Relevant bibliographies by topics / Television programs – Juvenile fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Television programs – Juvenile fiction'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Television programs – Juvenile fiction"

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Lacalle, Charo. "Genre and Age in the Reception of Television Fiction." Comunicar 20, no. 39 (2012): 111–18. http://dx.doi.org/10.3916/c39-2012-03-01.

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This article summarizes the main results of an investigation that is part of a project regarding the construction of youth and gender identity in television fiction. The methodology integrates reception analysis (focus group) with data obtained through an anonymous questionnaire, designed to contextualize the results of the qualitative research. Television fiction is the favourite macro-genre of young people, especially women. Broadly speaking, participants appreciate the greater proximity of Spanish fiction, which favours the different mechanisms of identification/projection activated during
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Fedele, Maddalena. "Young New Zealanders' Consumption of Television Fiction Programs: An Exploratory Study of Young People's Reception Habits." Media International Australia 152, no. 1 (2014): 16–26. http://dx.doi.org/10.1177/1329878x1415200104.

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This article presents part of the findings of an exploratory study of young people's consumption of television fiction programs, carried out in Aotearoa New Zealand. The paper focuses on young people's reception habits, describing those practices within the rest of their leisure activities. A questionnaire was administered to a convenience sample of 225 first-year Victoria University of Wellington students aged 17–30. Among the main results, young people's predilection for television fiction must be emphasised. Even if watching television is not one of the more frequent leisure activities for
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Roscoe, Jane. "Real Entertainment: New Factual Hybrid Television." Media International Australia 100, no. 1 (2001): 9–20. http://dx.doi.org/10.1177/1329878x0110000104.

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Popular factual entertainment has changed the face of broadcasting in Australia. Where once dramas, long-running serials and current affairs programs filled prime-time scehdules, we now have docu-soaps such as Popstars, and reality gameshows like Big Brother. While some have expressed concern about this shift to light entertainment in factual programming, it can be argued that such programs have brought a new audience to non-fiction and revitalised debates concerning the real. This paper examines some of the current trends in popular factual entertainment programming, considers their innovatio
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Dubois, Lise. "La représentation du vieillissement à la télévision: Des images de négation et d'exclusion dans une logique de mise en marché." Canadian Journal on Aging / La Revue canadienne du vieillissement 16, no. 2 (1997): 354–72. http://dx.doi.org/10.1017/s0714980800014392.

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AbstractThis paper is about the television representation of aging and the ensuing social discourse. We analysed the content of 756 hours of television (3 weeks from 2 television networks: Société Radio-Canada and TVA in March 1992). We found that television discourse in different types of programs (information, talkshows, fiction, advertising) uses many strategies that deny the aging process and, in doing so, reassure the public about aging. Television also talks about the exclusion of the elderly in our society. But, at the same time, it must charm these potential consumers. Old people watch
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Wallace, Ed. "Television and Nutrition in Juvenile Detention Centers." Californian Journal of Health Promotion 3, no. 2 (2005): 125–29. http://dx.doi.org/10.32398/cjhp.v3i2.1769.

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Background: We sought to improve the ability of incarcerated juveniles to critically evaluate media food messages through an educational program that focused on nutrition. Methods: Surveys were administered to two groups of inmates of both sexes (seven to 16 years). The program consisted of forty-one 50 minute sessions (three times per week for 15 weeks) focusing on media and nutrition. Results: None of the participants identified accurate nutrition information before the intervention. After the program, the intervention group (n = 16) identified inconsistencies between nutrition labeling and
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Tsimokh, Nataliia, and Krystina Chorna. "Historical Sources of Soviet Television." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 2, no. 2 (2019): 145–55. https://doi.org/10.31866/2617-2674.2.2.2019.185688.

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The purpose of the article is to explore the TV genres of Soviet television and identify the interrelation of its development with political, economic and social events in the USSR. The research methods. With the help of analytical, comparative, and historical, methods to consider the Soviet television development, where, in the process of its evolution, there was a transformation of genres, types and formats of television programs. The scientific novelty. The first one has been systematically implemented in the TV program. It’s the basics of the science-fiction of the dum
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Peruško, Zrinjka, and Antonija Čuvalo. "Comparing Socialist and Post-Socialist Television Culture." Television Histories in (Post)Socialist Europe 3, no. 5 (2014): 131. http://dx.doi.org/10.18146/2213-0969.2014.jethc063.

