Journal articles on the topic 'Television broadcasting'
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1
Queiroz, Regina Farias de, and Rafael Ferreira da Silva. "O estereótipo do amante siciliano adaptado para a televisão italiana na série Il giovane Montalbano." Revista Italiano UERJ 13, no. 1 (October 17, 2022): 23. http://dx.doi.org/10.12957/italianouerj.2022.70743.
Abstract:
RESUMO: Este artigo tem como objetivo geral compreender a relação estabelecida entre sociedade e televisão, a partir da análise de trechos da série Il giovane Montalbano (2012). Para tanto, como objetivo específico, pretendemos analisar os processos de construção de identidade do protagonista atrelado ao estereótipo de amante siciliano, baseando-nos em discussões de pesquisadores dos Estudos Culturais e televisivos. Por exemplo, destacamos Menduni (2002), por enxergar a sociedade italiana por meio de sua produção televisiva, e também Casetti e Di Chio (2006), por apresentarem a possibilidade de analisar o texto televisivo pela perspectiva cultural. Os resultados da análise revelaram que a televisão é capaz de reforçar e reafirmar a representação cultural e os estereótipos culturais locais, como a figura do amante siciliano, além de ser responsável também por difundi-los, tanto nacional quanto internacionalmente.Palavras-chave: Il giovane Montalbano. Televisão italiana. Identidade. ABSTRACT: Questo articolo si propone di comprendere il rapporto che si instaura tra società e televisione, dall'analisi di brani tratti dalla serie Il giovane Montalbano (2012). Pertanto, come obiettivo specifico, si intende analizzare i processi di costruzione identitaria del protagonista legati allo stereotipo dell'amante siciliano, sulla base delle discussioni di ricercatori in Studi Culturali e televisivi. Si segnalano ad esempio Menduni (2002), per analizzare la società italiana attraverso la sua produzione televisiva, e anche Casetti e Di Chio (2006), per presentare la possibilità di analizzare il testo televisivo da una prospettiva culturale. Dai risultati dell'analisi è emerso che la televisione è in grado di rafforzare e riaffermare la rappresentazione culturale e gli stereotipi culturali locali, come la figura dell'amante siciliano, oltre ad essere responsabile della loro diffusione, sia a livello nazionale che internazionale.Parole chiave: Il giovane Montalbano. Televisione italiana. Identità. ABSTRACT: This article aims to understand the relationship established between society and television, using, as a starting point, the analysis of certain excerpts from the TV series Il giovane Montalbano (2012). As a specific objective, the hereby article has intended to analyze both the protagonist’s processes of identity construction and his stereotype as a Sicilian lover, on the basis of the discussions made by Cultural and TV Studies researchers. In order to compose the theoretical framework, the highlighted author has been Menduni ([1998] 2002) who sees Italian society through his television production. With regard to the research methodology, the procedures of analysis of the TV text as proposed by Casetti and Di Chio (2006) have been adopted, since they present, among the various possibilities of analysis, the possibility of analyzing the television text from the cultural perspective. The results of the analysis revealed how television is capable of reinforcing and reaffirming a cultural representation along with local cultural stereotypes, such as the character of the Sicilian lover, in addition to being responsible for broadcasting them, both nationally and internationally.Key-words: Il giovane Montalbano. Italian television. Identity.
2
Kravcak, Peter. "Tv market and televiewers in Slovakia." Media, culture and public relations 10, no. 2 (September 30, 2019): 147–55. http://dx.doi.org/10.32914/mcpr.10.2.4.
Abstract:
In the early of nineties the dual broadcasting system in the young country in the middle of Europe enabled to develop television broadcasting to the scale of what viewers previously even had not dreamed of. Commercial television broadcasting prevailed in five and a half million country. Private broadcasting gained control of the more than forty-year-old state-owned service of TV broadcasting and sent it to the role of a statistical margin. Confidence of the first one - and later followed by other private televisions - has grown faster than the numbers of audience. Directors with the influence of legislators, unbeatable managers determined the transmission time programs from a week to week. This is termed as finding the optimal time based on audience preferences. The result is today's big television chaos for the viewers, who, as a consequence of unpredictable changes in the broadcasting of televisions cease to be interested. For many years the most viewed channel has dropped to the level of underrated rivals and the panic, which it suddenly started, make them produce more fatal changes. All in the name of the audience and excellent numbers of boxes called people meters. The same problem also faces other post-communist country, the second part of the former Czechoslovakia, the Czech Republic. The paper focuses on analysis and evaluation of Slovak television sphere (partly in comparison with the Czech), which seems, after twenty years of dual broadcasting, to gather a real media competition. But not everybody likes it.
3
Yin, Fu Lian, Lu Lu, and Ya Gao. "Decision Support Configuration Design in Broadcasting and Television Business & Operation Support System." Applied Mechanics and Materials 427-429 (September 2013): 2317–20. http://dx.doi.org/10.4028/www.scientific.net/amm.427-429.2317.
Abstract:
A decision support system (DSS) for broadcasting and television is proposed in this paper. This broadcasting and television DSS fills the blank of broadcasting and television business & operation support system (BOSS). It is also bridging the industry chain of broadcasting and television system. The result of typical model for broadcasting and television DSS proves its validity.
4
Elena A., Goryacheva. "History of Television Broadcasting Development in Japan (From Experimental Broadcasting to Nationwide Broadcasting in the 1960s)." Humanitarian Vector 15, no. 6 (December 2020): 151–61. http://dx.doi.org/10.21209/1996-7853-2020-15-6-151-161.
Abstract:
The article views and analyzes the early period of the nationwide television broadcasting in Japan (from the mid 1920s to the end of the 1960s). Previously, this problem has not been a subject of research in Russian oriental studies, and taking into account the operation of established television broadcasting system in modern Japan, it seems necessary to identify the features of the genesis and evolution of the nationwide television broadcasting in Japan at its earliest stage, using both historical-genetic and problem-chronological methods. Based mainly on the media history research of Japanese media historians, which are introduced into the Russian scientific community for the first time, the stages of the genesis and nationwide spread of television broadcasting in Japan are consistently identified: the pre-war period of experimental broadcasting, the reform of the media sphere during and after the occupation of Japan by the GHQ, the origins of the integrated system of Japanese public and commercial television broadcasting nigen taisei. In addition, the author concludes that television played an important role in the process of spreading Western values of democracy, as well as the renewed values of the nuclear family institution in Japan, which were declared by the GHQ, US occupation authorities. Based on the results of the study, the author comes to the conclusion that the fundamental foundations of the modern multifaceted and original culture of Japanese television, as well as the model of broadcasting companies’ interaction: competition and coexistence of public and commercial television broadcasting, were laid precisely in the key period for the history of Japanese television ‒ the 1950‒1960s. The findings of this research can serve as a basis for studying the next stages in the evolution of television broadcasting in Japan up to the present period. This paper is aimed at orientalists, students of similar specialties, as well as a wide range of people interested in the history of Japanese media. Keywords: Japan, media history, television history, television in Japan, nationwide broadcasting
5
Herawati, Erni. "Keterkaitan Isi Siaran Televisi di Indonesia dan Keadilan Informasi." Humaniora 3, no. 1 (April 30, 2012): 155. http://dx.doi.org/10.21512/humaniora.v3i1.3245.
