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Journal articles on the topic 'Television plays, Russian'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Lapuk, Ekaterina. "Russia-Czech Republic Relations on Television of the Czech Republic." Theoretical and Practical Issues of Journalism 11, no. 2 (2022): 372–89. http://dx.doi.org/10.17150/2308-6203.2022.11(2).372-389.

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The Communist past is perceived negatively by modern Czechs and since Russia is the successor of the Soviet Union, a negative image can effect the coverage of Russian-Czech relations and the image of modern Russia in the Czech media. The study applied qualitative and quantitative content analysis to study the coverage of Russian-Czech relations by the leading television channels of the Czech Republic Česká televize 1 and Prima. The findings of the analysis of 1,195 video news illustrate that Russia plays a significant role on the international agenda of Česká televize 1 and Prima. The main fea

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2

Kalita, Liliana. "STANISŁAW MIKULSKI I JEGO ZWIĄZKI Z ROSJĄ." Acta Neophilologica 1, no. XIX (2017): 217–26. http://dx.doi.org/10.31648/an.682.

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This paper presents Stanisław Mikulski’s (one of the most popular Polish actors)relations with Russia. These include, among many others, his work as a young actor inthe plays written by Russian writers and playwrights, which were staged in the JuliuszOsterwa Theatre in Lublin, his most famous role as a Russian secret agent – codenameJ-23 – both in television theatre and the TV series More Than Life at Stake (Stawkawiększa niż życie), and his participation in six Russian films. Moreover, Mikulskiworked as the director in the Centre of Information and Polish Culture in Moscow, thuscontributing t

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3

Onishechko, Yaryna. "Media w Rosji a wojna informacyjna. Analiza zjawiska na przykładzie programu „Wiesti o 20:00” w czasie konfliktu wojennego na wschodzie Ukrainy." Kultury Wschodniosłowiańskie - Oblicza i Dialog, no. 6 (September 22, 2018): 173–93. http://dx.doi.org/10.14746/kw.2016.6.14.

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The purpose of this paper is to discuss issues related to the use of media as a tool of information warfare: analysis of randomly selected episodes of the Russia-1 headline news show in terms of publications related to the conflict in the eastern Ukraine. Russia was selected, because of the fact that its mass media for many years have been engaged in shaping anti Ukrainian attitudes not only within their own country but also abroad. The importance of information has changed. Some time ago, it was a tool supporting the implementation of active military operations, but now it could be used as a

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4

Volkova, Irina, Leila Algavi, Shuanat Kadyrova, and Natalya Rastorgueva. "Let Them Talk as “Encyclopedia of Russian Life”: Latent «Accursed Questions» on Russian Television (2017)." SHS Web of Conferences 50 (2018): 01199. http://dx.doi.org/10.1051/shsconf/20185001199.

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International Research Group KVAR performs the first of studies about media influence on the transformation of sociocultural matrix, within which a deep society regulation takes place. For citizens of the Russian Federation, TV is a main source of information about events. Whereas for sociologists and philologists federal channels are unique basic institutions that provide: reproduction of socially significant patterns of citizen’s thoughts and behavior; integration of society on the basis of common values. TV Shows on central channels are constantly reaching the top of media credibility ratin

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5

EVALLYO, VIOLETTA D. "All-Russian Scientific Conference From “Spectacle Plays” to Film Comedies: The History of Homo Ridens." Art and Science of Television 18, no. 2 (2022): 217–32. http://dx.doi.org/10.30628/1994-9529-2022-18.2-217-232.

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The article reviews the reports presented at the All-Russian Scientific Conference From “spectacle plays”1 to film comedies: The history of Homo Ridens, which was organized by the State Institute for Art Studies and the GITR Film and Television School on June 2–3, 2022. The event focused on comprehension of the historical development of laughter culture, introduction of trusted research concepts, disclosure of new facts and archival materials, and revealing the relationship between the comic, its intensity and semantics in postmodernist aesthetics. The following key areas were proposed: fundam

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6

Naydan, Liliana M. "The Politics of Genre Migration in Gary Shteyngart's Our Country Friends." Studies in the Novel 55, no. 3 (2023): 307–24. http://dx.doi.org/10.1353/sdn.2023.a905804.

