione nello spazio domestico (1954-1960)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1100.

Full text
Abstract:
Obiettivo della tesi è stato quello di ricostruire una storia culturale della televisione italiana delle origini, concentrandosi sui percorsi attraverso i quali il medium è diventato parte integrante delle routine quotidiane del suo primo pubblico, cercando di dare senso a come la prima audience del piccolo schermo abbia sperimentato l’arrivo della televisione nello spazio della casa, nel corso degli anni di istituzionalizzazione del medium in Italia (1954-1960). Dopo una ricognizione della letteratura scientifica sul tema della domestication dei mezzi di comunicazione, della biografia culturale degli oggetti tecnici e dell’analisi storica delle “culture di visione” della tv, la seconda sezione della tesi prende in esame come il sistema dei media popolari (il discorso pubblicitario, il dibattito pubblico sulla stampa popolare, i paratesti aziendali della Rai) abbia attribuito significati alla televisione, "insegnando" al suo primo pubblico come collocarla nello spazio della casa. La terza sezione della tesi è dedicata a una ricostruzione storica del primo consumo televisivo domestico, svolta attraverso una ricerca etnografica condotta con venti interviste a testimoni che hanno vissuto in prima persona la prima diffusione dei ricevitori e la loro prima collocazione nello spazio della casa.
This dissertation is aimed to outline a cultural history of early Italian television, focusing on the pattern by which TV became part of its first audience’s daily routines, and trying to give sense of how the first public of the small screen experienced the arrival of the television in the space of their homes, in the years of institutionalisation of the new medium (1954-1960). After an overview of the scientific literature that has dealt with the topic of “media domestication”, cultural biography of technical objects, and historical analysis of television’s culture of viewing, the second section of the thesis examines how the system of popular media (mainly advertising, popular press, and broadcaster’s house organs) ascribed meanings to television as a domestic medium and advised its public how to use it. A third section of the dissertation is devoted to understanding the television viewing and consumption in historical perspective, through a ethnographic research developed with twenty in-depth interviews to witnesses that participated directly in the first diffusion and domestication of the TV sets in Italy.
APA, Harvard, Vancouver, ISO, and other styles
9

PENATI, CECILIA. "Il focolare elettronico. Una storia culturale dell'ingresso della televisione nello spazio domestico (1954-1960)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1100.

Full text
Abstract:
Obiettivo della tesi è stato quello di ricostruire una storia culturale della televisione italiana delle origini, concentrandosi sui percorsi attraverso i quali il medium è diventato parte integrante delle routine quotidiane del suo primo pubblico, cercando di dare senso a come la prima audience del piccolo schermo abbia sperimentato l’arrivo della televisione nello spazio della casa, nel corso degli anni di istituzionalizzazione del medium in Italia (1954-1960). Dopo una ricognizione della letteratura scientifica sul tema della domestication dei mezzi di comunicazione, della biografia culturale degli oggetti tecnici e dell’analisi storica delle “culture di visione” della tv, la seconda sezione della tesi prende in esame come il sistema dei media popolari (il discorso pubblicitario, il dibattito pubblico sulla stampa popolare, i paratesti aziendali della Rai) abbia attribuito significati alla televisione, "insegnando" al suo primo pubblico come collocarla nello spazio della casa. La terza sezione della tesi è dedicata a una ricostruzione storica del primo consumo televisivo domestico, svolta attraverso una ricerca etnografica condotta con venti interviste a testimoni che hanno vissuto in prima persona la prima diffusione dei ricevitori e la loro prima collocazione nello spazio della casa.
This dissertation is aimed to outline a cultural history of early Italian television, focusing on the pattern by which TV became part of its first audience’s daily routines, and trying to give sense of how the first public of the small screen experienced the arrival of the television in the space of their homes, in the years of institutionalisation of the new medium (1954-1960). After an overview of the scientific literature that has dealt with the topic of “media domestication”, cultural biography of technical objects, and historical analysis of television’s culture of viewing, the second section of the thesis examines how the system of popular media (mainly advertising, popular press, and broadcaster’s house organs) ascribed meanings to television as a domestic medium and advised its public how to use it. A third section of the dissertation is devoted to understanding the television viewing and consumption in historical perspective, through a ethnographic research developed with twenty in-depth interviews to witnesses that participated directly in the first diffusion and domestication of the TV sets in Italy.
APA, Harvard, Vancouver, ISO, and other styles
10

Spampinato, Francesco. "Art Contemporain et télévision : formes de résistance, appropriation et parodie." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA056.

