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Journal articles on the topic 'Television Program; Media Convergence; Transformation'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Zhiqiang, Jia, Binti Mohamed Shazleen, and Hakimi Tew Abdullah Muhammad. "THE TRANSFORMATION OF TELEVISION PROGRAMS IN THE CONVERGENCE OF MEDIA: CASE STUDY ON SHANXI RADIO AND TELEVISION STATION." Asian Journal of Social Science Research (e-ISSN: 2600-9706) Volume 5, Issue 1 (June 30, 2023): 43–51. https://doi.org/10.5281/zenodo.8088938.

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<strong>ABSTRACT</strong> The escalating growth of new media has profoundly reshaped China's media environment, prompting traditional powerhouses such as Television Stations to adapt and innovate. As China experiences rapid socio-economic growth and a marked enhancement in the rise of China, its television industry faces a unique set of possibilities and hurdles. New media technologies are pivotal in augmenting productivity and redefining organizational frameworks, and the continuous evolution of media convergence significantly drives the transformation within China's TV sector. This p

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Artini, Sitti Wahyuni. "The Impact of Live Streaming on Social-Media on The Quality of TVRI South Sulawesi's Program." International Journal of Science and Society 4, no. 4 (2022): 593–602. http://dx.doi.org/10.54783/ijsoc.v4i4.608.

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TVRI South Sulawesi is transforming the media by helping to expand the reach and improve the quality of broadcast programs by utilizing social media platforms. With the live streaming feature on several social media platforms, TVRI South Sulawesi uses this feature to broadcast its broadcasts through social media platforms to make it easier for the public to reach TVRI South Sulawesi broadcasts and get feedback regarding broadcast programs. This study was conducted to examine the impact of social media live streaming on the content quality of TVRI Sulawesi Selatan’s programs. In order to gather

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Pamungkas, Hery, Darsono Darsono, Supriyadi S.U., Dwiningtyas Padmaningrum, and Jumanto Jumanto. "CSR Broadcasting Industry Through Media-Convergence Pattern Approach for Empowering the Indonesian Muslim Youth Community." Journal of Law and Sustainable Development 11, no. 12 (2023): e2260. http://dx.doi.org/10.55908/sdgs.v11i12.2260.

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Objective: The Corporate Social Responsibility program carried out by Television of Udinus Campus or Televisi Kampus Udinus (TVKU) Semarang in participating in the transformation of da’wah in Central Java Great Mosque or Masjid Agung Jawa Tengah (MAJT) through the youth empowerment of the muslim community was the focus of this research. Theoretical Framework: Within a qualitative method approach with a case study approach strategy, this study focused on how events, activities, and processes that occur by photographing the findings of facts from the condition during the time of new normal era i

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Song, Ci, and Xiangyu Cai. "Research on the Transformation of Radio and Television Directors in the Media Convergence Environment." Journal of Education, Humanities and Social Sciences 41 (October 30, 2024): 48–53. http://dx.doi.org/10.54097/fncfmk28.

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In today's social context, the market landscape of various industries in China has become more complex, and the continuous development of information technology has greatly influenced the working methods of many sectors, promoted the transformation and upgraded of different industries. With the widespread application of the internet and information technology, traditional radio and television face significant challenges. To meet the needs of media convergence development, it is essential to optimize the content of radio and television based on the current development situation and accelerate t

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Irawan, Rahmat Edi. "Aplikasi Citizen Journalism di Era Konvergensi Media." Humaniora 5, no. 2 (2014): 816. http://dx.doi.org/10.21512/humaniora.v5i2.3137.

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Citizen journalism has now become one of the most developed television program concepts. If the concept was initially more widely used in radio and online media, this time with easier and cheaper technology coverage and delivery of images, it is a concept that provides a place for people to become amateur journalist that can also be easily applied in the medium of television. Research raised the issue on how the concept and implementation of citizen journalism on television in the era of media convergence. The purpose of this study is to explain concepts and demonstrate the implementation of c

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Wang, Zhenzi, Zhi-Qiang Liu, and Steve Fore. "Facing the Challenge: Chinese Television in the New Media Era." Media International Australia 114, no. 1 (2005): 135–46. http://dx.doi.org/10.1177/1329878x0511400115.

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In this paper we examine current developments in new media and Chinese television. In particular, we present a case study of the Spring Festival Eve Gala 2002, sponsored by China Central Television Station (CCTV). Despite the rapid development of digital technology and new media in recent years, Chinese television is unlikely to be transformed quickly. We propose that coevolution and convergence with new media offer the most effective strategy for the future development of Chinese television. The case study indicates that the current progress in media and communications technologies has set th

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Li, Sihan. "Research on the Problems and Strategies of the Integrated Development of Provincial Radio and Television Media." Media Studies 1, no. 1 (2024): 1–7. http://dx.doi.org/10.70267/xk6d8096.

