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Relevant bibliographies by topics / Television genre / Dissertations / Theses

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Dissertations / Theses on the topic 'Television genre'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Fuller, Sean. "“Quality TV”: The reinvention of U.S. television." Thesis, Department of Gender and Cultural Studies, 2013. http://hdl.handle.net/2123/9556.

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This thesis examines the rise to prominence of a new form of “quality television” that has appeared in the U.S. since the 1990s. There are competing and sometimes conflicting ways to define “quality television”, depending on different histories and prioritising different characteristics - sometimes production methods, sometimes viewing and distribution practices, and sometimes genre hybridity and transformation. For each, however, the 1990s is a watershed decade. The mainstreaming of cable television, the new dominance of video and then DVD collections of series, a decline in broadcast televis

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2

Barker, Cory Andrew. "Genre Welcome?: Formula, Genre and Branding in USA Network's Programming and Promotional Content." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1332972861.

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3

Isaac, Alexis N. "Expressions in Genrelessness: Genre in the Netflix Era of Television." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1587127717977521.

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4

Sander, Johanna. "The television series Community and Sitcom : A case study aimed at the genre of contemporary American Sitcom television series." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-15067.

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This thesis is asking whether the television series Community (2009-) can be defined as a Sitcom, combined with a look at how other genres that generally are considered to be non-comic are incorporated in the series and how those are identifiable as well as whether or not they compromise Community’s possible label as a Sitcom. In seeking to define this show’s place in its own genre I found that whilst Community does not follow the archetypal technical conventions of Sitcom, it still does follow some of its setups, tropes and ideas. It does not suffice as a classical Sitcom, but it does lean on

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5

Johnston, Derek. "Genre, taste and the BBC : the origins of British television science fiction." Thesis, University of East Anglia, 2009. https://ueaeprints.uea.ac.uk/10565/.

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This thesis examines the earliest science fiction dramas on the BBC, broadcast during the period between 1936 and 1955 when the BBC had the monopoly on television within Britain. These dramas were not originally identified as "science fiction", although their fantastic nature was recognised and provided early television writers and producers the opportunity to engage with social concerns and to experiment with the formal possibilities of the new medium. As the American term "science fiction" became more familiar in Britain after the war, the approaches and responses to these productions change

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6

Zollner, L. Elizabeth. "Scripting the Unscripted: Gender and Sexual Orientation in Strategy-Genre Reality Television." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002652.

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7

Perry, Colin, and mikewood@deakin edu au. "The narrativization of actuality: Convergence of form and genre in film and television." Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.092326.

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The thesis concerns the treatment of actuality in film and television, particularly the narrativization of actuality images, and the context of their placement within audio/visual texts. Several instances of the convergence of media form and genre are analyzed, and the conventions of classificatory systems and boundaries that pertain to film and television representations are reconsidered in light of changes in the conventions of genre. The distinction between, and convergence of fictional and non-fictional conventions of narrative are therefore central to the thesis, as are the related issues

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8

Stone, Lelia M. "A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc407774/.

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Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differenc

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9

Campos, Brielle R. "Hybrid Genre and Character Representation: Noir, Fantasy, and Fantasy Noir in Constantine, Pushing Daisies, and The Dresden Files." Youngstown State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1464790300.

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10

Bylina, Lisabeth. "Genre framing in discourses surrounding comedy television remakes between the UK and the US." Thesis, University of East Anglia, 2017. https://ueaeprints.uea.ac.uk/65121/.

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Traded as a format between Britain and the US, the sitcom has traditionally been understood as closely connected to its socio-cultural context (Tueth, 2005; Wagg, 1998) and as being characterised by its humorous intent (Eaton, 1978; Mills, 2009). Current format studies of sitcoms illustrate the variety of ways in which the final texts relate to their local contexts, offering either comparative analyses between versions or singular critiques of programmes focusing on their suitability for their particular market (Beeden & de Bruin, 2010; Ducray, 2012). While doing well to showcase the nations i

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11

Chris, Cynthia. "Watching wildlife : on the nature genre in film and television, its history and meanings /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3044794.

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12

Morris, Emily. "Breaking Down Masculinity in Breaking Bad and the Western Genre: Performance and Disruption." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/192.