Full text
Abstract:
La présente thèse cartographie et condense l'histoire des relations entre l'art et la télévision au cours du demi-siècle environ durant lequel la télévision maintint sa position de média de masse par excellence dans la société, des années 1950 au tournant du millénaire, jusqu'à la phase de vaporisation des médias récemment apportée par la profusion des technologies numériques et d'Internet. La centaine d'artistes étudiés appartient à différentes générations, des pionniers des années 1960 tels que Nam June Paik, Andy Warhol et divers collectifs de la guerilla television aux figures postmodernistes telles que Dara Birnbaum et General Idea, des artistes issus des années 1990 comme Phil Collins, Christian Jankowski et Matthieu Laurette aux figures émergées au XXIe siècle comme Keren Cytter, Hito Steyerl, Ryan Trecartin et les Yes Men.Les travaux abordés sont des vidéos, installations, performances, interventions et programmes télévisés conçus comme des formes de résistance, d'appropriation et de parodie de la télévision grand public, qui exposent les mécanismes par lesquels le média de masse influence notre perception de la réalité et de nous-mêmes. Les genres et les formats télévisuels les plus populaires sont ciblés : les informations, publicités, soap operas, talk-shows, émissions pour enfants, vidéoclips, téléréalité, divertissements éducatifs et séries télévisées. En permettant de « voir à distance », la télévision produit chez le spectateur un sentiment étrange de déplacement physique. Les travaux étudiés mettent en évidence et tentent de surmonter cette séparation entre les corps factuels et télévisés, qui est aussi une séparation entre réalité et représentation
The present study maps and condenses the history of the relationships between art and television during the rough half century in which television maintained its position as society’s quintessential mass medium, from the 1950s to the turn of the millennium, through to the phase of vaporization of media recently brought by the profusion of digital technologies and the Internet. The close to one hundred artists discussed belong to different generations, from 1960s pioneers such as Nam June Paik, Andy Warhol and various guerrilla television collectives to postmodernist figures such as Dara Birnbaum and General Idea, from artists emerged in the 1990s such as Phil Collins, Christian Jankowski, and Matthieu Laurette up to figures emerged in in this early XXI century such as Keren Cytter, Hito Steyerl, Ryan Trecartin, and the Yes Men.The works discussed are videos, installations, performances, interventions and television programs conceived as forms of resistance, appropriation and parody of mainstream television, that expose the mechanisms through which the mass medium influences our perception of both reality and ourselves. To be targeted are the most popular television genres and formats including news, commercials, soap operas, talk shows, children's programs, music videos, reality shows, edutainment, and TV series. By allowing to “see at distance,” television produces in the viewer an uncanny feeling of physical displacement. What the works discussed highlight and try to overcome, is that split between factual and televised bodies, that is also a split between reality and representation
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Television and art"

1

Television, Institute of Local, ed. Don Quixote's art & television: Seeing things in art & television. Edinburgh: Institute of Local Television, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

1943-, Bellamy David, ed. Art works: The television series. Chipping Norton: APV Films, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Public Service Broadcasting Trust (New Delhi, India) and UNESCO New Delhi, eds. The art of the television interview. New Delhi: Public Service Broadcasting Trust, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Matthias, Michalka, ed. Changing channels: Art and television 1963-1987. Cologne: Walther König, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Decina, Rob. The art of auditioning: techniques for television. New York: Allworth Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Smith, Greg M. Beautiful TV: The art and argument of Ally McBeal. Austin, TX: University of Texas Press, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