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Driven by the information society and network technology, the media landscape is facing a profound transformation, and the rise of new media has reshaped the media ecology. In the face of the information dissemination reform in the new media era, media convergence has become the key path for radio and television media to cope with challenges and achieve transformation. However, in the practice of integrated development, provincial radio and television media have encountered many challenges, such as lagging brand building, insufficient content innovation, single profit model and technical integ

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Martišius, Mantas. "Television Goes Mobile: the Transformation of the Audio-Visual Media Market." Informacijos mokslai, no. 84 (December 20, 2018): 3. http://dx.doi.org/10.15388/im.2018.84.13.

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[full article, abstract in English; abstract in Lithuanian] The 21st century is often called the age of information, and the society of this age is often dubbed the society of information and news. Meanwhile, a rapid and efficient transmission of news and the prioritization of this process have become relevant at least already back in the 90s. Information volumes consumed by the society have been growing by the day. Progress in technologies and communication have eliminated time and space barriers. The aim of this article is to answer how and when linear television is going to move onlin

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Pembayun, Estavita Chantik. "YouTube Vs television in media convergence era: case study study on tonight show program presented by Net Mediatama." Indonesian Journal of Communication Studies 15, no. 2 (2022): 105. http://dx.doi.org/10.31315/ijcs.v15i2.8000.

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The use of the internet has become a habit among millennials lately. The products of these two media are television and YouTube. Presentation of content that is considered almost the same, namely using audio-visual media, YouTube is considered to be a new medium that will shift and even replace the existence of the television industry. In 2020, We are Social analysis said the number of YouTube users reached 2 billion each month. This has a significant impact on television, one of which is NET (News and Entertainment Television) that owned by PT NET Mediatama. The increasing number of YouTube v

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Wulandari, Margareta, and Novi Kurnia. "Jaringan Sosial dan Konvergensi Media: Penonton Interaktif Sinetron 7 Manusia Harimau." Jurnal ILMU KOMUNIKASI 14, no. 2 (2017): 169–88. http://dx.doi.org/10.24002/jik.v14i2.776.

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In the convergence era, television audience has become interactive audience. Study about television audience become important, especially in favorite program, such as sinetron (Indonesian soap opera). Netnography method is used to examine the social network dynamics of 7 Manusia Harimau audience. After conducting online participatory observation in two fandom groups and in-depth interviews with seven informants, the results show that media convergence has broaden the way audience consume sinetron and enhanced the audiences’ interactivity. Online media support the audience to develop individual

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Kim, Myung-Jin. "A Study on the Changing Characteristics of K-pop with the Turns of New Media Technology." Korean Society of Culture and Convergence 45, no. 9 (2023): 121–34. http://dx.doi.org/10.33645/cnc.2023.09.45.09.121.

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This paper introduces a media perspective that understands K-pop as a new media communication process and examines its historic changes. K-pop has expanded its genre through a series of new media technology turns represented by visual transformation by color television and music channels of cable television in the 1980s, acceptable transformation by PC communication and the Internet in the 1990s, digital transformation by digital platforms such as iTunes and YouTube in the 2000s, and virtual transformation by virtual and AI media such as VR, AR, XR, and Metaverse in the 2020s. K-pop is a genre

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Pecheranskyi, Ihor. "Media Fusion As Technology and Mechanism for Transforming the Television Ecosystem in the Twentieth Century." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 7, no. 2 (2024): 236–46. https://doi.org/10.31866/2617-2674.7.2.2024.318989.

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The purpose of the research is to reveal the meaning of media fusion as a technology and mechanism of the television ecosystem transformation in the first quarter of the 21st century. The research methodology. The article tested, firstly, the ecosystem approach that helps to identify television as an ecosystem and one of the important segments of the digital audio-visual landscape on the modern stage that is in a transformational stage, characterised by fusional, co-evolutionary and convergent processes between traditional and new media, and, secondly, the methodology of media archaeological r

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Nanda, Muhammad Afriyan Putra, and Yunda Presti Ardilla. "Media Convergence: the Realization of Monopoly and Oligopoly in Indonesia"." Semantik: Journal of Social, Media, Communication, and Journalism 1, no. 2 (2024): 90. http://dx.doi.org/10.31958/semantik.v1i2.10941.