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I am proposing a critical inquiry into the structural function of the character of Skyler White in AMC’s Breaking Bad as well as a further investigation of show’s relationship to the Western genre and the construction of masculinity.

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13

Richards, Samantha. "The Construction of Truth in Fiction: An Analysis of the Faux Footage Genre in Television." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1197.

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This paper explores the way that “truth” is constructed in a fictional sphere through visual and narrative references. I draw upon Caetlin Benson-Allott’s Paranormal Spectatorship, and Jay David Bolter and Richard Grusin’s Remediation to inform my analysis of these constructions. I look specifically at Roanoke, the sixth season of American Horror Story, to provide examples of the way faux footage horror’s unique use of the subjective shot constructs the spectator as both a witness and an interrogator, and creates an aesthetic language of truth. While being immersed in the story, viewers are si

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14

Kirlew, Akil. "The horror film genre as an interpretive device in an adaptation of Tennessee Williams 's Suddenly last summer." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/19143.

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As my thesis, I have made an adaptation for film of Suddenly Last Summer by Tennessee Williams. The play tells the story of a young woman, Catharine Holly, who has been institutionalized shortly after her return to New Orleans from a vacation on the island of Cabeza de Lobo. Her cousin, Sebastian, a wealthy poet and gay sex-tourist died on this trip. He was killed and partially eaten by a group of impoverished young men (at least some of these men were his former sexual partners). Sebastian's mother, Violet Venable - in the hopes of suppressing the true circumstances surrounding the death of h

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15

Aron, Danielle Belinda. "Production and reception in British television documentary : a genre-based analysis of mass-mediated communication." Thesis, London School of Economics and Political Science (University of London), 1999. http://etheses.lse.ac.uk/2866/.

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This thesis explores the nature of communication in television documentary, based on an investigation of production, reception and their interrelationship. It assumes that social context is fundamental to an understanding of mass communication. Doise's (1986) levels of analysis (intrapersonal; interpersonal/situational; positional; cultural/ideological) provide the framework for conceptualizing social context. Audience reception research, which appreciates viewers' active role in reception and influence on production, inspires the qualitative approach. Whilst these premises challenge a traditi

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16

Helland, Knut. "Public service and commercial news : contexts of production, genre conventions and textual claims in television." Thesis, University of Leicester, 1993. http://hdl.handle.net/2381/34590.

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In the sociology of mass communication, there is a gap in empirical research into how news corporations relate to professional and socially developed conventions about 'how to make news look like news'. Moreover, there is a gap in research on how public service and commercial television news services relate to such conventions, and on how such conventions, and the different productional contexts for public and commercial news, are reflected in television news programmes. By means of a case study, the thesis sets out to address precisely these gaps in an analysis of two news services: Dagsrevye

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17

Garner, Ross. "Nostalgia and post-2005 British time travel dramas : a semiotic analysis of a television genre cycle." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/46883/.

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This thesis contributes to existing debates concerning television, nostalgia and genre. Drawing upon social constructionist approaches, the thesis theorises nostalgia as a discourse that is constructed through specific social, historical, cultural and, relating to television, institutional contexts. The thesis extends Paul Grainge’s (2000a, 2002) work on nostalgic modes and combines it with Catherine Johnson’s (2005) analysis of television series’ textual strategies to propose an analytical framework examining individual case studies that locate constructions of nostalgia within specific produ

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18

Ellison, Hannah. "'Nothing but the truth' : genre, gender and knowledge in the US television crime drama 2005-2010." Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/48772/.

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Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave

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19

Gilliam, Eva. "The docu-comedy : towards a new genre in the expression of social commentary through comic performance, using documentary film techniques and reality television discourse." Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/13980.

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Includes bibliographical references (leaves 43-44).<br>A 26-minute docu-comedy product of my studies in film and television production, The Traveling Jewish, captures improvised moments of social interaction through documentary filming style. Through filming, editing, animation and music, it becomes an entertaining half-hour of television and social commentary. It is with each cut, layer, added graphics, omitted sound or musical accompaniment, that the viewer is guided into the cultural understanding and comedic inclination of the creator of such a piece. In doing so, I believe we are opening

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20

Cliffe, David. "Thriller, horror, hacker, spy : the 'hacker' genre in film and television from the 1970s to the 2010s." Thesis, De Montfort University, 2018. http://hdl.handle.net/2086/16358.

