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Relevant bibliographies by topics / Television images

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Academic literature on the topic 'Television images'

Author: Grafiati

Published: 19 February 2023

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Journal articles on the topic "Television images"

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Botta, Renée A. "Television Images and Adolescent Girls' Body Image Disturbance." Journal of Communication 49, no. 2 (June 1, 1999): 22–41. http://dx.doi.org/10.1111/j.1460-2466.1999.tb02791.x.

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Brookfield, Stephen. "Media Power and the Development of Media Literacy: An Adult Educational Interpretation." Harvard Educational Review 56, no. 2 (July 1, 1986): 151–71. http://dx.doi.org/10.17763/haer.56.2.6601402174824253.

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Stephen Brookfield describes and illustrates television's presentation of bias in programming and production. He advocates educating adults to be critical in consuming television images of reality and presents six techniques which have been successful in teaching adults to read between the lines of television's portrayal of political issues, news events, and images of society.

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Barnes, Colin. "Images of Disability on Television." Disability, Handicap & Society 7, no. 4 (January 1992): 385–87. http://dx.doi.org/10.1080/02674649266780481.

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Rajarathnamani, Beulah Rachel. "Television images and body image concerns among adolescent girls." Mass Communicator: International Journal of Communication Studies 11, no. 4 (2017): 19. http://dx.doi.org/10.5958/0973-967x.2017.00022.9.

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Siqueira, Fabiana Cardoso de. "Telejournalism in Transformation: The Co-Production of New News-Values." Brazilian Journalism Research 13, no. 2 (August 30, 2017): 141. http://dx.doi.org/10.25200/bjr.v13n2.2017.977.

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Transformations to the production routines in telejournalism caused by how news is now being produced was the motivation for our doctoral research. This article is a part of this study analyzes the emergence of a new news-value behind the process of selecting what will or will not be broadcast on television news: the unique flagrant of co-production. This new news-value is connected to co-producers and their more active role in news programs. Co-producers are not cameramen at television stations, news agencies, or press services. They are citizens who capture images which are then used in television news broadcasts. The study was based on participant observation (WOLF, 1997), semi-structured interviews and a content analysis (HERSCOVITZ, 2007) of Rede Globo National News in Brazil. In our understanding, journalists select these images in order to create effects of participation of the represented real.As transformações nas rotinas produtivas do telejornalismo provocadas pela maneira como as notícias estão sendo produzidas motivaram nossa pesquisa de doutorado. Este artigo é parte desse estudo e tem como objetivo analisar o surgimento de um novo valor-notícia no processo de seleção do que será ou não veiculado nos noticiários televisivos: o flagrante único de coprodução. Esse novo valor-notícia está atrelado a atuação mais ativa por parte dos coprodutores nos telejornais. Os coprodutores não são cinegrafistas das emissoras de televisão, nem de agências de notícias, nem de assessorias de imprensa. São cidadãos que captam imagens, que acabam sendo usadas nos telejornais. O estudo foi feito a partir da observação participante (WOLF, 1997), entrevistas semiestruturadas e também da análise de conteúdo (HERSCOVITZ, 2007) do Jornal Nacional da Rede Globo. No nosso entendimento, os jornalistas selecionam essas imagens com a intenção de criar efeitos de participação do real representado. La transformación en las rutinas productivas causada por la manera como las noticias estan siendo produccidas han motivado nuestra investigación doctoral. Este artículo es parte de este estudio y tiene como meta analizar la aparición de un nuevo valor-noticia en la selección de lo que será transmitido en el telediario: el flagrante único de coproducción. Este nuevo valor-noticia está relacionado con la atuación más activa por parte de los coprodutores en los telediarios. Los coproductores no son cámaras de estaciones de televisión, ni de agencias de noticias, ni de oficina de prensa. Son ciudadanos que capturan imágenes, utilizadas en los noticiarios televisivos. El estudio fue hecho a partir de la observación participante (WOLF, 1997), entrevistas semiestructuradas y también de la análisis de contenido (HERSCOVITZ, 2007) de lo telediario Jornal Nacional de la Rede Globo, en Brasil. En nuestro entendimiento, los periodistas eligen las imagines con la intención de crear efectos de participación en lo real representado.

