Academic literature on the topic 'Television Program; Media Convergence; Transformation'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Television Program; Media Convergence; Transformation.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Television Program; Media Convergence; Transformation"
1
Zhiqiang, Jia, Binti Mohamed Shazleen, and Hakimi Tew Abdullah Muhammad. "THE TRANSFORMATION OF TELEVISION PROGRAMS IN THE CONVERGENCE OF MEDIA: CASE STUDY ON SHANXI RADIO AND TELEVISION STATION." Asian Journal of Social Science Research (e-ISSN: 2600-9706) Volume 5, Issue 1 (June 30, 2023): 43–51. https://doi.org/10.5281/zenodo.8088938.
Full textAbstract:
<strong>ABSTRACT</strong> The escalating growth of new media has profoundly reshaped China's media environment, prompting traditional powerhouses such as Television Stations to adapt and innovate. As China experiences rapid socio-economic growth and a marked enhancement in the rise of China, its television industry faces a unique set of possibilities and hurdles. New media technologies are pivotal in augmenting productivity and redefining organizational frameworks, and the continuous evolution of media convergence significantly drives the transformation within China's TV sector. This paper scrutinizes the metamorphosis of Shanxi Radio and Television Station's television programs, examining various dimensions, including content, technology, and policy. This study proposes a blueprint for integrating effective communication strategies within China's media industry. It also provides an in-depth analysis of the strategic communication techniques employed by Shanxi Radio and Television Station to engage its audience and stakeholders.
2
Artini, Sitti Wahyuni. "The Impact of Live Streaming on Social-Media on The Quality of TVRI South Sulawesi's Program." International Journal of Science and Society 4, no. 4 (2022): 593–602. http://dx.doi.org/10.54783/ijsoc.v4i4.608.
Full textAbstract:
TVRI South Sulawesi is transforming the media by helping to expand the reach and improve the quality of broadcast programs by utilizing social media platforms. With the live streaming feature on several social media platforms, TVRI South Sulawesi uses this feature to broadcast its broadcasts through social media platforms to make it easier for the public to reach TVRI South Sulawesi broadcasts and get feedback regarding broadcast programs. This study was conducted to examine the impact of social media live streaming on the content quality of TVRI Sulawesi Selatan’s programs. In order to gather information for this study’s qualitative methodology, observation, and interviews were used. The study involved five informants who were leaders and employees of South Sulawesi TVRI and the community. The theory of media convergence is used by researchers to help understand the presence of new media on social interaction and integration with old media. The results of this study suggest that TVRI South Sulawesi utilizes the live streaming feature on three platforms, namely Youtube, Instagram, and Facebook. The transformation that has been carried out is proven by the expansion of broadcast coverage that can improve the quality of TVRI South Sulawesi's broadcast programs, namely creating new broadcast programs following the audience's interest, updating old programs, and improving the quality of TVRI South Sulawesi news. This research can contribute to further research on how media transformation can affect the development of the television industry in Indonesia by enriching broadcast content and expanding audience reach.
3
Pamungkas, Hery, Darsono Darsono, Supriyadi S.U., Dwiningtyas Padmaningrum, and Jumanto Jumanto. "CSR Broadcasting Industry Through Media-Convergence Pattern Approach for Empowering the Indonesian Muslim Youth Community." Journal of Law and Sustainable Development 11, no. 12 (2023): e2260. http://dx.doi.org/10.55908/sdgs.v11i12.2260.
Full textAbstract:
Objective: The Corporate Social Responsibility program carried out by Television of Udinus Campus or Televisi Kampus Udinus (TVKU) Semarang in participating in the transformation of da’wah in Central Java Great Mosque or Masjid Agung Jawa Tengah (MAJT) through the youth empowerment of the muslim community was the focus of this research. Theoretical Framework: Within a qualitative method approach with a case study approach strategy, this study focused on how events, activities, and processes that occur by photographing the findings of facts from the condition during the time of new normal era in the MAJT mosque and analyzed the processes and results of the sustainable empowerment carried out by the broadcasting industry to the mosque youth. Method: Analysis was carried out by using the software ATLAS.ti, and this research resulted in strategic recommendations including the identification of empowerment targets, the formation of working teams, the development of superior contents, the construction of a promoting system of humility and marketing, the building of communities, the formulation of collaborative strategies, the establishment of modern and interactive digital platforms, as well as conducting events. Results: The cooperation pattern by a broadcasting industry in this research was expected to be a reference for appropriate stages of empowerment for a media in creating a transformation of publicity use of media convergence. Conclusions: The Corporate Social Responsibility (CSR) program carried out by TVKU Semarang in MAJT has succeeded in building an entity of empowerment pattern that transforms innovative steps and potentially gives a positive impact in spreading messages to the younger generation.
