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Journal articles on the topic 'Television soap operas – Zimbabwe'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Beenish Zaheen, Aasima Safdar, and Muhammad Riaz. "Impact of Soap Operas on the Television Viewers: Experience from Pakistani Society." Journal of Business and Social Review in Emerging Economies 7, no. 1 (January 26, 2021): 145–55. http://dx.doi.org/10.26710/jbsee.v7i1.1539.

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Soap operas are popular genre in media industry from all over the world. Generally, Soap operas focus on family dramas, domestic issues and women plight. There were number of studies conducted to explore public perception regarding soap operas. The present study aimed to explore the opinion from Pakistani society regarding their experience of watching Star plus soap operas. The research based on Cultivation theoretical framework which intended to explore the difference between heavy and light viewers of Star plus soap operas. It was found that there was no significant difference exist between heavy and light viewers perception. Both type of viewers supported females’ educational, political and legal rights in the society. The time spent in watching Star Plus soap operas did not have great impact on heavy viewers in changing their minds and thoughts.

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Lopes, Alice Casimiro, and Elizabeth Macedo. "Education in Brazilian Television Soap Operas." Journal of Curriculum and Pedagogy 3, no. 2 (December 2006): 42–46. http://dx.doi.org/10.1080/15505170.2006.10411597.

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Medina, Mercedes, and Leticia Barrón. "Television Soap Operas on a Global Scale." Palabra Clave - Revista de Comunicación 13, no. 1 (June 1, 2010): 77–97. http://dx.doi.org/10.5294/pacla.2010.13.1.5.

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Khorana, Sukhmani. "Prime Time Soap Operas on Indian Television." Feminist Media Studies 12, no. 4 (December 2012): 612–13. http://dx.doi.org/10.1080/14680777.2012.723934.

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Chakrabarti, Santanu. "Prime time soap operas on Indian television." South Asian Popular Culture 9, no. 2 (July 2011): 229–31. http://dx.doi.org/10.1080/14746689.2011.569080.

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Singhal, Arvind, and Everett M. Rogers. "Television soap operas for development in India1." Gazette (Leiden, Netherlands) 41, no. 2 (April 1988): 109–26. http://dx.doi.org/10.1177/001654928804100203.

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Sahu, Sudhansubala. "Revisiting Television in India: Mapping the Portrayal of Women in Soap Operas." Sociological Bulletin 67, no. 2 (June 8, 2018): 204–19. http://dx.doi.org/10.1177/0038022918775502.

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This article attempts to map the portrayal of women in popular soap operas on television in India. It begins with the discourses around portrayal of women on Doordarshan in the pre-liberalisation era and goes on to analyse a few soap operas in the past one decade. With substantive review of visual texts, it aims to disprove the claim that there is a paradigm shift especially with respect to the portrayal of women in the contemporary and so-called progressive soap operas. It concludes by comparing all the phases of development of television in India with respect to construction of women and stating how very little and inconsequential change has occurred in this regard in spite of all the efforts from the state and the intellectual community.

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Ferrara, Eliana La, Alberto Chong, and Suzanne Duryea. "Soap Operas and Fertility: Evidence from Brazil." American Economic Journal: Applied Economics 4, no. 4 (October 1, 2012): 1–31. http://dx.doi.org/10.1257/app.4.4.1.

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We estimate the effect of television on fertility in Brazil, where soap operas portray small families. We exploit differences in the timing of entry into different markets of Globo, the main novela producer. Women living in areas covered by Globo have significantly lower fertility. The effect is strongest for women of lower socioeconomic status and in the central and late phases of fertility, consistent with stopping behavior. The result does not appear to be driven by selection in Globo entry. We provide evidence that novelas, and not just television, affected individual choices, based on children's naming patterns and novela content. (JEL J13, J16, L82, O15, Z13)

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Bunyamin, Bunyamin Bunyamin. "Sinetron Indonesia Menuju Perkembangan Sebagai Sarana Media Massa." Al-Mada: Jurnal Agama, Sosial, dan Budaya 1, no. 2 (February 13, 2019): 35–45. http://dx.doi.org/10.31538/almada.v1i2.198.

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Soap ope ras, better known as electronic cinema or teledrama, play a major role in society in understanding this real or real life and plugging in frames / images of thought in the future. In preparing for a global era and an increasingly advanced industrial society and intense competition in the global market, Indonesian soap operas must be able to play its role. Along with the increasing number of private TV sets, quantitatively Indonesian soap operas experienced a very proud development and also gave a variety of nuances, however the quality of Indonesian soap operas has only recently developed. Indonesian soap operas must consider the elements of education, entertainment, the real problems of society and the way they are done, such as the DKI reborn Warkop film which has a classic feel but is still interesting as a television broadcast that is comedy and educating. Actually, if we want to emulate a very educational cartoon film such as Upin and Ipin, Shiva even though the results of neighboring state products contain a message of education and a very high moral message, Indonesian children love cartoon films like this, besides being funny, educating , raising local culture, and introducing the name of a particular place. Indonesian television shows are still dominated by shows that are beyond human reach. How much television is still mystical like in the Antv program, almost every day cannot be separated from mystical shows (Eyes of the Dark, Penetrating the inner eye, GGS and others).