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This study aims to explore the evolution of media convergence in Indonesia, focusing on Kompas Gramedia as a leading media entity that has undergone rapid development. Its business expansion has surged, particularly in the realm of digital media, significantly broadening its market share in Indonesia. Employing a qualitative descriptive approach and utilizing a case study method centered on Kompas Gramedia and its subsidiaries, this research gathers data from credible sources. Through comparative and correlational analyses, it highlights the changing landscape of media convergence within Kompa

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Fajri, Fauzan, and Defhany . "Upaya Padang TV Dalam Meningkatkan Pemirsa Program Acara Sumbar Rancak Bana." JKOMDIS : Jurnal Ilmu Komunikasi Dan Media Sosial 4, no. 1 (2024): 135–39. http://dx.doi.org/10.47233/jkomdis.v4i1.1481.

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In the context of broadcast media in Indonesia, especially television broadcasters such as Padang TV, there are complex challenges and opportunities. However, data shows that television media still plays an important role in people's lives, with high viewing rates. However, the shift in consumption patterns towards internet-based services is a challenge that television stations must face. The phenomenon of viewers moving to cable TV and internet services has resulted in a decline in interest in local broadcasts. This research discusses how Padang TV's efforts to increase viewers through the Su

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Feng, Yufei. "Analysis of the Convergence and Mutual Appreciation of Traditional Radio and Television Media and New Media." Journal of Education, Humanities and Social Sciences 51 (May 8, 2025): 102–7. https://doi.org/10.54097/vwnh0c40.

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With the rapid development of digital technology, traditional radio programmes are facing unprecedented challenges and opportunities. Some researchers have found that a certain degree of convergence between media and new media would be beneficial to the development of the media industry, but there is a lack of uniform interpretation. Therefore, this study aims to explore the convergence and mutual learning between traditional radio programmes and new media, and to analyse the interaction and integration of the two in terms of content, technology, audience and business models. The research meth

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Salsafila, Nanda Delia. "PERGESERAN MEDIA BERKAMPANYE PROGRAM KELUARGA BERENCANA (KB)." Sintesa 4, no. 01 (2025): 86–105. https://doi.org/10.30996/sintesa.v4i01.12651.

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This study examines the shift in media used in Indonesia's Family Planning (KB) Program campaigns, transitioning from analog to digital media. Initially, the KB program relied on television as the primary medium for delivering messages through public service advertisements (PSAs) with an audio-visual format. Television was considered effective due to its ability to reach a broad audience, utilizing a combination of visual elements, sound, and motion to make campaign messages more comprehensible and memorable. However, the advancement of information and communication technology has driven a tra

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Mu, Yunxiao, and Leila Mirzoyeva. "The digital transformation and future development trends of CCTV1 programs." Frontiers in Humanities and Social Sciences 4, no. 6 (2024): 268–72. http://dx.doi.org/10.54691/efbj0m52.

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As one of China's most authoritative and credible television media platforms, China Central Television (CCTV) has a long history and a vast audience base. However, facing the dual challenges of audience attrition and competition from emerging media, CCTV cannot afford to be complacent. Today, with the gradual maturation of digital technology, CCTV is actively promoting digital transformation to enhance media competitiveness and ensure it meets the ever-changing needs of its audience. This is not only a necessity for keeping pace with the times but also an important measure to gain the favor an

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Moh. Izharil Ulul ‘Azmi, Muhammad Zakariya Anshor, Sinta Kusuma Wardani, Novi Rizikiyani, Lukman Hakim, and Dony Rano Virdaus. "Penguatan Kapasitas Media Lokal: Strategi Dhoho TV dalam Menghadapi Tantangan Digitalisasi." Subservire: Jurnal Pengabdian Kepada Masyarakat 2, no. 2 (2025): 56–69. https://doi.org/10.30762/subservire.v2i2.2789.

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The development of digital technology has brought major changes to the television industry. Television media, both conventional and local, face challenges to adapt to digitalization in order to remain relevant and competitive. With the advent of internet technology, television now has to compete with streaming platforms and social media, which make it easy to access information anytime and anywhere. The aim of this research is to determine Dhoho TV's mass communication strategy in maintaining its existence in the digital era. This research uses a descriptive qualitative approach with a case st

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19

Wekesa, Everlyne, Hellen Mberia, and Augustus Nyakundi. "The Influence Of New Media Technology on Television Content Sourcing in Kenya." African Multidisciplinary Journal of Research 1, no. 1 (2024): 297–312. https://doi.org/10.71064/spu.amjr.1.1.279.