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Abstract: This article considers the hybrid form and content of Our Country Friends through the lens of Gary Shteyngart's Russian-Jewish immigrant experience, arguing that through references to Chekhov's plays and reality television Shteyngart portrays the migratory movement of performance as a genre amid the viral spread of Covid-19 in the US. The genre migration that Shteyngart generates in his novel confounds the borders of literary forms, nations, and reality. It also critiques the performance of features of Russia's past in the xenophobic American present and sets the stage for an innovat

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Litovskaya, Anna S., and Alla M. Shesterina. "Means of expressing subtext in humorous programs on Russian television." Neophilology, no. 3 (2022): 621–33. http://dx.doi.org/10.20310/2587-6953-2022-8-3-621-633.

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Subtext plays a significant role in the development of culture in general and mass communication in particular. In connection with the trend of information visualization, it has recently become relevant to identify the means of creating implicit meanings in audiovisual media. Along with this, we note the active development of subtext in the satirical sector of broadcasting. The purpose of our study is to identify verbal and non-verbal ways of expressing subtext in the entertainment sector of Russian television. On the material of the television episodes analysis “Evening Urgant”, based on the

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8

Khatsaeva, Fatima M. "Dynamics of the Number and Socio-Cultural Status of Russian Compatriots in Abkhazia and Armenia." Vestnik of North Ossetian State University, no. 1 (March 25, 2023): 64–73. http://dx.doi.org/10.29025/1994-7720-2023-1-64-73.

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The article presents some analytical materials obtained during the ethnographic expedition “Modern ethnoworld. Horizons of the Caucasus” on the territory of Abkhazia and Armenia. The problems of ethnic Russians - compatriots living in the countries of Transcaucasia in the post-Soviet space are considered. Studies have shown that the Russian population in Abkhazia and Armenia reached its largest number in the 80s before perestroika. After the collapse of the USSR in 1991, the first major wave of migration of compatriots to Russia took place, the cause of the second migration wave was military c

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9

Shergova, Ksenia A., and Aleksey B. Muradov. "Artistic features of Russian TV serials about the Great Patriotic War." Journal of Flm Arts and Film Studies 11, no. 2 (2019): 140–52. http://dx.doi.org/10.17816/vgik112140-152.

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The essay represents the first effort to explore the artistic methods employed in the TV series about World War II (the Great Patriotic War) and analyzes four multi-episode TV shows released in 2004. In its own way, each of these series responded to the new public interest in the less known aspects of the war. Simultaneously, each of them established a dialogue with the previous cinematic and TV productions, comprising direct reminiscences to earlier films, objectivizing the audience expectations formed by earlier productions, or even arguing with them. This dialogic trend should be considered

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Panos, Leah. "Trevor Griffiths' ‘Absolute Beginners’: Socialist Humanism and the Television Studio." Journal of British Cinema and Television 10, no. 1 (2013): 151–70. http://dx.doi.org/10.3366/jbctv.2013.0127.

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This article examines how conventional studio production strategies were active in the construction of political meaning in the 1974 television play ‘Absolute Beginners’, written by Trevor Griffiths. Produced for the BBC anthology series Fall of Eagles, the play dramatises Lenin's involvement with the Russian Social Democratic Workers Party (RSDWP) and explores the contradictions between personal ethics and political necessity. Through close textual analysis and contextual discussion of other plays in the series, this piece demonstrates how shot patterns and spatial and performative devices in

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Llanos-Antczak, Anna, and Zdzisław Śliwa. "Manipulation and Propaganda in the Russian Media: The Case of the Vriemia News Programme (2017-2019)." Contemporary Economics 15, no. 4 (2021): 511–23. http://dx.doi.org/10.5709/ce.1897-9254.464.

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Information is a powerful tool used in any society and by any nation to create excepted perception of reality. Russian information operations have always been a very interesting example of using various media to manipulate international and domestic opinion in support of national (government) objectives. The situation has not changed in the contemporary information environment based on the nation’s experiences and skilful utilization of emerging tools and technologies. Those capabilities are used pragmatically by Kremlin-controlled media to shape the future among younger people. In this respec

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Nimaeva, Erzhena Z. "Predicative Syntax: Norm and Deviance of Free Speech (Based on the Buryat Language)." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences 22, no. 5 (2022): 38–46. http://dx.doi.org/10.37482/2687-1505-v224.