DuBois, James. Lighting for television: Notes and practical applications on the art of television lighting. SanJuan Capistrano (CA): CDT, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Long Beach Museum of Art. Art of music video. Long Beach, Calif: Long Beach Museum of Art, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Pierre, Fresnault-Deruelle, ed. Un regard télévisuel sur l'art: La série Palettes d'Alain Jaubert. Paris: Harmattan, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Montgolfier, Clémence de. Quand l'art contemporain passe à la télévision: Représentations, récits et médiations de 1959 à nos jours. Paris: Hermann, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Television and art"

1

Lorenzo-Dus, Nuria. "Persuasion … or the Art of Occultatio." In Television Discourse, 141–48. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-11717-5_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Laing, Stuart. "Television: Art, Reality and Entertainment." In Representations of Working-Class Life 1957–1964, 141–92. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-18459-0_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Wallace, Isabelle Loring. "On Preaching, Performance Art, and Television." In Religion and Contemporary Art, 312–19. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003326809-26.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Makhubu, Nomusa. "Curating Life, Staging Art." In The Routledge Companion to Global Television, 332–45. New York, NY : Routledge, 2020. |: Routledge, 2019. http://dx.doi.org/10.4324/9781315192468-33.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Barratt, Ken H. "High Definition Television — Technology or Art?" In Telecommunications, 90–98. Berlin, Heidelberg: Springer Berlin Heidelberg, 1987. http://dx.doi.org/10.1007/978-3-642-83145-4_16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Rixon, Paul. "The Black Art: Scheduling American Programmes." In American Television on British Screens, 106–34. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230625242_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Kok, Annemarie. "6 Make your own 'television'. On tour with the telewissen video bus." In Pioneering Participatory Art Practices, 337–434. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839472194-007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Paterson, Richard. "Planning the Family: The Art of the Television Schedule." In The Screen Education Reader, 144–53. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-22426-5_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Rieber, Robert W., and Robert J. Kelly. "Life Imitating Art: Organized Crime on Screen." In Film, Television and the Psychology of the Social Dream, 117–41. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-7175-2_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Paton, Elizabeth, and Tiffany Bodiam. "Mediated Suicide in 13 Reasons Why: An Argument for Caution in Television Portrayals of Suicide." In The Art of Dying, 43–64. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-35217-1_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Television and art"

1

Gasaway, Mike. "Television monster." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.254048.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Yang, Lun. "The Art of Film and Television Packing." In 2016 International Conference on Education, Management and Computer Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemc-16.2016.40.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

BIAN, YI-DUO. "THE IMPORTANCE OF FILM AND TELEVISION WORKS TO THE DISSEMINATION OF THE SPIRIT OF THE TIMES." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35689.

Full text
Abstract:
As an important part of culture, film and television plays an important role in the dissemination of the spirit of the times. Film and television works use lens language and three-dimensional visual way to tell the development of the times and highlight the spirit of the times. It is precisely because of the era responsibility of film and television works that how to make film and television works play a greater role in the dissemination of the spirit of the times has become a new research topic.
APA, Harvard, Vancouver, ISO, and other styles
4

Bonomi, Mauro. "The Art of Video Encoding: Optimizing MPEG Video Compression through Human-Assist Methods." In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1995. http://dx.doi.org/10.5594/m00827.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Long, Lingling. "The Expression of Folk Art in Film and Television Animation." In Proceedings of the 1st International Symposium on Innovation and Education, Law and Social Sciences (IELSS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ielss-19.2019.24.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Tihomirov, V. A. "Social and political talk shows on Russian television as a tool political propaganda." In Scientific trends: Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-06-2020-04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Wang Jian. "The analysis of the virtuality of film and television animation art." In 2014 IEEE Workshop on Advanced Research and Technology in Industry Applications (WARTIA). IEEE, 2014. http://dx.doi.org/10.1109/wartia.2014.6976206.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"Study of Application-oriented Film and Television Art Talent Practice Platform." In 2018 International Conference on Education, Psychology, and Management Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icepms.2018.044.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Li, Xiaoshu. "Research on the Montage Technique in The Film and Television." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.150.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Du, Nan, and Chuandong Yu. "Application and Research of VR Virtual Technology in Film and Television Art." In CIPAE 2020: 2020 International Conference on Computers, Information Processing and Advanced Education. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3419635.3419667.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Television and art"

1

Fedorchuk, Liudmyla. Культура в ефірі Суспільного: телевізійний контент і перспективи розвитку. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11729.