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Greguš, Ľuboš, Anna Kačincová Predmerská, and Jana Radošinská. "Misleading Through Images: Television News as Simulacrum." Studies in Media and Communication 10, no. 2 (June 13, 2022): 65. http://dx.doi.org/10.11114/smc.v10i2.5557.

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The aim of the presented theoretical-empirical study, which is based on theoretical reflection on the issue in question, case study and application of quantitative content analysis, is to discuss the occurrence of simulations in contemporary television newscasting in the context of the construction of media reality. Due to the specificity of the topic and the complexity of the research, we focus on informing about foreign affair events portrayed by the Slovak news television channel TA3. Drawing from current studies and acquired data sets, the research material consists of 712 television news items by TA3 and 4208 audio-visual agency materials by Reuters published over a two-month period, more specifically in January 2019 and May 2019. We conducted quantitative content analysis in order to point out the degree of occurrence of simulations in television news. Considering the results of the inquiry, we can confirm the unclear labelling of stock and archive images in every eighth television news item, which can lead to distortion of recipients’ imagination, i.e., towards misrepresentation or ‘bending’ objective reality in their minds caused by television broadcasting.

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Semenov, Vladimir, Yurij Hanzhonkov, Yurij Astsaturov, and Victoria Shvets. "Television analyzer of aerosol particles images." E3S Web of Conferences 104 (2019): 02006. http://dx.doi.org/10.1051/e3sconf/201910402006.

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In the paper an aerosol image analyzer is described, which allows to obtain in three projections the main geometric and optical parameters of the aerosol particles. It is necessary for the calibration of simple optical-electronic sensors. We describe a recognition algorithm that allows real-time obtaining of data on the shape, size, and color of studying aerosols.

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Scriven, Michael. "Review Essay : Television images of Sartre." French Cultural Studies 3, no. 7 (February 1992): 087–92. http://dx.doi.org/10.1177/095715589200300706.

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Staples, Robert, and Terry Jones. "Culture, Ideology and Black Television Images." Black Scholar 16, no. 3 (May 1985): 10–20. http://dx.doi.org/10.1080/00064246.1985.11414338.

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Rodgers, Michael P. H. "The images in television programs and the potential for learning unknown words." Approaches to learning, testing, and researching L2 vocabulary 169, no. 1 (April 16, 2018): 191–211. http://dx.doi.org/10.1075/itl.00012.rod.

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Abstract Previous studies have indicated the potential for incidental vocabulary learning through viewing television. The assumption has been that the imagery in television helps learners acquire vocabulary because when they hear an unfamiliar word, the on-screen images provide semantic support. However, the extent to which imagery in authentic television supports learners in this way is unclear. This study examines 90 target words occurring in single seasons of television, and the degree to which their aural occurrence matched the presentation of a potentially supporting image. Results indicate differences in the way imagery supports potential vocabulary learning in documentary television compared with narrative television, and that this supporting imagery occurred concurrently with the aural form more often in documentary television. Research and pedagogical implications are discussed in detail.

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Dissertations / Theses on the topic "Television images"

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Someren, Nicolas van. "High quality de-interlacing of television images." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339448.

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Rieger, James L., and Sherri Gattis. "Draft Standard for Digital Transmission of Television Images." International Foundation for Telemetering, 1988. http://hdl.handle.net/10150/615074.

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International Telemetering Conference Proceedings / October 17-20, 1988 / Riviera Hotel, Las Vegas, Nevada
This paper describes the characteristics of the HORACE digital protocol intended for transmission of black-and-white standard television images and associated data through a digital channel and reconstruction of an NTSC standard television picture at the receiving end, using adaptive transmission to allow maximum picture quality at a selected data rate. Tradeoffs are discussed for transmission rates in the range from near DC to over 40 Mbits/second. The HORACE protocol will be a government test range standard to be issued by the Telecommunications Group [TCG] of the Range Commanders' Council as RCC Document 209.

