Journal articles: 'Television and literature'

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Loriguillo-López, Antonio. "La comunicabilidad de lo ambiguo: una propuesta narratológica para el análisis de la ficción televisiva compleja." Signa: Revista de la Asociación Española de Semiótica 28 (June 28, 2019): 867. http://dx.doi.org/10.5944/signa.vol28.2019.25097.

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El presente artículo propone una metodología de análisis de la narración ambigua en la ficción televisiva contemporánea, rasgo estilístico al alza entre propuestas comerciales. A través de la adaptación y aplicación de la comunicabilidad enunciada por David Bordwell como estrategia narrativa en su estudio de los modos de narración cinematográficos a una muestra de series dramáticas de origen anglosajón, se ofrece un primer tratamiento del modo narrativo de lo que desde los estudios televisivos se ha identificado como televisión compleja. Finalmente, se apunta a la correspondencia de este modelo con una nueva fase del modelo de narración del audiovisual postclásico.The present article proposes a methodology of analysis of the ambiguous narration in contemporary television fiction, a stylistic feature on the rise among commercial titles. Through the adaptation and application of the communicativeness formulated by David Bordwell as one of the categories of narrative strategies in his examination of the modes of narration in film to a sample of drama series produced in English-speaking regions, we offer a primary approach to the narrative mode of what has come to be known in the field of Television Studies as complex TV. Lastly, we note the correspondence between this model and a new phase of the audiovisual post-classical narration.

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Partello, Peggie. "Film and Television Literature Index." Charleston Advisor 12, no. 1 (July 1, 2010): 17–19. http://dx.doi.org/10.5260/chara.12.1.17.

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Coward, Rosalind. "Literature, Television, and Cultural Values." Yearbook of English Studies 20 (1990): 82. http://dx.doi.org/10.2307/3507522.

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Kiszely, Philip. "Hazell (1978–80) and the disappearing detective: 1970s British television, a genre literature and the end of an era." Journal of Popular Television, The 11, no. 1 (April 12, 2023): 89–107. http://dx.doi.org/10.1386/jptv_00096_1.

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This article considers links between 1970s British television and male-oriented detective fiction. It takes as its focus the eponymous protagonist of Thames Television’s Hazell (1978–80), whose first incarnation, in the ‘P. B. Yuill’ novel Hazell Plays Solomon, dates back to 1974. During the 1970s the investigator figure was to British television what the espionage adventurer had been in the 1960s – all but ubiquitous. Contemporaneous genre literature, often influenced by the US ‘hard-boiled’ tradition, played a pivotal role in establishing such a presence. Yet its relationship with television remains obscure. Why should this be the case? And what might be gained from looking at the changing world of the 1970s through the eyes of an obsolete archetype? In response to these questions, the article retrieves one cultural history (literature) on the back of, and while augmenting, another (television). Hazell, with its distinct ‘meta’ quality and end-of-era proximity, proves useful to this exercise.

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Jones, David Houston, Jean-Philippe Toussaint, and Jordan Stump. "Television." World Literature Today 79, no. 3/4 (2005): 94. http://dx.doi.org/10.2307/40158974.

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STRASBURGER, VICTOR C. "Children, Adolescents, and Television—1989: II. The Role of Pediatricians." Pediatrics 83, no. 3 (March 1, 1989): 446–48. http://dx.doi.org/10.1542/peds.83.3.446.

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The article in this issue of Pediatrics by Gadow and Sprafkin and Singer's rebuttal should alert pediatricians to several important concepts regarding television and its effects on children and adolescents: (1) This is an extremely complex area of research and one with which most pediatricians are unfamiliar. Trying to tease out the effects of television on human behavior can be a methodologic "mission impossible" because television is ubiquitous and human behavior is complex. (2) Most research in this field has been done by experts in social and educational psychology and communication. Therefore, the medical literature is sparse. (3) Pediatricians need to avoid the intellectual trap of minimizing the importance of television's effect on child and adolescent behavior simply because the literature does not contain straightforward, statistically validated research.

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Wulandari, Sursih, Marnis Nasution, and Mustafa Haris Munandar. "Implementasi Metode Case Based Reasoning Untuk Mendeteksi Kerusakan Televisi." JURNAL MEDIA INFORMATIKA BUDIDARMA 5, no. 2 (April 25, 2021): 624. http://dx.doi.org/10.30865/mib.v5i2.2952.