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Advancements in technology are shaping the way things are done in the media at a very high rate. It has led to a proliferation of devices that have greatly changed the processes of content sourcing, producing and disseminating. This paper was born of a pilot study that aimed at exploring ways in which the new media technology has influenced television content sourcing in Kenya. The study was informed by The Technological Determinist Theory and the Media Determinism Theory. It was conducted in Nairobi County, being the centre of technological innovation in Kenya. The study adopted the descripti

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Micó, Josep Lluís. "Entretenimiento transversal. Convergencia de contenidos entre la televisión, internet y los dispositivos móviles." Tripodos, no. 27 (March 1, 2011): 107–15. https://doi.org/10.51698/tripodos.2011.27.107-115.

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The objective of this article is to systematize the characteristics of the so-called media convergence with reference to today’s audio-visual entertainment. Our attention focuses primarily on the two properties of this phenomenon which are best suited to these productions: the distribution of contents by means of different types of devices (television, Internet, mobile devices) and the audience participation promoted by the symbiosis between platforms. The theoretical concepts which govern the formula of convergence appear by various real cases. The organization of this text precisely imitates

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Shashkova, E. V. "INTERVIEW RECONSTRUCTION AS A GENRE MODIFICATION." Memoirs of NovSU, no. 4 (2024): 599–608. https://doi.org/10.34680/2411-7951.2024.4(55).599-608.

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Interviews occupy a special place in the system of journalism genres. Having started its history with print media, interviews today have become an integral part of not only television, but also digital content. Modern television interviews require more freedom and dialog, which allows one to establish personal contact with the guest; in addition, they have reached a new level of interaction with the audience, which is a positive factor in the development of the modern media space. Therefore, the transformation of the television interview allows it to adapt to modern requirements and expectatio

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Rachmaria, Laksmi, and Yunita Rafika Dewi. "Strategi dan Praktik Konvergensi Media Pada Segmen Makarena dalam Program Sore Bara Harsya Sebagai Upaya Survival Radio Delta FM di Tengan Persaingan Industri Penyiaran." JIKE : Jurnal Ilmu Komunikasi Efek 1, no. 2 (2018): 233–47. http://dx.doi.org/10.32534/jike.v1i2.160.

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Abstract Limitations possessed by conventional media in serving the needs of media users such as radio, newspapers, magazines or television to adapt to the advancement of communication technology, if there is no concern from competition in the media industry. This study aims to determine the process of media convergence conducted by producer Sore Bara Harsya on the segment in the segment of Makarena. This study uses a qualitative approach and the Concept of Media Convergence Shierly Biagy. The subject of this research is the program of Bara Harsya Event Producer on Radio 99.1 Delta FM Ja

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Fauzi, Fauzi, Marhamah Marhamah, and Shafira Ulfa Rahmani. "Transformation and Challenges of Digital Journalism in Aceh." Komunikator 15, no. 1 (2023): 41–53. http://dx.doi.org/10.18196/jkm.16614.

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Technological developments have changed the distribution pattern and access to information from conventional to digital media. Hence, digital journalism has an impact on the media industry and journalists. The purpose of this research is to analyze the transformation and challenges of digital journalism from the perspective of journalists in Aceh. This research uses a desciptive qualitative approach. Interviews were conducted with ten journalists in Aceh from print, radio, television, and online media. Validity of the data was tested using the technique of triangulation of sources and data ana

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Wang, Jie. "The dissemination of TV livelihood programs on Bilibili under the background of new media." SHS Web of Conferences 171 (2023): 03022. http://dx.doi.org/10.1051/shsconf/202317103022.

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The rise of new media has brought many challenges to the development of traditional media, and television livelihood programs are also seeking their own path of transformation. Like other programs, many livelihood programs choose to collaborate with high traffic video platforms and gradually explore new forms of development. The entry of livelihood programs has affirmed the important value of the social attributes of news in the new media era. This article explores the dissemination characteristics and problems of television livelihood programs in the context of new media, in order to propose

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Khadijah Najma Zahirah and David Rizar Nugroho. "The Strategi Branding Program Jalan Jalan Kompas TV di Era Konvergensi Media." Jurnal Riset Rumpun Seni, Desain dan Media 4, no. 1 (2025): 227–40. https://doi.org/10.55606/jurrsendem.v4i1.5076.

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Era of media convergence, television programs are required to integrate traditional broadcasting with digital platforms to maintain their relevance. This study explores the branding strategies of the Jalan Jalan program by Kompas TV across Instagram, Youtube, and Tiktok. Using a qualitative descriptive method with participatory observation, the research examines how the program adapts its content for each platform based on their unique characteristics and audience behavior. The study reveals that Jalan Jalan employs platform specific strategies, such as short-form video teasers on Instagram, f

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Alcolea-Díaz, Gema, Carles Marín-Lladó, and Laura Cervi. "Expansion of the core business of traditional media companies in Spain through SVOD services." Communication & Society 35, no. 1 (2022): 163–75. http://dx.doi.org/10.15581/003.35.1.163-175.