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This thesis argues that hacking and surveillance have formed a ‘hacker’ genre in film and television that begins to emerge from the influences of 1970s films, forming between the 1980s and 1990s and continuing to develop through to the 2010s, grouping together computer hacking, surveillance and espionage as activities striving to achieve order over the ‘electronic frontier’. In particular, this thesis identifies how hacker genre films foreground and fetishise the technology of hacking and surveillance of the period of production, which inevitably leads to an in-built expiry date and limited sh

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21

Weidinger, Eli Benjamin. "The Sopranos Experience." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4610.

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My thesis explores what I call the "Sopranos Experience," which draws upon both the historical conventions of the gangster genre as well as the aesthetics and economics of pay-cable television to complicate The Sopranos' (HBO, 1999-2007) psychological relationship with the 21st-century, neoliberal American audience. The Sopranos Experience explicates how wavering identifications and dis-identifications that develop for the spectator through the series' form and content draw the responsibility of an audience away from moral ultimatums that attempt to finalize their experience with the genre, an

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22

Torres, Carla Simone Doyle. "Por uma estética televisiva : um olhar sobre a reflexividade em programas brasileiros." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/142330.

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O estudo sobre a televisão – herdeira de mídias como o rádio e o cinema – não dispõe do mesmo respaldo científico de seus antecessores. Grupos de trabalho mais específicos no Brasil, a exemplo de OBITEL, passaram a ser mais frequentes a partir dos anos 2000. Estudos voltados às questões de estilo e estética do meio são ainda mais raros. Esta tese propõe uma entrada para a discussão estética pelo viés da metatevê, com o objetivo geral de traçar uma configuração para a estética da reflexividade em meio a programas de TV brasileiros, analisando as possibilidades de instauração da promessa de um g

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Boggs, April R. "No Chick Flick Moments: 'Supernatural' as a Masculine Narrative." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1237564610.

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Pignatari, Rosa Malena [UNESP]. "Show da fé e de sentido(s): o universo eclesial como mediação sociocultural." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/89407.

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Made available in DSpace on 2014-06-11T19:24:02Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-08-18Bitstream added on 2014-06-13T19:30:32Z : No. of bitstreams: 1 pignatari_rm_me_bauru.pdf: 1758983 bytes, checksum: 17fe0ee630fcf57b98a2a7e9114abe18 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Às vésperas de completar 100 anos em 2010, o pentecostalismo no Brasil se mostra como um fenômeno complexo, multifacetado, desafiando comunicadores, empresários da mídia, sociólogos, pastores, crentes, ateus e também pesquisadores da comunicação social, já que n

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Silvana, Grujić. "Umetnička igra na televiziji:оblikotvorni principi stvaranja i realizacije televizijskog baleta". Phd thesis, Univerzitet u Novom Sadu, Doktorske disertacije iz interdisciplinarne odnosno multidisciplinarne oblasti na Univerzitetu u Novom Sadu, 2018. https://www.cris.uns.ac.rs/record.jsf?recordId=107281&source=NDLTD&language=en.

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Osnovna oblast razmatranja u ovoj disertaciji odnosi se na načine na koje televizija prihvata balet i različite pojavnosti umetničke igre, sa jasnom distinkcijom izmeĎu realizacije prenosa baletske predstave i kreativnog procesa formiranja specifičnog formata, televizijskog baleta. U strukturalnom pogledu disertacija je podeljena na tri celine koje sadrže sedam poglavlja. To su teorijski, istorijsko-deskriptivno-analitički deo i komparativni deo, uz uvod, zaključak, literaturu, priloge i biografiju autora. U prvom delu pod nazivom &bdquo;Umetnička igra i televizija“, prvo poglavlje odnos

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Karlsson, Emil, and Lina Nilsson. "Animerad TV-vinjett : utsmyckning eller genre? En studie i animerad TV-vinjett." Thesis, University West, Department of Economics and IT, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hv:diva-2539.

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<p>Today, the TV vignette is considered an embellishment to a TV program, despite its broad audiences and unique appearance. We wanted to find out if the television vignette has some common features and conventions but also find out how it relates to genre.We used a case study where we analyzed ten vignettes that we chose from certain criteria. We used a model based on image analysis that we modified to fit our needs. The main parts of each model consisted semiotics, imagery, dramaturgy and sound.We also made a couple of interviews with people who are active or used to work with vignettes. As

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Pignatari, Rosa Malena. "Show da fé e de sentido(s) : o universo eclesial como mediação sociocultural /." Bauru : [s.n.], 2009. http://hdl.handle.net/11449/89407.

