Relevant bibliographies by topics / Television – History

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Television – History'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Television – History"

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Bignell, Jonathan. "Performing television history." Critical Studies in Television: The International Journal of Television Studies 13, no. 3 (August 21, 2018): 262–79. http://dx.doi.org/10.1177/1749602018782860.

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An expanded conception of performance study can disturb current theoretical and historical assumptions about television’s medial identity. The article considers how to write histories of the dominant forms and assumptions about performance in British and American television drama and analyses how acting is situated in relation to the multiple meaning-making components of television. A longitudinal, wide-ranging analysis is briefly sketched to show that the concept of performance, from acting to the display of television’s mediating capability, can extend to the analysis of how the television medium ‘performed’ its own identity to shape its distinctiveness in specific historical circumstances.
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Foot, John. "Inside the Magic Rectangle: Recent Research on the History of Television." Contemporary European History 11, no. 3 (July 31, 2002): 467–75. http://dx.doi.org/10.1017/s0960777302003089.

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Ada Ferrari and Gaia Giusto (eds.), Milano città della radio televisione (Milan: Francoangeli, 2000) 139pp., L 24,000 (pb) ISBN 88-464-1721-6.Chiara Giaccardi, Anna Manzato and Giorgio Simonelli, Il paese catodico. Televisione e identità nazionale in Gran Bretagna, Italia e Svizzera Italiana (Milan: FrancoAngeli, 1998) 135pp., L 24,000 (pb) ISBN 88-464-0734-2.Ralph Negrine, Television and the Press since 1945 Documents in Contemporary History, (Manchester: Manchester University Press, 1998), 212pp., £12.99 (pb) ISBN 0-7190-4921-0.Jeffrey S. Miller, Something Completely Different. British Television and American Culture (University of Minnesota Press, 2000), 208pp., £12.99 (pb), ISBN 0-8166-3241-3, £31.00 (hb) 0-1866-3240-5.Marie-Francoise Lévy (ed.), La Télévision dans la République. Les années 50, Collection ‘Histoire du temps present’ (Paris: IHTP/CNRS, Editions complexe, 1999), 242pp (pb), €18.30, ISBN 2-87027-730-X.Francesca Anania, Davanti allo schermo. Storia del pubblico televisivo (Rome: Carocci, 1997), 152pp., L 30,000 (pb), ISBN 88-430-0535-9.
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Corner, John, Peter Goddard, and Kay Richardson. "Television History." Norsk medietidsskrift 8, no. 01 (May 1, 2001): 38–49. http://dx.doi.org/10.18261/issn0805-9535-2001-01-04.

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Hill, Doug, Jeff Weingrad, Christopher Schemering, Lynn Woolley, Michael Shore, Dick Clark, and Anthony Slide. "Television History." Communication Booknotes 17, no. 3 (March 1986): 29. http://dx.doi.org/10.1080/10948008609488232.

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CONFERENCESERVICES. "Television history." Displays 7, no. 3 (July 1986): 139. http://dx.doi.org/10.1016/0141-9382(86)90014-4.

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Bell, Erin, and Ann Gray. "History on television." European Journal of Cultural Studies 10, no. 1 (February 2007): 113–33. http://dx.doi.org/10.1177/1367549407072973.

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Jones, Aled. "Making Television History." Screen 26, no. 6 (November 1, 1985): 65–69. http://dx.doi.org/10.1093/screen/26.6.65.

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Jarvie, Ian. "History on Television." Historical Journal of Film, Radio and Television 21, no. 1 (March 2001): 97–99. http://dx.doi.org/10.1080/01439680020030914.

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Baron, Nick. "History on Television." Historical Journal of Film, Radio and Television 34, no. 4 (August 30, 2014): 606–7. http://dx.doi.org/10.1080/01439685.2014.943970.

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Gibson, Mark. "Review: The Historian, Television and Television History." Media International Australia 103, no. 1 (May 2002): 150–51. http://dx.doi.org/10.1177/1329878x0210300126.

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Dissertations / Theses on the topic "Television – History"

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Irwin, Mary. "BBC television documentary 1960-70 : a history." Thesis, Glasgow Caledonian University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492389.