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10

Riffe, Daniel, Patricia C. Place, and Charles M. Mayo. "Game Time, Soap Time and Prime Time TV Ads: Treatment of Women in Sunday Football and Rest-of-Week Advertising." Journalism Quarterly 70, no. 2 (June 1993): 437–46. http://dx.doi.org/10.1177/107769909307000218.

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This content analysis of national television ads accompanying sporting events, soap operas and general prime time shows indicates that male characters are more common in ads accompanying sporting events and that males are more often given speaking roles. There was no support for a hypothesis that there would be more provocatively dressed women in sporting event ads than in advertising accompanying soap operas or prime time shows.

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11

Rubin, Alan M. "Uses of daytime television soap operas by college students." Journal of Broadcasting & Electronic Media 29, no. 3 (June 1985): 241–58. http://dx.doi.org/10.1080/08838158509386583.

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van Vuuren, Kitty, Susan Ward, and Rebecca Coyle. "Revisiting the Greening of Prime-Time Television Soap Operas." Media International Australia 146, no. 1 (February 2013): 35–47. http://dx.doi.org/10.1177/1329878x1314600107.

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In 1990, Christopher Rissel and William Douglas commenced a study of the depiction of environmental issues and behaviours on Australian prime-time television drama series. Their findings were discussed in an issue of Media International Australia in 1993. This article reports on a 2011–12 study that replicated key aspects of Rissel and Douglas's research. A collaborative research team focused on two long-running and high-rating Australian soap operas – Neighbours and Home and Away – recorded from June to August 2011. Using content analysis, the researchers investigated the frequency, attitudes to and role models for the representation of environmental issues and behaviours. This article discusses the findings in terms of contemporary television practices and industry, as well as the study's methodology.

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DAS, SHASWATI. "The Image of Bharatiya Nari as Projected by Indian Television Soap-Operas." Dev Sanskriti Interdisciplinary International Journal 7 (January 31, 2016): 72–79. http://dx.doi.org/10.36018/dsiij.v7i0.78.

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Television soaps and serials in private television channels have swept the Indian market in the last few decades. These soap operas have been upholding the socio-cultural patterns of the country through their contents. In the construction of Indian cultural landscape Indian women and their roles in society are the most vulnerable sites. The linkage of national identity and tradition with Indian women’s roles in society places them in a problematic position, given the patriarchal nature of Indian society. Soap operas on Indian television mostly depict women as homely and tradition-bound. Though there are portrayals of educated, professional women but they are also shown to find solace in the family. This paper tries to trace the image of the Indian Woman that has been endorsed by the Indian soap operas since its beginning and in doing so it tries to explore the implications of certain myths and ideologies that drive the story writers and the producers to de-recognize the changes in the contemporary society and to fall back on projecting stereotypical images; thus giving preference to social identity while ignoring individual identity of a woman.

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Kim, Sangkyun, and Philip Long. "Touring TV Soap Operas: Genre in Film Tourism Research." Tourist Studies 12, no. 2 (May 30, 2012): 173–85. http://dx.doi.org/10.1177/1468797612449249.

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There is a growing body of literature that addresses the relationships between film and television programmes and tourism. However, we argue in this paper that much of this research has not considered the critical issue of genre and how this may be a key factor in shaping tourist demand, expectation, experience and behaviour. In particular, we suggest that the distinctive characteristics of TV soap operas have been neglected, with much of the literature focused on English language, ‘blockbuster’ Hollywood produced film releases. In this paper, we address TV soap operas as genre in relation to audience consumption and their possible links with tourism. We discuss the defining features of soap operas including their serialisation, the level of audience exposure and emotional engagement along with their connections with personal and domestic everyday life. We note their being a platform for interpersonal, intercultural and inter-textual discourse. We argue in the context of film tourism, that viewing soap operas may promote identification, empathy, emotional connection and parasocial interactions, and that these may motivate some audience members to visit soap opera locations, and also contextualise their anticipation concerning what they might expect to experience.

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Myutel, Maria. "Commercial Television in Indonesia." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 175, no. 2-3 (July 12, 2019): 155–76. http://dx.doi.org/10.1163/22134379-17502017.