Abstract:
Indonesian Television Broadcasting has been progressing rapidly both in number of television stations and programs. In fact, almost all of national private televisions broadcasting programs were always about Jakarta. Article aimed to analyze on how the function of media which was not only provided information but it also supported the values of community and its sustainability. It related to the media content. The media content was not only determined by internal media factors but also the external ones. Finally, the owners of the media became the one who determined how media content was produced and formed. Therefore, to avoid information which was not monopolized by one party, the community should have various informations to choose. Finally, it is concluded that rules in broadcasting television has to consider the equality of information for people
6
Zubaidi, Ali Akbar. "PERENCANAAN INDUSTRI MEDIA TELEVISI ISLAM." KOMUNIKE 12, no. 2 (December 24, 2020): 235–53. http://dx.doi.org/10.20414/jurkom.v12i2.2748.
Abstract:
Today, media digitalization has become the foundation of media industry owners in presenting a variety of information and entertainment, including media television. With the establishment of various commercial television broadcasting institutions as well as the competition for the media competition which is quite tight. Seeing the development of television broadcasting media itself with heavy competition, Islamic television institutions, in particular, seem not ready to compete with other television institutions. Institutions that affect the unpreparedness of existing Islamic television broadcasting institutions are planning and strategy within Islamic television broadcasting organizations and institutions, both before they come to the process of running and maintaining broadcasting institutions for a long period of time. The research method used is library research with in-depth analysis to explore problems related to the theme. The results of this study indicate that there are several things that must be planned before deciding to determine an Islamic television broadcasting institution; a) planning human resources, b) planning institutions, c) planning a product or program. When an Islamic broadcasting institution plans well, the sustainability of the Islamic broadcasting institution can be managed and run for a long time. That way, the existence of Islamic television media is indirectly able to provide another option for the public in enjoying the broadcasts that are served.
7
Ismail, Ervan, Siti Dewi Sri Ratna Sari, and Yuni Tresnawati. "Regulasi Penyiaran Digital: Dinamika Peran Negara, Peran Swasta, dan Manfaat bagi Rakyat." Jurnal Komunikasi Pembangunan 17, no. 2 (July 19, 2019): 124–45. http://dx.doi.org/10.46937/17201926842.
Abstract:
Digitalization must begin a strong law that is Acts. Based on the records, digital broadcasting regulations using Republic of Indonesia Minister of Communication and Informatics’s regulations could be canceled through lawsuits at Supreme Court and State Administration Court. Broadcast digitalization was begun in 2011 through a digitalization Road Map and till date, the process at House of Representatives has not been completed. 85% of countries in the world have migrated to digital broadcasts. The study aims to describe how changes and various roles in broadcasting digitalization if the revision of the Broadcasting Acts is implemented. The study also aims to find out the impact and benefits of broadcasting digitalization for the public and broadcasting stakeholders compared to present Broadcasting Acts. This study uses participant observation methods and text analysis to categorize the articles of digitalization in the revision draft of the Broadcasting Acts from the House of Representatives Commission I in 2017, accompanied by media coverage analysis. Discourse analysis is used to relate to the problems arised due to broadcast digitalization. The results show that digitalization can provide more channels in the same space than analog broadcasting. Political parties and state institutions will be allowed to have broadcasting institutions. The State through Television Radio of the Republic of Indonesia (RTRI) will become the important player in terrestrial digital broadcasting with a single multiplexer (mux) system, which is considered undemocratic for private television associations. All "television stations" will change and compete to become "content providers" similar to new digital televisions. The government will formulate the mechanisms, socialization, models, roles in digitalizing television broadcasting in a blue print. Digital dividend will be used for the development of internet and telecommunications. The dynamics that occur due to interests’ differences of the state, the private sector and society take part at each stage of broadcasting digitalization regulation. The conclusion of the study illustrates that the use of digital technology in broadcasting through the Acts’ revision could be a solution for both frequency limitation and the efficient use for more diverse broadcasters (diversity of ownership).
8
Warapsari, Dhyayi, Lintang Ratri Rahmiaji, and Ade Armando. "KOMODIFIKASI SIARAN OLAHRAGA DI TELEVISI PUBLIK: STUDI KASUS LIGA PRIMER INGGRIS DI LPP TVRI." Interaksi: Jurnal Ilmu Komunikasi 10, no. 2 (December 7, 2021): 93–103. http://dx.doi.org/10.14710/interaksi.10.2.93-103.
Abstract:
Sport and media have a long history of mutually beneficial relationship. Sport has become a commodity. Private televisions use sport programs to gain more profits through various methods, such as advertising and paid subscription. The potential benefits that media can gain from sport have driven the competition between broadcasters to get the broadcasting rights and thus drive the broadcasting rights fees higher every season. In 2019, TVRI with limited annual budget can acquire English Premier League broadcasting rights through partnership with Mola TV. TVRI as a public service broadcaster is not allowed to be profit-oriented like private televisions. This article investigates commodification of sport in Indonesian public television, TVRI, with study case of English Premier League. Data are collected from literature study and observation, then it is analyzed from a political economy perspective. It is found that TVRI use English Premier League to gain more audiences and profits through various sport programs - similar to private televisions, but with some limitations that public television has.
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Ramli N, Lalu, Sulhaini Sulhaini, and Lalu M. Furkan. "Niche Market Analysis on Local Television Through Media Ecology Approach." International Journal of Multicultural and Multireligious Understanding 8, no. 3 (March 2, 2021): 45. http://dx.doi.org/10.18415/ijmmu.v8i3.2376.
Abstract:
The broadcasting law number 32, 2002 provides space for developing local broadcasting institutions in the regions, including the Local Public Broadcasting Institute (LPPL) Selaparang TV. On the other hand, the proliferation of local TV also raises many doubts because its competition is also increasing. As a business entity, local televisions face many challenges. Local televisions and other industries need the income that supports its survival as part of the media industry. With a limited source of media income, local television existence inevitably is threatened. Moreover, there are not many large industries or companies in Nusa Tenggara Barat province that can support local broadcasting institutions' sustainability. This phenomenon is interesting to study how local TV can survive in a competitive broadcasting industry with limited advertising sources. The object of this research took one of the local TV stations in East Lombok, Nusa Tenggara Barat province, namely the Local Public Broadcasting Institute (LPPL) Selaparang TV. The data analyzed relied on a media ecology approach. The method used to analyze the data from fieldwork is a descriptive qualitative approach
10
de Bot, Paul G. M., and Flavio Daffara. "Digital terrestrial television broadcasting." Philips Journal of Research 50, no. 1-2 (January 1996): 61–77. http://dx.doi.org/10.1016/0165-5817(96)81301-5.
