Academic literature on the topic 'Television broadcasting of news Influence Australia'

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Journal articles on the topic "Television broadcasting of news Influence Australia"

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Albarran, Paola Andrea. "Makeup Trends on Television Newscasts in the U.S. during the 20th century: Exploring High-Definition Television, Journalists, and Appearance." International Visual Culture Review 2 (April 17, 2020): 27–36. http://dx.doi.org/10.37467/gka-visualrev.v2.2084.

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This study is an exploration of the shift from standard definition (SDTV) to high-definition (HDTV) on television newscasts in the United States. This paper examines how this major historic shift affected the thinking, behavior, and trends of female newscasters when using makeup to see what themes arose. Despite the ubiquity of female newscasters, academic research into the influence of HD broadcasting and makeup appearance is limited. Due to this lack of information, the present study provides a cultural approach to examining historical information about this switch. News West 9 broadcasted in Midland-Odessa and interviews to a female newscaster, a news director, and a makeup artist who experienced this shift are utilized to address the historical issues facing high-definition broadcasting during this time.
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Hadlow, Martin. "‘No Propaganda Will Be Broadcast’: The Rise and Demise of Australian Military Broadcasting." Media International Australia 150, no. 1 (February 2014): 77–82. http://dx.doi.org/10.1177/1329878x1415000117.

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Radio broadcasting has played an important role as a medium of information, news and entertainment for Australian military personnel in wartime and conflict situations. However, while many nations have comprehensive units tasked to the full-time provision of broadcasting services, such as the Armed Forces Radio and Television Service (AFRTS) in the United States and the British Forces Broadcasting Service (BFBS) in the United Kingdom, Australia has relied on more ad hoc measures. As contingencies have required, the Australian military has introduced radio broadcasting elements into its table of organisation, the most comprehensive having been the Australian Army Amenities Service (AAAS) during World War II. Now, in a new technological era, perhaps specialised radio for troops will fade completely from the agenda.
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Albarran, Paola Andrea. "Makeup Trends on Television Newcasts in the U.S. during the 20th Century." VISUAL REVIEW. International Visual Culture Review 7, no. 2 (October 5, 2020): 85–94. http://dx.doi.org/10.37467/gka-revvisual.v7.2694.

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This study is an exploration of the shift from standard definition (SDTV) to high-definition (HDTV) on television newscasts in the United States. This paper examines how this major historic shift affected the thinking, behavior, and trends of female newscasters when using makeup to see what themes arose. Despite the ubiquity of female newscasters, academic research into the influence of HD broadcasting and makeup appearance is limited. Due to this lack of information, the present study provides a cultural approach to examining historical information about this switch. News West 9 broadcasted in Midland-Odessa and interviews to a female newscaster, a news director, and a makeup artist who experienced this shift are utilized to address the historical issues facing high-definition broadcasting during this time.
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Windarto, Windarto, Eko Nuriyatman, and Rustian Mushawirya. "Strategi Pengawasan Siaran Televisi Lokal Oleh Komisi Penyiaran Daerah." Wajah Hukum 4, no. 2 (October 19, 2020): 276. http://dx.doi.org/10.33087/wjh.v4i2.259.

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This scientific article discusses the strategy of monitoring local television broadcasts by the regional broadcasting commission of Jambi Province. The research method used is juridical empirical to be able to find answers about how the local television broadcast conditions in Jambi Province and the monitoring strategy carried out by the regional broadcasting commission. Based on the research results, data shows that there are many violations, especially during the implementation of regional head elections and there are 12 (twelve) violations that have been given a reprimand sanction, the violations that occur are evenly distributed in all programs both advertising, news and cinema. Television broadcast surveillance strategy by monitoring broadcasts and receiving reports from the public. The theory used in this scientific article is the theory of legal effectiveness which reviews the success in implementing the law, failure in implementation and the factors that influence it. Because in this case the success in implementing the law on this scientific article is obeyed by the broadcasting institutions that are subject to sanctions. As for local television located outside Jambi City, the strategy was to form volunteer supervisors located in each district / city where local television was available.
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Monaghan, Whitney. "Lesbian, gay and bisexual representation on Australian entertainment television: 1970–2000." Media International Australia 174, no. 1 (September 18, 2019): 49–58. http://dx.doi.org/10.1177/1329878x19876330.