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Westwell, Guy. "History-in-images/images in history : American cultural memory and film representations of the Vietnam War." Thesis, University of Glasgow, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340278.

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This thesis charts points of convergence between the fields of historical studies and film studies that generate a line of inquiry which questions how the development and dissemination of film and television have significantly shaped historical conscIOusness. Taking this line of inquiry as a starting point, this thesis identifies the ways in which film (and television) representations have informed American cultural memory of the Vietnam War. The thesis describes how the reporting of the war in newspapers and on television results in the production of a number of vivid and powerful 'nodal images'; these images enable their viewers to locate themselves in relation to the larger event and offer guidance regarding how other representations produced in response to the war might be understood. The thesis goes on to explore how these images play a significant. role in secondary film and television representations, including Hollywood feature films, whereby the initial connotations of the image are recirculated, reenacted and re-scripted. The thesis also indicates how other film representation of the war - such as the film records produced by the American military for tactical and strategic purposes and amateur film produced by American military personnel- are side-lined by the dominance of these nodal images. This study closes by proposing a taxonomy of the key features of these film (and television) representations and profiles the ways in which these features determi~e American cultural memory of the war and mediate historical experience more generally. The conclusion arrived at is that the historical consciousness engendered by these representations encourages the meaning of the Vietnam War to be located in relation to individual phenomenological experience and that the priVileging of this experience above all others marginalises the wider frames of reference - politics, history, economics and so on - which might make that experience meaningful.

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FIUZA, SILVIA REGINA DE ALMEIDA. "IMAGES OF FEMININE: THE CONSTRUCTION OF GENDERS ON BRAZILIAN TELEVISION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=16709@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
Essa tese analisa as representações femininas na ficção seriada da Rede Globo, a partir dos seriados Malu Mulher e Mulher, e das minisséries Anos Dourados e Hilda Furacão. Ao considerar a televisão um veículo que se caracteriza pela velocidade, fragmentação e simultaneidade dos conteúdos, é possível encontrar nessas narrativas a presença de múltiplos ethos e identidades regidas por dois princípios antagônicos - um hierárquico e outro igualitário. Geradas por matrizes narrativas diversas que se mesclam como o melodrama, o realismo e o naturalismo, essas ficções híbridas constroem tipos ideais de gênero, em particular o feminino, que também são marcados pelo fracionamento e convivência de valores, visões de mundo e estilos de vida heterogêneos. Criam, ainda, uma sociabilidade entre indivíduos e coletividades separados do ponto de vista objetivo - idade, sexo, posição social, econômica e cultural - e subjetivo - biografias, códigos morais e comportamentais -, em um diálogo polifônico que envolve autor, personagens, diretor, produtor e público. Esse dialogismo leva a dois movimentos simultâneos e, aparentemente, opostos: a mimese, a identificação com os aspectos que são familiares; e a aspiração, o desejo de alcançar aquilo que está distante. Essa dupla faceta conduz a um acordo ficcional que dá verossimilhança à narrativa. Todos esses elementos fazem com que a ficção seriada televisiva brasileira possa ser pensada como uma espécie de moldura para o comportamento do homem contemporâneo, articulando as dimensões interna e externa de sua vida e estruturando suas experiências passada e presente.
This thesis analyzes the female representations in the serial fictions produced by Globo TV Network studying the series Malu Mulher and Mulher, and the miniseries Anos Dourados and Hilda Furacão. Considering the television set as a means of transmission which is characterized by its velocity, fragmentation, and simultaneity of contents, one is able to identify in these narratives the presence of multiple ethos and identities ordered by two opposite ideas: one is hierarchical; the other is equalitarian. Originated through different ways of narratives that intermix such as the melodrama, the realism and the naturalism, these hybrid fictions construct ideal types of gender, particularly the feminine, that are also identified by fragmentation and heterogeneous values and style of life. These produce a sociability between individuals and social groups separated by objective aspects - age; sex; social, economical and cultural positions -, and subjective points - biographies; moral and behavioral conducts. That conviviality creates a polyphonic dialogue which incorporates author, characters, director, producer, and the audience. This dialogism leads to two simultaneous tendencies, apparently in opposite directions: the mimesis, the identification with familiar issues; and the aspiration, the desire to reach what is so distant. This double feature allows a fictional agreement that gives verisimilitude to the narrative. All of these elements make the Brazilian television serial fiction to be thought of as a frame for the behavior of the contemporaneous individual, articulating the objective and subjective dimensions of life and structuring their past and present experiences.