4
Song, Ci, and Xiangyu Cai. "Research on the Transformation of Radio and Television Directors in the Media Convergence Environment." Journal of Education, Humanities and Social Sciences 41 (October 30, 2024): 48–53. http://dx.doi.org/10.54097/fncfmk28.
Full textAbstract:
In today's social context, the market landscape of various industries in China has become more complex, and the continuous development of information technology has greatly influenced the working methods of many sectors, promoted the transformation and upgraded of different industries. With the widespread application of the internet and information technology, traditional radio and television face significant challenges. To meet the needs of media convergence development, it is essential to optimize the content of radio and television based on the current development situation and accelerate the transformation of radio and television directors, thus addressing the shortcomings of the media market and adapting to the needs of the times. Therefore, directors, as a crucial link that impacts the quality and effectiveness of radio and television, must fully leverage the core advantages of radio and television media, explore scientific development paths, break through the current developmental challenges, accelerate their transformation, and promote the continuous prosperity of China's radio and television industry.
5
Irawan, Rahmat Edi. "Aplikasi Citizen Journalism di Era Konvergensi Media." Humaniora 5, no. 2 (2014): 816. http://dx.doi.org/10.21512/humaniora.v5i2.3137.
Full textAbstract:
Citizen journalism has now become one of the most developed television program concepts. If the concept was initially more widely used in radio and online media, this time with easier and cheaper technology coverage and delivery of images, it is a concept that provides a place for people to become amateur journalist that can also be easily applied in the medium of television. Research raised the issue on how the concept and implementation of citizen journalism on television in the era of media convergence. The purpose of this study is to explain concepts and demonstrate the implementation of citizen journalism on television in the era of media convergence. Research used qualitative method in which data were obtained using literature study. Results of the study showed that the implementation of citizen journalism on television is also increasingly facilitated by the entry of the television in the era of media convergence, or different media mingle, such as television with printed, radio, and Internet media. The era of media convergence makes the concept of citizen journalism can be more developed, because the platform or media distribution is also increasingly varied for amateur journalist. However, the system equipment that must be provided, human resources that must be owned, as well as huge capital to be owned make a few television stations open a lot of platforms to provide space for amateur journalist in citizen journalism.
6
Wang, Zhenzi, Zhi-Qiang Liu, and Steve Fore. "Facing the Challenge: Chinese Television in the New Media Era." Media International Australia 114, no. 1 (2005): 135–46. http://dx.doi.org/10.1177/1329878x0511400115.
Full textAbstract:
In this paper we examine current developments in new media and Chinese television. In particular, we present a case study of the Spring Festival Eve Gala 2002, sponsored by China Central Television Station (CCTV). Despite the rapid development of digital technology and new media in recent years, Chinese television is unlikely to be transformed quickly. We propose that coevolution and convergence with new media offer the most effective strategy for the future development of Chinese television. The case study indicates that the current progress in media and communications technologies has set the stage for a gradual and incremental transformation of Chinese television.
7
Li, Sihan. "Research on the Problems and Strategies of the Integrated Development of Provincial Radio and Television Media." Media Studies 1, no. 1 (2024): 1–7. http://dx.doi.org/10.70267/xk6d8096.
Full textAbstract:
Driven by the information society and network technology, the media landscape is facing a profound transformation, and the rise of new media has reshaped the media ecology. In the face of the information dissemination reform in the new media era, media convergence has become the key path for radio and television media to cope with challenges and achieve transformation. However, in the practice of integrated development, provincial radio and television media have encountered many challenges, such as lagging brand building, insufficient content innovation, single profit model and technical integration problems. These factors have seriously restricted its transformation and upgrading in the new media environment. Through the in-depth discussion of the integration path of provincial radio and television media, this paper aims to reveal its common problems on the road of integration, and put forward targeted countermeasures and suggestions, so as to provide theoretical guidance and solution path for the practice of provincial radio and television media in media integration, and promote its sustainable development and competitiveness in the new media environment.