11
Yiyan Wu and B. Caron. "Digital television terrestrial broadcasting." IEEE Communications Magazine 32, no. 5 (May 1994): 46–52. http://dx.doi.org/10.1109/35.281578.
12
Menezes, Gizeli Costa Bertollo, Francisco Gilson Rebouças Porto Junior, Yuri Vinicius Silva, José Lopes da Cruz Filho, and Kécia Garcia Ferreira. "A TV PÚBLICA NO BRASIL E PORTUGAL: Aspectos conceituais e históricos." Aturá - Revista Pan-Amazônica de Comunicação 3, no. 1 (January 16, 2019): 302–18. http://dx.doi.org/10.20873/uft.2526-8031.2019v3n1p302.
Abstract:
A proposta deste artigo é compreender melhor o sistema público de televisão em Portugal e no Brasil, especificamente as emissoras RTP1 e TV Brasil. Embora os dois países sejam marcados por fortes ligações históricas, culturais e linguísticas, se distanciam no que diz respeito a radiodifusão pública. Enquanto em Portugal a televisão já nasce sob o domínio estatal, que posteriormente vai se moldando aos princípios do serviço público, no Brasil chega pelas mãos da iniciativa privada, que por quase duas décadas dominou de forma exclusiva o cenário televisivo, imprimindo seu modelo no país.
PALAVRAS CHAVE: Televisão; Brasil; Portugal; TV pública; História.
ABSTRACT
The purpose of this article is to better understand the public television system in Portugal and Brazil, specifically the RTP1 and TV Brazil broadcasters. Although the two countries are marked by strong historical, cultural and linguistic connections, they are distant in relation to public broadcasting. While in Portugal, television is born under state domination, which later is shaping the principles of public service, in Brazil comes through the hands of private initiative, which for almost two decades dominated the television scene exclusively, printing its model in the country.
KEYWORDS: Television; Brazil; Portugal; Public TV; Story.
RESUMEN
El propósito de este trabajo es comprender mejor el sistema público de televisión en Portugal y Brasil, específicamente en las emisoras de televisión RTP 1 y Brasil. Aunque los dos países están marcados por fuertes vínculos históricos, culturales y lingüísticos, se distancian en lo que se refiere a la radiodifusión pública. Mientras que en Portugal la televisión nace bajo dominio del Estado, que posteriormente dar forma a los principios de servicio público en Brasil llega a manos de la empresa privada, que desde hace casi dos décadas dominaron exclusivamente el panorama de la televisión mediante la impresión de su modelo en el país .
PALABRAS CLAVES: Televisión; Brasil; Portugal; TV pública; Historia.
13
Tulasi, Dominikus. "Implementasi Pedoman Perilaku Penyiaran Menurut Perspektif Komisi Penyiaran Indonesia (KPI)." Humaniora 5, no. 1 (April 30, 2014): 414. http://dx.doi.org/10.21512/humaniora.v5i1.3040.
Abstract:
This multidiscipline research combines models and theoretical guidance of Indonesia Broadcasting Commission in implementing ethical behavioral guidance toward television broadcasting programs as mass media, a case study at Trans7. This qualitative research examined on how both Television management and Indonesia Broadcasting Commission highlight and perceive behavioral acting of host relating to entertainment programs. In one hand, program producer is able to construct, construe, and reconstruct societal opinions and mindset to its program. On the other hand, Indonesia Broadcasting Commission (KPI) construes the television program overacting and unethical. KPI judges the behavior of the program host does not deserve to present to the society referring to the broadcasting regulations, especially broadcasting behavioral guidance and broadcasting program standard (P3-SPS). Analyzing the implications television broadcasting program is a matter of negative image towards national culture and social norms through significant participant observation. This phenomenon is alarming, considering the host of TV programs which in the long run will be able to influence social value system and national culture. As it is able to gain an extensive understanding towards the identity makeup and sense of television broadcasting programs that exist within Indonesian society.
14
Zhang, James J., Dale G. Pease, and Dennis W. Smith. "Relationship between Broadcasting Media and Minor League Hockey Game Attendance." Journal of Sport Management 12, no. 2 (April 1998): 103–22. http://dx.doi.org/10.1123/jsm.12.2.103.
Abstract:
This study assessed the relationship between broadcasting and the attendance of minor league hockey games in terms of 5 media forms: cable television broadcasting, commercial television broadcasting, radio broadcasting, broadcasters, and overall broadcasting media. A random sample of spectators (N= 2,225) responded to a survey on attendance level and media use conducted in the arena during the intermissions of games from 6 second-half 1994-1995 season home games of an International Hockey League (ML) team. CM-square, f-test, and regression analyses revealed that viewing home games on cable television and away games on commercial television, listening to games on radio, and the quality of television and cable broadcasters were all positively associated with attendance, with approximately 6-11% game attendance variance explained. It is concluded that the current broadcasting arrangement is positively related to game attendance in providing information for and increasing the interests of spectators.
15
García-Matilla, Agustín. "About a television for the education in tuning multimedia." Comunicar 13, no. 25 (October 1, 2005): 33–44. http://dx.doi.org/10.3916/c25-2005-005.
Abstract:
In 2005, the current socialist government has set out to undertake the greatest update in broadcasting policy since 1956, the moment in which television was born in Spain. This transformation is related to the quick digital reconversion that television has suffered in the latest years. Despite the changes in the law and some reasons to be optimistic about technological development in a recent future the television of the 21st century can not do without being profitable in a social, cultural and educative sense. This is a challenge which many countries have not faced yet and Spain is among these countries. Some models of public television in the world have consolidated proposals of broadcasting contents that make a priority out of the cultural and educative role of television. España inició el siglo XXI con un sistema televisivo sometido a una evidente dispersión legislativa, denunciado por infinidad de instancias por la baja calidad de los contenidos ofrecidos por las diversas ofertas televisivas, una televisión pública exageradamente endeudada y que relegaba los objetivos de servicio público a un papel secundario frente a la utilización partidista de los espacios informativos y un irregular desarrollo de las ofertas de televisión de pago. En 2005, el gobierno socialista ha asumido la mayor actualización legislativa coordinada en materia audiovisual. Han pasado casi 50 años desde el inicio de las emisiones televisivas. Este cambio no afecta sólo al ámbito de la televisión pública sino que además lleva aparejada una transformación global del marco de leyes que contribuirá al desarrollo de la radiotelevisión digital que se impondrá tras el apagón analógico previsto para 2010. Los cambios se ven guiados por la convergencia tecnológica y también por la imperiosa necesidad de atajar ese gran lastre que ha significado tener que pensar hasta hace poco tiempo en una radiotelevisión del pasado. La televisión que ya deberíamos estar viviendo en presente continuo debe concebirse desde las potencialidades que abre la transformación digital y el desarrollo de estrategias multimedia.