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FOURNIER, JEROME. "Etude de la qualite visuelle des images stereoscopiques en television." Rennes 1, 1995. http://www.theses.fr/1995REN10177.

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L'objectif principal de cette these est la definition des recommandations relatives aux facteurs humains en termes de qualite visuelle des images stereoscopiques. En effet, au cours d'une visualisation stereoscopique, l'observateur recoit deux images differentes d'une meme scene, une pour chaque il. Toutefois, la reproduction de l'information visuelle de la scene peut comporter des distorsions de diverses natures dues a des imperfections technologiques ou des ajustements incorrects, de la prise de vue a la restitution. En effet, les utilisateurs de systemes stereoscopiques se plaignent parfois d'une gene visuelle ou de l'apparition d'un mal de tete. Ce phenomene est aisement explicable par le fait que les technologies stereoscopiques actuelles sont incapables de reproduire tous les aspects de la vision binoculaire humaine dans un environnement naturel. Pour cela, cette these decrit le fonctionnement de la vision binoculaire, les methodes d'evaluation psychovisuelles objectives et subjectives utilisees en television ainsi que le modele de jugement emis par thurstone. Elle synthetise aussi les tolerances requises sur les parametres qui influencent directement la qualite visuelle des images, de la prise de vue a la restitution. Ensuite, le travail est consacre a l'elaboration de lois de conformite des images stereoscopiques afin de maitriser la geometrie de l'espace restitue. Enfin, la derniere partie analyse les resultats issus d'asymetries geometriques, optiques et electriques realisees lors de l'acquisition ainsi que les tolerances requises sur la reduction de bande passante d'une des deux vues du couple stereoscopique, dans le cas d'un schema de codage asymetrique

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Sabbag, Lucia Maria. "O olhar atraves da televisão : formas de construção de sentidos para a cidade." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/271075.

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Orientador: Monica Graciela Zoppi-Fontana
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-04T03:28:19Z (GMT). No. of bitstreams: 1 Sabbag_LuciaMaria_M.pdf: 356192 bytes, checksum: ce8ff9f22b5f99d9101b987948f2e161 (MD5) Previous issue date: 2005
Resumo: A partir de determinada forma de olhar, obtemos diferentes efeitos de sentido, em particular, quando se trata de um olhar panóptico através de um programa de televisão. Na medida em que o discurso jornalístico é constituído embasado nas crenças da obj eti vidade e da verdade, perceberemos que tais mitos vão desmoronar no processo de re-consti tuição da realidade que a televisão apresenta. O programa _Cidade Alertafl, da Rede Record de Televisão, constrói uma realidade através de imagens exibidas pelo helicóptero _Águia Douradafl e por algumas _motolinksfl. De tais imagens, vemos surgir uma cidade construída a partir do olhar da televisão e que sobrevive das próprias relações conflituosas exibidas. Realidade e verdade adquirem caracteres de uma ilusória transparência, devido à força do impacto das imagens em tempo real. A união entre helicóptero e mídia confere um aspecto de poder totalitário à segunda para não apenas falar sobre, como também para se tornar uma estrela. . O programa seleciona imagens da cidade, que se torna também cenário produzido pela edição, mas com a ilusão que a televisão faz parecer realidade una e inequívoca. Dessa maneira, um real de cidade é produzido e explorado em detalhes, de forma que o funcionamento do olhar panóptico sempre se faça presente. Assim, o que podemos perceber é que ficção e realidade diluem-se através das imagens, mas de forma que o telespectador não questione aquilo que vê. De tal forma, o telespectador garante, cada vez mais, audiência, e a televisão, cada vez menos, qualidade
Abstract: According to the perspective proposed in this dissertation, which is base don the French school of Discourse Analysis, images transmit various meanings, including silence. The program transmits images to confirming the truth of the facts. But the midia contradicts i tself through images, the city is constructed like personage, scenery, labyrinth and movement. The program turns the press a spectacle, the press is the show
Mestrado
Analise do Discurso
Mestre em Linguística

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Cermak, Irene V. "Seeing red : images of Soviet and Russian hockey in US and Canadian Olympic broadcasts /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/6161.