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With the exception of a small number of contributions to the study of gay and lesbian representation in Australia, the queer history of Australian entertainment television has been left unexamined. This article seeks to address this gap through analysis of lesbian, gay and bisexual (LGB) characters in Australian entertainment television over a 30-year period from 1970 to 2000. The article examines the rise and fall of LGB representation on prime time Australian television from 1970 onwards in order to understand how key shifts in the politics of Australian cultural life have come to influence Australian television broadcasting. Charting the representation of LGB characters on Australian entertainment television, this article seeks to understand the politics of inclusion and exclusion of LGB characters and provides the basis for further research into Australian queer television history.
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Vujanic, Ana. "The future of the Australian Broadcasting Corporation in Australia’s ‘chilling’ mediascape." Australian Journalism Review 43, no. 1 (June 1, 2021): 115–32. http://dx.doi.org/10.1386/ajr_00060_7.

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Two decades after Pierre Bourdieu published On Television and Journalism chronicling the decline of French public broadcasting and serious news, Australia’s national broadcaster, the Australian Broadcasting Corporation (ABC), is in the throes of a similar decline. Besieged by a combination of funding cuts, allegations of political interference, pressure from the commercial media sector, nepotism and legislative frameworks at both federal and state levels that have sent a chill through Australian journalism, the ABC is facing challenging times. Through long-form interviews with journalists and senior bureau figures from the ABC Brisbane Bureau, this study seeks to gauge the extent to which the landscape for conducting public interest journalism in Australia has changed since 2018 and what the future of the ABC may look like.
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Spellerberg, Ian S., Graeme D. Buchan, and Nick Early. "Television and environmental sustainability: Arguing a case for a code of standards in NZ." Pacific Journalism Review : Te Koakoa 12, no. 2 (September 1, 2006): 137–47. http://dx.doi.org/10.24135/pjr.v12i2.866.

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This article explores the portrayal of the environment and environmental sustainability by free-to-air network television in New Zealand. The results are based on a three-month survey of a) the portrayal of the use and treatment of the environment, and b) the reporting of environmental news. While television includes environmentally-oriented programmes (eg. some BBC Horizon documentaries), there are no regular programmes about the state of the environment, sustainable use of resources and energy, and there is no regular environmental slot in the news in New Zealand. Some programmes and advertisements are environmentally unfriendly and a few trivialise resource abuse. It is argued that the media has an ‘orchestrational’ influence on social norms and behaviours, and that to eliminate counter-messages requires the addition of a new ‘environmental standard’ to the Code of Broadcasting Practice. It is also argued that coverage of environmental news is quite narrow and, in the case of Television New Zealand, inconsistent with the stated aims of the Television Charter. New Zealand television could and should make a valuable contribution to environmental sustainability.
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Fahadi, Prasakti Ramadhana. "Oligarchic Media Ownership and Polarized Television Coverage in Indonesia’s 2014 Presidential Election." Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia 4, no. 2 (December 30, 2019): 77–86. http://dx.doi.org/10.25008/jkiski.v4i2.328.

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It has been argued that the media ownership is an influential factor determining the content production and performance of the media. However, knowledge about the characteristics of the media ownership and its impacts on the coverage of general election by the media has been less researched. Judging by such developments, this work raises the following question: how did the oligarchic ownership of the Indonesian news television channels determine the ways in which they covered two candidates who ran for president in 2014? By selecting TV One and Metro TV as a case study, this work extracts reports on the ways in which these news TV channels have produced news content related to the 2014 general election using qualitative and thematic content analyses. The findings are as follows: In the 2014 Indonesian presidential election, both TV One and Metro TV failed to comply with the ideal journalistic principles of covering both sides, objective and balanced reporting, as required by the Indonesian Broadcasting Commission, while broadcasting news about the two presidential candidates. Instead, the television stations preferred to broadcast the polarized news coverage of the presidential candidates. TV One appeared to show more support for the Prabowo-Hatta Rajasa presidential candidate pair, while Metro TV favoured the Joko Widodo-Jusuf Kalla presidential candidate pair. This suggests that oligarchic media ownership strongly influenced the content production and performance of these news TV channels. They were used by oligarchs who have the media company to convey their personal political agendas in the hope that it will influence, or even set, the public’s agenda.
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Indrawati, Reni Sara, and Fitzerald Kennedy Sitorus. "Hans Georg Gadamer's Hermeneutics for News Anchor." Journal of Social Research 2, no. 2 (January 7, 2023): 405–11. http://dx.doi.org/10.55324/josr.v2i2.598.