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Abstract This article sheds light on previously unknown aspects of Indonesian private television by focusing on the role of the ethno-religious minority of Indonesian Sindhi in the establishment and development of commercial soap opera production. Part of the global trading community of Sindhayat, the local Sindhis have mobilized their translocal and transnational networks to take a dominant position in the emerging sector of national media. Grounded in long-term ethnographic fieldwork among media practitioners and Indonesian Sindhi community members, the article examines how Sindhis’ sense of community and shared desires and sentiments have resulted in a lack of variety of television formats and the introduction of Islam-themed soap operas to prime-time television.

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Onaran, Aslihan Tokgöz. "Counterpatriarchal Pleasures of Muslim Turkish Women: A Feminist Ethnography of Rural Women Watching Daytime Television." Hawwa 9, no. 1-2 (2011): 171–93. http://dx.doi.org/10.1163/156920811x578511.

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AbstractThis article examines the intersection of patriarchal hegemony, television viewing, domestic power relations and individual agency in the daily lives of rural Turkish women. More specifically, it analyzes the reception of daytime American soap operas by women in the Black Sea Region of Turkey. Employing an interdisciplinary methodology that combines ethnography, textual analysis and transnational feminist theory, this study investigates how women’s media experiences allow them to resist their traditional roles assigned by Islamic patriarchies.Among the major questions addressed are, “In what ways does soap viewership reflect the appropriation of anti-patriarchal modes of knowledge? How do soap operas allow women to question local gender norms? How, for example, does viewer identification with a female soap opera character committing adultery disrupt traditional gender norms, in which an act of adultery may lead to an honor killing?”Turkish women’s viewership habits as well as their pleasures from the anti-traditional plots contribute to the creation of a resistive female sphere. This study illustrates the multiple levels through which this female forum is socially constructed. I argue that women’s viewing pleasures and the actualization of a powerful female homosociality furnish the structural conditions under which alternative forms of meaning can gain a public momentum. Although respondents’ diverse uses of soap operas do not represent the formation of organized feminist protest, they, nevertheless, reflect these women’s dissatisfaction with the status quo. As such, soap viewership allows women to challenge traditional norms of gender and sexuality in the villages where this study was conducted.

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M. Rafiek, M. Rafiek. "RAGAM BAHASA WARIA DALAM SINETRON (SHEMALE LANGUAGE VARIETIES IN SOAP OPERAS)." JURNAL BAHASA, SASTRA DAN PEMBELAJARANNYA 3, no. 1 (February 21, 2018): 4. http://dx.doi.org/10.20527/jbsp.v3i1.4481.

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AbstractShemale Language Varieties in Soap Operas. This study aims to describe and explainthe classification, word formation system, and varieties of language functionstransvestites in private television soap operas in Indonesia. This study uses definitionsof regional variations in sociolinguistics theories and methods of qualitative description.An analysis using the rules of grammar formation transvestite varieties of languageused refers to the rules that have been applied by Oetomo (1988) and Oetomo (2003).The results of this study were 24 classifications, 10 word formation systems, and 2functions in varieties of languages transsexual private television soap operas inIndonesia.Keywords: shemale language, classifications, word formation procedures, and functionsAbstrakRagam Bahasa Waria dalam Sinetron. Penelitian ini bertujuan untuk mendeskripsikandan menjelaskan tentang klasifikasi, tata bentukan kata, dan fungsi ragam bahasawaria dalam sinetron di televisi swasta Indonesia. Penelitian ini menggunakan ancanganteori ragam bahasa dalam sosiolinguistik dan metode deskriptif kualitatif. Teknik analisisdata menggunakan kaidah tata bentukan ragam bahasa waria yang digunakan mengacupada kaidah yang telah diterapkan oleh Oetomo (1988) dan Oetomo (2003). Hasilpenelitian ini adalah 24 klasifikasi, 10 tata bentukan kata, dan 2 fungsi ragam bahasawaria dalam sinetron di televisi swasta Indonesia.Kata-kata kunci: bahasa waria, klasifikasi, tata bentukan kata, dan fungsi

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Wiergacz, Kara J., and Jennifer L. Lucas. "Wonder Women: The Portrayal of Women in Television Soap Operas." Psi Chi Journal of Psychological Research 8, no. 2 (2003): 70–74. http://dx.doi.org/10.24839/1089-4136.jn8.2.70.

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Breen, Lynda. "Therapeutic use of soap operas in autistic-spectrum disorders." Psychiatric Bulletin 31, no. 2 (February 2007): 67–69. http://dx.doi.org/10.1192/pb.bp.105.008250.

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‘Soap opera’ is a popular television genre that ‘invites the audience to … identify with characters' (Livingstone, 1990). Storylines tend to be shaped by national and local culture, although they may feature a disproportionate number of unstable relationships and tragedies (Liebes & Livingstone, 1998). Narratives evolve continually, allowing scriptwriters to incite viewer debate on myriad topical social issues, including mental illness (Reveley, 1997).