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The process of deteriorating television should indeed be done by an expert who is a television expert himself, but because television is a tool that is no longer common for people to know him, many people also have television in their respective homes. Even for television repairs, it is quite expensive, so some people who have televisions can do television maintenance at home. The lack of knowledge possessed by the community can lead to wrong handling of television maintenance / maintenance and this has a fatal impact. Hopefully the existence of this system can help the community in diagnosing the damage to their televisions. In that case they need not bother to call for repairmen or bring in a television repair shop. Here the authors provide solutions to solve the problems that often arise on television. In this study, it discusses how to care for television officers. The research objective is to analyze a desktop-based expert system program that contains the knowledge of an expert / doctor whose truth is believed to have the ability to be able to diagnose the disease from the symptoms of damage that has been damaged by television damage quickly and precisely. The stages of research carried out in this study include literature study, data collection, system design, system creation, system testing. Case Based Reasoning is a method used to build a knowledge-based system. The source of system knowledge is obtained by collecting the handling of cases by an expert / expert. Therefore, many problems in television damage are usually due to the negligence of the television owner himself. The first step in solving a problem is by first identifying the scope of the problem to be resolved, this also applies to any Artificial Intelligence (AI) programming. The results obtained in the study for the diagnosis of conjunctivitis were the value of old cases and new cases which obtained a high weight value, namely 1 from the third case

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Willaert, Tom. "How Literature Imagined Television, 1880-1950." Orbis Litterarum 72, no. 6 (November 1, 2017): 591–610. http://dx.doi.org/10.1111/oli.12152.

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Alexander, Louise, Jade Sheen, Nicole Rinehart, Margaret Hay, and Lee Boyd. "The role of television in perceptions of dangerousness." Journal of Mental Health Training, Education and Practice 13, no. 3 (May 14, 2018): 187–96. http://dx.doi.org/10.1108/jmhtep-02-2017-0006.

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PurposeThis critical review of historical and contemporary literature explores the role of television media in the prevalence of stigma towards persons experiencing a mental health challenge. In addition to this, the purpose of this paper is to examine the notion of perceived dangerousness, which is a concept where persons with mental illness are thought by others to be inherently dangerous.Design/methodology/approachA vigorous search of databases was undertaken for articles published between 2000 and 2016. Some seminal literature prior to 2000 was used to compare historical data with current literature. In total, 1,037 publications were reviewed against inclusion criteria.FindingsWhile mental illness stigma has received much attention in the literature, television media and public perceptions of dangerousness have not. While these concepts are complex and multi-factorial, what we do understand is that approaches to address stigma have been largely unsuccessful, and that persons experiencing mental health challenges continue to be significantly disadvantaged.Practical implicationsImplications to practice for clinicians working in mental health on this issue have not been adequately explored within the literature. While media guidelines assist journalists to make informed choices when they portray mental health issues in television news, there are no such guidelines to inform drama television viewing.Originality/valueSignificantly, television’s role in perpetuation of perceptions of dangerousness has not been adequately explored as a combined co-occurring factor associated with the stigmatisation and avoidance of persons experiencing a mental health challenge. In an era when mental health challenges are on the rise, it is of great importance that we collectively seek to minimise negative impacts and improve the experiences of those with a mental health challenge through addressing stigma both individually and in television media.

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Rivai, Ardian Bakhtiar. "Politisasi Media di 2014: Aburizal Bakrie dan Segmen Pemilih Pemula." Politik Indonesia: Indonesian Political Science Review 1, no. 1 (January 15, 2016): 30. http://dx.doi.org/10.15294/jpi.v1i1.9078.

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This paper investigates that influence of television for political behavior in Indonesian election on 2014. There is important to identify that televisions in Indonesia is a tool of capital to construct political perception of Indonesian citizens. Public resources information as television in Indonesia has not really objective, in addition there are the domination of media owner interesting for news information which is published. This paper focuses on understanding on young citizen segmentation whose have the high contribution for Indonesian election voters. Literature review and analytical are applied to the media domination model for support argumentation of highly influences of television in Indonesia. Based on explanation in this paper, we can understand that Indonesian election 2014 is not only about competition of candidate, it is clear that media owner competition.

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Bignell, Jonathan. "Performing the Identity of the Medium: Adaptation and Television Historiography." Adaptation 12, no. 2 (July 25, 2019): 149–64. http://dx.doi.org/10.1093/adaptation/apz017.

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AbstractThis article focuses on how histories of television construct narratives about what the medium is, how it changes, and how it works in relation to other media. The key examples discussed are dramatic adaptations made and screened in Britain. They include early forms of live transmission of performance shot with multiple cameras, usually in a TV studio, with the aim of bringing an intimate and immediate experience to the viewer. This form shares aspects of medial identity with broadcast radio and live television programmes, and with theatre. The article also analyses adaptations of a later period, mainly filmed dramas for television that were broadcast in weekly serialized episodes, and shot on location to offer viewers a rich engagement with a realized fictional world. Here, film production techniques and technologies are adapted for television, alongside the routines of daily and weekly scheduling that characterize television broadcasting. The article identifies and analyses the questions about what is proper to television that arise from the different forms that adaptations took. The analyses show that television has been a mixed form across its history, while often aiming to reject such intermediality and claim its own specificity as a medium. Television adaptation has, paradoxically, operated as the ground to assert and debate what television could and should be, through a process of transforming pre-existing material. The performance of television’s role has taken place through the relay, repetition, and remediation that adaptation implies, and also through the repudiation of adaptation.

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Wardhana, Abrina Syahyuda, Pawito Pawito, and Agung Satyawan. "TELEVISION IN RETIRED CIVIL SERVANTS’ LIVES." National Conference on Applied Business, Education, & Technology (NCABET) 3, no. 1 (March 15, 2024): 646–58. http://dx.doi.org/10.46306/ncabet.v3i1.157.