8
Martišius, Mantas. "Television Goes Mobile: the Transformation of the Audio-Visual Media Market." Informacijos mokslai, no. 84 (December 20, 2018): 3. http://dx.doi.org/10.15388/im.2018.84.13.
Full textAbstract:
[full article, abstract in English; abstract in Lithuanian]
 The 21st century is often called the age of information, and the society of this age is often dubbed the society of information and news. Meanwhile, a rapid and efficient transmission of news and the prioritization of this process have become relevant at least already back in the 90s. Information volumes consumed by the society have been growing by the day. Progress in technologies and communication have eliminated time and space barriers. The aim of this article is to answer how and when linear television is going to move online and especially to mobile networks. This aim is broken down into the objective of analyzing issues pertaining to the definition of television, the overview of the impact of media convergence on television, the analysis of the issues related to the definition of television and internet television, and the analysis of prospects for linear versus internet television. The article may be relevant for media experts and analysts, media regulators, users, and the creators of internet television content.
9
Pembayun, Estavita Chantik. "YouTube Vs television in media convergence era: case study study on tonight show program presented by Net Mediatama." Indonesian Journal of Communication Studies 15, no. 2 (2022): 105. http://dx.doi.org/10.31315/ijcs.v15i2.8000.
Full textAbstract:
The use of the internet has become a habit among millennials lately. The products of these two media are television and YouTube. Presentation of content that is considered almost the same, namely using audio-visual media, YouTube is considered to be a new medium that will shift and even replace the existence of the television industry. In 2020, We are Social analysis said the number of YouTube users reached 2 billion each month. This has a significant impact on television, one of which is NET (News and Entertainment Television) that owned by PT NET Mediatama. The increasing number of YouTube viewers compared to declining television, NET experienced a decline in revenue in 2020, due to a continuous decrease in audience ratings with the number of sponsors obtained. As a conventional media, NET now has to compete with YouTube. The program that is the focus of this research is the Tonight Show, where the program is broadcast hybridly in terrestrial form and exclusively on YouTube streaming. The research was conducted using a constructivist paradigm and a qualitative approach with a case study method. Interviews with assistant producers of the Tonight Show became primary data and published interviews, media content and literature that examined the convergence of communication media and industry became secondary data. Based on research findings from a business point of view, convergence in the television industry can open up new professional opportunities, such as providing opportunities for television media managers to expand public choice, as has been implemented by the Tonight Show program with the Tonight Show Premiere. Even though YouTube viewers in Indonesia are increasing, the existence of the television industry still has its place, because exposure to television content can be felt by more people compared to YouTube, because not everyone can access the internet, especially in Indonesia.
10
Wulandari, Margareta, and Novi Kurnia. "Jaringan Sosial dan Konvergensi Media: Penonton Interaktif Sinetron 7 Manusia Harimau." Jurnal ILMU KOMUNIKASI 14, no. 2 (2017): 169–88. http://dx.doi.org/10.24002/jik.v14i2.776.
Full textAbstract:
In the convergence era, television audience has become interactive audience. Study about television audience become important, especially in favorite program, such as sinetron (Indonesian soap opera). Netnography method is used to examine the social network dynamics of 7 Manusia Harimau audience. After conducting online participatory observation in two fandom groups and in-depth interviews with seven informants, the results show that media convergence has broaden the way audience consume sinetron and enhanced the audiences’ interactivity. Online media support the audience to develop individual and communal network, collective identity and intelligence, collective actions and participatory culture.
Dissertations / Theses on the topic "Television Program; Media Convergence; Transformation"
1
Ford, Samuel Earl. "As the world turns in a convergence culture." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39223.