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Bain, Jessica Margaret. "Europe at 6pm: Images of the EU on New Zealand Television News." Thesis, University of Canterbury. National Centre for Research on Europe, 2007. http://hdl.handle.net/10092/989.

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Contributing to the broader debate on the nature and identity of the European Union (EU), this thesis is a study of the EU from the outside looking in: an examination of how this novel process of integration among the nations of Europe is viewed by its partners around the world, in particular in New Zealand through its television news media. While there are many studies which examine how the EU is understood and represented within its borders, there is an absence of parallel studies which consider the image of the EU from an external perspective. Recognising that the television news media plays a particularly important role in influencing the knowledge and perceptions of people on foreign matters, the thesis presents an analysis of the entire EU television news coverage in New Zealand's two prime-time television news bulletins throughout 2004. The primary research question that the thesis investigates is, how is the EU framed in the television news media of New Zealand, an external 'Other' of the EU? The study was multi-methodological in nature and analysed each of the relevant news items using content analysis, as well as undertaking deeper analysis of the metaphorical categorisations and the visual images of the EU, to detect the entire range of EU representations and the overall image of the EU these created for New Zealand television news audiences. These findings were then compared against corresponding research from Australia, South Korea and Thailand, as well as to the perceptions of New Zealand's leading newsmakers, in order to account for the most important trends in EU image formation in New Zealand. In particular it was found that the EU was often entirely absent from the New Zealand television news space, and when it was visible, was often presented in a way which ignored the extensive domestic relevance of the Union for New Zealand and its immediate region.

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Dunn, David Richard. "Home truths from abroad : television representations of the tourist destination." Thesis, University of Birmingham, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343895.

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Artwick, Claudette Guzan. "Local television crime news visuals and concern about crime : exploring the cultivation process through recall and meaning of visual images /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/6192.

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Books on the topic "Television images"

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McMahon, Barrie. Real images: Film & television. South Melbourne: Macmillan, 1986.

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Guy, Cumberbatch, Negrine Ralph M, and Broadcasting Research Unit (Great Britain), eds. Images of disability on television. London: Routledge, 1992.

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Robyn, Quin, ed. Real images: Film and television. 2nd ed. South Melbourne: Macmillan, 1995.

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E, Beadle Mary, and Murray Michael D, eds. Indelible images: Women of local television. Ames: Iowa State University Press, 2001.

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Jonathan, Dawson, and Molloy Bruce 1938-, eds. Queensland images in film and television. St Lucia, Qld., Australia: University of Queensland Press, 1990.

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Frèches, José. La guerre des images. Paris: Denoël, 1986.

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Dian shi: ying xiang de zhong shu shi jie: Images television. Beijing: Zhongguo chuan mei da xue chu ban she, 2006.

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Williams, Euryn Ogwen. Images of Europe. Brussels: European Bureau for Lesser Used Languages, 1995.

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Images & industry: Television drama production in Australia. Sydney: Currency Press, 1985.

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Armand, Mattelart, ed. The carnival of images: Brazilian television fiction. New York: Bergin & Garvey, 1990.

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Book chapters on the topic "Television images"

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Vale, Lawrence J., and Julia R. Dobrow. "Urban Images on Children's Television." In Imaging the City, 301–30. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429335211-15.

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Kolehmainen, Marjo, and Katariina Mäkinen. "Chapter 10. The economics of gay reality television." In Images in Use, 225–43. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/dapsac.44.13kol.

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Cumberbatch, Guy, and Ralph Negrine. "The employment of disabled actors." In Images of Disability on Television, 115–21. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003341031-12.

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Cumberbatch, Guy, and Ralph Negrine. "Introduction." In Images of Disability on Television, 5–9. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003341031-3.