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Orientador: Murilo César Soares<br>Banca: Magali do Nascimento Cunha<br>Banca: Maximiliano Martin Vicente<br>Resumo: Às vésperas de completar 100 anos em 2010, o pentecostalismo no Brasil se mostra como um fenômeno complexo, multifacetado, desafiando comunicadores, empresários da mídia, sociólogos, pastores, crentes, ateus e também pesquisadores da comunicação social, já que na contemporaneidade as experiências religiosas são impulsionadas pela adoção da cultura mediática. Essas experiências fermentam em programas como o Show da Fé comandado pelo líder da Igreja Internacional da Graça de Deus

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Bigeon, Christine. "Choix d'orientation, genre et télévision : Devenir footballeuse ou maïeuticien grâce à la télévision ?" Phd thesis, Conservatoire national des arts et metiers - CNAM, 2012. http://tel.archives-ouvertes.fr/tel-00738838.

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Ce travail a pour objectif de tenter de répondre à la question : la télévision a-t-elle une influence sur la division sexuée de l'orientation, sur le fait que filles et garçons continuent à penser qu'il existe des métiers pour les femmes et des métiers pour les hommes ? Si tel est le cas, quelle est la nature de cette influence? Nous n'avons pas trouvé de lien direct entre télévision et choix de métier, même si une partie de ces choix, notamment chez les plus jeunes, concernent des métiers qui ne peuvent être connus que grâce à la télévision. On note par contre le rôle des modèles, des héros c

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Barreau, Sophie. "Le documentaire télévisé français : de l’art cinématographique à l’industrie audiovisuelle. Etude de cas de la chaîne culturelle ARTE." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030108.

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La majorité des images documentaires françaises sont aujourd’hui produites par l’industrie télévisuelle, et non plus par la filière cinématographique. Je m’intéresse à la figure culturelle prééminente de la politique audiovisuelle française et européenne, ARTE. Ce travail tente de repenser les relations entre l’artistique et l’économique, l’art et les médias, à partir d’une enquête de terrain menée auprès de professionnels du documentaire. Mon analyse se structure autour de trois grands axes : l’évolution du marché du documentaire français, les changements du sens symbolique et du mode de conc

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Ding, Lingzi. "Le genre Variety à la télévision japonaise et la société japonaise contemporaine : approches historique, communicationnelle, culturelle." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080022.

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Les émissions de variétés à la télévision japonaise sont appelées des variety (/baraétéi/). Ces émissions reposent sur des mélanges à tous niveaux (genres, formats…). En partant d’une imitation des productions américaines, la variety a fait preuve de créativité en s’adaptant constamment à l’actualité de la société japonaise.Cette thèse rend compte de la fonction d’harmonisation de la société assignée aux programmes du genre variety, fonction à laquelle se réfèrent les principes d’action des sociétés de télévision japonaises. Nous pouvons observer cette fonction à partir des réalisations concrè

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Barber, Matthew David. "Shooting the President : the depiction of the American presidency on film and television from John F. Kennedy to Josiah Bartlet." Thesis, University of Exeter, 2009. http://hdl.handle.net/10036/97066.

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This thesis – Shooting the President: Screen Depictions of the American Presidency from John F. Kennedy to Josiah Bartlet – examines the depiction of the presidency in American film and television from 1960 until the present day. In this study I explore the relationships between the presidency and Hollywood, particularly in the context of genre structures. I examine the constructions of specific presidential mythologies based on the real presidencies of Kennedy, Nixon and Clinton and the construction of fictional presidencies in the television series The West Wing. In four sets of case studies

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32

Grignon, Prisca. "Le champ d'existence de la novélisation francophone actuelle (10 dernières années) : la novélisation, un nouveau genre ?" Thesis, Montpellier 3, 2012. http://www.theses.fr/2012MON30031/document.