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Television, as a prominent mass media over numerous decades, maintains its significant presence in the media landscape. Nevertheless, its influence and significance have evolved in response to technological advancements and changing consumer behaviour, particularly within the context of Retired Civil Servants’ lives. This literature review examined some research papers investigating television’s role in the lives of Retired Civil Servants. The study aimed to uncover the role of television in the lives of Retired Civil Servants. The findings demonstrated that television offers a multitude of advantages to Retired Civil Servants, such as encompassing information and entertainment, maintaining connections, delivering educational content, providing health and wellness information, promoting relaxation and stress reduction, fostering social interaction, facilitating the sharing of hobbies and interests, staying current with popular culture, gaining cultural and historical insights, and engaging in cognitive activities

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Warapsari, Dhyayi, Lintang Ratri Rahmiaji, and Ade Armando. "KOMODIFIKASI SIARAN OLAHRAGA DI TELEVISI PUBLIK: STUDI KASUS LIGA PRIMER INGGRIS DI LPP TVRI." Interaksi: Jurnal Ilmu Komunikasi 10, no. 2 (December 7, 2021): 93–103. http://dx.doi.org/10.14710/interaksi.10.2.93-103.

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Sport and media have a long history of mutually beneficial relationship. Sport has become a commodity. Private televisions use sport programs to gain more profits through various methods, such as advertising and paid subscription. The potential benefits that media can gain from sport have driven the competition between broadcasters to get the broadcasting rights and thus drive the broadcasting rights fees higher every season. In 2019, TVRI with limited annual budget can acquire English Premier League broadcasting rights through partnership with Mola TV. TVRI as a public service broadcaster is not allowed to be profit-oriented like private televisions. This article investigates commodification of sport in Indonesian public television, TVRI, with study case of English Premier League. Data are collected from literature study and observation, then it is analyzed from a political economy perspective. It is found that TVRI use English Premier League to gain more audiences and profits through various sport programs - similar to private televisions, but with some limitations that public television has.

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Muthia, Eggi Listy Bahatis. "STRATEGI PUBLIC RELATIONS STASIUN TELEVISI DALAM MEMBANGUN CORPORATE IMAGE Studi Kasus Program Community Relations NET. Good People di Stasiun Televisi NET." Jurnal Visi Komunikasi 20, no. 02 (February 26, 2022): 231. http://dx.doi.org/10.22441/jvk.v20i02.14372.

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NET television station. is a station that has a young age compared to other televisions in Indonesia, but is much loved by loyal viewers. Seeing the many loyal viewers of the television station, public relations creates a place to gather and exchange the views of loyal viewers of the NET television station. as the NET community. Good people. The purpose of this study was to find out the strategies carried out by the public relations television station NET. in building an image in the community.In this study using the public relations strategy theory Scoot M. Cutlip & Allen H. Center This study uses a constructivist paradigm with a qualitative approach to case study methods. Data collection techniques with interview techniques and observations and supported by literature studies. The results of this study are public relations television station NET. apply the Scoot M. Cutlip & Allen H.Center theory in implementing the public relations strategy. Besides that, "NET. TV is COOL "is a corporate image that is valued by the community. While the obstacles faced are when looking for targets to become members of the NET community. Good people.

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Muthia, Eggi Listy Bahatis. "STRATEGI PUBLIC RELATIONS STASIUN TELEVISI DALAM MEMBANGUN CORPORATE IMAGE (Studi Kasus Program Community Relations NET. Good People di Stasiun Televisi NET.)." Jurnal Visi Komunikasi 20, no. 02 (February 26, 2022): 231. http://dx.doi.org/10.22441/visikom.v20i02.14372.

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NET television station. is a station that has a young age compared to other televisions in Indonesia, but is much loved by loyal viewers. Seeing the many loyal viewers of the television station, public relations creates a place to gather and exchange the views of loyal viewers of the NET television station. as the NET community. Good people. The purpose of this study was to find out the strategies carried out by the public relations television station NET. in building an image in the community.In this study using the public relations strategy theory Scoot M. Cutlip & Allen H. Center This study uses a constructivist paradigm with a qualitative approach to case study methods. Data collection techniques with interview techniques and observations and supported by literature studies. The results of this study are public relations television station NET. apply the Scoot M. Cutlip & Allen H.Center theory in implementing the public relations strategy. Besides that, "NET. TV is COOL "is a corporate image that is valued by the community. While the obstacles faced are when looking for targets to become members of the NET community. Good people.

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Djordjevic, Milentije. "Literature, film and television - coexistence, antagonisms, influences." Sinteze 1, no. 2 (2012): 45–52. http://dx.doi.org/10.5937/sinteze1202045d.

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Wilson, Tony. "Global Constructions of ‘Korupsi’ in a Local Public Sphere: A Cross-Cultural Malaysian Reception Study." Media International Australia 102, no. 1 (February 2002): 113–25. http://dx.doi.org/10.1177/1329878x0210200112.