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Herieningsih, Sri Widowati, and Tandiyo Pradekso. "Soap-opera, Parental Mediation, Perceived Reality and Antisocial Behavior." E3S Web of Conferences 73 (2018): 14008. http://dx.doi.org/10.1051/e3sconf/20187314008.

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Many attentions have been spotted to the potential drive and effect of television on anti-social behavior. The main argument lies on the frequent repetition of intense violent showed by television soap opera. Previous studies showed that children with heavy viewing habit of violent soap-operas were tend to imitate anti-social behavior. Children were considered to have limited skill to differentiate facts and fictions from television content, and this is where parental mediation (restrictive, active, or viewing) should take place to moderate the impact of television violence. The research was intended to explain the effect of watching soap-opera, parental mediation, and perceived reality on anti-social behavior of children. Using survey method, the study non-randomly collect data from children of age 10-12 years old in Semarang. Research finding shows considerable effect of soap-opera viewing, and perceived reality on anti-social behavior of children. However, no effect of parental mediation appeared on anti-social behavior of children.

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Verma, T., J. Adams, and M. White. "Portrayal of health-related behaviours in popular UK television soap operas." Journal of Epidemiology & Community Health 61, no. 7 (July 1, 2007): 575–77. http://dx.doi.org/10.1136/jech.2006.050757.

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Lank, Nancy H., Connie E. Vickery, Nancy Cotugna, and Daniel D. Shade. "Food commercials during television soap operas: What is the nutrition message?" Journal of Community Health 17, no. 6 (December 1992): 377–84. http://dx.doi.org/10.1007/bf01323999.

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Wallack, Lawrence, Warren Breed, and James R. De Foe. "Alcohol and Soap Operas: Drinking in the Light of Day." Journal of Drug Education 15, no. 4 (December 1985): 365–79. http://dx.doi.org/10.2190/2l1t-5fq5-20v7-2yd6.

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Television programming serves as an important source of information about health in general and alcohol issues in particular. This article reports on a study of drinking portrayals on the day time soap opera, “All My Children.” Major drinking themes over the past four and one-half years are reviewed. In addition, a study of thirty consecutive episodes in summer 1984 is reported and findings are compared to other research on soap opera drinking. Overall, “All My Children” was found to be doing a good job of accurately portraying drinking problems. Several good role models for social drinking and abstinence were presented and negative reinforcement for heavier or high risk drinking was frequent. Several recommendations are presented regarding ways that soap operas can take greater advantage of a unique opportunity for health education.

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Ashifa, K. M. "Behavior Analysis Matrix for Women Soap Opera Viewers: A Structural Analysis." GATR Journal of Management and Marketing Review 3, no. 4 (December 11, 2018): 206–12. http://dx.doi.org/10.35609/jmmr.2018.3.4(5).

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Objective - In modern times, soap operas are thought to be a good source of leisure and are considered a powerful medium for propagating specific attitudes, ideas and different cultures within society. They are also useful for educating, informing and entertaining audiences, particularly women and children. The present investigation examines behavioural changes in women who watch soap operas. The Behaviour Analysis Matrix is used to assess changes in socio-cultural, psychological, economic, physiological and functional traits. Methodology/Technique - The present paper develops a global model for behavioural analysis of women who view soap operas using structural equation modelling. Findings - The present SEM model on behavioural analysis of soap opera viewers can be adopted as a global model for intervention. Novelty - The present study is useful for medical personal, social workers, academics and researchers in understanding the positive and negative effects of television shows on women, specifically, whether these serials create attitude changes among modern day women and the extent of the effect of their inter-personal relationships with family members and society. It is believed that this study will assist satellite media personnel in the development of their future programmes with social consciousness. Type of Paper: Empirical Keywords: Structural Equation Modelling; Performance; Socio-cultural Traits; Economical Traits; Psychological Traits; Physiological Traits. JEL Classification: M30, M31, M39.

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Gamage, Shashini. "Migration, identity, and television audiences: Sri Lankan women’s soap opera clubs and diasporic life in Melbourne." Media International Australia 176, no. 1 (May 5, 2020): 93–106. http://dx.doi.org/10.1177/1329878x20916946.