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Globalization has a significant impact on increasing the need for information through the media in society. Television is one of the means of information that is trusted and easily accessible to the public. News anchors or news anchors on television carry an important role in disseminating information to the public. News anchors are an important part of broadcasting news information on television in realizing pre-planned news show programs. It doesn't stop there, television news anchors play an important capacity in influencing thoughts, persuasion, and shaping public opinion through the information they present to the public. In addition to proper expression and word selection, they are also obliged to deliver news in a language that is easy to understand, and understandable to television viewers. News anchors prepare themselves with information, knowledge, and competence before breaking the news. This paper presents an explanation of how the concept of understanding news texts can be seen from the perspective of Gadamer's hermeneutic philosophy. The research method used in solving the problem is the Hermeneutic analysis of a German philosopher named Gadamer. The news material in a news text is analyzed to bring out a new understanding by the process of mixing two horizons between the text of the news writer and the horizon news anchor along with the theory of communication competence and the study of hermeneutics. Hermeneutics helps news anchors present news well through preconceptions so that there is a melting of horizons and a history of influence that results in an understanding of dialogue or conversation with individuals, groups, and communities in this case the television audience so that a new horizon is reached.
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Meadows, Michael, Susan Forde, Jacqui Ewart, and Kerrie Foxwell. "A Quiet Revolution: Australian Community Broadcasting Audiences Speak Out." Media International Australia 129, no. 1 (November 2008): 20–32. http://dx.doi.org/10.1177/1329878x0812900104.

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Around four million listeners in an average week tune into community radio stations around Australia, primarily to hear local news and information — evidence of a failure by mainstream media to meet their diverse needs. This discussion draws from the first qualitative study of the Australian community broadcasting sector to explore the role being played by community radio and television from the perspectives of their audiences. The authors argue that community broadcasting at the level of the local is playing a crucial role in the democratic process by fostering citizen participation in public life. This suggests a critique of mainstream media approaches and the central place of audience research in understanding the nature of the empowering relationships and processes involved. The authors argue that the nature of community broadcasting aligns it more closely with the complex ‘local talk’ narratives at the community level, which play a crucial role in creating public consciousness. They suggest that this quiet revolution has highlighted the nature of the audience–producer relationship as a defining characteristic of community media.
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Dissertations / Theses on the topic "Television broadcasting of news Influence Australia"

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Shelton, Stephen Arthur. "Bias in the network nightly news coverage of the 2004 presidential election." CSUSB ScholarWorks, 2006. https://scholarworks.lib.csusb.edu/etd-project/3037.

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Examines the issue of media bias in favor of the Democratic Party during the 2004 Presidential Election. To examine the most far reaching form of media in the United States, this study consisted of the three major television networks (ABC, CBS, NBC) and their weekday nightly newscasts during the entire month of October 2004. Emerging themes and strategies were compared to a study conducted at Sonoma State University of the year's most underreported yet newsworthy events. Results of the study indicate that no evidence exists to support the notion of media bias in favor of the Democratic Party in the media coverage leading up to the 2004 Presidential Election.
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Maniaty, Tony. "The changing role of war correspondents in Australian news and current affairs coverage of two conflicts, Vietnam (1966-1975) and Iraq (2003)." Electronic version, 2006. http://hdl.handle.net/1959.14/682.