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Audience responses to television are at the heart of sense-making in the public sphere. Research on viewers' readings of economic, political and social events in news programs, invariably constructed around the activities of ‘significant’ individuals, is of particular consequence for understanding the functioning of a democracy. This paper is a cross-cultural reception study of how audiences come to interpret the program genre of television news. In a process of comprehension characterised by fusing/feuding horizons of understanding the world, viewers playfully accommodate the meaning of programs in their everyday lives. Analysis of television's reception should be tested against audience activity. Theory must be corroborated. Drawing from a significant literature discussing the phenomenology of ludic experience, the article theorises trans-cultural reception of Western (British) television by Asian (Malaysian) viewers as seriously ‘playful’. Academic assertions are assessed as illuminating audience response.

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Castillo, Oscar, Juan R. Castro, and Patricia Melin. "Interval Type-3 Fuzzy Control for Automated Tuning of Image Quality in Televisions." Axioms 11, no. 6 (June 9, 2022): 276. http://dx.doi.org/10.3390/axioms11060276.

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In this article, an intelligent system utilizing type-3 fuzzy logic for automated image quality tuning in televisions is presented. The tuning problem can be formulated as controlling the television imaging system to achieve the requirements of production quality. Previously, the tuning process has been carried out by experts, by manually adjusting the television imaging system on production lines to meet the quality control standards. In this approach, interval type-3 fuzzy logic is utilized with the goal of automating the tuning of televisions manufactured on production lines. An interval type-3 fuzzy approach for image tuning is proposed, so that the best image quality is obtained and, in this way, meet quality requirements. A system based on type-3 fuzzy control is implemented with good simulation results. The validation of the type-3 fuzzy approach is made by comparing the results with human experts on the process of electrical tuning of televisions. The key contribution is the utilization of type-3 fuzzy in the image tuning application, which has not been reported previously in the literature.

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Lacan, Jacques, Denis Hollier, Rosalind Krauss, and Annette Michelson. "Television." October 40 (1987): 6. http://dx.doi.org/10.2307/778337.

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Bignell, Jonathan. "Specially for Television?" Samuel Beckett Today / Aujourd’hui 32, no. 1 (April 17, 2020): 41–54. http://dx.doi.org/10.1163/18757405-03201004.

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Abstract This article analyses tensions between medium specificity and intermediality in Beckett’s first original drama for television, Eh Joe (1966), which exploits features of the medium such as the spatiality of the studio, monochrome images and close-up. But its visual motifs also echo Beckett’s cinema debut, Film (1964), and uses of sound and voice from his radio plays. The public promotion of Eh Joe centred on its relationships with Beckett’s theatre plays, while Eh Joe’s first audiences adduced frames of reference from both theatre and television. Eh Joe works with the porosity of media boundaries and performatively renegotiates them.

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GÓMEZ MORALES, Beatriz Maria. "TELEVISIÓN CRÍTICA O INDUSTRIA DE LA RISA: EL CASO DE LA COMEDIA TELEVISIVA ESPAÑOLA (1990-2018)." Signa: Revista de la Asociación Española de Semiótica 29 (April 8, 2020): 467. http://dx.doi.org/10.5944/signa.vol29.2020.23947.

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Resumen: El potencial crítico del humor en la comedia televisiva ha generadoun extenso debate entre los investigadores de la ficción televisiva.La sitcom, su principal exponente, ha sido valorada como vehículo reproductorde la ideología dominante por un número significativo de estudiosos.Otros, en cambio, han destacado su capacidad transgresora. Eneste artículo se analizan las significaciones críticas o conservadoras de lacomedia televisiva española de los últimos 30 años centrándonos, principalmente,en la introducción de temáticas de actualidad y problemáticasque conectan con las preocupaciones de la audiencia y su respectivo tratamientonarrativo. Abstract: The critical potential of humour in television comedy has generatedan extensive debate among researchers of television fiction. Thesitcom, its main exponent, has been valued as a reproductive vehicle of the dominant ideology by a significant number of scholars. However, others authors have highlighted their transgressive capacity. This article analyses the critical or conservative meanings of the Spanish television comedy of the last 30 years focusing, mainly, on the introduction of current issues and problems that connect with the concerns of the audience and their respective narrative treatment.

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Record, Rachael A. "Genre-specific television viewing: state of the literature." Annals of the International Communication Association 42, no. 3 (July 3, 2018): 155–80. http://dx.doi.org/10.1080/23808985.2018.1487773.

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Jedličková, Jana, Jakub Korda, and Petr Szczepanik. "An academic study of research literature on Czech television: The dawn of taking TV seriously." Critical Studies in Television: The International Journal of Television Studies 15, no. 4 (November 17, 2020): 409–23. http://dx.doi.org/10.1177/1749602020948185.

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In 2017 the first television studies university programme in the Czech Republic was officially opened at Palacký University in Olomouc. However, television has been a focus of Czech academics and television and film reviewers and practitioners for a long time. This review aims to introduce various forms of academic thinking about Czech and Czechoslovak television, published both in Czech and English. It distinguishes four academic and one insider position, based on institutional and disciplinary criteria. Additionally, the article points towards possible issues with trying to reflect on and teach television in a small, post-socialist East-Central European country where there is a limited number of original scholarly books, theoretical initiatives and translations of important texts from the field of TV studies. At the same time, the small size of the TV market, language barriers and the post-socialist heritage inform the local academic debate with specific research questions that have the potential of opening new perspectives on issues such as ideology, political power, mediated memory and globalisation.

