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Journal articles on the topic 'Television broadcasting – sweden'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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1

Svensson, Kent, and Lelia Green. "Battling the Commercialisation of the Swedish Mediasphere." Media International Australia 95, no. 1 (2000): 117–30. http://dx.doi.org/10.1177/1329878x0009500112.

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The regulation of national broadcasting is a forum for the official expression of a country's media priorities. Sweden has consistently attempted to prevent foreign broadcasters from establishing themselves in the Swedish mediasphere. Subsequently, wherever a non-Swedish broadcaster has demonstrated market demand for a media product not available in Sweden, the government has attempted to create a Swedish equivalent to meet public demand and prevent the loss of audience share to non-Swedish broadcasters. This dynamic is especially clear in terms of the introduction of commercial broadcasting.
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2

Eriksson, Göran, Leonor Camauër, and Yuliya Lakew. "Ordinary People on Television." Nordicom Review 38, no. 2 (2017): 113–29. http://dx.doi.org/10.1515/nor-2017-0392.

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Abstract By using a longitudinal design and measuring television content and the occurrence of ordinary television and ‘ordinary’ participants at four different points in time from 1982 to 2011, this study investigates the alleged shift towards ordinariness in the 1990s. Using Sweden as a test case, three research questions are posed: To what extent did ordinary television programming increase during the 1990s? To what extent did the participation of ordinary people increase as a consequence of this shift? To what extent has public service television adapted to commercial competition through b
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3

Hult, Francis M. "Swedish television as a mechanism for language planning and policy." Language Problems and Language Planning 34, no. 2 (2010): 158–81. http://dx.doi.org/10.1075/lplp.34.2.04hul.

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The function of the public service broadcasting company Sveriges Television (Swedish Television) as a component of the Swedish ecology of language planning and policy is examined. Analysis of recent policy documents as well as data about television programming illuminates how television serves as a language planning mechanism. It is shown that television is explicitly framed as a tool for status planning through regulations about the relative positions of different languages in this domain. The management of content in Swedish, national minority languages, and other languages, in turn, suggest
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4

Malmstedt, Johan. "The Noise of the News: Spectral Analysis of Early Swedish Television News 1958 - 1978." VIEW Journal of European Television History and Culture 12, no. 23 (2023): 24–37. http://dx.doi.org/10.18146/view.291.

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Looking back on the very first year of television in Sweden, the head of programming Henrik Hahr celebrated having brought the world into “the living room of the viewer”. From the emergence of Swedish public service television in 1956 and onwards, the medium would be lauded as a window to the world. Yet, what noises came through this window? Shifting focus away from the visual content of television, this article explores and emphasizes the sonic dimensions of early Swedish news broadcasting. In the middle of the 20th century, the look, and the sound of the news were taking shape across televis
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5

Larsen, Håkon. "The Legitimacy of Public Service Broadcasting in the 21st Century: The Case of Scandinavia." Nordicom Review 35, no. 2 (2014): 65–76. http://dx.doi.org/10.2478/nor-2014-0015.

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Abstract The present paper examines the debate on the future of public service broadcasting (PSB) in Norway and Sweden in the 2000s. I have analysed the discourses on PSB that dominate the public debate in the two countries, the cultural policy related to PSB, as well as the legitimizing rhetoric of the Norwegian public service broadcaster Norsk rikskringkasting (NRK) and that of the Swedish public service broadcaster Sveriges Television (SVT). Theoretically, the analysis draws on normative theories on the role of PSB in promoting democracy, culture and a well-functioning public sphere, as wel
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6

Stasiak, Ryszarda. "Podstawy prawne działania radia, telewizji i innych technicznych nośników przekazu w Szwecji." Themis Polska Nova 6, no. 1 (2014): 201–16. http://dx.doi.org/10.15804/tpn2014.1.13.

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The subject of this article is the legal basis of the activity of radio, television and other technical media devices in Sweden. The basis of this activity is freedom of expression guaranteed in the act on the instrument of government (Regeringsformen – RF). There are specific constitutional regulations for some forms of expression. Freedom of the press is regulated in the ordinance on freedom of the press (Tryckfrihetsförordningen – TF) and it includes freedom of expression in writing. The fundamental law on freedom of expression (Yttrandefrihetsgrundlagen – YGL) is applicable to other forms
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7

Allakhverdieva, Leyli Ali. "Measuring media liberalism or dirigisme degree by country." Economic Annals-ХХI 188, no. 3-4 (2021): 4–14. http://dx.doi.org/10.21003/ea.v188-01.

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The author measures the degree of of the public regulation of the information services provision via media (media liberalism degree), namely via printed media, and television and radio broadcasting. The methodology of measurement of media liberalism degree (media freedom subindex) is part of the index of liberalism (or dirigisme in opposite) of information services, prepared according to Professor N. Muzaffarli’s assessment of the degree of the government intervention in the economy. In order to measure the media freedom subindex, the following indicators are used: the VAT index on printed pub
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8

Bastašić, Tijana, Jelena Ivanišević-Paunović, and Katarina Stanisavljević. "Media text as an interpreter and a critic of reality: Media representation of the coronavirus pandemic 2020." Kultura, no. 169 (2020): 143–63. http://dx.doi.org/10.5937/kultura2069143b.

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In March 2020, a state of emergency was declared worldwide as a result of the rapid spread of COVID-19. In Serbia, this led to strict preventive measures (curfew). In Sweden, such measures were not taken, but the system relied on personal responsibility of each individual, instead. In emergency situations, the media gain great importance as a source of information, and as such have the ability to alleviate or worsen the insecurity that the public feels, which can further contribute to the moral panic. In order to determine the potential of electronic media for informing citizens and encouragin
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9

Túñez-López, Miguel, Martín Vaz-Álvarez, and César Fieiras-Ceide. "Covid-19 and public service media: Impact of the pandemic on public television in Europe." El profesional de la información, October 29, 2020. http://dx.doi.org/10.3145/epi.2020.sep.18.