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Cumberbatch, Guy, and Ralph Negrine. "Frequencies in the portrayal of disability on television." In Images of Disability on Television, 10–26. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003341031-4.

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Cumberbatch, Guy, and Ralph Negrine. "The portrayal of disability in factual programmes." In Images of Disability on Television, 27–40. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003341031-5.

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Cumberbatch, Guy, and Ralph Negrine. "Introduction." In Images of Disability on Television, 87–104. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003341031-10.

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Cumberbatch, Guy, and Ralph Negrine. "The representation of disability in UK and US drama." In Images of Disability on Television, 73–83. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003341031-8.

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Cumberbatch, Guy, and Ralph Negrine. "The portrayal of disability in fictional programmes." In Images of Disability on Television, 41–61. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003341031-6.

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Cumberbatch, Guy, and Ralph Negrine. "Introduction." In Images of Disability on Television, 1–2. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003341031-1.

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Conference papers on the topic "Television images"

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George, David. "Keynote Address: Brave New Images." In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1993. http://dx.doi.org/10.5594/m00667.

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Jing, Lu, Si Xiong, and Wu Shihong. "An Improved Bilinear Interpolation Algorithm of Converting Standard-Definition Television Images to High-Definition Television Images." In 2009 WASE International Conference on Information Engineering (ICIE). IEEE, 2009. http://dx.doi.org/10.1109/icie.2009.251.

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Demos, Gary. "MPEG Compression of High Frame Rate Progressively Scanned Images." In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1995. http://dx.doi.org/10.5594/m00843.

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Patlaenko, Mikola, Olena Osharovska, Natalia Samus, and Valentina Solodka. "Spectral transforms for the high definitions television images." In 2016 International Conference "Radio Electronics & Info Communications" (UkrMiCo). IEEE, 2016. http://dx.doi.org/10.1109/ukrmico.2016.7739598.

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Chiariglione, L., and L. Corgnier. "Method For Measuring Large Displacements Of Television Images." In 1985 International Technical Symposium/Europe, edited by Thomas S. Huang and Murat Kunt. SPIE, 1986. http://dx.doi.org/10.1117/12.952222.

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Carlson, C. R., and J. R. Bergen. "Visual Perception and the Evolution of Video." In Applied Vision. Washington, D.C.: Optica Publishing Group, 1989. http://dx.doi.org/10.1364/av.1989.thc2.

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The fundamental objective of advanced television research is to produce beautiful, life-like pictures. The perceptual requirements for producing such vivid images include image size, brightness, contrast, color saturation and purity, and noise and artifact visibility in addition to spatial resolution.

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Dmitriev, Vladimir Timurovich, and Andrew Alekseevich Baukov. "Procedure for Detecting Rain and Snow Particles on Digital Television Images." In 32nd International Conference on Computer Graphics and Vision. Keldysh Institute of Applied Mathematics, 2022. http://dx.doi.org/10.20948/graphicon-2022-455-461.

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The relevance of the task of detecting and eliminating rain and snow particles in television images taken with static cameras is shown. The procedure for detecting rain and snow particles on video images, which is supposed to be used as part of an algorithm for reducing the visibility of precipitation, has been developed. The approach developed is presented in the form of three-stage classification of frame pixels into zones with moving objects and areas of stationary background, distorted and undistorted by precipitation particles. The procedure proposed has been studied and optimal values of selected accumulated frames for its correct operation have been determined: 100 frames for video images with rain; and 140 frames for video with snow. The gain of the approach developed in comparison with known by levels of errors of the first and second kind is 0.8 % and 3.4...9.1 %. The described procedure can be used in TV systems where the delay of 3...5 seconds relative to video source is not critical.

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Su, Zhibin, Yahong Qian, Hui Ren, Chaohui Lv, Xiaoyi Zhang, and Weiwei Li. "Emotion Classification of Film and Television Scene Images for Audiences." In 2019 International Joint Conference on Information, Media and Engineering (IJCIME). IEEE, 2019. http://dx.doi.org/10.1109/ijcime49369.2019.00013.