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This article builds a theoretical model for comparative analysis of media culture based on the notion of genre, and applies it to a comparative analysis of television as a cultural form in socialist and post-socialist Croatia. The paper explores how the shares and generic composition of program modes of information, entertainment and fiction change in time, and how the contribution of different genres to program flow and modes varies with the changes of political, economic and technological context. Longitudinal trends in television flows are comparatively evaluated in relation to trends in ge
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Worland, Rick. "Sign-Posts Up Ahead: The Twilight Zone, The Outer Limits, and TV Political Fantasy 1959-1965." Science Fiction Studies 23, Part 1 (1996): 103–22. https://doi.org/10.1525/sfs.23.1.0103.

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The historical and political implications of the science-fiction/fantasy anthology television series The Twilight Zone (1959-64) and The Outer Limits (1963-65) in the Kennedy era are considered. Science fiction is usually a politically reverberant genre, frequently given to social allegory. These two fondly remembered programs often presented speculative and unsettling political visions of American society. The article considers the issues, events, and ideology represented in these programs in the early 1960s as the nation gradually slid from global Cold War into a hot war in Vietnam. A marked
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김우준. "The Effect of Exposure to Violent Television Programs on Juvenile Delinquent Behavior." Journal of Korean Public Police and Security Studies 8, no. 1 (2011): 305–26. http://dx.doi.org/10.25023/kapsa.8.1.201105.305.

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Vandekerckhove, Reinhild, Annick De Houwer, and Aline Remael. "Between language policy and linguistic reality." Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 19, no. 4 (2009): 609–28. http://dx.doi.org/10.1075/prag.19.4.05van.

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This paper focuses on a relatively new and much discussed phenomenon on Flemish television: The practice of intralingual subtitling of Dutch, i.e. Dutch subtitling of native speakers of (varieties of) Dutch. Our study investigates the linguistic determinants of intralingual subtitling and subsequently confronts actual subtitling practice with viewer needs. The analyses reveal a striking inconsistency between intralingual subtitling practice in fiction versus non-fiction programs. This appears to be symptomatic of a tension between the official language policy in Flanders and present day lingui
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Dissertations / Theses on the topic "Television programs – Juvenile fiction"

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McRae, Leanne. "Aliens, bodies and conspiracies: Regimes of truth in The X-files." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1247.

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The X-Files is a television program that first screened on Australian television in 1993. This thesis will investigate the role of The X-Files as a cultural text. The X-Files is a significant program, and has contributed to a shift in the way in which television texts represent ideas about society, knowledge and truth. This thesis argues that The X-Files presents ‘knowledge’ in particular ways, and makes it possible to think about the relationship between the body, knowledge, and society in ways which have not previously been so visible.
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Baird, David. "Zeitgeist incarnate : a theological interpretation of postapocalyptic zombie fiction." Thesis, University of St Andrews, 2019. http://hdl.handle.net/10023/16978.

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This thesis attempts to take seriously the claims made by many postapocalyptic zombie narratives to represent the world as it truly is, analyzing and then assessing the theological value of their depictions of the human predicament. The approach is both formal and what Gary Wolfe calls transmedial, examining the recurring narrative structures and themes of texts across several media and eras as part of 'a popular aesthetic movement and not just a body of works of fiction on similar themes', with special attention given to the films and television of the new millennium. The aim is twofold: to e
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Hauser, Brian Russell. "Haunted Detectives: The Mysteries of American Trauma." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1227020699.

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Kohaly, Dawn Felicity. "The Nollybook phenomenon." Diss., 2015. http://hdl.handle.net/10500/19843.

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Books on the topic "Television programs – Juvenile fiction"

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Lewis, Siân. Stiwdio erch. Gwasg Gomer, 1999.

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Staples, (Production) Marc, and Jon Richards (Tull Tree Ltd.), eds. Star Wars - The Clone Wars: Planets In Peril. DK Publishing (Dorling Kindersley), 2010.

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O'Connor, Jim. Slime time. Random House, 1990.

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Conrad, Lauren. Éblouie par la célébrité. AdA éditions, 2014.

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Copyright Paperback Collection (Library of Congress), ed. Star bright. Aladdin Paperbacks, 2005.

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Conrad, Lauren. Sweet little lies: An L.A. Candy novel. Harper, 2010.

