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1

David, Seidman. Teens in South Africa. Compass Point Books, 2009.

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2

Edmonds, Laura. Teen drug scene, South Africa: A guide for parents and schools. Aspen Oak Associates, 1994.

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3

Hadland, Adrian. Re-visioning television: Policy, strategy and models for the sustainable development of community television in South Africa. HSRC Press, 2006.

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4

Ja, no, man!: Growing up white in apartheid-era South Africa. Penguin Canada, 2007.

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5

Motlhabani, Justice Segomotso. Why I didn't kiss Tatiana: 21 days in the Big Brother Africa house. Justice Segomotso Motlhabani, 2013.

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6

Linderman, Alf. The reception of religious television: Social semeiology applied to an empirical case study. S. Academiae Ubsaliensis, 1996.

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7

Morgan, Jenny. The film researcher's handbook: A guide to sources in North America, South America, Asia, Australia and Africa. Routledge, 1996.

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8

Rademeyer, A. P. The influence of creative factors on the performance of TV commercials directed at white audiences. Bureau of Market Research, University of South Africa, 1988.

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9

Performing South Africa's Truth Commission: Stages of transition. Indiana University Press, 2010.

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10

Supa, Pengpid, and Mashego Teresa-Ann B, eds. Youth sexuality in the context of HIV/AIDS in South Africa. Nova Science Publishers, 2004.

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11

Cole, Catherine M. Performing South Africa's Truth Commission: Stages of transition. Indiana University Press, 2010.

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12

Starring Mandela and Cosby: Media and the end(s) of apartheid. The University of Chicago Press, 2010.

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13

Hanna, Adoni, and Bantz Charles R, eds. Social conflict and television news. Sage Publications, 1990.

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14

Zimbabwe's cinematic arts: Language, power, identity. Indiana University Press, 2013.

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15

Makeba, Miriam. Makeba: My story. New American Library, 1988.

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16

Makeba, Miriam. Makeba: My story. Bloomsbury, 1988.

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17

Makeba, Miriam. Myriam Makeba: Une voix pour l'Afrique. Nouvelles éditions africaines, 1988.

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18

Makeba, Miriam. Makeba: The Miriam Makeba story. STE Publishers, 2004.

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19

Mahatey, Nazeem. Television and adult literacy campaigns in South Africa. 1990.

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20

Alum, Mpofu, Manhando Susan, and Tomaselli Keyan G. 1948-, eds. Public service broadcasting in South Africa: Policy directions towards 2000. Anthropos Publishers, 1996.

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21

ICON, Group International Inc. The 2000 Import and Export Market for Television Receivers in South Africa. Icon Group International, 2001.

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22

Matheba, Bonang. From a to B: Bonang Matheba [2nd Edition]. Blackbird Books, 2017.

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23

USA, Amnesty International, ed. South Africa--imprisonment and ill-treatment of children and young people. Amnesty International USA, 1986.

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24

Foundation, International Freedom, ed. Suffer the children: Child abuse for revolutionary ends in South Africa : a report. The Foundation, 1987.

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25

Morgan, Jenny. Film Researcher's Handbook: A Guide to Sources in Africa, Australasia, North and South America (Blueprint). Routledge, 1996.

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26

Seeff, Adele F. Indigenizing Shakespeare in South Africa. Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.41.

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In 2008, the South African Broadcasting Corporation (SABC) aired four updatings of Shakespeare’s plays in vernacular languages, using local settings and black South African actors. This chapter offers an analysis of three of these cultural appropriations in order to illustrate the two-way traffic between the global and the local. In this exchange, the raw materials of Shakespeare’s texts are reassembled to work out local anxieties about national identity, race, class, and gender in contemporary South Africa. This chapter probes the relationship of the global to the local in a setting dense with particularities of histories, language practice, and gender, class, and race hierarchies. Shakespeare’s role as a globalized public property, performances disseminated through electronic technologies and international film and television codes, facilitates a complex indigenizing process in post-apartheid South Africa as global and local engage in reciprocal artistic transformation.
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27

Public service broadcasting in South Africa: Policy directions towards 2000 (Studies on the Southern African media). Lake View Press [distributor], 1996.

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28

Re-Visioning Television: Policy, Strategy and Models for the Sustainable Development of Community Television in South Africa (Hsrc Research Monograph). Human Sciences Research Council, 2007.

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29

(Editor), Isabel Balseiro, and Ntongela Masilela (Editor), eds. To Change Reels: Film and Film Culture in South Africa (Contemporary Film and Television Ser). Wayne State University Press, 2003.

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30

(Editor), Isabel Balseiro, Ntognela Masilela (Editor), and Ntongela Masilela (Editor), eds. To Change Reels: Film and Film Culture in South Africa (Contemporary Film and Television Series). Wayne State University Press, 2003.

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31

We kiss them with rain. 2018.

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32

Institute, African-European, and Omroep voor Radio Freedom, eds. Jabulani! freedom of the airwaves: Towards democratic broadcasting in South Africa : conference report, Doorn, Netherlands, August 1991. African-European Institute, 1991.

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33

Jabulani! freedom of the airwaves: Towards democratic broadcasting in South Africa : Conference report, Doorn, Netherlands, August 1991. Omroep voor Radio Freedom, 1991.

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34

Molope, Kagiso Lesego. Mending Season. Oxford University Press, 2005.

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35

Benn's Media: Guide to newspapers, periodicals, television, radio and on-line media in Central & South America, Africa, Asia am1~nd Australasia. CMP Information, 2003.

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36

Born a Crime: Stories From a South African Childhood. Spiegel & Grau, 2016.

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37

Born A Crime: Stories from a South African Childhood. Trevor Noah, 2017.

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38

Born a Crime: Stories from a South African Childhood. Hodder & Stoughton, 2019.

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39

Born a Crime: Stories From a South African Childhood. John Murray, 2016.

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40

Born a Crime: Stories From a South African Childhood. Doubleday Canada, 2016.

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41

Born a Crime: Stories from a South African Childhood. Spiegel & Grau, 2016.

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42

Born a Crime: Stories from a South African Childhood. Anchor Canada, 2019.

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43

Born a Crime: Stories from a South African Childhood. Spiegel & Grau, 2016.

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44

Born a Crime: Stories from a South African Childhood. Spiegel & Grau, 2016.

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45

Born a Crime: Stories from a South African Childhood. 2nd ed. Spiegel & Grau, 2019.

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46

And Then Mama Said ... Penguin Group New Zealand, Limited, 2018.

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47

Farbenblind. Blessing, 2017.

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48

born a crime. unknown, 2017.

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49

Noah, Trevor. Born a Crime. Audible Studios on Brilliance Audio, 2016.

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50

Farbenblind. Blessing, 2017.

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