Full textAbstract:
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2007.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Includes bibliographical references.<br>The American daytime serial drama is among the oldest television genres and remains a vital part of the television lineup for ABC and CBS as what this thesis calls an immersive story world. However, many within the television industry are now predicting that the genre will fade into obscurity after two decades of declining ratings. This study outlines how the soap opera industry is and could be further adapting to the technological and social changes of a convergence culture to maintain and revitalize the genre's relevance for viewers and advertisers alike. CBS/Procter and Gamble Productions/TeleVest's As the World Turns will serve as a case study for these changes. This project examines how the existing fan base plays an active role in gaining and maintaining new fans by researching historical and contemporary examples of social relationships that fans form with other fans and the show itself. In addition to looking at how these fan communities operate, this thesis focuses on how soap operas have adapted and might adapt to alternate revenue models such as product placement, capitalize on their vast content archives, and tell stories through multiple media formats. The study concludes that soap operas should be managed as brands and not ephemeral television content because of their permanence in the television landscape, that fans outside the target advertising demographic should be empowered as proselytizers for the show, and that a transgenerational storytelling approach best utilizes the power of the genre to tell its stories.<br>by Samuel Earl Ford.<br>S.M.
Book chapters on the topic "Television Program; Media Convergence; Transformation"
1
Lee, Francis L. F. "New-Media-Based Attention Implosion and Television Publicness in the Era of Internet-TV Convergence." In Global Media Convergence and Cultural Transformation. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-60960-037-2.ch008.
Full textAbstract:
This chapter discusses how television captures and organizes the attention of the mass public in the age of media convergence. It is argued that media proliferation and technological convergence have led to a fragmented audience. Paradoxically, audience fragmentation also provides the condition for the powerful return of collective attention in the case of new-media-based attention implosion. This chapter uses the case of the extraordinary (online) popularity of television drama character Brother Laughing in Hong Kong to illustrate the phenomenon of new-media-based attention implosion and the dynamics behind it. The analysis shows that attention implosion is generated by audience members’ time-space shifting practices and key individuals’ organizational efforts, both facilitated by the new media. It led to the formation of an interpretive public surrounding the fictional character. Implications of the phenomenon on our understanding of the relationship between television, social life, and collective public attention are discussed.
2
Fung, Anthony, and Luzhou Li. "TV Box on the Internet." In Global Media Convergence and Cultural Transformation. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-60960-037-2.ch021.
Full textAbstract:
With the advancement of media technologies, traditional media and new media converge at a pace faster than ever globally. In the People’s Republic of China (PRC), nonetheless, while infrastructure is mature and audience is abundant, media convergence is not at all ready to take off. In theoretical term, the zigzag path of the convergence between television industry and the Internet in China origins from the clash between the state and the market. The chapter presents a special case in which political forces become a potential shaping force for media convergence and in the authoritarian environment of China, politics still reigns over technologies and the market. From a political economy perspective, the dominance of politics can be explained in terms of the process of regulatory spatialization.
3
Chung, Peichi. "The Emerging Media Exchange in the Cultural Regionalization of Asia." In Global Media Convergence and Cultural Transformation. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-60960-037-2.ch006.
Full textAbstract:
This chapter focuses on the emerging media regionalization that takes place in Asia in 2000s. Japan and Hong Kong used to be the dominant cultural exporters commercializing their national media products to the nearby Asian markets. The recent market success of Korean wave and the gradual opening of Chinese market bring media regionalization to a different level. The chapter selects three cases to present the detailed image of cultural standardization in Asia’s media regionalization. The first centers on the circulation of media text in television drama, emphasizing on Korean wave and the particular TV series, Boys Over Flowers. The second case discusses Taiwanese popular music and its influence on Mandopop in the Chinese communities. The last case studies the regionalization of online game from China. This case examines the localization of Chinese online game, Westward Journey Online II. Chinese online games initially begin with the imitation of Korean game but later form their national branding based upon a mixture of global and local cultural elements that speak to the largest group of online game consumers in the pan-Asian market.
4
Chang, Pi-Chun. "New Imagined Community by Cultural Participation." In Global Media Convergence and Cultural Transformation. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-60960-037-2.ch007.