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The strategic importance of the internet for television became evident in the early 2000s, even destabilizing its very concept and finally resulting in convergence towards a profound transformation of the sector. The introduction of global over-the-top (OTT) media services into local markets has led to strategic changes in multimedia groups. This study considers the subscription video-on-demand (SVOD) services of Atresmedia and Mediaset España, the two main traditional media organizations in Spain that form a duopoly in the country’s commercial television sector, with the aim of understanding

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Alfianistiawati, Rohmatin, Pramana Herjati Putra Dionchi, Hasna Bararah M, and Joan Hesti Gita Purwasih. "Transformasi televisi sebagai media belajar di tengah pandemi dalam kacamata rasional instrumental." Jurnal Integrasi dan Harmoni Inovatif Ilmu-Ilmu Sosial 1, no. 2 (2021): 116–24. http://dx.doi.org/10.17977/um063v1i2p116-124.

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During the Covid-19 pandemic, various areas of life experienced changes and adjustments, including in the field of education by conducting distance learning. As a form of adjustment for distance learning, the government and educators use television as a learning medium. The transformation of television as a learning medium is aimed at every level of education, one of which is at the high school level. This study aims to determine the form of television transformation in the perspective of the instrumental rational theory as well as the perspective of students on learning through television. Th

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Harker, Michael. "The transformation of broadcasting: public service broadcasting, the BBC and the distortion of new media markets." Northern Ireland Legal Quarterly 62, no. 4 (2020): 553–68. http://dx.doi.org/10.53386/nilq.v62i4.437.

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Broadcasting markets in Europe have traditionally been highly regulated, with large public subsidies seen as necessary to ensure that cultural and citizenship goals can be realised. While being outside of Polanyi’s purview when he wrote his seminal work The Great Transformation, these 'markets' exist alongside other public interest norms; in his words, they are embedded in society.1 In the last 20 years, broadcasting markets in Europe have undergone something of a 'transformation', in the sense that technological advances have facilitated a shift away from public provision towards a market-bas

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Xiao, Yushui, and Norriza Hussin. "Analysis of the Impact of 5G Network Technology on Promoting the Construction of Media Convergence Center." Probe - Media and Communication Studies 2, no. 3 (2020): 67. http://dx.doi.org/10.18686/mcs.v2i3.1342.

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In the age of high-speed mobile Internet, the construction of media convergence center will face more fierce competition in market as the in-depth promotion of 5G networks and the application of 5G products and technologies. In face of a new round of technological innovation, the program production and broadcasting, data transmission and processing in media convergence center will be supported by more advanced technologies. The 5G network technology will bring unprecedented transformation and development opportunities for the construction of the media center.

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Lokananta, Arbi Christional. "COMMUNICATION OF THE PRODUCTION TEAM AND VIDEO EDITOR DIVISION IN BPPT TV PROGRAM PRODUCTION." ICCD 2, no. 1 (2019): 474–80. http://dx.doi.org/10.33068/iccd.vol2.iss1.189.

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The internet and technological developments are advancing rapidly. All institutions competing to make television including government agencies BPPT TV. Media convergence occurs and this makes researchers interested in seeing how group communication is carried out on BPPT TV in producing their programs. This paper find out the communication of the production team division and video editor in making the production of BPPT TV. The external system and the internal system of group communication they do. The research method used is a qualitative approach and descriptive qualitative method by collect

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Zhang, Zheng. "Analysis of the Development Characteristics of Hebei TV - Taking the Program Arrangement from 6:00 to 24:00 on April 29, 2023 as an Example." Journal of Education, Humanities and Social Sciences 20 (September 7, 2023): 105–18. http://dx.doi.org/10.54097/ehss.v20i.11432.

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In the era of new media, the development trend of television programs is characterized by fragmentation and mobile platform, and the national television media is facing the challenge of homogenization. Hebei TV, facing the pressure from CCTV, the impact from other provincial TV stations, and the competition for the audience market of urban TV media, fully utilizes its own resources and market opportunities to cope with fierce competition. This article takes the program arrangement from 6:00 to 24:00 on April 29, 2023 of Hebei TV as the research object, uses text analysis and content analysis m

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Nurrohmah, Shinta, and Akhmad Rifa'i. "TVRI Yogyakarta in the era of disruption: Maintaining the existence of cultural wisdom through the broadcast of "Canthing." Islamic Communication Journal 8, no. 2 (2023): 251–66. http://dx.doi.org/10.21580/icj.2023.8.2.16308.