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Nowadays, the problem of bilingualism and polylingualism requires a more thorough and accurate study, especially in cases when one of the languages has the status of a minority language, such as the Buryat language. Interdisciplinary research into this field can help to understand not only the speech production mechanism, but also the issues of language preservation. The purpose of this paper was to, on the one hand, explicate the relationship between the interlanguage codes in the aspect of Russian influence on the position of the predicate in the spoken language of Buryat-Russian and Russian

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Rapetti, Valentina. "Channelling the dead: A conversation on Desdemona with Tina Benko." Journal of Adaptation in Film & Performance 13, no. 3 (2020): 305–18. http://dx.doi.org/10.1386/jafp_00033_7.

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Tina Benko is an American stage, screen and television actress who has steadily trodden the Broadway boards for twenty years while starring in films and TV series and teaching acting and movement in New York City. An intensely focused and versatile performer, Benko has played in a broad variety of genres, ranging from screwball and Shakespearean comedies to realistic Russian, Scandinavian and American plays. In this interview, she discusses the factors that attracted her to drama and theatre, her acting training and approach to character-building, and theatre as a space for healing and reconci

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14

Plazova, Tetyana, Oleh Kuz, Nina Konnova, Dmytro Korotkov, and Oleksandr Galushchenko. "Information Warfare as an Instrument of Geopolitical Influence on Ukraine: Main Aspects and The State's Response." International Journal of Religion 5, no. 2 (2024): 121–30. http://dx.doi.org/10.61707/0g2yt516.

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The purpose of the article is to study information warfare as an instrument of geopolitical influence on Ukraine, the main aspects of this problem and certain elements of the Ukrainian side's response to the Kremlin regime's information attacks. To achieve this goal, the methods of comparison, analysis, synthesis and content analysis were used. The results indicate that the Russian side in the information warfare uses both traditional tools, such as the media, troll factories, bot factories, and fakes, and new technologies, such as deepfake. This arsenal is constantly evolving and adapting to

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Nenarokova, Maria R. "Retelling: a New Genre or an Insufficiently Investigated “Old” Notion?" Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 83, no. 3 (2024): 51–62. http://dx.doi.org/10.31857/s1605788024030052.

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The article focuses on the phenomenon known as “retelling”. The mass reader, both domestic and foreign, perceives retelling as one of the neterature genres. The word “retelling” is borrowed from the English language. According to the English-language publications concerning retelling, in modern mass consciousness this concept corresponds, on the one hand, to the methods of borrowing and processing plots, known in European culture since antiquity, on the other, to a system of primary and secondary features, reproduced in mass literature texts. However, neither American nor British literary crit

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16

Reva, Ekaterina K., and Sergei D. Kubrin. "The role of television in the implementation of Russian state national policy: typology, genre, formats." RUDN Journal of Studies in Literature and Journalism 25, no. 2 (2020): 324–33. http://dx.doi.org/10.22363/2312-9220-2020-25-2-324-333.

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The article presents the results of the analysis of the implementation of the tasks of the Strategy of the State National Policy of the Russian Federation for the period up to 2025 by television. The study was conducted on the basis of television information and analytical products defined by the Action Plans for the implementation of the Strategys objectives. Television programs included in the Plans are considered from 2013 to the present, taking into account the continuity of the Strategy, as the main doctrinal document in the field of national policy. In studying the role of the media in t

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17

Romanenko, Sergey Pavlovich, Olga Anatolievna Shepeleva, Alexandra Vasilievna Sorokina, Irina Gennadyevna Shevkun, and Irina Igorevna Novikova. "Assessment of the knowledge that forms a conscious need for healthy nutrition in school children as the main element of a healthy lifestyle." Science for Education Today 13, no. 1 (2023): 135–58. http://dx.doi.org/10.15293/2658-6762.2301.07.

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Introduction. The authors present the results of a study devoted to the issue of forming the basics of healthy eating for schoolchildren in the Russian Federation, which is the main goal of ‘Demography’ National project, aimed at monitoring schoolchildren’s nutrition and health. An important part of solving this problem is raising schoolchildren’s awareness of and their commitment to the principles of healthy nutrition, as factors reducing the risk of overweight and obesity, which are predictors of alimentary-related diseases. The aim of the research is to examine awareness of and adherence to

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18

Korobkin, Dmitriy Mihaylovich, Sergey Alekseevich Fomenkov, Grigoriy Alekseevich Vereschak, and Mikhail Alekseevich Soroko. "Information processing algorithm for forecasting development of technologies on example of television and radio broadcasting." Vestnik of Astrakhan State Technical University. Series: Management, computer science and informatics 2023, no. 3 (2023): 87–96. http://dx.doi.org/10.24143/2072-9502-2023-3-87-96.