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This article examines a soap opera club of Sri Lankan Sinhalese migrant women in Melbourne and their collective engagement with television soap operas from the home country. Teledramas, as Sri Lankan Sinhalese-language soap operas are known, have a predominantly female viewership in Sri Lanka and also constitute a significant presence in the media diets of Sinhalese migrant women in Melbourne, and elsewhere in the world. Furthermore, at a women’s teledrama club affiliated to a Sri Lankan diasporic association, Sinhalese migrant women come together to exchange and archive reproduced DVDs of teledramas broadcast in Sri Lanka, bought from Sri Lankan grocery shops in Melbourne. This article builds on ethnographic research conducted at the teledrama club to show how what may appear to be an informal gathering of female teledrama fans is complexly interwoven into the expression of identity and belonging in Australian society. The article positions trans-Asia media flows in Australia within the everyday lives of migrants by examining the Sri Lankan soap opera club as a gendered space as well as a cultural space of identity, belonging and expression. This article finds that the teledrama club provided the women a symbolic national identity as an audience and the Sri Lankan narratives offered audiovisual access to the value systems of their distant geography and past.

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Martin, Amaya. "NAJI ATTALLAH’S CREW: STEREOTYPES OF JEWS, ARABS, AND AMERICANS IN EGYPT’S MOST-‐WATCHED RAMADAN 2012 SOAP OPERA." Levantine Review 4, no. 1 (May 1, 2015): 8. http://dx.doi.org/10.6017/lev.v4i1.8717.

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In addition to its strict fasting regiments, observed by practicing Muslims, the month of Ramadan has become known for its high viewership of serialized television programs throughout the Arabic-speaking world. During Ramadan - a month during which millions partake of festive fast breaking (Iftaar) gatherings after sundown - competition among television stations pull all the stops to attract the largest audiences possible, often by offering compelling seasonal soap operas featuring major local and pan-Arab actors.

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Hinds, Harold E., and Heidi Noel Nariman. "Soap Operas for Social Change: Toward a Methodology for Entertainment-Education Television." Hispanic American Historical Review 74, no. 3 (August 1994): 504. http://dx.doi.org/10.2307/2517902.

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Krishna, Geetanjali. "Book Review: Shoma Munshi. 2010. Prime Time Soap Operas on Indian Television." Contributions to Indian Sociology 48, no. 1 (December 4, 2013): 154–55. http://dx.doi.org/10.1177/0069966713502430.

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Hinds, Harold E. "Soap Operas for Social Change: Toward a Methodology for Entertainment-Education Television." Hispanic American Historical Review 74, no. 3 (August 1, 1994): 504–5. http://dx.doi.org/10.1215/00182168-74.3.504.

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Heryanto, Gun Gun. "Ekonomi Politik Media Penyiaran: Rivalitas Idealisme Nilai Islami dan Mekanisme Pasar." Communicatus: Jurnal Ilmu komunikasi 1, no. 1 (February 25, 2017): 85–98. http://dx.doi.org/10.15575/cjik.v1i1.1212.

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Broadcast television in Indonesia increasingly prevalent with various packaging program specifically religious character of Islamic events. The programs are varied, ranging from reality shows, soap operas, talk shows, comedy, religious lectures and others. Gait television stations keislama program includes phenomena on one side commendable. Because it could be, exposure (exposure) of a religious program a chance to form a strong impact in most Muslim audiences for media to apply the principles konsonansi. This paper discusses the political economy television relation to public space and the ideals of the Islamic program.

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Mendes, Raquel, Laurentina Vareiro, and André Rafael Ferreira. "Residents’ perceptions of film-induced tourism: A Portuguese case study." Tourism and Hospitality Research 17, no. 4 (May 2, 2016): 424–33. http://dx.doi.org/10.1177/1467358416646624.

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Film-induced tourism has various socio-cultural, economic and environmental impacts on local destinations. Considering that destination managers and tourism development authorities aim to plan for optimal tourism development, and at the same time wish to minimize the negative impacts of this development on the local communities, monitoring residents’ opinions of perceived impacts is a good way of incorporating their reaction into tourism planning and development. This study’s main objective is to explore residents’ perceptions of film-induced tourism and the impacts of filmmaking on the development of a destination. Specifically, the research examines residents’ perceptions of filmmaking impacts on two Portuguese municipalities (Arcos de Valdevez and Estremoz) given their features in two popular television soap operas. Data is collected by means of an Internet survey, in which residents’ perceptions of these impacts are solicited. Residents generally agree that the recording and exhibition of the television soap operas are important to the municipality, and contribute to the increased number of tourists. Given that residents consider that the positive impacts are more significant than the negative impacts, they would support the recording of other television series in their municipalities. Although perceptions of residents from Arcos de Valdevez and Estremoz were similar, some significant differences were found.

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Pervan, Simon J., and Brett A. S. Martin. "Product placement in US and New Zealand television soap operas: an exploratory study." Journal of Marketing Communications 8, no. 2 (January 2002): 101–13. http://dx.doi.org/10.1080/13527260210152382.