16
Irawan, Rahmat Edi. "Persepsi Praktisi Penyiaran terhadap Regulasi Penyiaran di Indonesia: Studi Kasus Program Empat Mata dan Bukan Empat Mata Di Trans7." Humaniora 2, no. 2 (October 31, 2011): 1119. http://dx.doi.org/10.21512/humaniora.v2i2.3161.
Abstract:
Broadcasting regulation is one interesting thing to be observed in Indonesia’s television industry development. One television program that mostly having violation of the regulation is Empat Mata which continued with Bukan Empat Mata broadcasted by Trans7. This supports the researcher to do research about how the exact perception of broadcasting practitioners towards broadcasting regulation in Indonesia. The result of qualitative research, which collects data through observation and literature study, shows there is lack of knowledge in broadcasting practitioners about Indonesia’s Broadcasting Commission (KPI) and broadcasting regulation in Indonesia. Besides less socialization, multi-interpretation troubles in some regulations are the probable cause of increasing numbers of violation towards broadcasting regulations. As preventing action, it needs to have open dialog between KPI and broadcasting practitioners as bridging communication of their different authorities, which would be useful to increase quality of television show in Indonesia.
17
Thomas, Julian. "The Old New Television and the New: Digital Transitions at Home." Media International Australia 129, no. 1 (November 2008): 91–103. http://dx.doi.org/10.1177/1329878x0812900110.
Abstract:
Over the past decade, a major policy and regulatory problem for governments in Australia and elsewhere has been the implementation of strategies to switch from analogue to digital television broadcasting systems. Despite extensive debate, the transition to digital broadcasting remains fraught. What seems to be a technical matter conceals a range of intractable social, economic and cultural policy decisions. This article explores some of the challenges of digital television through the prism of an earlier, and often overlooked, transformation of television, namely the consumer-driven uptake of what can be called the ‘new television technologies’ of the 1970s and 1980s. These earlier forms of new television help to highlight several arguments: that television was not a stable object prior to digital broadcasting; that the connections between television and broadcasting have been contingent and provisional; and that a remarkable degree of innovation, disruption and adaptation has occurred at the fringes of the broadcasting system, leading to the creation of new audiovisual economies on the boundaries of the household and the market. The article then considers some examples of the ways in which this ‘household sector’ is developing as a new policy problem.
18
Kucher, S. A. "Legal Regulation of Spreading Opinions and Beliefs through TV Broadcasting." Law and Safety 81, no. 2 (July 2, 2021): 154–59. http://dx.doi.org/10.32631/pb.2021.2.21.
Abstract:
The research is focused on the problems of legal regulation of spreading opinions and beliefs through TV broadcasting. The scientific novelty of the research consists of the provisions on the need to amend the legislation on establishing the procedure for inspection and monitoring of television organizations by the National Council on Television and Radio Broadcasting. The author has studied legislative acts regulating the activity of mass media and works of scholars, where the peculiarities of the legal status of television organizations are covered.
It has been stated that the constitutional right to free expression of one’s opinions and beliefs can be exercised through TV broadcasting. The legal basis for the activities of television organizations has been determined. The legal principles for the activities of journalists of television organizations have been clarified. Forms of disseminating one’s own views through television have been established. It has been emphasized that the creation of one’s own television organization by a citizen or a legal entity is the first way to spread opinions and beliefs. The participation of well-known politicians or public figures in television programs has been recognized as a separate form of disseminating the relevant concepts to a wide audience. At the same time, broadcasting an interview given by a well-known public or political figure to the TV channel’s journalists is an important method of disseminating the relevant information.
Legal restrictions on the dissemination of certain information by television have been defined. It has been stated that the right to information may be limited by law in the interests of national security, territorial integrity or public morality. The general characteristics of monitoring and supervisory powers of the National Council on Television and Radio Broadcasting have been provided. The author has formulated propositions for amending the current legislation regulating the activities of the National Council on Television and Radio Broadcasting.
19
Yatchuk, Olha. "Live-TV and interactive broadcasting: genre features." Obraz 3, no. 32 (2019): 126–35. http://dx.doi.org/10.21272/obraz.2019.3(32)-126-135.
Abstract:
Introduction. Research on live broadcasting television and interactive projects is an important contribution not only to the history and theory of social communications, but also a promising field for further research of this type of broadcasting that can be also applied to the investigation of the Internet. Generalization and distinguishing features of this type of broadcasting are less common in the scientific community. During the research the following methods were used: historical and historical-comparative to analyze and organize data concerning ways of live broadcasting and interactive programs formation; systematization, classification, and clustering methods were used to get generalizations. A comparative method was implemented to distinguish common and diverse features of different types of broadcasting which are used in broadcast journalism. The content analysis method was applied for the organization of data concerning the development of programs, which use the interaction with the viewer as a certain communicative technology. The purpose of our study is to formulate a certain concept of genre features that are typical for interactive and live television broadcasting. We set out the following tasks: to distinguish the features of interactive and live broadcasting; outline their particularities in the different types of broadcasting and offer promising directions for using that type of broadcasting. This allowed us to distinguish the difference between live and interactive broadcasting, to focus on time and duration of interaction, to trace the use of different genres in these types of programs, to distinguish their specific features, to generalize and classify them, to identify promising directions of research. Results and conclusions. Live interactive television is characterized by a genre-themed variety. Language-communication and an improvisational script are mainly used in live broadcasting that motivates the audience to engage, provides lasting interest, trust, and positive changes in the image of the channel. News uses live broadcasting as the main way of organization of information (using «live» or stream of momentous events broadcasting), the use of interactivity in this type of broadcasting is indirect and is more oriented to further communication using individual touchpoints. Analytical programs are represented by various conversations in-studio and telemarathon. Viewer interaction is limited to the «viewer as one of the audience» type. Entertainment broadcasting is presented in such formats as Life-Show, Reality-Show (one of its varieties is Talent-Show), and Intelligence-Show, where interaction with the viewer is one of the formative factors. We see the benefits of this type of television among other forms of broadcasting in economic, dramatic, ideological, and communication aspects. Keywords: interactive television, communication, media audience, live television, television content.
20
Moedy, Emma Ratna Sari. "Manajemen Strategik Pengawasan Isi Siaran Televisi Swastasiaran Jaringandi Balioleh Komisi Penyiaran Indonesia Daerah Bali." Jurnal Ilmiah Cakrawarti 2, no. 2 (July 7, 2020): 46–63. http://dx.doi.org/10.47532/jic.v2i2.128.