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Mihayluk, Y. P., and Y. N. Tyschuk. "Software module for estimation of quality of color television images." In 2010 20th International Crimean Conference "Microwave & Telecommunication Technology" (CriMiCo 2010). IEEE, 2010. http://dx.doi.org/10.1109/crmico.2010.5632661.

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Glenn, William E. "Visual perception studies to improve the perceived sharpness of television images." In Electronic Imaging 2002, edited by Bernice E. Rogowitz and Thrasyvoulos N. Pappas. SPIE, 2002. http://dx.doi.org/10.1117/12.469542.

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Reports on the topic "Television images"

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Khan, Mahreen. The Environmental Impacts of War and Conflict. Institute of Development Studies, March 2022. http://dx.doi.org/10.19088/k4d.2022.060.

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In modern warfare, the first widely acknowledged scientific study and documented case of environmental damage during conflict was the (direct and deliberate) use of Agent Orange and other toxic chemicals by US forces, from 1961-1971, during the Vietnam War in a policy known as herbicide. The Vietnam War has been relatively well documented for the sheer horror and magnitude of the devastation to natural habitats and because it was the first war where television and global media brought vivid images and accounts into people’s homes, making the war a matter of political and public conscience This helped stir academic and scientific interest and facilitated evidence collection and documentation of environmental damages. This helpdesk report is a rapid literature review on the main environmental impacts of war and conflict, drawing primarily on academic, and peer reviewed literature and only some policy and practitioner sources, as per the request. Where current situations are discussed, such as the ongoing Ukraine war, a few blogs are referred to. Within the literature focused on the environmental impacts of conflict, common case studies include: the North Atlantic Treaty Organisation (NATO) bombing of Kosovo (1999), and the conflict in the Donbas region of Ukraine (2014). Interestingly there is comparatively less literature on the conflicts in Afghanistan (2001-2021), the Iraq-Iran War (1980-1988), the Gulf Wars (1991 and 2003), the Yemeni civil war (2014 – present) and the ongoing war in Syria (since 2011) despite their relatively greater severity, intensity and duration.

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Hunt, William D., Kevin F. Brennan, Abbas Torabi, and Christopher J. Summers. An Acoustic Charge Transport Imager for High Definition Television Application. Fort Belvoir, VA: Defense Technical Information Center, March 1992. http://dx.doi.org/10.21236/ada250433.

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Dmytrovskyi, Zenon. THE TEXTBOOK, THAT TEACHES AND BRINGS UP. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11414.

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The review is about textbook on television and radio communication for students, teachers of faculties and departments of journalism, as well as journalists-practitioners, prepared by the author’s team edited by Vasyl Lyzanchuk. Textbok absorbed some considerations and conclusions from previous theoretical developments, which found a new meaning here, deeper argumentation, supplemented by many interesting observations that correspond to the spirit of the time, the innovations that have appeared in recent years in the media space of Ukraine. The textbook has ten sections, each of which is designed to enrich the student with knowledge of television and radio communications, teach him or her all that a media professional should know and be able to apply it in practice. The titles of the sections indicate their practical orientation: «Basic methodical measures of functioning of information radio and television genres», «How we analyze, interpret, explain facts, events, phenomena», «Features of the creation of artistic programs on radio and television» and others. All sections of the textbook are meaningfully connected and constructed in such a way as to provide students with the opportunity to gradually, step by step to deepen their theoretical and practical knowledge of television and radio communications. This is undoubtedly the merit of the authors of the edition. The student will benefit from the numerous examples of television and radio materials prepared by the students themselves. Their creative work should convince that this work can serve as a stimulus for creative work for future journalists during their years of study. In addition to professional competence, as rightly emphasized in the textbook by Professor Vasyl Lyzanchuk, “It is very important to form in students, future journalists, socio-national competence, deep understanding of the essence of freedom of speech and responsibility for the content of the spoken word and image, to develop the belief that they are active participants in the Ukrainian state-building processes, and not intermediaries or repeaters of information”. It should be noted that the educational element is present throughout the textbook starting with the first chapter, historical (author Professor Ivan Krupskyi). While studying this textbook, students should realize that from the honor of journalists, their dignity, patriotism depends on the honor, authority, bright name of Ukraine, its future; that their assertion of Ukrainian national identity is the key to further prosperity of our state.