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The existence of social media, which intensively displays similarities with television shows, has resulted in the decline of the television industry. Thus shifting the tastes of the younger generation by offering modern trends rather than local culture. This also happened on local Republic of Indonesia television, such as TVRI Yogyakarta. This article aims to reveal TVRI Yogyakarta's strategy for maintaining cultural wisdom through the Canthing program amid an era of media disruption. Data was obtained through observation, interviews, and documentation related to research. The results of this

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Handoko, Daniel, Andi Muhammad Tri Sakti, and Bambang Suhartono bin Mohd Said. "CHALLENGES RELIGIOUS TELEVISION, BETWEEN BUSINESS AND DA’WAH: STUDY OF TV9 NAHDLATUL ULAMA INDONESIA." Perspektif Komunikasi: Jurnal Ilmu Komunikasi Politik dan Komunikasi Bisnis 8, no. 1 (2024): 1. http://dx.doi.org/10.24853/pk.8.1.1-12.

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Television has the advantage that it is audio-visual (seen and heard), it can depict reality and also present events that are happening. TV9 Nahdlatul Ulama is a television station based on religious values. This TV was founded by the largest religious organization in Indonesia. As an economic institution, television is not only used as a means to spread organizational ideologies, but also takes into account business aspects to do well. This study aims to examine the performance of a religious television station amidst the intense competition in the television industry in Indonesia, and how me

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Andrushkiv, V. "ТЕЛЕБАЧЕННЯ В УМОВАХ ДИДЖИТАЛІЗАЦІЇ". State and Regions. Series: Social Communications, № 4(48) (2 лютого 2022): 18. http://dx.doi.org/10.32840/cpu2219-8741/2021.4(48).3.

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<p><strong><em>The aim </em></strong><em>of the study </em><em>is to interpret the processes of digitalization of Ukrainian television.</em></p><p><strong><em>Research methodology.</em></strong><em> To study the development of television in the context of digitalization, research methods such as observation, analysis, comparison, description, and a systematic approach were used.</em></p><p><strong><em>Results.</em></strong><em> The information society

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Dr.A.Shaji, George. "YouTube as the New Television: The Evolution of Content Consumption in the Digital Age." Partners Universal Innovative Research Publication (PUIRP) 03, no. 03 (2025): 1–19. https://doi.org/10.5281/zenodo.15571030.

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This paper examines the transformation of YouTube from a user-generated content platform to a dominant force in the global media landscape that has effectively supplanted traditional television. Through analysis of consumption patterns, content evolution, and platform development from 2005 to 2025, we explore how YouTube reshaped media consumption habits and reinvented the television experience for the digital era. The platform's journey from hosting amateur videos to becoming the third largest subscription TV provider in the US represents a fundamental shift in how media is produced, distribu

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Besevic Gajic, Branka, and Stevan Lutovac. "ONTOGENESIS OF CLEAR IMAGE: CONTEMPORARY TELEVISION AND FILM PROGRAMMING ON RADIO TELEVISION OF SERBIA IN THE DIGITAL AGE FROM AN EDITORIAL PERSPECTIVE." Social Informatics Journal 3, no. 2 (2024): 37–44. https://doi.org/10.58898/sij.v3i2.37-44.

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This paper examines the transformation of television production, specifically focusing on film programming within the digital environment from an editorial perspective at Radio Television of Serbia (RTS). The study delves into the transition from traditional analog broadcasting, where a single film was aired once a week, often a western, to the complexities of modern digital television production, which incorporates advanced organizational and technical skills, as well as the integration of contemporary technologies in program realization.The research highlights the increasing importance of ed

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Chorna, Krystina. "Transformation of Artistic Forms of Ukrainian Docudrama in the Context of Postmodern Trends." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 147–53. https://doi.org/10.31866/2410-1176.43.2020.220238.

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The purpose of the article is to identify the transformational form-creating processes of the Ukrainian television art of the 21st century on the example of the genre of documentary drama in the context of postmodern trends. Research Methodology. The following methods have been applied in the article: analytical and historical, cultural methods (to understand process of infotainment formation and development in the context of the Ukrainian television space at the beginning of the 21st century), cultural method (to develop the necessary view of the modern Ukrainian television art, the special f

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William Ahmad MARAITA, Ahmad. "THE ROLE OF THE PALESTINIAN MEDIA IN SHAPING PUBLIC OPINION: AN APPLIED STUDY ON POLITICAL PROGRAMS ON PALESTINIAN TELEVISION IN THE PERIOD (2016-2022)." RIMAK International Journal of Humanities and Social Sciences 05, no. 02 (2023): 255–78. http://dx.doi.org/10.47832/2717-8293.22.17.