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Thesis (MA)--Macquarie University (Division of Society, Culture, Media & Philosophy, Dept. of Media and Communications), 2006.
Bibliography: leaves 176-188.
Precursors -- An imperfect war -- Interregnum -- The perfect war -- Conclusions.
This thesis explores how war reporting on Australian television has been dramatically reshaped over the last 40 years, particularly by new technologies. Specifically, it seeks to answer these questions: 1. How did differing cultural, social, political and professional contexts, available technology and battlefield experience affect the attitudes, editorial content and narrative forms of two generations of television correspondents - in Vietnam and Iraq respectively? 2. How did technological and other industry changes over the 30 years between Vietnam and Iraq reshape the power relationship between the war correspondent in the field and his news producers and managers? What impact did these changes have on the resulting screened coverage? What are the longer-term implications for journalism and for audiences?
Mode of access: World Wide Web.
192 leaves ill. (some col.)
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Aden, Timothy. "The effects of on-screen messages on viewer perceptions of source credibility and issue valence." Scholarly Commons, 2006. https://scholarlycommons.pacific.edu/uop_etds/645.

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The present study investigates the effects of on-screen messages on viewer perceptions of source credibility and issue valence. Previous research has found that elites utilize framing in order to alter viewer perceptions and change public opinion. An experiment was conducted, which examined whether on-screen messages displayed during a presidential-news conference had any effect on the viewers' perception of sound credibility and issue valence. The results of the study indicate that on-screen messages have no effect on individuals' perceptions of source credibility and issue valence. The study also found that an individual's· political ideology plays a major role in influencing perceptions of source credibility and issue valence.
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Hsiao, Kuang-Hung. "An investigation into the influence of the United States media practices on Taiwanese broadcasting television news." Thesis, 2012. http://hdl.handle.net/10210/7139.

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M.A.
This study investigates the influence of American media practices and aesthetics on the presentation of Taiwanese television news. The inception of this topic resulted from the obvious disparity between Taiwan's exemplary developmental experience ( in relation to other developing countries ) and the effect of foreign countries, particularly the USA on Taiwan's process of growth. In the 1960s Taiwanese television was regarded as the showcase of the dependency of Taiwan on the USA. [ C. C. Lee, 1987]. Thirty years later, even though our environments have been globalised and post-modernism is the main stream in social science, this study will prove that the historical dependency of Taiwanese television news on American media has not changed.
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Books on the topic "Television broadcasting of news Influence Australia"

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ʻImād, Makkāwī Ḥasan, ed. al-Dawr al-siyāsī lil-tilīfiziyūn fī al-Yaman: Dirāsah masḥīyah wa-maydānīyah. al-Qāhirah: Maktabat Madbūlī, 2000.

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How to win friends, kick ass & influence people. New York: St. Martin's Press, 1999.

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Framing Europe: Television news and European integration. 2nd ed. Amsterdam: Aksant, 2005.

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Vreese, C. H. de. Framing Europe: Television news and European integration. Amsterdam: Aksant, 2003.

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Kearns, Burt. Tabloid baby. Nashville, Tenn: Celebrity Books, 1999.

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Rivera, Sheila. The media war. Edina, Minn: Abdo & Daughters, 2004.

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Inside 60 minutes. St. Leonards, NSW: Allen & Unwin, 1994.

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The presidential election show: Campaign 84 and beyond on the nightly news. South Hadley, Mass: Bergin & Garvey, 1985.

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Gellman, Marc. Bad stuff in the news: A guide to handling the headlines. New York: SeaStar Books, 2002.

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Inc, CBS, ed. The political performers: CBS broadcasts in the public interest. Westport, Conn: Praeger, 1994.

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Book chapters on the topic "Television broadcasting of news Influence Australia"

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O'Brien, Mark. "The impact of television." In The Fourth Estate. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9780719096136.003.0008.

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This chapter examines the impact that the arrival of television had on journalism. It argues that Section 18 of the Broadcasting Authority Act had a profound influence on the trajectory of journalism. This section required RTÉ to be ‘fair and impartial’ in its news and current affairs – a very different requirement to that which had previously informed journalism. This inevitably put pressure on other media outlets to distance themselves from their political allegiances and give journalists greater autonomy. The chapter examines how, in a decade of unprecedented social change, this new dynamic in journalism took root and looks at the clashes that erupted between journalists and institutions that had, up to then, had it all their own way.
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Savage, Robert J. "Conclusion." In Northern Ireland, the BBC, and Censorship in Thatcher's Britain, 272–78. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192849748.003.0009.