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Today, many Russian companies working in the field of software development for television and radio broadcasting can extract the necessary data on trends in their field of activity by analyzing information received from foreign competitors, for example, studying specialized popular science literature posted on the official websites of foreign competitors, when analyzing information obtained from exhibitions and presentations. However, the opportunity to comprehensively analyze the novelties of foreign developers patented in the world patent databases will give Russian companies competitive adv

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19

Pomelov, Vladimir B. "The formation of the tendency of pragmatism and business-like efficiency in the American social thought and the pedagogy in the first half of the 20th century." Perspectives of Science and Education 66, no. 6 (2023): 502–15. http://dx.doi.org/10.32744/pse.2023.6.29.

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Introduction. The relevance of the research is connected with the need of modern Russian pedagogical science to study the patterns and features of the development of American public thought and pedagogy. The purpose of the study is to study the process of formation of the trend of pragmatism and efficiency in American public thought and pedagogy in the first half of the XX century. Methods and methodological approaches. The leading research methods are a critical analysis of the original scientific and pedagogical literature, mainly of the American authors, and a scientific and pedagogical int

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20

Goian, Oles, and Illia Khomenko. "TV and Radio Education in War Times: Bachelor Stories of the Department of TV and Radio Broadcasting." Scientific notes of the Institute of Journalism, no. 2 (83) (2023): 84–100. http://dx.doi.org/10.17721/2522-1272.2023.83.7.

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The article deals with the bachelor theses of the Department of Television and Radio Broadcasting in Educational and Scientific Institute of Journalism of Taras Shevchenko National University of Ukraine, which were prepared and defended at the department during the first year of the Russian-Ukrainian war. The objective of the article is to accumulate and to analyze the unique experience of the students‘ works in the extreme conditions, as well as to optimize the training of bachelors based on the obtained data. It is significant that all the works created after the start of the full-scale war,

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KOLOSOVA, A. D. "VISUAL PRACTICES OF THE ON-SCREEN CELEBRITY CONTENT AS AN ELEMENT OF MASS CULTURE." Челябинский гуманитарий 68, no. 3 (2024): 7–15. https://doi.org/10.47475/1999-5407-2024-68-3-7-15.

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The article examines the visual component of media materials devoted to celebrities. The empirical material consists of the content of federal television (TV shows “You Won't Believe It”, “Enough Rumors”, “Let Them Talk”, “Andrey Malakhov. Live”) and Russian-language YouTube (channels in the celebrity chronicle genre “Anton S Live”, “Buddha Grisna” and the talk shows “Show without name”, “New Show”) over the period from the beginning of 2019 to the end of 2021. The paper attempts to explore the screen celebrity-content from the point of view of the critical theory of mass culture. Based on the

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Nemchenko, Lilia M. "Theatrical Dialogue in the Digital Age: From Director’s Theatre to the Theatre Onscreen." Changing Societies & Personalities 4, no. 4 (2020): 457. http://dx.doi.org/10.15826/csp.2020.4.4.111.

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Thanks to its inherent nature, theatre has been better able than other artforms to resist the challenges presented by information and digital culture, which are based on the principle of reproduction. Since a theatrical text is created anew each time, an audience can enter into a real-time dialogue with a concrete group of players recreating an authorial concept. This is true even when, as in director’s theatre, a director’s interpretation is performed by different acting companies.Today, however, the hubris of theatre critics and enthusiasts, who value unmediated dialogue as a pre-condition o

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23

Shagdarova, Bayarma. "Development of Mass Radio Broadcasting in the 1970s (On the Materials of the Republic of Buryatia)." Humanitarian Vector 20, no. 2 (2025): 91–101. https://doi.org/10.21209/1996-7853-2025-20-2-91-101.