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In this research, we will learn about the role of the Palestinian media in shaping public opinion: an applied study on political programs on Palestinian television in the period from 2016-2022, and how Palestinian television played an important role in shaping international public opinion on the Palestinian issue. This study aims to reveal the role of political programs in changing reality and creating political awareness among the Palestinian society during the period in which Palestinian television witnessed a renaissance and transformation in the field of media, which is the period between

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Volkova, Evgeniya V. "Communicative behavior of a professional language personality of a doctor in a media discourse (based on the material of television programs about health)." Media Linguistics 9, no. 4 (2022): 369–92. http://dx.doi.org/10.21638/spbu22.2022.405.

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The paper is devoted to the study of the specifics of the communicative behavior of a doctor’s professional linguistic personality in the media discourse. The relevance of the work is determined by the need for a systematic linguistic study of professional communication in new media-discursive conditions, as well as insufficient knowledge of the implementation of the professional linguistic personality of a doctor in the aspect of mediatization of medical discourse. The object of the study is the professional communication of a doctor in the media discourse. The subject of the study is the con

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Boross, Balázs, and Stijn Reijnders. "Dating the Media: Participation, Voice, and Ritual Logic in the Disability Dating ShowThe Undateables." Television & New Media 20, no. 7 (2018): 720–38. http://dx.doi.org/10.1177/1527476418782184.

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Interventional television formats centering around the ritual transformation of “ordinary people” are not only followed by sizable audiences worldwide but also attract large numbers of aspiring candidates. Although the benefits and consequences of participating in such shows have long been debated within academia and beyond, research into actual experiences of participating in such television productions remains scarce. Based on in-depth interviews with participants of the disability dating show The Undateables, this article focuses on how contributors deal with their position in the productio

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Cheney, Debora, Jeffrey Knapp, Robert Alan, and Pamela Czapla. "Convergence in the Library’s News Room: Enhancing News Collections and Services in Academic Libraries." College & Research Libraries 67, no. 5 (2006): 395–417. http://dx.doi.org/10.5860/crl.67.5.395.

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The use and importance of newspaper collections in academic libraries have been in decline as acquisition costs have increased significantly as the difficulty obtaining daily issues in a timely manner has grown, and as newspaper readership has declined nationally. In contrast, today’s student and researcher are using television and Internet news sources heavily. This article explores the role of the academic library’s news collections in complementing the university’s Newspaper Readership Program and supporting faculty efforts to develop their students’ critical thinking and media literacy ski

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EZHOVA, E. N., and I. A. BEKETOVA. "TRANSFORMATION OF THE VISUAL CONCEPT OF TIME IN THE INFORMATION PROGRAM OF CHANNEL ONE “VREMYA”." Челябинский гуманитарий 68, no. 3 (2024): 107–16. https://doi.org/10.47475/1999-5407-2024-68-3-107-116.

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The work is dedicated to the study of the transformation of the visual concept of time in the media context, exemplified by the program “Vremya” on Channel One, which is the oldest large-format news program on domestic television. The paper analyzes the main paradigms of the study of time and space images in domesticand foreign culture; it reveals that the media picture of the world reflects the complexity and diversity of various types of connections and relationships in society and is characterized by a multitude of different types of chronotopes, namely spatial-temporal connections aimed at

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Indrati, Iman. "News innovation through infotainment in the 'Meet Nite Live' program on Metro TV news television." Jurnal ASPIKOM 9, no. 2 (2025): 267. https://doi.org/10.24329/aspikom.v9i2.1606.

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Innovation in delivering news programs with a newstainment style is one alternative to increase audience retention. This study aims to describe the newstainment Meet Nite Live through multimodal analysis, analyze editorial considerations in producing news in newstainment format, interpret news innovation based on newstainment, and analyze the impact of newstainment on journalistic values. The research methodology uses a qualitative descriptive approach, indepth interview, and multimodal discourse analysis. The results of the study, the application of new newstainment innovation, present attrac

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Yablonovskaya, N., and Yu Bobyleva. "LARRY KING’S TALK SHOW FORMAT ON RUSSIAN TELEVISION: CONTINUITY AND TRANSFORMATION." Scientific Notes of V.I. Vernadsky Crimean Federal University. Philological sciences 10, no. 2 (2024): 201–19. http://dx.doi.org/10.29039/2413-1679-2024-10-2-201-219.

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The article deals with the talk show format transformation of American TV host Larry King on Russian television. The object of the study was the program collection «Larry King Live», «Television Encounter» by U. Ott, «Rush Hour» by V. Listyev and «Pozner» by V. Pozner. The following parameters for comparing the programs were chosen: the style of the presenter, the choice of the subject of communication and its strategy and tactics, the time of broadcasting, duration, periodicity of the programs, and the degree of audience participation in them. The level of programs personalization, studio des

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Harkavenko, Y. "Transformation of the media reception of the presidency institute in Ukraine (based on the materials of European newspapers)." Communications and Communicative Technologies, no. 20 (February 21, 2020): 26–31. http://dx.doi.org/10.15421/292004.