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This article analyses the response of European Public Service Media to the crisis caused by Covid-19, especially the impact of the pandemic on Europe’s major public broadcasters, with a particular focus on technical and professional constraints, alterations in audience volume and habits, production strategies, type of broadcast content and journalists’ routines. The research is based on public information from the European Broadcasting Union (EBU) and 19 in-depth, structured interviews with a convenience sample of innovation and strategy managers from public broadcasters in Austria (ORF), Belg
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10

Dahlgreen, Peter. "Public Service Media, Old and New: Vitalizing a Civic Culture?" Canadian Journal of Communication 24, no. 4 (1999). http://dx.doi.org/10.22230/cjc.1999v24n4a1123.

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Abstract: By the mid-1990s, the crisis in public service broadcasting in Sweden had passed and a new stability had emerged. In this situation, the two non-commercial television channels share the airwaves-and the public-chiefly with the new commercial terrestrial channel, TV4. This channel manifests a form of "popular public service." Yet the new stability is being challenged by social and cultural developments in Sweden, especially various forms of social fragmentation. The main argument is that a key role of public service broadcasting must be to enhance the democratic character of society.
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11

Fieiras-Ceide, César, Martín Vaz-Álvarez, and Miguel Túñez-López. "Building the future of European Public Service Media: innovation priorities, key points and optimization areas in PSM." Communication & Society, June 27, 2024, 107–23. http://dx.doi.org/10.15581/003.37.3.107-123.

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The platformization and entry into the international television market of large video-on-demand (VoD) service providers has had an impact on all agents in the sector, as well as on operating rules, consumption habits, and financing, production and distribution models. In the case of public media, innovation is conceived as a strategic driver and the only sustainable alternative for their survival, repositioning and renewal in order to be relevant for citizens. This research analyzes 15 European public broadcasting corporations from Germany (ARD), Austria (ORF), Belgium (VRT and RTBF), Denmark
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12

Dominey-Howes, Dale. "Tsunami Waves of Destruction: The Creation of the “New Australian Catastrophe”." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.594.

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Introduction The aim of this paper is to examine whether recent catastrophic tsunamis have driven a cultural shift in the awareness of Australians to the danger associated with this natural hazard and whether the media have contributed to the emergence of “tsunami” as a new Australian catastrophe. Prior to the devastating 2004 Indian Ocean Tsunami disaster (2004 IOT), tsunamis as a type of hazard capable of generating widespread catastrophe were not well known by the general public and had barely registered within the wider scientific community. As a university based lecturer who specialises i
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13

Goggin, Gerard. "‘mobile text’." M/C Journal 7, no. 1 (2004). http://dx.doi.org/10.5204/mcj.2312.

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Mobile In many countries, more people have mobile phones than they do fixed-line phones. Mobile phones are one of the fastest growing technologies ever, outstripping even the internet in many respects. With the advent and widespread deployment of digital systems, mobile phones were used by an estimated 1, 158, 254, 300 people worldwide in 2002 (up from approximately 91 million in 1995), 51. 4% of total telephone subscribers (ITU). One of the reasons for this is mobility itself: the ability for people to talk on the phone wherever they are. The communicative possibilities opened up by mobile ph
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14

Green, Lelia, Debra Dudek, Cohen Lynne, et al. "Tox and Detox." M/C Journal 25, no. 2 (2022). http://dx.doi.org/10.5204/mcj.2888.

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Introduction The public sphere includes a range of credible discourses asserting that a proportion of teenagers (“teens”) has an unhealthy dependence upon continuous connection with media devices, and especially smartphones. A review of media discourse (Jaunzems et al.) in Australia, and a critical review of public discourse in Australia and Belgium (Zaman et al.), reveal both positive and negative commentary around screentime. Despite the “emotionally laden, opposing views” expressed in the media, there appears to be a groundswell of concern around young people’s dependence upon digital devic
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15

Green, Lelia, Debra Dudek, Cohen Lynne, et al. "Tox and Detox." M/C Journal 25, no. 2 (2022). http://dx.doi.org/10.5204/mcj.2888.

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Introduction The public sphere includes a range of credible discourses asserting that a proportion of teenagers (“teens”) has an unhealthy dependence upon continuous connection with media devices, and especially smartphones. A review of media discourse (Jaunzems et al.) in Australia, and a critical review of public discourse in Australia and Belgium (Zaman et al.), reveal both positive and negative commentary around screentime. Despite the “emotionally laden, opposing views” expressed in the media, there appears to be a groundswell of concern around young people’s dependence upon digital devic
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16

West, Patrick Leslie, and Cher Coad. "The CCTV Headquarters—Horizontal Skyscraper or Vertical Courtyard? Anomalies of Beijing Architecture, Urbanism, and Globalisation." M/C Journal 23, no. 5 (2020). http://dx.doi.org/10.5204/mcj.1680.

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I have decided to launch a campaign against the skyscraper, that hideous, mediocre form of architecture…. Today we only have an empty version of it, only competing in height.— Rem Koolhaas, “Kool Enough for Beijing?”Figure 1: The CCTV Headquarters—A Courtyard in the Air. Cher Coad, 2020.Introduction: An Anomaly within an Anomaly Construction of Beijing’s China Central Television Headquarters (henceforth CCTV Headquarters) began in 2004 and the building was officially completed in 2012. It is a project by the Office for Metropolitan Architecture (OMA) headed by Rem Koolhaas (1944-), who has bee
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