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The aim of the study is to summarize the experience of mass radio broadcasting in the Buryat ASSR in 1970– 1973. The analysis of the state of scientific development showed that the specific problem of the history of mass radio broadcasting in Buryatia posed in this work has not become the subject of a comprehensive analysis within the selected chronological period. Consequently, the relevance of the topic of this scientific work is based on the needs of historical science itself, since it has not been sufficiently developed to date. The materials of the study were documents that belong to the

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Romaniuk, O., and I. Kovalenko. "Information Means of Warfare." Visnyk of Kharkiv State Academy of Culture, no. 63 (June 26, 2023): 7–18. http://dx.doi.org/10.31516/2410-5333.063.01.

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The relevance of the paper is determined by the fact that the information component plays the most important role in the hybrid war that Russia is conducting against Ukraine today. In the conditions of Russia’s full-scale aggression against Ukraine, the study of the informational factor of hybrid wars is an urgent problem of both military and political sciences, as well as the social communications science. The purpose of this article is to highlight the information factor of warfare in the context of the development of mass communication. The methodology is based on the use of sys

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Жачемук, В. Ш. "Региональное государственное радиовещание в практиках формирования полиэтничной социокультурной общности (на примере Республики Адыгея)". Nasledie Vekov, № 3(39) (30 вересня 2024): 26–40. https://doi.org/10.36343/sb.2024.39.3.002.

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Целью настоящей работы является определение роли регионального радио в формировании социокультурной общности в полиэтничном регионе. Проанализированы научные исследования, посвященные истории радио, его функциям и отдельным аспектам художественного вещания, а также архивные документы адыгейского радио. Рассмотрены исторические, идеологические и социокультурные факторы, повлиявшие на деятельность регионального радио в Республике Адыгея и позволившие ему стать значимым социокультурным феноменом в ХХ в. В зависимости от изменения идеологических и технологических аспектов вещания история радио Ады

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Kostiuk, V., та I. Kostiuk. "ГУМОР У ЧАСИ ВІЙНИ: КОНТЕКСТУАЛЬНО-ПСИХОЛОГІЧНИЙ АСПЕКТ". State and Regions. Series: Social Communications, № 3(55) (7 грудня 2023): 52. http://dx.doi.org/10.32840/cpu2219-8741/2023.3(55).6.

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<p><strong><em>Article’s purpose</em></strong><em> is to comprehend the feasibility of comedy projects in times of war, the Russian-Ukrainian war in particular, and to determine their feasibility.</em></p><p><strong><em>Research methodology.</em></strong><em> Include the analysis scientific-sources base on a select question, monitoring, synthesis. To identify the peculiarities of the practical functioning of foreign humour projects, we watched the relevant episodes on the online hosting platform Youtube.</em

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Ангелов, Антон. "ПОГЛЕД ОТВЪН: БЪЛГАРИЯ И ИЗТОЧНА ЕВРОПА НА СТРАНИЦИТЕ НА МУЗИКАЛНОТО СПИСАНИЕ „BILLBOARD“". Терени, № 8 (18 червня 2025): 58–85. https://doi.org/10.60053/ter.2024.8.58-85.

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Списание The Billboard излиза от 1894 г. като седмично издание, насочено към музикалната и развлекателната индустрия и през ХХ век придобива значително влияние в популярната култура на Съединените щати. На страниците си отразява широк спектър от събития, творци, популярни жанрове, класации, реклами, информация за продуценти и управители от развлекателния бранш и т. н. Въпреки че е концентрирано върху капиталистическия начин на производство, разпространение и консумация на музикална продукция, с различна честота в периода на Студената война помества информации и репортажи, касаещи по един или д

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Tukvadze, Avtandil, Valerian Dolidze, and Helen Gelashvili. "Features of the political regime of Russia." GEORGIAN SCIENTISTS, February 11, 2022. http://dx.doi.org/10.52340/gs.2022.04.01.10.

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The authoritarian political Regime of Russia determines aggressive behavior of this country in the foreign and domestic politics. Because of this the studding of this regime is actual both in theoretical and practical points of views. The main features of this regime in Russian reality stems from its hybrid nature and they are: authoritarian autocratic characteristics; but it is not the traditional authoritarianism the theory and practice of which we know from history. First of all, its specificity follows from the propaganda load of the regime and due to the control over the state media, the

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Heil Jr., Alan L. "Rate of Arabic language TV start-ups shows no sign of abating." Arab Media & Society, no. 2 (August 16, 2007). http://dx.doi.org/10.70090/ah07ralt.