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In recent years British television drama of the 1960s has been the subject of significant academic scholarship and popular retrospective interest. The British television documentary of the period is, in contrast, markedly under researched. Initial investigation suggested that while the independent television network produced two very influential documentary series in Granada's World in Action (1963-1998) and ABC/Thames This Week (1956-1992), both of which have already been the subject of academic study, it was, in the main, at the BBC that the most critically acclaimed and popularly remembered documentaries of the period were produced. Beginning by tracing the televisual climate of the late 1950s and early 1960s out of which the documentaries developed, this thesis aims to construct the first scholarly narrative history of the development of the BBC television documentary between 1960 and 1970. It examines and re evaluates some of the most significant and influential BBC television documentaries or documentary series of the period, whilst examining the lack of status afforded other particular BBC television documentaries.
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Gordon, James Thomas. "A history of local television news presentation." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343754433.

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Sills-Jones, Dafydd. "History documentary on UK terrestrial television, 1982-2002." Thesis, Aberystwyth University, 2009. http://hdl.handle.net/2160/ce5f1edf-1dba-4b89-b0c3-7f70cbcc00c8.

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This thesis is an examination of the connection between the changes in the political economy of television, and changes in history documentary form, between 1982 and 2002 on UK terrestrial television. It reviews the literature on the political economy of the media, including public service broadcasting (PSB), and on documentary form, including history documentary form. The thesis then poses three research questions which aim to explore changes in the political economy of television, the effect these changes had on the production of history documentary, and the effect these changes in production had on the form of history documentary. The thesis used official documentation, television listings, practitioner interviews and textual analysis to answer these research questions. The thesis then lays out a historical narrative of the developments in the production of history documentary on UK terrestrial television between 1982 and 2002, and analyses the causes and results of these developments. It argues that a direct link exists between changes in the political economy of television and changes in the form of history documentary between 1982 and 2002. The thesis demonstrates that the shift from traditional PSB values towards a market-driven broadcasting ecology affected the production, and form, of history documentaries. These changes in turn challenged traditional notions of quality and history documentary‘s function as a form of PSB. The thesis also demonstrates that the effect of political economic change on history documentary form was not as simple as had hitherto been implied in the academic literature. In particular, there was a parallel between the tension between public service and commercial aims, in both the structures of television production, and the form of history documentary.
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Sandonato, Nicole. "The History of Gender Representations in Teen Television." Thesis, Boston College, 2014. http://hdl.handle.net/2345/3869.

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Thesis advisor: William Stanwood
This research examines the history of gender representations in television programs designed for adolescents to discover how these portrayals have developed and changed over time in order to determine the perceived messages about stereotypical gender norms and roles for adolescents. These messages are important to decode as adolescent males and females can learn gender roles and behaviors from the teen programming that they watch on television. The study investigated the most popular teen television programs from each of the last three decades including Beverly Hills 90210, Buffy the Vampire Slayer, Smallville, One Tree Hill, Pretty Little Liars and Teen Wolf. The first part of the study completed was a textual analysis of the episodes. Secondly, a content analysis was performed on all of the examples from the episodes. The codes used for this study include Language, Sex Roles, Emotionality, and Traditional Roles. Although the majority of gender messages present were normative in that they reinforced gender roles and stereotypes, the findings also suggest that gender representations are becoming less normative as the genre continues to grow and develop
Thesis (BA) — Boston College, 2014
Submitted to: Boston College. College of Arts and Sciences
Discipline: Communication Honors Program
Discipline: Communication
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Chun, Jayson Makoto. "A nation of a hundred million idiots : a social history of Japanese television, 1953-1973 /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3120616.

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Thesis (Ph. D.)--University of Oregon, 2004.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 405-428 (v. 2)). Also available for download via the World Wide Web; free to University of Oregon users.
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Osei-Hwere, Enyonam M. "Children's Television in Ghana: History, Policy, Diversity, and Prospects in a Changing Media Environment." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1218685896.

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Borrowman, Shane Christopher. "Making history: Rhetoric, historiography, and the television news media." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/290635.