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Omniprésente dans l’édition pour la jeunesse ou à destination du grand public, la novélisation est pourtant peu visible dans le champ littéraire francophone, sans doute parce qu’elle est associée au versant le plus mercantile de la production éditoriale. D’où une pénurie d’études critiques la concernant. Seulement deux chercheurs, Monique Carcaud-Macaire et Jan Baetens, étudient ces textes, définis a minima comme un type d’adaptation d’un scénario cinématographique et/ou audiovisuel à un texte fictif. On constate que leur choix orthographique, « novellisation », fait autorité dans la critique,

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Hussein, Hasna. "Télévision et transformation des imaginaires et des rôles de genre dans les sociétés arabes : programmation et réception des chaînes satellitaires au liban, en egypte, en tunisie, au qatar et aux emirats arabes unis." Thesis, Bordeaux 2, 2013. http://www.theses.fr/2013BOR22070.

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Cette thèse montre, par l’étude de la nouvelle visibilité des femmes dans les programmes des chaînes satellitaires, comment la télévision contribue à l’hybridation socioculturelle, à l’acculturation et à l’incorporation sélective des valeurs et des normes de genre. Il s’agit dans un premier temps d’un travail de contextualisation de la complexité des représentations des femmes à la télévision depuis la diffusion satellitaire, à partir d’une étude comparative des scènes télévisuelles entre cinq pays arabes: le Liban, la Tunisie, l’Égypte, le Qatar et les Émirats-Arabes-Unis. Dans un second temp

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Wälivaara, Josefine. "Dreams of a subversive future : sexuality, (hetero)normativity, and queer potential in science fiction film and television." Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-62893.

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The aim of the thesis is to explore depictions of sexuality in popular science fiction film and television through a focus on storytelling, narrative, characters and genre. The thesis analyses science fiction as a film and television genre with a focus on the conventions, interpretations, and definitions of genre as part of larger contexts. Central to the argumentation is films and television series, from Star Wars and Star Trek, to Firefly and Torchwood. The approach allows a consideration of how the storytelling conventions of science fiction are, and have been, affected by its contexts. Thr

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Ding, Lingzi. "Le genre Variety à la télévision japonaise et la société japonaise contemporaine : approches historique, communicationnelle, culturelle." Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080022.

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Les émissions de variétés à la télévision japonaise sont appelées des variety (/baraétéi/). Ces émissions reposent sur des mélanges à tous niveaux (genres, formats…). En partant d’une imitation des productions américaines, la variety a fait preuve de créativité en s’adaptant constamment à l’actualité de la société japonaise.Cette thèse rend compte de la fonction d’harmonisation de la société assignée aux programmes du genre variety, fonction à laquelle se réfèrent les principes d’action des sociétés de télévision japonaises. Nous pouvons observer cette fonction à partir des réalisations concrè

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Öztemir, Nese. "Scènes de genre, les séries feuilletonnantes turques et leurs publics : le cas de "Poyraz Karayel"." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20112/document.

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La série feuilletonnante occupe aujourd'hui (plus encore qu'hier) une place prépondérante dans la production comme dans la consommation audiovisuelle turque. Elle est à l’intersection de diverses dynamiques, d’ordres politique, socio-culturelle et économique. Sur le plan de la production, elle est un élément majeur du « soft power » national, la Turquie étant le second exportateur de séries (notamment dans le Moyen-Orient) après les États-Unis. Sur le plan intérieur, la production de série obéit aux impératifs de la concurrence, régulée par le gouvernement, chacune des 553 chaînes de télévisio

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Glatzer, Elizabeth A. "Sitcoms in a League of Their Own: A Critical Analysis of Situational Feminism in The Golden Girls and Sex and the City." Thesis, Boston College, 2010. http://hdl.handle.net/2345/1213.

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Thesis advisor: Bonnie S., PhD Jefferson<br>This paper examines the parallels between the situation comedies, The Golden Girls and Sex and the City. These shows possess striking similarities in their character portrayals and both emphasize the sisterly relationships of their characters. Using representative episodes, this paper illustrates that The Golden Girls and Sex and the City belong to the same unique subgenre of sitcoms that involve the non-traditional family formed by close female friends. In addition to criticism by genre, this paper also analyzes The Golden Girls and Sex and the City

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Nascimento, Marcus Vinícius Batista. "Interpretação da língua brasileira de sinais a partir do gênero jornalístico televisivo: elementos verbo-visuais na produção de sentidos." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/13551.