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Furnham, Adrian, Henriette Ingle, Barrie Gunter, and Alastair McClelland. "A content analysis of alcohol portrayal and drinking in British television soap operas." Health Education Research 12, no. 4 (1997): 519–29. http://dx.doi.org/10.1093/her/12.4.519.

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Rustandi, Ridwan, and Khoiruddin Muchtar. "EFFECTS OF EXPOSURE TO MASS MEDIA MESSAGES ON TEENAGE VEILED PERCEPTIONS." INJECT (Interdisciplinary Journal of Communication) 4, no. 2 (January 14, 2020): 153–74. http://dx.doi.org/10.18326/inject.v4i2.153-174.

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The purpose of this study was to determine the impact on the soap opera Aisyah Putri that aired on the private television station RCTI. This study uses a qualitative approach by relying on George Gebner's theory of states that television shows affect the audience. Data collection techniques through observation and interviews are three main aspects, namely cognitive, affective and conative, related to the effects of exposure to mass media messages. Female students of Al-Biruni High School in Bandung consisting of classes X, XI, and XII. The results of the study showed that the process of perception of teenagers on Aisyah Putri soap opera shows the stages of sensation, perception, and confirmation (memory and thinking). The motive for the use of headscarves for teenagers. The headscarf perception among adolescents, especially for students at Albiruni Cerdas Mulia Bandung High School has a strong influence on exposure to "Aisyah Putri" religious soap operas in terms of cognitive, affective and conative.

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Arias, Cuauhtémoc Blanco, Greg Haddrick, and Gillian Arnold. "Creating Social Reality: Template or Mirror? An Industry Perspective." Media International Australia 106, no. 1 (February 2003): 61–70. http://dx.doi.org/10.1177/1329878x0310600108.

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While much has been written by academics about television strip serials and telenovelas, a perspective less frequently discussed is that of these programs' writers and creators. What aspects of social realities do the writers, story editors and script producers of soap operas and telenovelas invest in their writing? This article draws together the views of practitioners from three very different backgrounds. Cuauhtémoc Blanco, a leading Mexican writer of telenovelas, Felicity Packard and Greg Haddrick of Home and Away, and Gillian Arnold of Going Home discuss their understanding of the ways they create social reality on television.

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Bicer, Ramazan. "The Interactive Relation between Religious TV Programs and People in Turkey." International Journal of Online Pedagogy and Course Design 3, no. 3 (July 2013): 76–84. http://dx.doi.org/10.4018/ijopcd.2013070105.

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The aim of the topic is to deal with role of television on the lifestyle of people and their cultural and religious understanding. TV programs will be shown to change according to lifestyle, education and cultural understanding. Nevertheless, television has a great importance on the lifestyle of people. The religious understanding is a part of the lifestyle. Many Turks shape their cultural and religious understanding by watching television. The authors will deal with cultural and religious understanding from a socio-cultural perspective, exemplifying this by two Turkish television programs called 'Ekmek Teknesi' (Means of Livelihood) and 'Sir Kapisi’ (Door to Secret). The authors aim to examine the dimensions of these soap operas in the context of religious education, cultural and theological perspectives.

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Azwar, Azwar, Hreeloita Dharma Shanti, and Kintan Arumdhani. "DAMPAK SINETRON INDONESIA TERHADAP PERILAKU MASYARAKAT." JOURNAL OF DIGITAL EDUCATION, COMMUNICATION, AND ARTS (DECA) 2, no. 02 (October 1, 2019): 89–98. http://dx.doi.org/10.30871/deca.v2i02.1524.

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This study aims to reveal how people's behavior after watching the soap opera Anak Langit and what are the factors that cause people's behavior to change after watching the soap opera Anak Langit. In addition, this study will also look at how violations that occur in Anak Langit soap operas are based on broadcasting regulations in Indonesia. This research will explore the existing problems using Cultivation Theory where this theory assumes that television exposure impacts on the community. This theory is based on Gerbner's thought which conveys that the continued exposure of the media will give an idea and influence on the perception of the viewer. That is, as long as viewers make contact with television they will learn about the world, change their perception of the world, learn to behave and people's values. This study uses qualitative methods, where researchers conduct literature studies, observations and interviews to approach and explore research problems. Based on this research it can be seen that the soap opera Anak Langit has a negative impact on some of its audience. This is because many violations occur, if guided by broadcasting regulations in Indonesia.

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Laskar, Kaifia Ancer. "Recognizing the Politics of Visual Imagery through Transplanted Traditions in Indian Television Soap Operas." Media Watch 6, no. 2 (August 1, 2015): 193. http://dx.doi.org/10.15655/mw/2015/v6i2/65664.