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One expert calls it “an ocean of channels.”[1] Another says it’s “a paradox of plenty.”[2] And yet another laments that “a noisy marketplace makes it increasingly expensive to find, keep and grow a profitable market share.”[3] These are all accurate characterizations of a seemingly accelerating proliferation of Arabic language satellite TV channels in 2007. At last count, 280 of these outlets were vying for the attention of viewers in the Middle East and beyond. And more are on the way. For some years, Arabic has been the language of choice of more international broadcasters in more countries

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Brammer, Rebekah. "Dark Laughs." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3152.

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Introduction: From Classic Noir Parody to Aussie Comedy Noir However you choose to identify noir – as a genre, style, or cycle – over its 80 years from classic American film noir to neo-noir, neon-noir, national noirs, and television noir, it has undeniably seeped into popular culture. Exemplary of this is the way noir has hybridised with other genres and styles, true of comedy as much as its more serious pairings with science fiction, Western, and Gothic. This is not a new phenomenon: Sue Short points out that pastiche noir began appearing at the end of the classic cycle, citing Kiss Me Deadl

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Subramanian, Shreerekha Pillai. "Malayalee Diaspora in the Age of Satellite Television." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.351.

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This article proposes that the growing popularity of reality television in the southernmost state of India, Kerala – disseminated locally and throughout the Indian diaspora – is not the product of an innocuous nostalgia for a fast-disappearing regional identity but rather a spectacular example of an emergent ideology that displaces cultural memory, collective identity, and secular nationalism with new, globalised forms of public sentiment. Further, it is arguable that this g/local media culture also displaces hard-won secular feminist constructions of gender and the contemporary modern “Indian

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Knowles, Claire Elizabeth. "A Woman’s Place Is in the Morgue: Understanding Scully in the Context of 1990s Feminism." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1465.

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SCULLY: I said, I got the lab to rush the results of the Szczesny autopsy, if you're interested.MULDER: I heard you, Scully.SCULLY: And Szczesny did indeed drown, but not as the result of the inhalation of ectoplasm as you so vehemently suggested.MULDER: Well, what else could she possibly have drowned in?SCULLY: Margarita mix, upchucked with about 40 ounces of Corcovado Gold tequila which, as it turns out, she and her friends rapidly consumed in the woods while trying to reenact the Blair Witch Project.MULDER: Well, I think that demands a little deeper investigation, don't you?SCULLY: No, I do

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Avram, Horea. "The Convergence Effect: Real and Virtual Encounters in Augmented Reality Art." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.735.

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Augmented Reality—The Liminal Zone Within the larger context of the post-desktop technological philosophy and practice, an increasing number of efforts are directed towards finding solutions for integrating as close as possible virtual information into specific real environments; a short list of such endeavors include Wi-Fi connectivity, GPS-driven navigation, mobile phones, GIS (Geographic Information System), and various technological systems associated with what is loosely called locative, ubiquitous and pervasive computing. Augmented Reality (AR) is directly related to these technologies,

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Nunes, Mark. "Failure Notice." M/C Journal 10, no. 5 (2007). http://dx.doi.org/10.5204/mcj.2702.

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   Amongst the hundreds of emails that made their way to error@media-culture.org.au over the last ten months, I received the following correspondence: Failure noticeHi. This is the qmail-send program at sv01.wadax.ne.jp.I’m afraid I wasn’t able to deliver your message to the following addresses.This is a permanent error; I’ve given up. Sorry it didn’t work out.namewithheld@s.vodafone.ne.jp>:210.169.171.135 does not like recipient.Remote host said: 550 Invalid recipient:namewithheld@s.vodafone.ne.jp>Giving up on 210.169.171.135. Email of this sort marks a moment that is

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Brien, Donna Lee. "A Taste of Singapore: Singapore Food Writing and Culinary Tourism." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.767.

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Introduction Many destinations promote culinary encounters. Foods and beverages, and especially how these will taste in situ, are being marketed as niche travel motivators and used in destination brand building across the globe. While initial usage of the term culinary tourism focused on experiencing exotic cultures of foreign destinations by sampling unfamiliar food and drinks, the term has expanded to embrace a range of leisure travel experiences where the aim is to locate and taste local specialities as part of a pleasurable, and hopefully notable, culinary encounter (Wolf). Long’s foundati

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