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Made available in DSpace on 2016-04-28T18:22:27Z (GMT). No. of bitstreams: 1 Marcus Vinicius Batista Nascimento.pdf: 2416589 bytes, checksum: 2151e0c46415aee8f184d6b07cc718c9 (MD5) Previous issue date: 2011-12-09<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This research aims to conduct a descriptive analysis of the performance of LIBRAS (Brazilian Sign Language) / Portuguese translator interpreter (TILSP), in the journalism genre and in the sphere of television activity, from the work experience of the author of this research as an interpreter in this kind of discourse.

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Santos, Junior Cid José Machado dos. "Aproximações à história do gênero épico na TV brasileira : um estudo sobre a minissérie A muralha (TV Globo, 2000)." Universidade Federal de São Carlos, 2014. https://repositorio.ufscar.br/handle/ufscar/8958.

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Submitted by Aelson Maciera (aelsoncm@terra.com.br) on 2017-08-07T20:39:12Z No. of bitstreams: 1 DissCJMSJ.pdf: 869918 bytes, checksum: be5311add9b63b3791b5ff00a316b852 (MD5)<br>Approved for entry into archive by Ronildo Prado (ronisp@ufscar.br) on 2017-08-09T13:38:09Z (GMT) No. of bitstreams: 1 DissCJMSJ.pdf: 869918 bytes, checksum: be5311add9b63b3791b5ff00a316b852 (MD5)<br>Approved for entry into archive by Ronildo Prado (ronisp@ufscar.br) on 2017-08-09T13:38:15Z (GMT) No. of bitstreams: 1 DissCJMSJ.pdf: 869918 bytes, checksum: be5311add9b63b3791b5ff00a316b852 (MD5)<br>Made available in

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Lallet, Mélanie. "Le féminin dans les séries animées françaises pour enfants. Le genre joué et déjoué par les personnages d'animation." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA116.

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Cette thèse présente une analyse sociohistorique des identités de genre proposées par les séries animées télévisées françaises. Une analyse de la programmation ainsi que des phénomènes d'adaptation et de reprise permet de mettre en évidence un jeu de tension entre conformisme et innovation, mais aussi d'éventuels effets de retour en arrière. Nous verrons que ces programmes ont souvent relayé une construction différentialiste du genre, caractérisée par la subalternité du féminin et son assignation à des fonctions d'assistance et de soin. Néanmoins, en accompagnant les transformations de notre s

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Peng, Hsin-Pey. "The rise of regionalisation in the East Asian television industry: a case study of trendy drama 2000-2012." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2012. https://ro.ecu.edu.au/theses/534.

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This thesis examines the contemporary Taiwanese television industry and its influence on the Asian TV market and popular culture in Asia. It explores the East Asian TV industry’s ability to produce a specific regional TV genre – that of trendy drama – as a means of representing the tastes and lifestyles of a new audience. I claim in the thesis that the East Asian TV industries have produced trendy drama for an emerging middle class audience in Asia. Trendy drama still is one of the most popular genres at the level of local TV productions; it can also be sold to an Asian regional audience. The

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Sweet, Anne. "Le Girl Power en question dans Xena Warrior Princess et Charmed : enjeux sociaux et commerciaux dans des politiques de genre." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030159.

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Cette thèse s’interroge sur les enjeux sociaux et commerciaux des politiques de genre. Par conséquent, elle considère la notion de Girl Power définie comme le pouvoir des filles et examine les discours renégociés autour du genre par l’examen d’héroïnes de séries des années 1990. Par contraste avec les séries des années 1970 qui relèvent du féminisme de la 2e vague, les séries des années 1990-2000 s’inscrivent davantage dans la mouvance du féminisme de la 3e vague. Ces séries ont suscité des polémiques autour des questions de féminisme et de violence télévisée et féminisée. Le corpus est princi

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Brown, Jared Clayton. "Sex and the City, Platinum Edition: How The Golden Girls Altered American Situation Comedy." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1366060647.

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Silva, Dirceu Lemos da. "TV a.G: A PROGRAMAÇÃO TELEVISIVA PAULISTA ANTES DA GLOBO." Universidade Metodista de São Paulo, 2012. http://tede.metodista.br/jspui/handle/tede/637.