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Fung, Anthony. "Intra-Asian Cultural Flow: Cultural Homologies in Hong Kong and Japanese Television Soap Operas." Journal of Broadcasting & Electronic Media 51, no. 2 (July 12, 2007): 265–86. http://dx.doi.org/10.1080/08838150701304696.

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Daddario, Gina. "Gendered Sports Programming: 1992 Summer Olympic Coverage and the Feminine Narrative Form." Sociology of Sport Journal 14, no. 2 (June 1997): 103–20. http://dx.doi.org/10.1123/ssj.14.2.103.

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Approached from a feminist perspective, this article draws from genre criticism which argues that gender can be inscribed in television programming. Specifically, it examines how NBC adopted characteristics of feminine narrative form in its coverage of the 1992 Summer Olympic Games. I examine NBC’s use of rhetorical constructions, such as pretaped video profiles and personal interviews, to represent the Olympic Games and suggest that parallels exist between soap operas and Olympic programming, thereby attracting a female-inclusive audience.

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Cardini, Daniela. "A Slippery Slope." VIEW Journal of European Television History and Culture 6, no. 11 (September 22, 2017): 22. http://dx.doi.org/10.18146/2213-0969.2017.jethc120.

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Prior to the mid-nineties, Italian television did not produce any soap operas. Daytime serials were imported mainly from the USA. Unexpectedly, the most commercial television genre was produced for the first time by the public service broadcaster: Un posto al sole was aired by RAI in 1996. The commercial competitor Mediaset immediately responded with Vivere in 1998 and CentoVetrine in 2001. Today, Un posto al sole is still on air, while both Mediaset’s soaps were cancelled. The paper will focus on the rise and fall of domestic long-running daytime serials, on the different choices taken by the two competitors and on the perspectives of the genre in Italian schedules.

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Lavie, Noa. "‘Reality’ Television Critique in Israel: How ‘Quality’ Became ‘Morality’." Cultural Sociology 10, no. 4 (September 18, 2016): 502–22. http://dx.doi.org/10.1177/1749975516650231.

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‘Reality’ television is a global and highly popular television phenomenon. Despite its public and academic critique as cultural ‘trash’, the genre enjoys great economic legitimacy. In recent years, other ‘trashy’ television genres, such as soap operas, have gained aesthetic-artistic legitimacy alongside their economic legitimacy. Taking a Bourdieusian approach and using the discourse about Israeli ‘reality’ shows as a case study, this article addresses the question of whether a similar process is evident in television critics’ attitudes towards reality television. Using quantitative and qualitative content analysis of reviews of ‘reality’ shows between 2003 and 2014, the article shows that the main question debated in such reviews is the genre’s morality rather than its aesthetic value: for Israeli critics, it is the moral attributes of these shows, not their aesthetic or artistic worth, which determine their ‘quality’.

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Borowiecki, Artur. "Rozwój złożonej narracyjności w amerykańskich serialach." Panoptikum, no. 20 (December 17, 2018): 83–94. http://dx.doi.org/10.26881/pan.2018.20.05.

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Modern television series are a product of quality television and thus significantly differ from the models that have been deeply rooted in serial culture since the very beginning of the media’s existence. At that time, the dominating category constituted series with an episodic structure closed within one episode. Nowadays, the dominant format is the narrative continuity The text aims to show the series in which the creators used innovative solutions as a result of which a new narrative paradigm was formed, described as a „narrative complexity”. The article briefly analyzes various series genres: soap operas, sitcoms and postmodernist series. All the examples cited represent a different types of multi-threaded balance, that affects the evolution of narrative patterns

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Fogel, Joshua, and Michelle C. Carlson. "Soap Operas and Talk Shows on Television are Associated with Poorer Cognition in Older Women." Southern Medical Journal 99, no. 3 (March 2006): 226–33. http://dx.doi.org/10.1097/01.smj.0000198270.52240.93.

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Siti, Sholihati, Heddy Shri Ahimsa, and Heru Nugroho. "THE USES OF RELIGIOUSS SYMBOLS TO REPRESENT ISLAM (A Study on Religious Soap Opera "Bukan Islam KTP")." Analisa 1, no. 1 (May 19, 2016): 91. http://dx.doi.org/10.18784/analisa.v1i1.242.