Full text
Abstract:
Main objectives of this article are changes in the programming principles of the “Suspilne Culture” TV channel, the peculiarities of the program content in the period 2020-2022, as well as potential for further channel development from the content perspective. Methodology of the analysis includes processing primary sources of information, synthesis, induction and deduction, problem-thematic analysis of television programs. Results. During 2017-2021, the specialized public channel about culture increased the number of its own programs, and the ratings of the channel increased. “UA: Culture” produced their own daily information program and several analytical programs about various types of art. Although even now, a significant part of the channel content consists of not relevant and not adapted for the Ukrainian audience purchased serials and educational cycles. After analyzing “Suspilne Culture” TV channel program grid for October 3-7, 2022, significant part of not typical for declared program policy content was discovered. During the present period only 2 programs corresponded to the specifics of the channel and were developed by “Suspilne” production. Conclusions. In general, thematic blocks such as cultural policy of Ukraine and institutions, religious practices, economy of creative industries and representation of Ukrainian culture in the world are not broadcasted. Significance. The conducted research allowed us to actualize the need for a scientific approach to the content and programming policy of the “Suspilne Culture” TV channel. The collected material gives reasons to testify that the mission of the public channel and the declared program principles are implemented only partially. The channel lacks in-depth analytics on a whole range of current cultural issues. The share of self-produced programs is minimal. Instead, purchased content often does not represent the specifics of the channel and does not fulfill the mission of the public broadcaster. The channel program managers should focus on the change in cultural discourse that has been taking place since the beginning of the full-scale war of the Russian Federation against Ukraine. In battles, our army and people defend, first of all, our right to own identity, our right on culture and own voice to tell the world about ourselves. The air of the TV channel “Suspilne Culture” should be filled with exactly such ideas. Keywords: culture; public television; television content; journalism of the culture.
APA, Harvard, Vancouver, ISO, and other styles
2

Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

Full text
Abstract:
Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation and maintenance of its heritage listed buildings by the local council, Ballarat has been used as the location for a significant set of feature films, documentaries and television series bringing work to local crews and suppliers. With numerous festivals playing to the cities strengths many creative embeddeds and performing artists take advantage of employment in facilities such as the Museum of Australian Democracy at Eureka. The city has its share of start-ups, as well as advertising, design and architectural firms. The city is noted for its museums, its many theatres and art galleries. All major national networks service the TV and radio sector here while community radio is strong and growing.
APA, Harvard, Vancouver, ISO, and other styles
3

Kominiarska, Lіudmyla, and Olga Blashkiv. REFORMING THE CONTENT OF REGIONAL BRANCHES OF PUBLIC TELEVISION DURING THE FULL-SCALE RUSSIAN-UKRAINIAN WAR. Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12147.