Abstract:
As one of the electronic media, television is present in the most private space of television toactually live from advertisers. The public or the public in this case is placed in one position as acommodity that is able to capture advertisers who can provide income for the life of the televisionstation. human life. Television is present in the family room, even the bedroom. audiences have the rightto receive quality shows that are useful for them, and not only give priority to the benefits of televisionstation owners. The media has so far been influenced by ratings so enforcement of the code of conductis often ignored. Ratings also cause uniformity of type of viewing on television stations. Law No. 32 of2002 concerning Broadcasting was born from the spirit of freedom of opinion and obtain the widestpossible information for the community. The Broadcasting Law is a law governing the principles ofbroadcasting that apply in Indonesia. This includes the principles, objectives, functions and directionof national broadcasting, regulating the provisions of the Indonesian Broadcasting Commission,broadcasting services, Public Broadcasting Institutions, Private Broadcasting Institutions, SubscribedBroadcasting Institutions, Community Broadcasting Institutions, Foreign Broadcasting Institutions,Broadcasting Stations and broadcast coverage, and licensing and broadcast activities. The principlesin the Broadcasting Law are held based on the Pancasila and the 1945 Constitution of the Republic ofIndonesia with the principles of benefits, fair and equitable, legal certainty, security, diversity,partnerships, ethics, independence, freedom, and responsibility.
21
Wallace, Rebecca, and David Goldberg. "Television Broadcasting: The Community's Response." Common Market Law Review 26, Issue 4 (December 1, 1989): 717–28. http://dx.doi.org/10.54648/cola1989036.
22
IKEDA, Tetsuomi. "Development of Television Broadcasting Technologies." Journal of The Institute of Electrical Engineers of Japan 125, no. 10 (2005): 645–48. http://dx.doi.org/10.1541/ieejjournal.125.645.
23
Crinon, R. J., D. Bhat, D. Catapano, G. Thomas, J. T. Van Loo, and Gun Bang. "Data Broadcasting and Interactive Television." Proceedings of the IEEE 94, no. 1 (January 2006): 102–18. http://dx.doi.org/10.1109/jproc.2005.861020.
24
Farias, Myl, Marcelo M. Carvalho, and Marcelo S. Alencar. "Digital Television Broadcasting in Brazil." IEEE Multimedia 15, no. 2 (April 2008): 64–70. http://dx.doi.org/10.1109/mmul.2008.25.
25
Fukuyama, Hajime, and Chiharu Kamise. "Special edition computer graphics in television broadcasting. 4. Computer graphics system for television broadcasting." Journal of the Institute of Television Engineers of Japan 40, no. 2 (1986): 103–8. http://dx.doi.org/10.3169/itej1978.40.103.
26
Kwak, Ki-Sung. "The Role of the State in the Regulation of Television Broadcasting in South Korea." Media International Australia 92, no. 1 (August 1999): 65–79. http://dx.doi.org/10.1177/1329878x9909200109.
Abstract:
Television broadcasting in South Korea is experiencing a major change in its regulatory structure under the new government led by Kim Dae-Jung, who won the 1997 election as an opposition candidate for the first time in Korean history. Based on the review of the regulatory history of television broadcasting and its recent development in South Korea, this paper provides an overall background which explains the way in which the state has shaped and developed the regulatory structure of television broadcasting in Korea. It argues that the policies set in law and regulatory practice exercised by the state bureaucracy have not always been consistent or completely compatible. It concludes that this has been mainly because the government has been the sole player in establishing, framing and devising television broadcasting regulations.
27
Tiani, Riris, and M. Suryadi. "Broadcasting Applications of Local Wisdom Character on Coastal Environment in Communication Media." E3S Web of Conferences 125 (2019): 09007. http://dx.doi.org/10.1051/e3sconf/201912509007.
Abstract:
This study aims to determine the effect of television shows on people's verbal behavior. Natnography used as a research method, to find out the types of television programs that are seen by many people of all ages. Cultural studies methods also used to determine the negative impact of television broadcast content. How the influence of television shows on the style of public communication in forming the character of millennial society. In-depth interview techniques with KPID and representatives of national television stations. Based on research in the field, television shows are present for 24 hours in the family room. Culture that accepted in society that television has not become a spectacle but has become a demand. Broadcasting institutions control the formation of mental, social, and cultural. The results of this study include many Impoliteness television shows. The reality in broadcasting shows that FTV content, talk shows, and advertisements have the most verbal abuse (VA) frequencies. Form (VA) is dominated by abuse, swear, invective, and (nonVA). 60% of the broadcasting composition in the media must be educative with local wisdom, 20% national or international public broadcasting, 20% broadcast advertising content. Forms of impertinence are influenced by frequency, television cognition, and broadcast regulation.
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Nishizawa, Taiji. ""Fundamental Technologies for Digital Television Broadcasting; (2) Broadcasting Systems"." Journal of the Institute of Television Engineers of Japan 48, no. 2 (1994): 164–70. http://dx.doi.org/10.3169/itej1978.48.164.
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Li, Nan, Bo Jiang, Jing Yong Liu, Wei Zhang, and Xing Xing Chen. "Simulation of Satellite Digital Video Broadcasting via Variable Frequency Based on Simulink." Applied Mechanics and Materials 197 (September 2012): 441–47. http://dx.doi.org/10.4028/www.scientific.net/amm.197.441.
Abstract:
The traditional cable television broadcasting, digital mobile television broadcasting and the direct satellite video broadcasting ensure the television services of people’s daily life. Owing to digital broadcast satellite, also known as the digital video broadcasting (DVB) protocol applying terminal, direct-to-home television services with an outdoor dish of one meter come true. In order to accommodate the requirements of various broadcasting services, the DVB-S.2 protocol provides more efficient technology details. The LDPC codes concatenated with BCH codes achieve high performance near the Shannon limit and have low encoding and decoding complexity. Some high efficiency modulation methods are introduced into theDVB-S.2, such as QPSK, 8PSK, 16APSK and 32APSK. The adaptive coding and modulation (ACM) according the channel performance (E s /N 0 ) is applied in the DVB-S.2 technology. In order to preventing the burst disturbance, satellite broadcasting via variable frequency band is presented in this paper to ensure the quality of services. The DVB-S.2 via variable frequency is simulated based on Matlab/Simulink in this paper, and the simulation implements the video streams coding and modulation, ACM and frequency change with the channel performance.
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Zordan, Davide. "Screening Piety, Invoking Fervour: The Strange Case of Italy's Televised Mass." Journal of Religion, Media and Digital Culture 3, no. 1 (December 6, 2014): 56–83. http://dx.doi.org/10.1163/21659214-90000041.