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Iannucci (book editor), Amilcare A., and Patrizia Bettella (review author). "Dante, Cinema and Television." Quaderni d'italianistica 26, no. 2 (June 1, 2005): 118–21. http://dx.doi.org/10.33137/q.i..v26i2.9000.

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Lannucci, Amilcare A. "Dante, Television, and Education." Quaderni d'italianistica 10, no. 1-2 (October 1, 1989): 1–33. http://dx.doi.org/10.33137/q.i..v10i1-2.10422.

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VanArendonk, Kathryn. "Theorizing the Television Episode." Narrative 27, no. 1 (2019): 65–82. http://dx.doi.org/10.1353/nar.2019.0004.

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Li, Bingyue. "Gaging "JoJo Rabbit " Skies - Film Deconstruction and Reshaping of Literature." Lecture Notes in Education Psychology and Public Media 50, no. 1 (April 26, 2024): 103–7. http://dx.doi.org/10.54254/2753-7048/50/20240900.

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In contemporary film and television, many creative works use excellent literary works as the basis of adapted scripts. Many not-so-excellent literary works have been adapted into film and television works that the audience knows and loves. Adapting literary works into film and television has always occupied a significant position in film history. This article will compare JoJo Rabbit and the original novel Gaging Skies to explore the adaptation of movies based on literary works that align with human ethics in today's social environment and the successful deconstruction of literature by film. And reinvention. This article elaborates on the expression of the theme in JoJo Rabbit from multiple dimensions, such as the comparison between the script and the original work, the current situation of film adaptations, and the excellent use of audio-visual language in the film. Finally, a multi-angle comparison of the original novel and the film summarizes how the film deconstructs and reshapes the literary adaptation of the original work and the profound impact of scholarly works on adapters.

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Mihelj, Sabina. "Understanding Socialist Television." Television Histories in (Post)Socialist Europe 3, no. 5 (June 24, 2014): 7. http://dx.doi.org/10.18146/2213-0969.2014.jethc051.

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This article develops a number of conceptual and methodological proposals aimed at furthering a firmer agenda for the field of socialist television studies. It opens by addressing the issue of relevance of the field, identifying three critical contributions the study of socialist television can make to media, communication and cultural studies. It then puts forward a number of proposals tied to three key issues: strategies of overcoming the Cold War framework that dominates much of existing literature; the importance of a multilayered analysis of socialist television that considers its cultural, political as well as economic aspects; and the ways in which we can challenge the prevalence of methodological nationalism in the field.

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Hauptman, Robert, and D. J. Enright. "Fields of Vision: Essays on Literature, Language, and Television." World Literature Today 64, no. 1 (1990): 115. http://dx.doi.org/10.2307/40145909.

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De Carli, Eduarda, and Elaine Barros Indrusiak. "ADAPTING JOHN WATSON FROM LITERATURE TO CONTEMPORARY AMERICAN TELEVISION." Organon 33, no. 65 (December 14, 2018): 13. http://dx.doi.org/10.22456/2238-8915.88817.

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Furuseth, Sissel, Anne Gjelsvik, Ahmet Gürata, Reinhard Hennig, Julia Leyda, and Katie Ritson. "Climate Change in Literature, Television and Film from Norway." Ecozon@: European Journal of Literature, Culture and Environment 11, no. 2 (October 7, 2020): 8–16. http://dx.doi.org/10.37536/ecozona.2020.11.2.3468.

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Environmental and climatic change has become a frequent motif in contemporary Norwegian literature, television and film, and Norway has the worldwide first organization of writers committed to climate action (The Norwegian Writers’ Climate Campaign, founded in 2013). In this article, we argue that Norwegian climate change fiction and related works draw on elements that relate to specific national and/or Nordic cultural, societal and historical aspects, and that these elements give these works their distinct identity. We focus on four such aspects: (1) references to Norwegian petroculture (since the Norwegian economy is largely based on the export of fossil fuels); (2) an (imagined) intimate connection between Norwegianness and nature, and thus of what often is seen as a typical element of Norwegian national identity; (3) notions of “Nordicity”, and (4) an atmosphere of gloom and melancholia in many of the works (which often has been ascribed to Nordic landscapes, and usually is characteristic for the genre of Nordic noir).

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Hirschman, Elizabeth C. "Consumer Preferences in Literature, Motion Pictures, and Television Programs." Empirical Studies of the Arts 5, no. 1 (January 1987): 31–46. http://dx.doi.org/10.2190/3c9d-4vf6-v7nt-hbpw.

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This study examined the relationship between five motives—sensory arousal, cognitive arousal, escapism, mastery-control, and emotional involvement—and preferences for different types of content in three cultural media—television programs, motion pictures, and books. The findings both confirmed and extended prior theorization and found some intriguing differences in content preferences between women and men.