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The research is dedicated to the study of the process of transformation of media reception of the Institute of the Presidency of Ukraine based on the articles published by the European newspapers on their websites during the year 2019. Particular attention was paid to the key substantive concepts that underpinned the media discourse of the British, French and German press during the election and post-election periods.In the process of study, the method of conceptual analysis, which allowed to reveal the core and peripheral meanings of the concepts under study as well as point to key concept co

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Grzelka, Monika, and Agnieszka Kula. "Rewolucja czy ewolucja? Przemiany polskiego newsa telewizyjnego." Język a Kultura 26 (February 22, 2017): 209–19. http://dx.doi.org/10.19195/1232-9657.26.17.

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Revolution or evolution? Transformation of TV news reportWe would like to analyze TV news report. This term is frequently used, the researchers do not specify which charakteristics of this genre are the most specific and essential. We understand news as a component of television newscast, regularly scheduled TV program. The form of the news bulletin is apparently unchanged because the sending-receiving mechanisms are constant, with telegenic newscasters, aproperly arranged studio, two-, three-minute long news reports, and the roles the spectators are cast in. These tricks, however, only serve

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Isnawijayani, Isnawijayani, Rahma Santhi Zinaida, Siti Rahayu P.L, Triwidayatsih Triwidayatsih, Dwi Muhammad Taqwa, and Ratna Sesotya Wedadjati. "Cultural Commodification in Indian and Turkish Films on ANTV." MUHARRIK: Jurnal Dakwah dan Sosial 6, no. 2 (2024): 262–73. http://dx.doi.org/10.37680/muharrik.v6i2.4680.

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Competition in the television industry allows a company to take long steps forward in a society saturated with the current situation. Various studies show that ANTV's strategy to buy many programs in Indian drama series in Indonesia has been exceeded; the India program screening strategy at ANTV itself is a form of adaptation of ANTV's strategy in dealing with the convergence and growth of the industry, especially the internet. This study uses qualitative methods with media political-economic theory specific to commodifying content. The primary data was obtained through observation, and second

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Gushevinalti, Gushevinalti, Panji Suminar, and Heri Sunaryanto. "TRANSFORMASI KARAKTERISTIK KOMUNIKASI DI ERA KONVERGENSI MEDIA." Bricolage : Jurnal Magister Ilmu Komunikasi 6, no. 01 (2020): 083. http://dx.doi.org/10.30813/bricolage.v6i01.2069.

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ABSTRACT   The development of communication technology has caused a shift or change in the concept of communication in particular the characteristics of mass communication. This study aims to find changes about the characteristics of mass communication in the current era of media convergence. In addition, to describe new forms of media that can be categorized into mass communication. The research method uses a qualitative approach to data collection techniques through document studies and literature review and interviews in mass communication courses. The informants of this study w

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Hamid, Joni Arman. "STRATEGI PRODUKSI, PEMASARAN, DAN PENGELOLAAN SDM NET.TV DALAM MENGHADAPI PERSAINGAN INDUSTRI TELEVISI." JOURNAL OF DIGITAL EDUCATION, COMMUNICATION, AND ARTS (DECA) 4, no. 01 (2021): 23–36. http://dx.doi.org/10.30871/deca.v4i01.2800.

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Competition in the television industry in Indonesia is experiencing rapid development, especially now that the era of media convergence is expanding. NET TV as one of the national private companies is present with strategies, marketing, and Human Resources (HR) development by combining conventional methods with new ways. The writing of this paper is on program development concepts which include: pre-production, production, and evaluation. For marketing strategy, NET.TV reduces to Kotler and Keller who see marketing strategies starting from the target audience, consumer classification, and targ

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Hadi, Ido Prijana. "Pengguna Media Interaktif Sebagai Kenyataan Maya: Studi Resepsi Khalayak Suarasurabaya.net Sebagai Media Interaktif." Jurnal ASPIKOM 1, no. 3 (2011): 231. http://dx.doi.org/10.24329/aspikom.v1i3.22.

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My aim in writing this paper is to describe that in this fast-changing world, media in Indonesia has undergone a rapid transformation. Digital technology continues to reshape the mass media landscape using internet technology. Internet brings a technical communication revolution, a fundamental change takes place in the structure of connections, artificial memories and the reproduction of their content. Internet technology has made communication much easier and less expensive. It has attracted many people and has penetrated into people’s daily lives. The mass media also have accepted the intern

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