Abstract:
This paper discusses the television broadcasting of Catholic Masses in Italy today from an interdisciplinary perspective that integrates theology with religion and media studies as well as television studies. After a brief overview of the history of television broadcasting of the Mass and a discussion of its rapid theological acceptance, the paper analyzes the unique success and “proliferation” of televised Masses in Italy. Looking at some of the common characteristics of televised Masses across Italian broadcasting channels, the paper concludes with a reflection on the specificity of (televised) Mass as a ritual action.
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Griffin, Ken. "The Pioneer Vanishes: Midnight Oil and the Birth of Adult Education Television." Journal of British Cinema and Television 12, no. 2 (April 2015): 172–90. http://dx.doi.org/10.3366/jbctv.2015.0256.
Abstract:
The pioneering work of Ulster Television (UTV) in the field of adult education television is among the most neglected chapters of UK regional broadcasting history. Between July 1962 and August 1963 the station produced 73 televised lectures in association with Queen's University, Belfast. UTV's initial effort, Midnight Oil (1962), was the first ever adult education series on UK television, while its sequel, The Inquiring Mind (1963), explored the medium's potential as an illustrative educational tool. Both series prefigured key aspects of the television broadcasts which supported the subsequent Open University. Their audience ratings also challenged established wisdom about the potential reach of televised adult education. Despite their innovative nature, UTV's series have been marginalised within accounts of the origins of adult education television in the UK. Such narratives have tended to focus on later English productions and generally identify Anglia Television's Dawn University (1963) as the first precursor to the Open University. One account, Sendall (1983) , even questioned the veracity of the UTV's claim to have brought adult education television to the UK. This article establishes the extent and nature of UTV's contribution to adult education television before examining the factors which may have led to the marginalisation of its role within narratives surrounding UK broadcasting history.
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Puijk, Roel. "Slow Television." Nordicom Review 36, no. 1 (June 1, 2015): 95–108. http://dx.doi.org/10.1515/nor-2015-0008.
Abstract:
Abstract Public-service broadcasters are compelled to seek innovative ways to fulfil their publicservice functions in an increasingly competitive environment. The Norwegian Broadcasting Corporation (NRK) has been experimenting with new programme formats and cross-media concepts. The concept of slow television was developed by the regional office in Bergen. On July 16, 2011, they started a five-day live broadcast from one of the cruise ships that sailed up the Norwegian coast from Bergen in southern Norway to Kirkenes near the Russian border. The broadcast was a huge success. I take this programme as a case study and provide an analysis from the perspective of innovation within public-service broadcasting. The article addresses the following questions: 1) In what way was the programme innovative? 2) How was the programme accepted and produced? 3) What accounts for the success of the broadcast in terms of number of viewers and popular engagement?
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Borisov, Vasily. "Amateur Radio Activity in the USSR before World War II." Science Management: Theory and Practice 4, no. 3 (September 26, 2022): 189–98. http://dx.doi.org/10.19181/smtp.2022.4.3.13.
Abstract:
The article discusses the emergence and development of amateur activities in radio communications and television reception in the USSR. Amateur radio activity in the USSR received legal recognition in 1924. By the end of 1928, more than 450 amateur radio stations were on the air in the country. From the beginning of the 1930s domestic radio amateurs have also mastered the reception of television broadcasts on home-made televisions. By the end of the 1930s. there were a large number of home-made television receivers tuned to the transmission of optical-mechanical television in the country. In this regard, short-line mechanical television broadcasting in the USSR existed until the early 1940s.
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Rahmadini, Rahayu. "Kontestasi Persaingan Program Acara Berita dalam Bisnis Media Televisi." MAWA'IZH: JURNAL DAKWAH DAN PENGEMBANGAN SOSIAL KEMANUSIAAN 10, no. 1 (July 18, 2019): 111–33. http://dx.doi.org/10.32923/maw.v10i1.741.
Abstract:
This paper aims to explain the contestation among news programs in deal with a television media business. This research appropriated the Media Economic Theory derived from Vincent Moscow and the Theory of Media. The research uses a postpositivism paradigm. This paper follows a descriptive-qualitative approach. Findings: the contestation among news programs has a good and quality competition of television media business. And also, this research explains how broadcastiong station strategy can produce a program to reach an success and beyond a rivality in similar program that propose by the other broadcasting station.
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Gardini, Gianluca. "Broadcasting, the Free Market and the Public Interest: Is the Italian Path to Pluralism Viable?" European Public Law 13, Issue 2 (May 1, 2007): 239–61. http://dx.doi.org/10.54648/euro2007014.
Abstract:
The television and the mass media in general have a vital function in the creation of the democratic process, similar to that of institutions. The basic argument of this article is that television is not a simple market commodity and general competition laws cannot protect adequately the public interest of citizens in broadcasting. In Italy, in particular, the television sector has always suffered for lack of pluralism, a highly concentrated market, strong influence of political forces over public broadcasting. For these reasons the Italian experience represents an interesting case, as it allows one to observe the effects of a transition from a broadcasting framework entirely based on specific public regulation (monopoly) to a system hinged on general competition laws and technological development After looking at the evolution of broadcasting in Italy, the author will try to suggest some remedies for the Italian television sector.
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Sukmawati, Dian, and Ade Armando. "Otoritas Komisi Penyiaran Indonesia dalam Pengaturan Isi Siaran." Jurnal Komunikasi Global 8, no. 2 (December 31, 2019): 151–73. http://dx.doi.org/10.24815/jkg.v8i2.14774.
Abstract:
Although the Indonesian Broadcasting Commission (KPI) supervised all of the television programs, there are a lot of programs getting a warning because of breaking the rule of P Broadcasting Code of Conduct (P3) and Broadcasting Program Standard (SPS). Focusing on program Pagi-Pagi Pasti Happy, this research investigated the authority of KPI in terms of being a watchdog of television content in Indonesia. This research deployed political economy theory because it has studied not only media analysis in general but also the problems faced by the media industry and who controlled media. To criticize the authority of KPI in maintaining a code of conduct over the broadcasting content, three KPI’s commissioners, two television program representatives, and a media observer were interviewed. Based on interviews, the researcher found that dialogue preferred by KPI in supervising the television content confirmed that the current KPI’s commissioner has compromised with private television stations. KPI is more likely to support the existing television business system nowadays to gain maximum profit for the media investor. The findings suggest that role as KPI’s commissioner has been used to gain more power in the future.
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Aksoy, A., and K. Robins. "Peripheral Vision: Cultural Industries and Cultural Identities in Turkey." Environment and Planning A: Economy and Space 29, no. 11 (November 1997): 1937–52. http://dx.doi.org/10.1068/a291937.