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Drawing on work in communications, media studies, and history, I argue that the historiographical methods of rhetoric and composition need to move beyond written discourse to consider the use of visual historical representations of the past. To explicate my argument, I analyze multiple examples of local and national television news coverage of the Vietnam War, the Gulf War, and the recent fighting in Kosovo. Based upon these examples, I argue that the television news media work within a dysfunctional, narrative-driven genre that is entirely inadequate in its attempts to analyze current world events, particularly warfare, because of heavy reliance upon culturally recognizable images of the past drawn from both fictional and non-fictional sources. Ultimately, my argument demonstrates the need for a critical methodology in rhetoric and composition for examining texts that are visual--such as photographs, video tapes, and multimedia documents on the Web. I begin with an examination of the history and historiography of rhetoric and composition. Using Susan Jarratt's Rereading the Sophists as an extended example, I analyze how history is both written and critiqued in this field--drawing heavily on such sources as Rhetoric Review's Octalogs and the work of James Berlin, Thomas P. Miller, and Robert J. Connors. To move the historiographical methods into the analysis of visual history, I draw on the work of a wide range of scholars in communications, media studies, and history: Walter Lippmann, Thomas E. Patterson, W. Lance Bennett, Noam Chomsky, Jean Baudrillard, H. Bruce Franklin, and others. After applying the methodology I develop to several texts--from both television and the Web--I extend my arguments beyond historiography to American culture. I argue that the ways in which the past is constructed have direct consequences for the ways in which Americans understand the past and present. Specifically, superficial constructions of history limit the ability of viewers/readers to think critically about the past and thus limit the complexity of arguments on which decisions in the present can be based. In this sense, visual history is an example of deliberative rhetoric limited by the constraints under which forensic rhetoric is constructed.
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Westwell, Guy. "History-in-images/images in history : American cultural memory and film representations of the Vietnam War." Thesis, University of Glasgow, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340278.

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This thesis charts points of convergence between the fields of historical studies and film studies that generate a line of inquiry which questions how the development and dissemination of film and television have significantly shaped historical conscIOusness. Taking this line of inquiry as a starting point, this thesis identifies the ways in which film (and television) representations have informed American cultural memory of the Vietnam War. The thesis describes how the reporting of the war in newspapers and on television results in the production of a number of vivid and powerful 'nodal images'; these images enable their viewers to locate themselves in relation to the larger event and offer guidance regarding how other representations produced in response to the war might be understood. The thesis goes on to explore how these images play a significant. role in secondary film and television representations, including Hollywood feature films, whereby the initial connotations of the image are recirculated, reenacted and re-scripted. The thesis also indicates how other film representation of the war - such as the film records produced by the American military for tactical and strategic purposes and amateur film produced by American military personnel- are side-lined by the dominance of these nodal images. This study closes by proposing a taxonomy of the key features of these film (and television) representations and profiles the ways in which these features determi~e American cultural memory of the war and mediate historical experience more generally. The conclusion arrived at is that the historical consciousness engendered by these representations encourages the meaning of the Vietnam War to be located in relation to individual phenomenological experience and that the priVileging of this experience above all others marginalises the wider frames of reference - politics, history, economics and so on - which might make that experience meaningful.
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Bevan, Carin. "Putting up screens a history of television in South Africa, 1929-1976 /." Diss., Pretoria : [S.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-05212009-182219.

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Maloney, Christopher John. "Lights, Cameras, Quorum Call: A Legislative History of Senate Television." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625611.

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Books on the topic "Television – History"

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Wheen, Francis. Television: A history. London: century publishing, 1985.

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Peter, Fiddick, ed. Television: A history. London: Century Pub., 1985.

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1975-, Bell Erin, ed. History on television. London: Routledge, 2012.

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Stephen, Herbert, ed. A history of early television. London: Routledge, 2004.

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1957-, Roberts Graham, Taylor Philip M, and Pronay Nicholas, eds. The historian, television and television history: A collection. Luton: University of Luton Press, 2001.

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1957-, Roberts Graham, Taylor Philip M, and Pronay Nicholas, eds. The historian, television and television history: A collection. Luton: University of Luton Press, 2001.

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Jonathan, Bignell, and Fickers Andreas, eds. A European television history. Malden, MA, USA: Wiley-Blackwell, 2009.

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Marschall, Richard. The history of television. New York: Gallery Books, 1986.

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Vecchione, Judith. Vietnam, a television history. Boston, MA: WGBH, 1996.

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1938-, Smith Anthony, and Paterson Richard 1947-, eds. Television: An international history. 2nd ed. Oxford: Oxford University Press, 1998.

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Book chapters on the topic "Television – History"

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Cigognetti, Luisa, and Pierre Sorlin. "History on Television." In Televising History, 28–41. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277205_3.