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Throughout the twentieth century broadcasts from or about Northern Ireland were defined by both subtle and overt forms of censorship. From the early days of broadcasting the regional station worked closely with the unionist establishment to ensure that controversial topics were simply ignored. Troublesome issues including partition, gerrymandering, discrimination, and the alienation of a Catholic community were assiduously avoided. The regional service ignored the culture and traditions of the minority community and worked with the unionist establishment to present an image of Northern Ireland as British. The BBC in London was complicit in enabling the regional service to discriminate against the minority community, quickly accepting criticism and demands from unionists about programming they defined as objectionable. This changed with the outbreak of violence in 1969. The ‘Troubles’ provoked innovative news and current affairs programming that helped destabilize a local government that had long governed without consensus. Throughout the 1980s the Thatcher government employed a variety of tactics in an effort to control the broadcast media. When criticism and political pressure failed to influence broadcasters, formal censorship was imposed in 1988. However, threatening, bullying, denouncing, and finally censoring the broadcast media did not enable London to control the contested narrative of ‘the Troubles’. Margaret Thatcher’s successors learned that the voices her government silenced were critical in resolving a long, bitter, and deadly conflict. The broadcast media, especially television, played a critical role in the history of Northern Ireland by constantly reminding a bored and frustrated public of its awful persistence and the need to find a solution to the Irish ‘Troubles’.
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"far, far cry from the broad swathe beaten to the British market by soaps ranging from The Sullivans to Flying Doctors and from Prisoner: Cell Block H to Country Practice which preceded the Neighbours phenomenon there. “The accents” were constantly cited as a crucial point of resistance. KCOP: “People couldn’t understand the Australian accent” (Inouye 1992). WWOR: “We received some complaints about accents, but maybe that’s not the real issue” (Darby 1992). KCOP: “The actors are unknown, and it takes place in a country that few people know about” (Inouye 1992). WWOR: “One problem with anything from out of this country is making the transition from one country to the next. We’re all chauvinists, I guess. We want to see American actors in American stuff” (Leibert 1992). The tenor of these reflections in fact gainsays the New York Daily News’s own report five days prior to Neighbours’s first New York transmission: The program was test-marketed in both cities, and viewers were asked whether they prefer [sic] the original Australian version or the same plots with American actors. “All of them chose the Australian program over the US version,” Pinne said. It won’t hurt, he added, that a program from Australia will be perceived as “a little bit of exotica” without subtitles. (Alexander 1991: 23) The station’s verdict within three months was clearly less sanguine. Australian material did not stay the course, even as exotica. Two additional factors militated against Neighbours’s US success: scheduling, and the length of run required to build up a soap audience. Scheduling was a key factor of the US “mediascape” which contributed to the foundering of Neighbours. Schedule competition tends to squeeze the untried and unknown into the 9–5 time slots. Whatever its British track-record, the Australian soap had no chance of a network sale in the face of the American soaps already locked in mortal combat over the ratings. The best time for Neighbours on US television, between 6:00 p.m. and 7:00 p.m., could be met no better by the independent stations. For the 6:00–8:00 p.m. period, when the networks run news, are the independents’ most competitive time slots, representing their best opportunity to attract viewers away from the networks – principally by rerunning network sitcoms such as The Cosby Show and Cheers. An untried foreign show, Neighbours simply would not, in executives’ views, have pleased advertisers enough; it was too great a risk. Even the 5:00–6:00 p.m. hour, which well suited Neighbours’s youth audience, was denied it in Los Angeles after its first month, with its ratings dropping from 4 per cent to 1 per cent as a consequence. Cristal lamented most the fourth factor contributing to Neighbours’s demise: the stations’ lack of perseverance with it, giving it only three-month runs either side of the States. This is the crucial respect in which public service broadcasting might have benefited it, by probably giving it a longer run. Until the late 1980s, when networks put on a daytime soap, they would." In To Be Continued..., 121. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-23.

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