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Martínez Parra, Marc. Los geólogos en el cine y la televisión. Personajes reales e inventados. Un análisis de su transposición a la pantalla. Ilustre Colegio Oficial de Geólogos, November 2019. http://dx.doi.org/10.21028/mmp.2019.11.20.

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Un análisis detallado de once geólogos con protagonismo en las pantallas grande y pequeña – diez ficticios y uno real - permitirá establecer cuanto de la imagen que se ofrece de los mismos como profesionales de la tierra está plagada de tópicos y elementos de fantaciencia y cuanto muestra verosimilitud y una cierta coherencia con la realidad.

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Martínez Parra, Marc. Los geólogos en el cine y la televisión. Personajes reales e inventados. Un análisis de su transposición a la pantalla. Ilustre Colegio Oficial de Geólogos, November 2019. http://dx.doi.org/10.21028/mmp.2019.11.28.

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Un análisis detallado de once geólogos con protagonismo en las pantallas grande y pequeña – diez ficticios y uno real - permitirá establecer cuanto de la imagen que se ofrece de los mismos como profesionales de la tierra está plagada de tópicos y elementos de fantaciencia y cuanto muestra verosimilitud y una cierta coherencia con la realidad.

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López Vidales, N., L. Gómez Rubio, and D. Vicente Torrico. Regional news in Spain’s national radio and television and their contribution to the image of Spain’s autonomous communities. Revista Latina de Comunicación Social, June 2017. http://dx.doi.org/10.4185/rlcs-2017-1184en.

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Mesa Rosero, Edwin Hernán, Gloria Elsa Rodríguez Jiménez, María Victoria Díaz Franco, Claudia Meza Narváez, and María Inés Carmona López. Reconocimiento social de las profesiones de fonoaudiología y fisioterapia en Chile y Colombia. Corporación Universitaria Iberoamericana, January 2018. http://dx.doi.org/10.32457/12728/999820184.

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Según Fernández Pérez (2001) "El concepto profesión ha evolucionado a través del tiempo y ha sido producto de un desarrollo histórico, que ha creado y renovado mecanismos de diversa índole, hasta llegar a los procesos modernos que se conocen hoy en día", en ese sentido profesiones como la enfermería se han interesado por conocer y hasta transformar su imagen social en los diferentes ámbitos de desempeño, los cuales han llegado a ser tergiversado por los medios de comunicación, específicamente espacios televisivos como las novelas (Gómez-Bustamante, 2012; Encinas Prieto, 2016) 2. Por lo anterior se propuso un proceso de investigación que indagará la imagen social de la fisioterapia y la fonoaudiología utilizando una metodología mixta con un muestreo en bola de nieve, de esta manera se caracterizó percepción de la labor de los profesionales en fonoaudiología y fisioterapia en Chile y Colombia en tres grupos poblaciones, el social que contempló la comunidad en general, docentes y estudiantes de otras profesiones, el educativo en dónde se tuvo en cuenta a los profesionales y los estudiantes y el grupo ocupacional que considero a los empleadores. Para Colombia se obtuvieron 353 registros válidos, correspondiendo, como lo indica la tabla 13, docentes con el 18,1%, empleadores 4,2 %, estudiantes 36,3% y 41,4% comunidad en general

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López Vidales, N., L. Gómez Rubio, and D. Vicente Torrico. La información territorial en la radio y la televisión de ámbito nacional en España y su contribución a la imagen de las comunidades autónomas. Revista Latina de Comunicación Social, June 2017. http://dx.doi.org/10.4185/rlcs-2017-1184.

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Guerrero-Solé, F. La construcción de la imagen de la política en los noticiarios televisivos en España. Exo- y endo- equilibrios de la calidad de la información política. Revista Latina de Comunicación Social, February 2013. http://dx.doi.org/10.4185/rlcs-2013-973.

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