Full text
Abstract:
The article conducts an analysis of the content of regional Public Television during the full-scale Russian-Ukrainian war. A comparative analysis of programs created by regional teams of the Public broadcaster before the full-scale invasion is presented. The research aims to study and provide a detailed analysis of the television content of regional branches of Public Television to understand the peculiarities of operation during a state of war, track changes in the thematic content, and speech format. Analytical methods of scientific research (analysis of television content of regional branches of Public Television), as well as inductive, deductive, and abstract-logical methods, are employed. The historical method is applied to the study of television reform in Ukraine. The key method in the research is content analysis, which is used to study the impact of television reform on the quality and volume of content of regional branches of Public Television. Using the example of the content of “Suspilne-Ternopil,” the thematic and problematic content of programs of the regional branch of Public Television is investigated. A significant reduction in the share of in-house produced content on local issues is identified. In particular, at the beginning of the full-scale invasion, the production of the program “Today. Main” was suspended, a socio-political talk show that extensively covered local issues. Emphasis is placed on the importance of regional media in times of war, representing the interests of the public at both regional and central levels. In our opinion, regional broadcasters of Public Television should reintroduce in-house produced programs to restore a platform for discussing local issues. Strengthening ties with high-quality media from neighboring states is also advisable, specifically for the exchange of journalists’ experiences and high-quality content. Keywords: Public television, television reform, Russian-Ukrainian war, television content, broadcast, regional branch.
APA, Harvard, Vancouver, ISO, and other styles
4

Odobetska, Iryna. ADAPTING REGIONAL TELEVISION CONTENT TO THE FORMAT OF SOCIAL NETWORKS (ON THE EXAMPLE OF THE VITA TV CHANNEL). Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12163.

Full text
Abstract:
The article examines the peculiarities of the regional media and the specifics of creating the content of the TV channel’s social networks. The prerequisites for the need to distribute TV content in modern forms of the virtual environment are provided. Ukraine is actively implementing digital technologies in television, which leads to the improvement of the quality and diversity of local media, as a result of which regional television becomes more flexible, interactive and adaptive to changes in consumer preferences and technological capabilities. The growing popularity of social media is being integrated into regional television strategies for audience engagement, engagement and rapid response to events. Regional TV channels increasingly use social networks to interact with viewers, publish news and ensure rapid dissemination of information. The process of adaptation of television content of the information and television agency «VITA» to social networks has been studied. Key words: social networks, content, television, VITA TV channel, text, users, mass media.
APA, Harvard, Vancouver, ISO, and other styles
5

Paslavskyi, Ihor. Ukrainian television: problem-content analysis. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11397.

Full text
Abstract:
The article highlights and analyzes the factors influencing the activities of television editorial teams in the period of new political, economic and security circumstances. It is noted that all-Ukrainian influential television channels, which have the highest popularity and high ratings, are oligarchic media with a high level of political involvement. Ukrainian television is widely practicing to narrow the thematic range of programs, reports and programs resulting in unjustified dominance in the television space of entertainment and humorous genres, «ravel journalism», excessive overweight of foreign programs and of obsolete quality film production. In the news programs, some TV companies, including 1 + 1, widely emphasize negative issues that are not typical of Ukrainian society, which often has a petty, urban and secondary status. Instead, a wide range of real, socially important, topical issues and problems remain out of the professional attention of journalists, analysts and experts. Guided only by the criterion of rating programs, programs, stories, topics and problems, TVs lose the most active segment among the audience – critical thinking, knowledgeable, erudite recipient, who, choosing an information resource, increasingly prefers the internet journalism.
APA, Harvard, Vancouver, ISO, and other styles
6

Chong, Alberto E., and Eliana La Ferrara. Television and Divorce: Evidence from Brazilian Novelas. Inter-American Development Bank, January 2009. http://dx.doi.org/10.18235/0010906.

Full text
Abstract:
This paper studies the link between television and divorce in Brazil by exploiting variation in the timing of availability of the signal of Rede Globo -the network that had a virtual monopoly on telenovelas in the countryacross municipal areas. Using three rounds of Census data (1970, 1980 and 1991) and controlling for area fixed effects and for time-varying characteristics, the paper finds that the share of women who are separated or divorced increases significantly after the Globo signal becomes available. The effect is robust to controlling for potential determinants of Globos entry strategy and is stronger for relatively smaller areas, where the signal reaches a higher fraction of the population.
APA, Harvard, Vancouver, ISO, and other styles
7

Willis, Craig. ECMI Minorities Blog. Minority Language Media and TikTok: Are Broadcasters Showing They Are Still Relevant for Younger Audiences? European Centre for Minority Issues, June 2023. http://dx.doi.org/10.53779/qlmm1477.