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Isaac, Fred. "Spy Television." Journal of American Culture 28, no. 1 (March 2005): 153–54. http://dx.doi.org/10.1111/j.1542-734x.2005.160_28.x.

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Iftikhar, Muhammad Hassan, Muhammad Waqar Naeem, and Iram Fatima. "Impacts of Television Educational Campaigns on Motivational Levels of Children and Their Families: A brief Literature Review." Scandic Journal Of Advanced Research And Reviews 4, no. 1 (January 31, 2023): 059–94. http://dx.doi.org/10.55966/sjarr.2023.4.1.0060.

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Television educational campaigns can have a significant impact on the motivational levels of children and their families. These campaigns aim to promote education, healthy habits, and positive values, and they often utilize engaging content, role models, and interactive elements to capture the attention of viewers. When effective, these campaigns can increase motivation to learn, adopt healthy behaviors, and make positive changes in the lives of children and families. However, it is important to note that the effects of television educational campaigns can vary depending on various factors such as the content of the campaign, the age of the child, the level of parental involvement, and the cultural background of the family. To maximize the positive impact, it is recommended that families view and engage with educational television content together and participate in discussions about the messages being conveyed. The current study will be consisting of two parts, in the first part, researcher will review the existing literature on the impacts of television educational campaigns and their impacts on the children and their families, which is the current article, in the follow-up coming article, researcher will share their own conducted study in the rural areas of Punjab, Pakistan in order to specifically pin pointing the impacts of television educational campaigns on the motivational level of children and parents in the rural areas of a developing country such as Pakistan

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Austin, Richard A., Denisse R. Thompson, and Charlene E. Beckmann. "Locusts for Lunch: Connecting Mathematics, Science, and Literature." Mathematics Teaching in the Middle School 12, no. 4 (November 2006): 182–89. http://dx.doi.org/10.5951/mtms.12.4.0182.

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Locusts for lunch? if you watch reality television, lunching on locusts is tame compared with some of the edibles that participants in Fear Factor, the Amazing Race, Survivor, and other programs are required to eat. Locusts are considered delicacies in many parts of the world.

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Thomann, Vera. "Narrating the multiverse in literature, comics, and film." Science Fiction Film & Television 17, no. 2 (June 2024): 255–82. http://dx.doi.org/10.3828/sfftv.2024.12.

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This article expands the existing scholarly work on possible worlds theory to trace the logics of multiverse narratives in literature, comics, television, and film. In considering highly diverse works by authors and producers such as Jorge Luis Borges, Italo Calvino, DC Comics, and the Marvel Cinematic Universe, it demonstrates that the contemporary many-worlds syndrome presents a trans-media re-negotiation of narratological rule systems that is based on a transfer of formats and conditions from literature to comics, television, and film. On the one hand, it facilitates renewed interconnections between extra- and intradiegetical narrative elements, effectively producing intradiegetical narratological cohesion through non-narratological categories. On the other hand, it counteracts said de-hierarchization by introducing a range of cohesion devices that establish connections between the typically disparate domains of rhetoric, form, materiality, and aesthetics in contemporary narratives. It is through this deliberate de- and re-stabilization of narrative modalities that the multiverse effectively alters and reforms the paradigms of contemporary storytelling.

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Telotte, J. P. "Watching Science Fiction Theatre , Seeing Television." Science Fiction Studies 51, no. 1 (March 2024): 17–31. http://dx.doi.org/10.1353/sfs.2024.a920231.

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ABSTRACT: Prior to the appearance of Rod Serling's landmark series The Twilight Zone , independent syndicator Ziv Television produced a similarly serious dramatic series, Science Fiction Theatre , that challenged the television hegemony of such popular space operas as Captain Video, Space Patrol , and Tom Corbett, Space Cadet . While lasting only 78 episodes, it was widely distributed and dubbed into many languages, bringing adult sf stories to a broader television audience than ever before. Further distinguishing it from other televised sf of the era, Science Fiction Theatre pioneered the sort of media self-consciousness that would later become a hallmark of The Twilight Zone and The Outer Limits . In that reflexive dimension we can see the series' efforts to make audiences aware of both the potentials and the pitfalls inherent in the still new television technology, of their own role as viewers, and of the industry's use and control over it. In sum, by watching Science Fiction Theatre , viewers were often put in the uncommon and sometimes uncomfortable position of seeing their relationship to the new media regime of television.

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Cui, Huaguo, Lingling Ding, and Dong-yeul Jang. "Simulation Analysis of Aesthetic Effects of Context in Film and Television Animation Based on Unity 3D." Tobacco Regulatory Science 7, no. 5 (September 30, 2021): 2549–58. http://dx.doi.org/10.18001/trs.7.5.1.24.

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Film and television animation generally belongs to the art form of film and television category, but it also contains a large number of characteristics of art visual communication. To explore the research scope of visual communication of film and television animation aesthetics, we may as well start from the perspective of methodology. If the methodology of aesthetics is also applicable to the study of film and television animation aesthetics, we can choose the most commonly used methodology in literature and art and aesthetics to analyze the aesthetic application of film and television animation works from different angles, such as “symbolic research method”, “psychoanalysis method”, etc., so as to find the key to the existence of the aesthetic significance of film and television animation works.