Abstract:
We consider recent developments in the cultural industries in Turkey, with particular reference to television broadcasting. We seek to show how recent transformations in the industry have been associated with significant developments in Turkish cultural identity. Historically, broadcasting has existed under the monopoly of the state-run Turkish Radio and Television Authority (TRT), and functioned very much as a voice of the Kemalist ideology of the Republic. From 1990, however, there was a rapid proliferation of illegal, commercial television channels, broadcasting signals from outside the country. This led to a new vitality in Turkish television culture, as the new commercial interests sought to develop programming that would appeal to audiences tired of the ‘official’ fare of TRT. Television began to reflect the popular culture of Turkey in ways that were quite creative. Since 1994, and the passing of new broadcasting legislation, the turbulence of commercialisation has quietened. There has been a degree of concentration in the industry, and commercial programming has become less innovative. The momentum of change has slowed, though it has by no means been halted.
38
Machida, Masahiko. "Special edition computer graphics in television broadcasting. An overview of computer graphics in television broadcasting." Journal of the Institute of Television Engineers of Japan 40, no. 2 (1986): 82–87. http://dx.doi.org/10.3169/itej1978.40.82.
39
Wahyuni, Hermin Indah. "Complexity and Adaptive System of Television Broadcasting: The Reflection of Autopoetic Mechanism of Indonesian Television Broadcasting System." Jurnal Ilmu Sosial dan Ilmu Politik 20, no. 3 (August 4, 2017): 189. http://dx.doi.org/10.22146/jsp.27204.
Abstract:
This article aims to describe a model of a robust adaptive system which suits the context of situation in Indonesian as an archipelago, as well as developing and democratic values-based country. It mainly focuses on how the autopoetic mechanism in Indonesian television broadcasting system is. Autopoetic mechanism is self-reference orientation. The process in which the system orient to reduce their problem by building the internal structure to cope with it. The research process was done in 2014 until 2016. Methods applied in this research is qualitative research. Several methods that were employed are observation, in-depth interview, and focus group discussion. It would be measured and analysed with three aspects: communication, temporal and differentiation aspect. The findings suggest that building a robust system means establishing a “strong and adaptive” broadcasting system in Indonesia that strengthens each sub-system in the Indonesian broadcasting system in order to capture what the public demands. In this level it takes a comprehensive view of the decision-makers to design a broadcasting system that continues to answer the demanding environment through its communication function, growing temporal through continuous evolution and develop functions through a process of differentiation. If these three functions can work continuously, Indonesian broadcasting system will be stronger and more adaptive with their complex external environment. The main argument of this paper is Indonesian Broadcasting System faces a very complex environment television, however their adaptive and autopoetic mechanism is still weak to cope with the challenges.
40
Meikle, Graham, and Sherman Young. "Beyond Broadcasting? TV for the Twenty-First Century." Media International Australia 126, no. 1 (February 2008): 67–70. http://dx.doi.org/10.1177/1329878x0812600108.
Abstract:
TV is being reshaped, reimagined and reinvented in unpredictable ways. Broadcasting has become only one of a set of options for the distribution of TV content, alongside cable, DVDs, internet downloads, and online video streams. Simultaneously, audiences have embraced new modes of engagement with audio-visual products, with many seamlessly shifting from the role of consumer to that of producer. Broadcasting still reigns, but its place as the normative television form is under greater threat than ever. The articles in this issue of MIA suggest that, while it may no longer be the cultural norm, broadcasting may still have a role to play in whatever television becomes. The current phase of television suggests contested continuities rather than radical seismic shifts, as the new technologies open up possibilities beyond broadcasting. Of most interest is the emerging tension between what newly empowered users want television to be, and the institutional desire to dictate the direction and pace of change.
41
Rincón, Omar. "New Television Narratives: Entertainment, Telling, Citizenship, Experimental." Comunicar 18, no. 36 (March 1, 2011): 43–50. http://dx.doi.org/10.3916/c36-2011-02-04.
Abstract:
Broadcasting and industrial television is a trip back to the past, to a space devoid of meaning, and to the boredom resulting from its moral conservatism, lack of creativity, thought and entertainment. But television’s monopoly over public screening is over; now, anyone can be a producer, an audiovisual narrator with his or her own screen. New television and other screens are daring to change the way stories are told: a more subjective, testimonial and imagebased journalism; a hyperrealist soap opera that dares to bring melodrama to comedy, documentary and local cultures; a bottom-up media with people in charge of breaking with the thematic and political homogeneity of the media, market and development machines. This essay will argue in favor of television as a space for expression by unstable identities, narrative experiments and unknown possibilities for audiovisual creation…only if «it takes the form» of women, indigenous peoples, African races, the environment, other sexualities…and plays on YouTube and new screens that are community-based and cellular. The most important thing is for television to move away from an obsession with content towards aesthetic and narrative explorations of other identities and into narratives that are more «collaboractive», with the possibility that they become the stories we want them to be.La televisión generalista e industrial es un viaje al pasado, al vacío de sentido y al aburrimiento por su conservadurismo moral, su pereza creativa, su ausencia de pensamiento y su pobre modo de entender el entretenimiento. Pero el monopolio televisivo de la pantalla pública se acabó, pues ahora todo ciudadano puede ser un productor, narrador audiovisual y tener pantalla. Así aparecen nuevas televisiones y otras pantallas que se atreven a contar distinto: un periodismo más subjetivo, testimonial y pensado desde las imágenes; una telenovela hiperrealista que se atreve a intervenir el melodrama desde la comedia, el documental y las culturas locales; unos medios de abajo y con la gente que se hacen para romper con la homogeneidad temática y política de las máquinas mediática, del mercado y del desarrollo. En este ensayo se argumenta a favor de la televisión como lugar de expresión de identidades inestables, experimentos narrativos y posibilidades inéditas para la creación audiovisual… solo si «toma la forma» de mujer, de lo indígena, afro, medio ambiental, otras sexualidades… y juega en nuevas pantallas como Youtube, lo comunitario y el celular. Lo más urgente es que la televisión pase de la obsesión por los contenidos a las exploraciones estéticas y narrativas desde las identidades otras y en narrativas más «colaboractivas» porque existe la posibilidad de ser los relatos que queremos ser.
42
Wedell, George. "Prospects for Television in Europe." Government and Opposition 29, no. 3 (July 1, 1994): 315–31. http://dx.doi.org/10.1111/j.1477-7053.1994.tb01224.x.
Abstract:
The Classical Model for Broadcasting Structures in Europe is one based on national autarchy and linguistic exclusivity. The model derives from the introduction of radio broadcasting in the 1920s. As always in the field of communications, developments art supply-led rather than demand-led. Thus the early radio manufacturers established local radio stations to demonstrate their new equipment at a time when governments had not formulated any policies to deal with the new phenomenon.
43
Moorhead, Simon. "Bellenden Ker Television Project." Journal of Telecommunications and the Digital Economy 8, no. 4 (December 18, 2020): 159–79. http://dx.doi.org/10.18080/jtde.v8n4.368.