Full textAbstract:
Although the preservation of cultural heritage has always been a primary task of cultural policy in many countries, the idea of combining digital technology and cultural heritage was almost entirely unknown as recently as 1990. It is undeniable that digital technologies have played an important part in our lives. In the case of Taiwan, the government has been working on digitizing cultural heritage by launching National Digital Archives Program since 2002. Most scholarship has focused either on technical practices or the economic value of such practices. Scanty attention has been paid to the relationship between digital cultural heritage, cultural citizenship, and one’s imagined community. In other words, the application of digital technology onto cultural heritage has been largely unmapped in terms of identity formation. This study explores the social and cultural implication of the combination of technology and heritage. When heritage meet contemporary technology, how does it shape and what does it implicate for one’s cultural identity and imagined community?
5
Doruk, Ece Karadogan. "Transformation in Daytime Television Programs in Turkey since 2000." In Advances in Media, Entertainment, and the Arts. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-6190-5.ch010.
Full textAbstract:
The research conducted in Turkey indicates that the television viewers usually spend their leisure daytime watching television programs such as health, cooking, beauty, fashion, shopping, and competitions. These programs that mostly refer to entertainment function enable viewers to learn as well as have an enjoyable time. Among the reasons why the television viewers prefer to watch these programs are migration to larger cities and the need of the viewers, who spend more time together at home with the family and have nothing but the television at home as the neighborhood culture has disappeared, to see their equivalents and communicate their troubles. This chapter discusses the changing program preferences of the television audience and the causes affecting the transforming program contents since the early 2000s in Turkey, which is one of the countries with the highest television-viewing rate and uses the method of in-depth interview with the experts in the field.
6
Aslan, Pınar. "Digital Fandom Overseas." In Multidisciplinary Perspectives on Media Fandom. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3323-9.ch007.
Full textAbstract:
This study deals with Latin American fans of Turkish television series within the context of digital fandom and convergence culture. With the rise of internet technologies, the spread of the television series has become easier on a global scale, and this process leads to a rather more multifaceted world where Latin American audiences are not compelled to Latin American telenovelas anymore; they can even become devoted fans of Turkish television series that are quite successful worldwide. In this chapter, the transformation of television series fandom is analyzed through the case study of Latin American fans of Turkish television series. The way they become fans and contribute to the sustainability of the success of Turkish television series in the region and worldwide through fan labor is studied in detail. Since Turkey has become the second exporter of television series right after the United States, such a study aims to come up with a roadmap on the transformation of fandom presenting future directions for further study.
Conference papers on the topic "Television Program; Media Convergence; Transformation"
1
Kuļbanska, Gunta. "Changes in Use of Television News and Informative Content and Their Impact on Content Creation. Analysis of Latvian Practice (January–April 2024)." In International scientific conference of the University of Latvia. University of Latvia Press, 2025. https://doi.org/10.22364/ms24.03.
Full textAbstract:
The aim of the research is to establish what platforms and technologies the Latvian audience chooses for consuming television news and informative content, the reasons guiding this choice, as well as the effect of this choice by audience on the creation of content by television channels in Latvia. The theoretical basis of the work consists of theoretical works explaining the media ecology, transformation and convergence of the media environment, theories on the interaction of the media and the audience – the theory of agenda setting, use and satisfaction, as well as a theoretical look at the importance of television in the media environment and the characteristics of its audience. Secondary data analysis was used to obtain research data, analysing Latvian audience studies, audience television news and informative content usage diary research, as well as semi-structured interviews with responsible specialists of the television industry. The data collected and compiled within the framework of the study confirm that the use and spread of Internet resources and technologies has influenced the behaviour of the audience in consuming television news and informative content. The study reveals important features of audience behaviour change concerning the habits of using television news and informative content, which directly affects the creation and distribution of this content.
2
Massarolo, João. "Study Group on Interactive Media in Image and Sound (GEMInIS)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.89.