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Bernatene, Poly. Which witch's wand works? Worthwhile Books, 2009.

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Ryan, Tom. Big time. Orca Book Publishers, 2014.

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Shulman, Dee. Reality tv nightmare. Doubleday, 2010.

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Collins, Suzanne. Miśḥaḳe ha-raʻav. כנרת, 2010.

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Book chapters on the topic "Television programs – Juvenile fiction"

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Terrace, Vincent. "Chapter 4. Science Fiction Programs." In Television Introductions. Rowman & Littlefield Publishers, 2013. https://doi.org/10.5771/9780810892507-153.

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Ruano-López, Soledad, and M. Rosario Fernández-Falero. "Design and Procedure of a Method for Audience Research in the Digital Context." In Cases on Developing Effective Research Plans for Communications and Information Science. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-4523-5.ch005.

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Social networks host numerous comments on television programs. Two-screen viewing, where the viewer follows their favorite programs from the television screen, the screen of their computer, tablet, or mobile phone, allows the use of social networks to know the responses of viewers in real time, creating a communication channel (backchannel). Regarding the methodology, the analysis carried out in this work is based on the use of indicators. The main objective of this work is to show the methodology of evaluation by indicators in social networks of Spanish fiction series broadcast by general cha
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Rouleau, Brian. "Epilogue." In Empire's Nursery. NYU Press, 2021. http://dx.doi.org/10.18574/nyu/9781479804474.003.0008.

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By the middle of the twentieth century, television had replaced literature as the principal means by which American children were acculturated. Juvenile fiction, meanwhile, became less avowedly imperial. “Empire’s nursery” partially collapsed under the weight of testimonials penned by nonwhite peoples unwilling to remain silent about the crimes committed against them in the name of US imperialism. Children’s literature increasingly avoided the subject of foreign relations as America’s global image became tarnished following the disaster in Vietnam.
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Robinson, Michael G. "These are the Voyages?" In Fighting for the Future. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621761.003.0006.

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The main thing noticeably absent from Star Trek’s half-century anniversary was a network television series. By 2016, the primary output of the Trek franchise was a set of commercially successful feature films that had retconned a substantial portion of the early series history and consequently left later spin-off television series adrift in continuity limbo. One year later, or perhaps one year too late, three programs emerged to take up the mantle of Trek: Star Trek: Discovery (2017-), The Orville (2017-present) and the “U.S.S Callister” episode of Black Mirror (2017). This chapter investigate
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Glick, Joshua. "Hard Lessons in Hollywood Civics." In Los Angeles Documentary and the Production of Public History, 1958-1977. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520293700.003.0005.

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As Wolper Productions continued to make documentaries and experiment with fiction, the studio provided a professional entry point for promising talent and off-and-on employment for filmmakers involved with New Hollywood features. This chapter investigates Wolper Productions’s output during a period in which the film and television industries faced a precarious financial situation. The studio helped create a political imaginary for Lyndon B. Johnson’s Great Society. Additionally, Wolper Productions’s forays into programs with Jacques-Yves Cousteau charted a fresh path for nonfiction. Packaging
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Barnwell, Ashley. "The Crisis of ‘Non-Representation’." In Critical Affect. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451321.003.0004.

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Influenced by the arguments discussed in the previous chapter, as well as Brian Massumi’s ‘The Autonomy of Affect’ (1995, 2002, 2015), critics such as Nigel Thrift (2007) and John Law (2004) argue that creative genres of representation, such as fiction and performance, are more affective and can thus access the visceral truth of experience better than scientific and critical methods. Analysing the proposals of Thrift, Law, and fictocriticism, this chapter explores why certain methods are deemed to be more creative than others, and therefore, more in touch with embodied experience. Highlighting
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Deamer, David W. "Prospects for Life on Other Planets." In Assembling Life. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190646387.003.0017.

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This book describes a hypothetical process in which populations of protocells can spontaneously assemble and begin to grow and proliferate by energy- dependent polymerization. This might seem to be just an academic question pursued by a few dozen researchers as a matter of curiosity, but in the past three decades advances in engineering have reached a point where both NASA and the European Space Agency (ESA) routinely send spacecraft to other planetary objects in our solar system. A major question being pursued is whether life has emerged elsewhere than on Earth. The limited funds available to
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