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von Moltke, Johannes. "KlugeTube, or Auteur Television." Germanic Review: Literature, Culture, Theory 85, no. 4 (September 30, 2010): 368–72. http://dx.doi.org/10.1080/00168890.2010.516223.

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Dinges, Susan S., Cedric Cullingford, and George W. Woolery. "Children and Television." Theatre Journal 39, no. 1 (March 1987): 128. http://dx.doi.org/10.2307/3207648.

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Genosko, Gary. "Guattari TV, By Kafka." Deleuze Studies 6, no. 2 (May 2012): 210–23. http://dx.doi.org/10.3366/dls.2012.0058.

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Guattari looked for crossovers between film and television in a posthumously published ‘Project for a Film By Kafka’. His critical comments on television and the mixed reception of television within the Deleuzo-Guattarian literature provide the occasion for an investigation of what Guattari thought television could do for his project. The auteur model best suits his needs in this regard, with the proviso that it is animated by a modernist aesthetic oriented towards the conjuring of a people to come who would join the Kafka assemblage as part of their viewing experience.

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Enli, Gunn, and Trine Syvertsen. "The End of Television—Again! How TV Is Still Influenced by Cultural Factors in the Age of Digital Intermediaries." Media and Communication 4, no. 3 (July 14, 2016): 142–53. http://dx.doi.org/10.17645/mac.v4i3.547.

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This article discusses the impact of convergence and digital intermediaries for television as a medium, industry and political and cultural institution. There is currently widespread debate about the future of television and the impact of technological and market changes. Our argument is that the answer to what is happening to television cannot be adequately addressed on a general level; local and contextual factors are still important, and so is the position and strategic response of existing television institutions in each national context. Based on analyses of political documents, statistics, audience research and media coverage, as well as secondary literature, the article explores the current situation for Norwegian television and point to four contexts that each plays a part in constraining and enabling existing television operators: the European context, the public service context, the welfare state context and the media ecosystem context.

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Queiroz, Regina Farias de. "I promessi sposi: entre o cânone e a adaptação parodística na televisão italiana." Revista Italiano UERJ 12, no. 1 (September 5, 2021): 14. http://dx.doi.org/10.12957/italianouerj.2021.62063.

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RESUMO: Para discutir as questões subjacentes à adaptação de um texto clássico para as mídias, tomamos como objeto de estudo uma adaptação em formato de paródia para a televisão. I promessi sposi secondo il trio é uma minissérie em 5 episódios, realizada pela RAI, dirigida e protagonizada pelo trio Lopez-Marchesini-Solenghi, em 1990, que ganhou grande notoriedade nacional, exatamente pelo tom cômico que imprimiu à narrativa manzoniana. Neste trabalho, buscamos identificar as estratégias utilizadas na adaptação do clássico para a paródia e para tal, aplicamos ao texto televisivo parodístico o modelo prático-analítico de Robert Stam (2006), que concebe a adaptação audiovisual em dois níveis: estrutural e contextual. A partir dessa aplicação, utilizamos as categorias propostas pelo autor em todos os níveis de análise, a saber: autoria, personagens, narratologia, ordem, frequência e contexto. Os resultados demonstraram que as ressignificações proporcionadas pela adaptação televisiva ampliaram as possibilidades de interpretação do texto literário, além de consolidarem um processo de atualização de tal obra.Palavras-chave: I promessi sposi. Literatura italiana. Televisão. Adaptação. Paródia. ABSTRACT: Per discutere le questioni alla base dell'adattamento di un testo classico per i media, è stato preso come oggetto di studio un adattamento in parodia per la televisione. I promessi sposi secondo il trio è una mini-serie in 5 episodi, realizzata dalla RAI, diretta e interpretata dal trio Lopez-Marchesini-Solenghi nel 1990, la quale ha acquisito una grande notorietà nazionale proprio per il tono comico che ha impresso alla narrazione manzoniana. Il presente articolo ha cercato di individuare le strategie utilizzate nell'adattamento del classico in parodia, e, a tal fine, è stato applicato al testo televisivo parodistico il modello pratico-analitico di Robert Stam (2006), il quale concepisce l'adattamento audio-visivo in due livelli: strutturale e contestuale. Partendo da questa applicazione, si sono utilizzate le categorie proposte dall'autore in tutti i livelli di analisi, ovvero: paternità, personaggi, narratologia, ordine, frequenza e contesto. I risultati hanno dimostrato come i nuovi significati ottenuti attraverso l’adattamento televisivo abbiano ampliato le possibilità di interpretazione del testo letterario, oltre a consolidare un processo di aggiornamento di quest’ultimo.Parole-chiave: I promessi sposi. Letteratura italiana. Televisione. Adattamento. Parodia. ABSTRACT: In order to discuss the issues underlying the adaptation for the visual media of a classic text, the object of study of the hereby article has been an adaptation, in the format of a parody for the television. I promessi sposi secondo il trio is a mini TV-series consisting of 5 episodes, created by the RAI, directed and interpreted by the trio Lopez-Marchesini-Solenghi in 1990, which gained great national notoriety precisely because of the comedy tone it imprinted on Manzoni’s narrative.The hereby research has tried to identify the strategies used to adapt the classic novel into a parody and, in order to do so, the practical-analytic model by Robert Stam (2006) have been applied to the TV parody text. Such model conceives audio-visual adaptation in two levels: structural and contextual, and applying it, the categories proposed by the author, which are: authorship, characters, narratology, order, frequency and context, have been used in all the levels of the analysis. The results proved how the new meanings obtained through the TV adaptation have widened the possibilities of interpretation of the written text, and have also consolidated a process of updating the novel.Keywords: I promessi sposi. Italian Literature. Television. Adaptation. Parody.