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<p>This study is entitled THE USES OF RELIGIOUS SYMBOL TO REPRESENT ISLAM (A Study on Religious Soap Opera Bukan Islam KTP).<strong> </strong>The background of the research is based on the facts of the arbitrary use of symbols to represent Islam shown on Indonesian televisions. The pattern of the use of religious symbols, either verbal or non-verbal symbols are generally explicit, but when examined using appropriate methods, they are actually contained some implicit meanings. The purpose of this study was to discover about how Islam is represented on television religious soap opera using religious symbols and to find out the dominant ideology behind the representation techniques. To analyze the soap operas consist of twenty episodes, the researcher used a semiotic approach by John Fiske on television codes. The results of this study are: (1) the use of verbal symbols to represent Islam potentially creates multiple interpretations when they are spoken by different characters. (2) Some religious terminologies are often used by antagonist player to express anger and disappointment. (3) The soap opera is dominated by verbal violence used by both protagonist and antagonist players, while antagonist player use violence both in verbal and non-verbal forms. The findings about ideology embedded in the soap opera are: (1) capitalist-materialistic ideology, (2) ideology of patriarchy, and (3) violence domination.<strong></strong></p>

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Crayford, T., R. Hooper, and S. Evans. "Death rates of characters in soap operas on British television: is a government health warning required?" BMJ 315, no. 7123 (December 20, 1997): 1649–52. http://dx.doi.org/10.1136/bmj.315.7123.1649.

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Ashifa, Dr K. M., and -. "Addictive Behaviour among Women Viewers of Indian Soap Opera." Webology 18, Special Issue 03 (April 29, 2021): 127–36. http://dx.doi.org/10.14704/web/v18si03/web18030.

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Media is an integral part of society and it plays vital role for inculcating information. In the course of accomplishing its duties and functions, media, especially television influence on society relatively depending on the audience it reaches. Soaps have a predominant female audience. Some soaps do include men viewers but some social researchers pointed, women are considering most peculiar viewers. They are emotionally attached and value particular soaps in their personal and domestic life. Today people are leading a fast life. People should have some kind of recreation in their get relation of their physical and psychological balances of life. So, different people have different activities to spend their leisure. Based on the present study, most of the women are getting involved with the soap opera and were emotionally attached and curiously waiting for next episodes as it is effecting social, family and occupational life. So the present study tried to come out with fact of effects of soap operas’ on women’s behaviour in the aspects of socio- cultural aspects, economic aspects, psychological aspects, physiological aspects and functional aspects.

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Arcimowicz, Krzysztof. "Determinants of the Content and Creation of Modern Television Series. Selected Issues." Creativity. Theories – Research - Applications 3, no. 1 (June 1, 2016): 104–17. http://dx.doi.org/10.1515/ctra-2016-0008.

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AbstractThe aim of this article is to present the most important factors affecting the creation and content of two different genres of television series–Polish television sagas and American post-soap operas. The analysis which I have carried out in the field allows the formulation of several conclusions. The creation of the two genres is similar. In both cases the most important people are the producers and scriptwriters and the most important criteria used for the assessment of a production are audience ratings and economic factors. Polish television sagas and American post-soaps are often very different with regard to their content and the ways they present social issues. The reasons for the differences include: genre convention, expectations of viewers, social and cultural context, and the emergence of commercial subscription television in the United States. At the turn of the 21st century HBO, an American pay television provider, followed by other stations began to produce shows which, even though they have originated from older television forms, break the ties with their antecedents. Makers of post-soaps address sensitive social issues and create their characters in an original and often controversial way.

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Baym, Nancy K. "From Practice to Culture on Usenet." Sociological Review 42, no. 1_suppl (May 1994): 29–52. http://dx.doi.org/10.1111/j.1467-954x.1994.tb03408.x.

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Usenet distributes thousands of topically-oriented discussion groups, reaching millions of readers world-wide. Newsgroup participants often create distinctive sub-cultures, which have been all but ignored in scholarly work on computer networks and computer-mediated communication. I illustrate how Usenet discourse can operate as a culture-creating force, and how practice theory can be used to approach Usenet cultures, with a deep analysis of one message in the group ‘rec.arts.tv.soaps.’ This group, which discusses television soap operas, is one of the most prolific on Usenet. The use of a single message demonstrates the potential of all Usenet talk as a locus of cultural meaning. The specific claims I make about such meanings in rec.arts.tv.soaps are grounded in my ethnographic research on this group over the last two years.

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MacDonnell, Joanna. "Doing it Live! Planning and Preparing for a Live Drama Episode." Hidden Professions of Television 2, no. 4 (December 23, 2013): 27. http://dx.doi.org/10.18146/2213-0969.2013.jethc042.

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Over the last decade there has been a move towards live episodes of popular television dramas and soap operas in the UK being used to celebrate programme and channel anniversaries. This paper, written by a member of the production team is focused on the ‘behind the scenes’ preparation and subsequent broadcast of the live episode of British police drama The Bill on September 22nd 2005. This live episode became a landmark broadcast as it was the first time that dramatic stunt sequences had been performed live. This article will be supported with examples from the original planning documentation and rehearsal photographs and will examine the production culture in the planning and preparation of the episode. It will also reveal some of the trickery used to execute the stunts, will discuss the difficulties experienced during the live episode and how problems were overcome.

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