44
Mutiarani, Diana, Arif Permana Putra, and Ana Nurhasanah. "Perkembangan Untirta Tv Tahun 2008-2013." Reslaj : Religion Education Social Laa Roiba Journal 4, no. 4 (February 23, 2022): 940–58. http://dx.doi.org/10.47467/reslaj.v4i4.1024.
Abstract:
This study aimed to determine the development of Untirta TV in 2008-2013. This research method is historical, includes heuristics (data collection), source criticism, interpretation, and historiography. Data collection techniques with interviews, observations, and documentation were carried out at Untirta TV. The results of this study indicate that the forerunner to the birth of Untirta TV campus community television in 2008 was community television as a laboratory facility for television broadcast production courses. Untirta TV aims to prepare human resources who excel in communication science and have academic insight to compete in the practical world in real life in society. In its development in 2009-2013, it went through a long process to obtain a broadcasting operation permit (IPP). In 2009 Untirta TV was inaugurated as a community television and was the first broadcast on electronic mass media screens, namely analog-based conventional television using Ultra High-Frequency transmitters. Furthermore, in 2010-2012 Untirta TV struggled to get a Broadcasting Operation Permit (IPP). In 2012 Untirta TV succeeded in obtaining the first stage of the Broadcasting Operation Permit (IPP) from the Ministry of Communication and Information, namely conducting a trial. one year for television broadcasts. Furthermore, in 2013, the trial period for the broadcasting license has ended. It can be extended once until a permanent broadcasting operation license (IPP) is obtained. In 2013, along with increasingly rapid technological developments, Untirta TV finally switched to using a new mass media, namely the online media YouTube. Untirta TV community television contributed to the field of education in 2009-2013, namely as a forum for the aspirations and information of the Untirta TV academic community that is educative by holding a program of activities both internal and external activities carried out by Untirta TV as a medium of communication for students of Sultan Ageng Tirtayasa University.
Keywords: Progress, Community Television, Untirta TV, YouTube
45
Mihaylov, Grigor, and Elena Ivanova. "Analysis and Estimation of the Field Strength of Digital Terrestrial Television Broadcasting." Journal of CIEES 1, no. 1 (June 3, 2021): 17–22. http://dx.doi.org/10.48149/jciees.2021.1.1.3.
Abstract:
DVB-T is the most widely used standard for digital television broadcast. With its introduction in 1997, it is used in more than 70 countries. Almost all of these countries adopted the new standard for digital terrestrial television broadcasting – DVB-T2. DVB-T2 is the best technology for digital television broadcasting, which offers better signal robustness, flexibility and more than 50% more efficiency, compared with other digital terrestrial television broadcast systems. This paper focuses on ways to deliver MPEG TS to transmitters and estimation of the field strength.
46
Sari, Anak Agung Ayu Mas Merta, Anak Agung Sagung Laksmi Dewi, and Luh Putu Suryani. "Fungsi Komisi Penyiaran Indonesia terhadap Pelanggaran Siaran Televisi." Jurnal Interpretasi Hukum 1, no. 2 (September 26, 2020): 18–23. http://dx.doi.org/10.22225/juinhum.1.2.2467.18-23.
Abstract:
Broadcasting through television media is an effective and efficient way to convey information, education and inspiration to the public or society. The information that is presented must have been packaged in such a way that it is interesting to display. However, in practice, there are frequent violations of television broadcasting, especially violating broadcasting code of conduct and broadcast program standards. For this reason, this study aims to determine the regulation of television broadcasts in Indonesia, and to determine the sanctions for violations of television broadcasting. The research method used is normative research with several problem approaches, namely the conceptual approach and the statutory approach. Sources of legal materials used are primary and secondary legal materials. Based on the research that has been done, it shows that the regulation of television broadcasts carried out by the Indonesian Broadcasting Commission is expected to be able to regulate broadcasts so that they do not deviate from broadcast corridors that are in accordance with sound broadcast standards or categories and are able to provide inspiring information and education to the public watching the broadcast. The imposition of sanctions for stations that violate must also be firmer and have a deterrent effect so that the same incident does not occur again. For this reason, it is better if the government, television stations, and the community must work together to create healthy broadcasts not only based on ratings and material benefits, but must be based on the concept of healthy and inspiring education among the public.
47
Saarenmaa, Laura, and Marie Cronqvist. "Cold War Television Diplomacy." Nordicom Review 41, no. 1 (February 7, 2020): 19–31. http://dx.doi.org/10.2478/nor-2020-0002.
Abstract:
AbstractThis article opens a new perspective on Finland’s Cold War history by highlighting the role of the Finnish Broadcasting Company (YLE) in providing information about the German Democratic Republic as a particular polity, economy, and key player in the European Cold War landscape. The analysis is based on search results from the YLE digital database (Metro) from 1970–1989, and it is supported by documents from the German Broadcasting Archive [Deutsches Rundfunkarchiv] and the YLE company archive. The archive documents and metadata testify about a long-term interest in East Germany in Finnish television, as well as long-term contacts and collaboration between East German and Finnish television companies, in the executive as well as at grass roots levels.
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Damodaran, Suma, and Uday Damodaran. "The Indian television broadcasting industry 2012." Emerald Emerging Markets Case Studies 2, no. 8 (October 17, 2012): 1–13. http://dx.doi.org/10.1108/20450621211304270.
Abstract:
Subject area Business strategy and industrial economics. Study level/applicability This case may be used early on in a basic course on strategy in an MBA program or in a course in industrial economics. It can also be used in a session of an executive development program on strategy. Case overview The TV Broadcasting industry, worldwide, has been moulded by frequent changes in technology and by regulatory interventions. So has been the case of India. The case begins with a general introduction to the technology of TV broadcasting and distribution and then moves on to a discussion of the technological changes in the Indian context. The evolving structure of the industry in India over three distinct periods is then described. The Industry consists of content producers, broadcasters, aggregators, direct-to-home distributors, multi-system operators and local cable operators. Over the three periods of time, changes in technology and regulation constantly impacted on the structure, the conduct and the performance of players in each segment. Expected learning outcomes The analysis of the case is expected to demonstrate the use of theoretical frameworks like the structure-conduct-performance model and Porter's five-force model in arriving at a prognosis of the structure of an industry in general, and that of the Indian TV broadcasting industry in particular. Supplementary materials Teaching notes are available, please consult your Librarian for access.
49
Rivero, Yeidy M. "Broadcasting Modernity: Cuban Television, 1950-1953." Cinema Journal 46, no. 3 (2007): 3–25. http://dx.doi.org/10.1353/cj.2007.0028.
50
Reimers, Ulrich. "Digital broadcasting: the future of television." Physics World 11, no. 4 (April 1998): 39–42. http://dx.doi.org/10.1088/2058-7058/11/4/32.