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Al-Dosari, Bothaina R. "The Representation of Qatari Nation on Television: The Qatari Nation as Traditional in Two Local Channels." World Journal of Social Science Research 3, no. 4 (November 21, 2016): 575. http://dx.doi.org/10.22158/wjssr.v3n4p575.

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This paper is a part of MA thesis, “The Representation of Qatari Nation on Television: Tradition, Modernity and Islam in Two Local Channels”. It examines Qatari national imagination in Qatari local television channels, are Qatar National Television and Al-Rayyan Channel. “National imagination” means here an imagined perception of the Qatari nation in which the social and the political factors are integral. The image of Qatari nation is continuously produced in Qatari television channels as a part of national building project. It is presented on television as traditional nation, modern nation and Muslim nation. For the representation of Qatari nation as traditional, there were two television programs chosen for research are Al-Sagar, and Fatah Al-Khair programs. This part contains anthropological and cultural analysis of the traditional television content. There were also numbers of people interviewed to understand the content presented in these television channels. This research aims to contribute to the literature of media, culture and nationalism.

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Wang, Yuhan. "Review of computer animation technology and its applications." Applied and Computational Engineering 34, no. 1 (January 22, 2024): 202–6. http://dx.doi.org/10.54254/2755-2721/34/20230327.

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The development of three-dimensional space into four-dimensional space can make film and television more attractive. People complete the thought-provoking creation of video through animation technology, and also enrich and improve the connotation and form of computer animation technology, which has a far-reaching impact on film and television production. This paper analyzes and sorts out the relevant literature on computer animation technology in the fields of film and television. On the basis of summarizing the concept of computer animation technology, this paper explores the application of computer animation technology in television and film and emphatically analyzes the promoting effect of three-dimensional animation technology on the development of film and television, with a view to promoting the development of the film and television industry and film and television works. The results indicate that the application of computer animation technology in film and television production will become increasingly widespread, divided into real-time animation and keyframe animation. Future research will focus on the applicability and precision of animation technology.

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Georgakopoulou, Alexandra, and Marianna Patrona. "Disagreements in television discussions." Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 10, no. 3 (September 1, 2000): 323–38. http://dx.doi.org/10.1075/prag.10.3.03geo.

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Based on a case study, this paper explores the interaction between the act of disagreeing and the contextual parameters of Greek television panel discussions. The analysis of the data reveals that, in contrast to previous literature on disagreements in TV interview situations, the disagreements at hand are both (host)-unmediated and rendered less dispreferred by being delayed, indirectly posed, and/or mitigated. The discussion sheds light on the systematic ways in which the above is sequentially achieved so as to suit the parameters of the given context. It is argued that the preference features that accompany disagreements attend to the specialized floor-holding and turn-taking rights as well as to the public occasion of the interactions. As such, they index the participants’ management and negotiation of their roles and identities as interviewees, interlocutors, and public speakers.

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Naidu, B. R., and Belle Wallace. "Television's Effect on Cognitive Development." Gifted Education International 9, no. 1 (January 1993): 5–11. http://dx.doi.org/10.1177/026142949300900102.

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This article argues that children need to be taught a range of television thinking skills if they are to use the medium of television as an educating force over which they have control and discernment. The paper argues that television can be a powerful tool in the development of thinking skills if educators and the children understand the medium itself in the same way that they are taught a wide range of skills in their use of literature.

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Abadía Quintero, Iván. "Serious Games to Digital Interactive Television. Literature Review and Definitions." Sistemas y Telemática 10, no. 22 (September 30, 2012): 149. http://dx.doi.org/10.18046/syt.v10i22.1270.

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Vidal, B. "A Companion to Spanish Cinema * Spanish Practices: Literature, Cinema, Television." Screen 55, no. 1 (March 1, 2014): 147–52. http://dx.doi.org/10.1093/screen/hjt051.

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Véras, Douglas, Thiago Prota, Alysson Bispo, Ricardo Prudêncio, and Carlos Ferraz. "A literature review of recommender systems in the television domain." Expert Systems with Applications 42, no. 22 (December 2015): 9046–76. http://dx.doi.org/10.1016/j.eswa.2015.06.052.

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Journal articles on the topic 'Television and literature'

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