Full textAbstract:
The Study Group on Interactive Media in Image and Sound (GEMInIS) is linked to the Postgraduate Program in Image and Sound, at the Federal University of São Carlos (UFSCar). The group's research lines are articulated in the theoretical and practical perspective of transmedia logic, prioritizing studies on multiplatform audiovisual communication (cinema, TV, video games, VOD, social media, and mobile devices, among others) as a thematic axis. The researchers developed are applied in the production of multiplatform audiovisual content, taking into account the dynamics of media, market and technological ecosystems, with emphasis on: studies on media convergence; structures of streaming platforms; formats and business models of media tech companies and video-on-demand services offered by television broadcasting; local and transnational audiovisual production arrangement; innovative serial fiction strategies; environmental narratives in the context of participatory culture and transmedia design. In this context, the reflections and analyzes on the processes of platforming of contemporary audiovisual incorporate transdisciplinary dialogue, rupture movements, literacy strategies and discussions on public policies for the Brazilian audiovisual sector. From these lines of work, we intend to discuss in this presentation the application domains developed by the group, specific to multiplatform audiovisual communication. (i) Specialization Course in Multiplatform Audiovisual Content Production (EAM) - Specialization course created in 2016, focused on practical applications, with the objective of training qualified specialists to work in the areas of communication, design, and arts, in the development of audiovisual content for platforms, thus expanding the field of professional performance in the audiovisual market. (ii) Post Graduation Program in Multiplatform Audiovisual Communication (PPGCOM) - Professional Master's Degree in Transmedia. Program conceived in the Stricto Senso Post-Professional Graduate Program, which prioritizes applied research based on transmedia logic, with innovative content, processes and projects. The Program requests to develop methodologies and design projects aimed at the development of multiplatform audiovisual communication. (iii) GEMInIS Journal (ISSN: 2179-1465 - Qualis: B2) Online publication, It’s dedicated to the dissemination of articles, reviews of works and on the context of media convergence and audiovisual production in multiple transmedia platforms. The journal can have open access to researchers who want to submit their work. (iv) GEMInIS International Journey (JIG) - Event held since 2014 with the theme of Multiplatform Transmedia Entertainment, with the objective of bringing together research groups that work at the intersection of the areas of communication, design and audiovisual, for the presentation and discussion of the results of their investigations. The presentation of the lines of action of the GEMInIS group try to find to discuss the importance of transmedia logic in the development of methodologies aimed at structured professional performance, based on the relationship between the university, the market, and the social impact of multiplatform communication.
3
Cohen Zilka, Gila. "The Elements Way: Empowering Parents, Educators, and Mentors in the Age of New Media." In InSITE 2017: Informing Science + IT Education Conferences: Vietnam. Informing Science Institute, 2017. http://dx.doi.org/10.28945/3701.
Full textAbstract:
[This Proceedings paper was revised and published in the journal Issues in Informing Science and Information Technology] Aim/Purpose: This study was designed to examine the effectiveness of mentor’s work with immigrant children and adolescents at risk, using the Elements Way. Background: The New Media offers our “screen kids” a lot of information, many behavioral models, and a new type of social communication. The Elements Way is an educational method designed to enhance openness, development, breakthroughs, goal achievement, and transformation in the age of media and social networks. Methodology: The Elements Way was developed following research on communication in the diversified media, especially new media such as Facebook, WhatsApp, and television reality shows, and the study is an examination of the effectiveness of mentors’ work with immigrant children and adolescents at risk, using the Elements Way. All mentors had been trained in the Elements Way. The study population included 640 mentors working with immigrants’ children in Israel. The work was conducted in 2010-2013. The mixed-methods approach was selected to validate findings. Contribution: Empowering children and enhancing their ability to cope; Creating openness and sharing, making children more attentive to the significant adults in their lives; Supporting children who face the complex reality that characterizes our age. Findings: Significant differences were found in the mentors’ conduct with the children. Work programs were designed and implemented with care and consistency, and mentors succeeded in generating change within the children and achieving desired goals. Of the 640 participating mentors, 62 were not able to promote the child, and interviews with them revealed that their work with the children was not consistent with the Elements Way and began from a different vantage point. Recommendations for Practitioners: Success factors: Self-awareness and awareness of one’s surroundings. Empathy. Willingness to engage in significant interactions. Self-cleansing and self-reflection. Ability to engage in a personal and interpersonal dialogue. Ability to accept and contain the child. Cooperation with the child in creating a work program and assisting the child to achieve the goals that were set in the program. Recommendation for Researchers: Future studies should focus on analyzing the discussions of children and adolescents, to add depth to our insights regarding children and adolescents’ perception of the mentors’ work from their perspective. Impact on Society: Finding the “keys” to openness, development, goal achievement, and transformation in our work with “screen kids.” Future Research: Studies that are designed to examine the effectiveness of mentor’s work with immigrant children and adolescents at risk, using the Elements Way.