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Boddy, William. "Television Begins." In Communication in History, 200–211. 8th ed. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003250463-32.

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Boddy, William. "Television Begins." In Communication in History, 243–53. Seventh edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315189840-36.

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Jacobs, Jason, and Jamie Medhurst. "Television and History." In Tele-Visions, 107–23. London: British Film Institute, 2006. http://dx.doi.org/10.1007/978-1-349-91936-9_8.

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Downing, Taylor. "History on Television." In The World at War, 5–15. London: British Film Institute, 2012. http://dx.doi.org/10.1007/978-1-84457-717-0_2.

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D'Arcy, Geraint. "Television, History, Realism." In Critical Approaches to TV and Film Set Design, 62–87. London; New York: Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315205939-4.

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Matelski, Marilyn J. "A Brief History." In Daytime Television Programming, 1–12. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032621890-1.

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Milne, Mike. "History." In The Transformation of Television Sport, 13–43. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137559111_2.

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Gray, Ann. "History Documentaries for Television." In The Documentary Film Book, 328–36. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_37.

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Ashbridge, Noel. "Television Abroad." In A History Of Early Television Vol 2, 65–66. London: Routledge, 2024. http://dx.doi.org/10.4324/9781032660363-24.

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Conference papers on the topic "Television – History"

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Baldwin, John L. E. "Digital Television Recording — History and Background." In SMPTE Television Conference. IEEE, 1986. http://dx.doi.org/10.5594/m00763.

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Shiraishi, Yuma. "Technical History of Home VTR Development." In SMPTE Television Conference. IEEE, 1985. http://dx.doi.org/10.5594/m00805.

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Alencar, Marcelo S., Waslon T. A. Lopes, and Francisco Madeiro. "History of television in Brazil." In 2010 Second IEEE Region 8 Conference on the History of Telecommunications (HISTELCON). IEEE, 2010. http://dx.doi.org/10.1109/histelcon.2010.5735326.

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Sgrignoli, Gary. "History of ATSC Digital Television Transmission System." In 2007 Digest of Technical Papers International Conference on Consumer Electronics. IEEE, 2007. http://dx.doi.org/10.1109/icce.2007.341420.

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Nwulu, Nnamdi I., Adeyemi Adekanbi, Tochukwu Oranugo, and Yemi Adewale. "Television broadcasting in Africa: Pioneering milestones." In 2010 Second IEEE Region 8 Conference on the History of Telecommunications (HISTELCON). IEEE, 2010. http://dx.doi.org/10.1109/histelcon.2010.5735315.

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Tihomirov, V. A. "Social and political talk shows on Russian television as a tool political propaganda." In Scientific trends: Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-06-2020-04.

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Wong, Lincoln. "The History of the Television Receiver and its Future Direction." In SMPTE Australia Conference. IEEE, 1999. http://dx.doi.org/10.5594/m001177.

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Mukha, Angela V., and Marina S. Fedorova. "Sociological approaches to the study of the specifics of television journalism of the First Channel." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-178-183.

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Ozawa, Yutaka. "100 years history of the Yagi-Uda Antenna : The Yagi-Uda antenna used for television reception and has the history along with the spread of television broadcasting." In 2024 IEEE International Workshop on Antenna Technology (iWAT). IEEE, 2024. http://dx.doi.org/10.1109/iwat57102.2024.10535861.

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Kratochvil, Tomas. "From analog to Digital Television — the common way how to digitize European broadcasting." In 2008 IEEE History of Telecommunications Conference - "From Semaphone to Cellular Radio Telecommunications". IEEE, 2008. http://dx.doi.org/10.1109/histelcon.2008.4668734.

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Reports on the topic "Television – History"

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Chong, Alberto E. Is It Possible to Speak English Without Thinking American?: On Globalization and the Determinants of Cultural Assimilation. Inter-American Development Bank, March 2006. http://dx.doi.org/10.18235/0010856.

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Based on research in linguistics and psychology I use language speech as a reflection of acculturation. I use individual and city-level data from the Lake Ontario area in Canada and study the determinants of cultural assimilation. I focus on education, age, income, and in particular, on some variables typically discussed when globalization issues come up, such as immigration, television viewing, borders, and residence history of the individuals. I find that actual contact does matter as a determinant of cultural homogenization. Virtual contact appears to be irrelevant. This finding is robust to changes in specification and to different empirical methods.
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