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Made available in DSpace on 2016-08-03T12:29:37Z (GMT). No. of bitstreams: 1 Dirceu Lemos da Silva pg 1_160.pdf: 2528127 bytes, checksum: f8c573f16805a13fad56b9710391dc90 (MD5) Previous issue date: 2012-05-07<br>Television programming is the soul of a network. It places a TV channel within the correct identity among the viewing public and can be considered the true product of broadcasting. A network s schedule of programs is built within a strategy to attract the largest possible audience and, especially, to foment loyalty. In the 70 s, TV Globo reached the highest share-of-audience with a t

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Simonds, Cheri J. (Cheri Jo). "A Rhetorical Analysis of Jimmy Swaggart's 1988-89 Program for Defense." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc501213/.

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This study seeks to determine the extent to which Jimmy Swaggart's program for defense in 1988 complies with the expectations of the apologia genre. Three discourse media are examined for evidence of denial, bolstering, differentiation, and transcendence. Swaggart's defense is classified as "justificative" in that it seeks approval of actions. Swaggart's motivating drive force is defined as the need to assure the financial success of his ministry. Swaggart's defense is then compared with the past apologies of Nixon, Truman, and Kennedy. It was determined that certain apologies cannot serve as

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Siebert, Silvânia 1971. "Crônicas em antologias, suas adaptações audiovisuais e os sentidos = o gênero na formação intercultural discursiva em comunicação social = Chronicles in anthologies, their audiovisual adaptations and meanings : the genre in the intercultural discursive formation from the social communications perspective." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269659.

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Orientador: Silvana Mabel Serrani<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-21T02:55:33Z (GMT). No. of bitstreams: 1 Siebert_Silvania_D.pdf: 39008027 bytes, checksum: 7b302bfb609b2cdb6046d54da8f87899 (MD5) Previous issue date: 2012<br>Resumo: Esta pesquisa destina-se ao estudo discursivo da leitura do gênero crônica - suas memórias e seu funcionamento - em duas materialidades. Buscamos compreender o funcionamento na forma escrita - em obras reunidas em antologias, e na forma audiovisual - em crônicas que

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Bull, Sofia. "A Post-genomic Forensic Crime Drama : CSI: Crime Scene Investigation as Cultural Forum on Science." Doctoral thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-81474.

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This thesis examines how the first 10 seasons of CSI: Crime Scene Investigation (CBS, 2000–) engage with discourses on science. Investigating CSI’s representation of scientific practices and knowledge, it explicitly attempts to look beyond the generic assumption that forensic crime dramas simply ‘celebrate’ science. The material is analysed at three different levels, studying CSI’s wider cultural discursive context, genre linkages, and audio-visual form. In order to fully account for the series’ specificity, the thesis undertakes comparative analyses of earlier forensic crime dramas and other

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Sander, Johanna. "New Style in Sitcom : exploring genre terms of contemporary American comedy TV series through their utilization of documentary style." Thesis, Linköpings universitet, Institutionen för studier av samhällsutveckling och kultur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-108470.

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Through exploring the use of documentary style in a selection of contemporary American comedy series, this thesis closes in on the question whether texts that stylistically differ from traditional sitcom can still be regarded as part of the sitcom genre. The contemporary American TV series that are being analyzed are The Office, Arrested Development, Modern Family, Parks and Recreation, Brooklyn Nine-Nine and The Michael J. Fox Show. As the series’ place within sitcom becomes apparent, the analysis ultimately leads to a critical investigation of the term “comedy verite.” Questioning the concep

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Swanson, Stephen C. "The Stranger in the Dark: The Ethics of Levinasian-Derridean Hospitality in Noir." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1182190991.

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Lindell, Klara. "A standard case of subtitling. : A comparative analysis of the subtitling of Scrubs and House M.D. with a focus on medical terminology." Thesis, Stockholms universitet, Engelska institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-78325.

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Toury’s first law of translation states that translation of all kinds entails standardisation and, moreover, that the more peripheral the status of a text is, the more standardised its translation will be. As such, the purpose of this essay was to investigate to what extent this holds true in the Swedish translations of the two US television hospital shows Scrubs and House M.D. Though they are both hospital shows, House M.D. – considering its unprecedented genre hybridity and unusual plot structure – is a less mainstream and, as such, more peripheral example of a hospital show than Scrubs, whi

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