Full text
Abstract:
Whilst younger audiences move away from traditional forms of media consumption, public broadcasters – including those in minority languages – have long been facing declining viewing figures in terms of linear television. At the same time, social media consumption habits are diverging along a generational gap – younger audiences favour TikTok and Instagram over Facebook or Twitter. This blogpost sheds light on one element of this, analysing the attempts of institutional actors – in this case minority language broadcasters – to reach different audience segments by creating content directly through TikTok. Concentrated focus is placed on the Welsh language broadcaster S4C, the Galician language broadcaster TVG and the Catalan language broadcaster TV3, with the conclusions pointing towards greater levels of success for their sub-brands which adopt a less-formal, non-institutionalised approach. The positive examples suggest minority language media are finding ways to adapt to contemporary challenges and that their role for younger generations was perhaps neglected too soon by some critics.
APA, Harvard, Vancouver, ISO, and other styles
8

Kapelyushnyi, Anatolyi. Феноменологічний інструментарій ефективності девіатологічного контролювання впливу телевізійного тексту на формування емоційного тонусу суспільства. Ivan Franko National University of Lviv, March 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11740.

Full text
Abstract:
Main objectives of the study are the phenomenological tools of the effectiveness of deviatological control of the influence of television text on the formation of emotional tone of society. Particular attention is paid to the additional emotional meanings that arise when speaking live due to lack of time to understand them. Because of this, emotional nuances, and often the emotional background in general, arise involuntarily, against the wishes of the author. Emphasis is placed on making appropriate recommendations to TV journalists. During the Russian aggression in the Ukrainian media, the responsibility for maintaining the proper emotional tone of society is growing. Television plays an important role in Ukraine in this regard. Deviatological control of society is weakened, so more attention should be paid to professional organizations. Since we are talking about the effectiveness of deviatological control of the influence of television text on the formation of emotional tone of society, we must first keep in mind the phenomenological tools of this influence. Recently, phenomenological tools have been used more and more often during the analysis of journalistic texts in terms of the effectiveness of their impact on the mass audience. The methods of phenomenology prove to be the most effective when it comes to various aspects of spontaneous speech, which is represented in the mass media by live television broadcasting. Additional emotional meanings arise when speaking live because of the lack of time to understand them. Because of this, emotional nuances, and often in general the emotional background, which consists, at first glance, it is unknown what, arises involuntarily, against the wishes of the author. Most often, so involuntarily and contrary to out of nowhere negative color and negative emotional background. Thus, it is not a question of creating a positive emotional background in society. Even more, it is not even about an emotionally neutral perception of reality with elements of objectivity. Everything is extremely bad in our house and in the world. Results/findings and conclusions of my research: in order to improve live broadcasting, such application of phenomenological methods in the evaluation of the text from a deviatological point of view should take place at an early stage, and may precede it (the text) utterance. Key words: television, live broadcast, TV journalist, broadcast of television journalists, phenomenological tools, deviatological control, emotional tone of society.
APA, Harvard, Vancouver, ISO, and other styles
9

Cardiel, Christopher. Are We Cool Yet?: A Longitudinal Content Analysis of Nerd and Geek Representations in Popular Television. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.810.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Chong, Alberto E., Eliana La Ferrara, and Suzanne Duryea. Soap Operas and Fertility: Evidence from Brazil. Inter-American Development Bank, June 2008. http://dx.doi.org/10.18235/0010891.

Full text
Abstract:
This paper focuses on fertility choices in Brazil, a country where soap operas (novelas) portray families that are much smaller than in reality, to study the effects of television on individual behavior. Using Census data for the period 1970-1991, the paper finds that women living in areas covered by the Globo signal have significantly lower fertility. The effect is strongest for women of lower socioeconomic status and for women in the central and late phases of their fertility cycle. Finally, the paper provides evidence that novelas, rather than television in general, affected individual choices.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Television and art' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography