Relevant bibliographies by topics / Telugu and Indic

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Telugu and Indic'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Telugu and Indic"

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Ghosh, Rajib, Partha Pratim Roy, and Prabhat Kumar. "Smart Device Authentication Based on Online Handwritten Script Identification and Word Recognition in Indic Scripts Using Zone-Wise Features." International Journal of Information System Modeling and Design 9, no. 1 (January 2018): 21–55. http://dx.doi.org/10.4018/ijismd.2018010102.

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Secure authentication is a vital component for device security. The most basic form of authentication is by using passwords. With the evolution of smart devices, selecting stronger and unbreakable passwords have become a challenging task. Such passwords if written in native languages tend to offer improved security since attackers having no knowledge of such scripts finding it hard to crack. This article proposes two zone-wise feature extraction approaches - zone-wise structural and directional (ZSD) and zone-wise slopes of dominant points (ZSDP), to recognize online handwritten script and word in four major Indic scripts - Devanagari, Bengali, Telugu and Tamil. These features have been used separately and in combination in HMM-based platform for recognition purpose. The dimension reduction of the ZSD-ZSDP combination with factor analysis has shown the best performance in all the four scripts. This work can be utilized for setting up the authentication schemes with the Indic scripts' passwords thus rendering it difficult to crack by hackers having no knowledge of such scripts.
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Bhaskararao, Peri, and Arpita Ray. "Telugu." Journal of the International Phonetic Association 47, no. 2 (July 14, 2016): 231–41. http://dx.doi.org/10.1017/s0025100316000207.

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Telugu (tel) belongs to the Dravidian family of languages and is spoken by 7.19% of the population of India (Census of India 2001b). At different stages of its development over centuries, the vocabulary of Telugu has been considerably influenced by various languages, such as Sanskrit, Prakrit,2 Perso-Arabic and English. A major consequence of this influence is that the phonemic system of Telugu has been extended by additional sets of sounds. Thus, the aspirates /pʰ bʱ tʰ dʱ ʈʰ ɖʱ ʧʰ ʤʱ kʰ ɡʱ/ and fricatives /ʃ ʂ h/, absent in the native phonemic system, entered the language through Sanskrit borrowings. Similarly, /f/ entered the language through Perso-Arabic and English borrowings. Some of the sounds from Perso-Arabic and English sources were nativized, for example, Perso-Arabic and English phoneme /ʃ/ was rendered as /ʂ/, which had already entered the language through borrowings from Sanskrit/Prakrit; Perso-Arabic phonemes /qx ɣ z/ were rendered as /kkʰ ɡ ʤ/ respectively; and the English phoneme /θ/ was rendered as /tʰ/. English borrowings also resulted in re-phonemicization. In native Telugu vocabulary, [ɛ] and [ӕː] are allophones of /e/ and /eː/ respectively, but they acquire phonemic status when words borrowed from English are included in the total vocabulary of the language.
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Katten, Michael. "Manufacturing Village Identity and Its Village: The View From Nineteenth-Century Andhra." Modern Asian Studies 33, no. 1 (January 1999): 87–120. http://dx.doi.org/10.1017/s0026749x99003133.

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Upon inquiring into a boundary dispute between Tooringi and the Dutch-owned village of Jagannaikpuram, Leveston G. K. Murray asked generally of inhabitants ‘how far they supposed their ground extended’. But on that day in April 1795, and to Murray's dismay, he ‘received no other answer than that they did not know’. L. G. K. Murray and Mr Topander, both East India Company officials based in Masulipatam on the Teluga-speaking Andhra Coast of Southeast India, then tried a different approach, and showed those gathered a ‘Gentoo Paper’ containing a Dutch account of the nature of the boundary between the two villages. The consensus among the Telugu-speaking onlookers, in fact, was that the document was in order. No one proposed any problems with its authenticity to those Company officers.
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Mocherla, Ashok Kumar. "We Called Her Peddamma: Caste, Gender, and Missionary Medicine in Guntur: 1880–1930." International Journal of Asian Christianity 3, no. 1 (February 28, 2020): 69–84. http://dx.doi.org/10.1163/25424246-00301005.

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The medical work carried out by Dr. Anna Sarah Kugler in the town of Guntur (1880–1930), which was a part of the Telugu speaking region of the erstwhile Madras Presidency, as a foreign medical missionary associated with the mission field of the then General Synod of the Lutheran Church in America, constitutes a significant phase in the history of medicine and gender in South India. Despite bringing about visible changes in gender perceptions of medical professions, strangely, she or her work finds no mention in the social science literature on history of medicine in modern South India in general and coastal Andhra Pradesh in particular. This paper explores the nature and patterns of definitive changes that gender roles and patriarchal structures among the Telugus residing in coastal Andhra Pradesh have undergone after coming under the influence of a mission hospital in Guntur established by Dr. Anna Sarah Kugler. By doing so, it also brings out an analysis on how this medical institution transformed the firmly-held traditional perceptions and stereotypes on the sources of illness, disease, and treatments, and in turn laid the foundation for modern medicine to establish itself in South India.
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Reddy, Gautham. "The Andhra Sahitya Parishat: Language, nation and empire in colonial South India (1911–15)." Indian Economic & Social History Review 56, no. 3 (July 2019): 283–310. http://dx.doi.org/10.1177/0019464619852266.

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The Andhra Sahitya Parishat or the Telugu Academy as it was also known occupied a definitive role in the formation of a Telugu public and the development of Telugu literary activism in the early twentieth century. This essay revisits the early years of the Andhra Sahitya Parishat (1911–15) in order to examine questions related to the origins of ‘Telugu Classicism’ and its relationship to Indian negotiations with colonial modernity. By reviewing the Parishat’s membership, early interventions in public literary controversies, and its successful attempts to position itself as a nationalist intermediary, this essay produces new insights on the emergence and aspirations of an English-educated Telugu middle class. Ultimately, it demonstrates that Telugu Classicism was an integral dimension of early twentieth-century projects to modernise the Telugu language and constructively contributed to the imagination of Telugu as a ‘national’ as well as ‘classical’ language in an era of British imperialism.
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Kamath, Harshita Mruthinti. "Two Bhaktas, One District: Revisioning Hagiography and Imagery in Telugu South India." Journal of Hindu Studies 12, no. 2 (August 1, 2019): 168–91. http://dx.doi.org/10.1093/jhs/hiz015.

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Abstract The hagiography of the bhakti poet is often times far more elaborate than their compositions and can even determine the interpretation of their poetic productions (Pechilis 2011). The hagiography can exceed the spaces of written or orally composed poetry to shape the visual imagery of the bhakti poet-saint. This article examines two such instances of constructed hagiography and visual imagery in Telugu-speaking southern India, namely those of Siddhendra and Kṣetrayya. Situated within a few kilometres of each other in what is now known as the Krishna district of Andhra Pradesh, Siddhendra and Kṣetrayya are imagined as paradigmatic bhakti poet-saints whose compositions are integral to Telugu arts and performance. The similarity in hagiography and visual imagery across these two figures is a direct byproduct of twentieth-century Telugu proponents who made concerted efforts to position Telugu arts within a pan-Indian modernist framework of bhakti. Telugu scholars and performers invoke bhakti discourses and imagery to frame both Siddhendra and Kṣetrayya as Telugu bhakti poet-saints. In doing so, Telugu proponents imbue their arts with religious weight, while also positing the Brahmin-dominated areas of the Krishna district as the heart of Telugu performance culture.
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Subrahmanyam, Mslb, V. Vijaya Kumar, and B. Eswara Reddy. "A novel method for segmenting and straightening of text lines in handwritten Telugu documents based on smearing and regression approach." International Journal of Engineering & Technology 7, no. 3 (August 22, 2018): 1846. http://dx.doi.org/10.14419/ijet.v7i3.13286.

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In handwritten document images, segmenting text lines is a very challenging task due to various reasons like variability in intra baseline skew and inter line distance between text lines. So far, no work is reported in the literature for the straightening of handwritten Telugu languages. Telugu is one of the most popular languages of India that is spoken by more than 80 million people especially in South India. Telugu characters are mostly compound characters and that is way the straightening task of Telugu document is more challenging tasks than European languages. This paper introduces a novel approach for segmenting and straightening text lines of handwritten Telugu documents based on smearing and regression approach (SRA). This method initially performs preprocessing and estimates parameters by dividing into connected components of Telugu script. A horizontal and vertical run length-smearing algorithm is used in this paper to shape text lines. To identify text lines more precisely cubic polynomial regression is used between vertical midpoints of two blocks of compound handwritten Telugu characters. A simple logic is derived on this to achieve final process. We tested the proposed algorithm with three different kind of 1000 handwritten documents. The performance of proposed method is evaluated by using matchScore, detection rate, recognition accuracy and F-measure. The experimental results indicates the efficiency of the proposed method over the existing methods.
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Chokkakula, Srinivas. "Transboundary politics of cooperation: Telugu ganga project, India." Regional Environmental Change 18, no. 6 (May 2, 2018): 1645–54. http://dx.doi.org/10.1007/s10113-018-1348-0.

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MANTENA, RAMA SUNDARI. "Vernacular Publics and Political Modernity: Language and Progress in Colonial South India." Modern Asian Studies 47, no. 5 (February 8, 2013): 1678–705. http://dx.doi.org/10.1017/s0026749x12000212.

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AbstractThe late-nineteenth century in India, usually scrutinized for the emergence of anti-colonial nationalist thought and politics, witnessed broader, and potentially more radical changes in the making and re-making of political subjectivities as articulated within burgeoning vernacular public spheres. Vernacular publics coalesced around the emergence of new communicative forms, the formation of voluntary and political associations, and the restructuring of literary communities. It is within this context I place the writings of Gidugu Venkata Ramamurti (1863–1940). He proclaimed at the turn of the twentieth century that Telugu as a language had to be reformed in order for it to become an appropriate medium for the newly emergent Telugu public spheres. Through his study of linguistics, his commitment to educational reform, and his study of Telugu language and literature, Ramamurti became the spokesperson for a new Telugu that would be able to traverse the boundaries of modern genres of writing that flourished in the colonial era. Fully immersed in linguistic theories of the day, Ramamurti's concerns were primarily with language reform and its centrality in the remaking of political subjectivities.‘In this era there is an important challenge facing us. There is no Telugu word for ‘challenge,’ nevertheless, the word, ‘dhikaaramu’ or defiance, comes close. For that reason, I am calling this era, ‘dhikaara yugamu,’ the age of defiance. In the past, society was divided between free people and the enslaved. Soon, the enslaved defied the power of the free and freed themselves. In the past, women were not allowed to be educated nor were they allowed to work. Now they are asking themselves why they were not considered more productive in society? These days, women are performing all kinds of work. . . .Until recently, in most countries the wealthy held power. And now the poor are challenging the power of the rich’.1
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Sahoo, Ajaya Kumar. "Issues of Identity in the Indian Diaspora: A Transnational Perspective." Perspectives on Global Development and Technology 5, no. 1-2 (2006): 81–98. http://dx.doi.org/10.1163/156915006777354482.

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AbstractIndia is unique for the magnitude of her diversities in terms of languages and regions, religions and sects, castes and sub-castes, rural and urban, food and style of dress, which are also reflected by her diasporic communities. There are diasporic communities formed on the basis of linguistic or regional identities such as Punjabis, Gujaratis, Sindhis, Tamils, Malayalees and Telugus. Global organizations such as Global Organization of People of Indian Origin (GOPIO), World Telugu Federation (WTF), and World Punjabi Organization (WPO), have recently emerged to preserve and promote the identities and cultures of Indians, uniting transnationally India and the global Indian diaspora. The past decade has witnessed a phenomenal dynamism among the diasporic communities, made possible by the recent advancement in technologies of travel, transport, and communications. Not only did these developments bring the diasporic communities and their motherland closer but they also facilitated in bringing together the members of their community dispersed around the world. The present article examines this emerging trend with the illustration of one of the important regional Indian diasporic communities, the Gujarati Diaspora. Gujaratis, the people from the central western parts of India, are one of the early Indian communities who have ventured out to different parts of the world for multiple reasons. Today, as one of the prominent Indian diasporic communities in the world, Gujaratis are successful not only in business, which is their first love, but also in professional fields such as technology, science, medicine, and business management.
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Dissertations / Theses on the topic "Telugu and Indic"

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Soneji, Davesh. "Performing Satyabhāmā : text, context, memory and mimesis in Telugu-speaking South India." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85029.

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Hindu religious culture has a rich and long-standing performance tradition containing many genres and regional types that contribute significantly to an understanding of the living vitality of the religion. Because the field of religious studies has focused on texts, the assumption exists that these are primary, and performances based on them are mere enactments and therefore derivative. This thesis will challenge this common assumption by arguing that performances themselves can be constitutive events in which religious worldviews, social histories, and group and personal identities are created or re-negotiated. In this work, I examine the history of performance cultures (understood both as genres and the groups that develop and perform them) in the Telugu-speaking regions of South India from the sixteenth century to the present in order to elucidate the cross-fertilization among various performance spheres over time.
My specific focus is on the figure of Satyabhama (lit. True Woman or Woman of Truth), the favourite wife of the god Kṛṣṇa. Satyabhama represents a range of emotions, which makes her character popular with dramatists and other artists in the Telugu-speaking regions of South India where poets composed hundreds of performance-texts about her, and several caste groups have enacted her character through narrative drama.
The dissertation is composed of four substantive parts - text, context, memory, and mimesis. The first part explores the figure of Satyabhama in the Mahabharata and in three Sanskrit Puraṇic texts. The second examines the courtly traditions of poetry and village performances in the Telugu language, where Satyabhama is innovatively portrayed through aesthetic categories. The third is based on ethnographic work with women of the contemporary kalavantula (devadasi) community and looks at the ways in which they identify with Satyabhama and other female aesthetic archetypes (nayikas). The final section is based on fieldwork with the smarta Brahmin male community in Kuchipudi village, where men continue to perform mimetic representations of Satyabhama through a performative modality known as stri-veṣam ("guise of a woman").
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Bhrugubanda, Uma Maheswari. "Genealogies of the Citizen-Devotee: Popular Cinema, Religion and Politics in South India." Thesis, 2011. https://doi.org/10.7916/D8ZS33KN.

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This dissertation is a genealogical study of the intersections between popular cinema, popular religion and politics in South India. It proceeds with a particular focus on the discursive field of Telugu cinema as well as religion and politics in the state of Andhra Pradesh from roughly the 1950s to the 2000s. By discursive field of cinema, I refer to not only filmic texts, but also disciplines of film making, practices of publicity, modes of film criticism as well as practices of viewership all of which are an inalienable part of the institution of cinema. Telugu cinema continued to produce mythological and devotional films based mostly on Hindu myths and legends many decades after they ceased to be major genres in Hindi and many other Indian languages. This was initially seen simply as an example of the insufficiently modernized and secularized nature of the South Indian public, and of the enduring nature of Indian religiosity. However, these films acquired an even greater notoriety later. In 1982, N.T. Rama Rao, a film star who starred in the roles of Hindu gods like Rama and Krishna in many mythologicals set up a political party, contested and won elections, and became the Chief Minister of the state, all in the space of a year. For many political and social commentators this whirlwind success could only be explained by the power of his cinematic image as god and hero! The films thus came to be seen as major contributing factors in the unusual and undesirable alliance between cinema, religion and politics. This dissertation does not seek to refute the links between these different fields; on the contrary it argues that the cinema is a highly influential and popular cultural institution in India and as such plays a very significant role in mediating both popular religion and politics. Hence, we need a fuller critical exploration of the intersections and overlaps between these realms that we normally think ought to exist in independent spheres. This dissertation contributes to such an exploration. A central argument this dissertation makes is about the production of the figure of the citizen-devotee through cinema and other media discourses. Through the use of this hyphenated word, citizen-devotee, this study points to the mutual and fundamental imbrication of the two ideas and concepts. In our times, the citizen and devotee do not and cannot exist as independent figures but necessarily contaminate each other. On the one hand, the citizen-devotee formulation indicates that the citizen ideal is always traversed by, and shot through with other formations of subjectivity that inflect it in significant ways. On the other hand, it points to the incontrovertible fact that in modern liberal democracies, it is impossible to simply be a devotee (bhakta) where one's allegiance is only to a particular faith or mode of being. On the contrary, willingly or unwillingly one is enmeshed in the discourse of rights and duties, subjected to the governance of the state, the politics of identity and the logics of majority and minority and so on. Religion as we know it today is itself the product of an encounter with modern rationalities of power and the modern media. Hence, we cannot simply talk about the citizen or the devotee, but only of the modern hybrid formation, the citizen-devotee. The first full length study of the Telugu mythological and devotional films, this dissertation combines a historical account of Telugu cinema with an anthropology of film making and viewership practices. It draws on film and media theory to foreground the specificity of these technologies and the new kind of publics they create. Anthropological theories of religion, secularism and the formation of embodied and affective subjects are combined with political theories of citizenship and governmentality to complicate our understanding of the overlapping formations of film spectators, citizens and devotees.
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Books on the topic "Telugu and Indic"

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Kr̥ṣṇārāvu, Maṇḍali Veṅkaṭa. Telugu tējamu. Avanigaḍḍa, Kr̥ṣṇājillā, Āndhrapradēś: Śrī Maṇḍali Veṅkaṭa Kr̥ṣṇārāvu Ṣaṣṭyabdipūrti Grantha Bahūkaraṇa Samiti, 1986.

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Rāju, Pēricarla Sūryanārāyaṇa. Nāṇālu-Telugu lipi. Rājamahēndri: Kr̥ṣṇavēṇī Pracuraṇalu, 1996.

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Nārāyaṇamūrti, Bhūpati. Telugujāti-Telugu jātīyata. Haidarābād: Telugujāti Pracuraṇa, 1986.

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Hema, Hari D. K., ed. Telugu talli: Her unknown side : facets of Telugu culture & prosperity. Bangalore: Sri Sri Publications Trust, 2012.

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Appalanarasiṃhārāvu, Karri. Śrī Śātavāhanulāndhrulu: Gavara-Brāhmaṇa-Kulālaka-Mahēndra-Yādava pālakula caritra pariśōdhanamu. [Kirlampudi]: Karri Appalanarasiṃhārāvu, 1986.

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Prēmalata, Rāvi. Telugu jānapada sāhityaṃ purāgāthalu. Haidarābādu: Poṭṭi Śrīrāmulu Telugu Viśvavidyālayaṃ, 2011.

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Lakṣmiprasādarāvu, Vēdāntam. Telugu prajalu: Caritra - sāhitya caritra - saṃskr̥ti. Haidarābād: Svāti Buks, 2013.

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Sokappadu, Ramanaidoo. The Telugu marriages in Mauritius. [Mauritius?: s.n.,], 1992.

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Dāmōdarrāvu, Bondugulapāṭi. Telugu jānapadula sāmetalu. Gūḍeṃ, Mustābād-Maṇḍalaṃ, Jillā Karīnnagar: Pratulaku, Bondugulapāṭi Dāmōdarrāvu, 1986.

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Pūrṇacand, Ji Vi. Taratarāla Telugu ruculu: Ārōgyānnicē āhāra padārthāla caritra, viślēṣaṇa. Vijayavāḍa: Emeskō, 2009.

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Book chapters on the topic "Telugu and Indic"

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Reddy, Mallamma V., and M. Hanumanthappa. "Indic Language Machine Translation Tool: English to Kannada/Telugu." In Lecture Notes in Electrical Engineering, 35–49. New Delhi: Springer India, 2013. http://dx.doi.org/10.1007/978-81-322-1143-3_4.

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Mantena, Rama Sundari. "Colonial Philology and the Progressive History of Telugu." In The Origins of Modern Historiography in India, 151–77. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137011923_6.

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Mantena, Rama Sundari. "Colin Mackenzie’s Archival Project and the Telugu Historical Record." In The Origins of Modern Historiography in India, 123–49. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137011923_5.

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Prudhvikar Reddy, P., V. Nagi Reddy, and D. Sree Rama Raju. "Universal Secondary Education in the Telugu-Speaking States: Prospects and Challenges." In Universal Secondary Education in India, 279–97. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5366-0_13.

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Biswal, Santosh Kumar. "Branding Culture." In Brand Culture and Identity, 838–55. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7116-2.ch046.

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Telugu film industry, known as Tollywood is gaining popularity in the domain of regional film industry in India. Over the years, the industry through its actors, remaking and dubbing to various languages films; a tendency of culture and brand has emerged. Sometimes celebrated artists brand the films and vice versa. Brand endorsements and in film advertisements have become the order of the day. The current chapter attempts to explore Telugu cinema as culture and brand by analyzing the cases of the films like Pokiri, Magadheera, Baahubali: The Beginning and Baahubali 2: The Conclusion. In addition, the study tries to understand the timeline of Telugu cinema, keeping the culture and branding in mind.
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Biswal, Santosh Kumar. "Branding Culture." In Advances in Marketing, Customer Relationship Management, and E-Services, 1–23. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-3150-0.ch001.

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Telugu film industry, known as Tollywood is gaining popularity in the domain of regional film industry in India. Over the years, the industry through its actors, remaking and dubbing to various languages films; a tendency of culture and brand has emerged. Sometimes celebrated artists brand the films and vice versa. Brand endorsements and in film advertisements have become the order of the day. The current chapter attempts to explore Telugu cinema as culture and brand by analyzing the cases of the films like Pokiri, Magadheera, Baahubali: The Beginning and Baahubali 2: The Conclusion. In addition, the study tries to understand the timeline of Telugu cinema, keeping the culture and branding in mind.
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Yadav, Rasu Chatrapathi. "Space of Culture and Brand in Sequel of Telugu Films." In Brand Culture and Identity, 911–21. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7116-2.ch050.

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Telugu film industry known as Tollywood, is making its mark in terms of rich contents and branding strategies and subsequently receiving the audiences' acceptance to a greater extent. Making sequel of film has brought success to many of the films. The positioning of culture and brands has played a major role in the sequel of Telugu films in India. The films like Money - Money Money to Money Money more Money, Gaayam to Gaayam 2, Satya to Satya 2, Shankar Dada MBBS to Shankar Dada Zindabad, Rakta Charithra to Rakta Charithra 2, Mantra to Mangala and Mantra 2, Gabbar Singh to Sardaar Gabbar Singh, Baahubali: The Beginning to Baahubali 2: The Conclusion have made their landmark if culture and branding are taken into discussion. The making of such films has redefined the space of culture and brand endorsements. The chapter attempts to explore the sequel of Telugu films which have relevant pertinence to culture and branding in India.
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Yadav, Rasu Chatrapathi. "Space of Culture and Brand in Sequel of Telugu Films." In Advances in Marketing, Customer Relationship Management, and E-Services, 71–85. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-3150-0.ch005.

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Telugu film industry known as Tollywood, is making its mark in terms of rich contents and branding strategies and subsequently receiving the audiences' acceptance to a greater extent. Making sequel of film has brought success to many of the films. The positioning of culture and brands has played a major role in the sequel of Telugu films in India. The films like Money - Money Money to Money Money more Money, Gaayam to Gaayam 2, Satya to Satya 2, Shankar Dada MBBS to Shankar Dada Zindabad, Rakta Charithra to Rakta Charithra 2, Mantra to Mangala and Mantra 2, Gabbar Singh to Sardaar Gabbar Singh, Baahubali: The Beginning to Baahubali 2: The Conclusion have made their landmark if culture and branding are taken into discussion. The making of such films has redefined the space of culture and brand endorsements. The chapter attempts to explore the sequel of Telugu films which have relevant pertinence to culture and branding in India.
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Talbot, Cynthia. "The Kakatiyas in Telugu Historical Memory." In Precolonial India in Practice, 174–207. Oxford University Press, 2001. http://dx.doi.org/10.1093/0195136616.003.0006.

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Ramadevi, R., and V. Balaraju Nikku. "Telugu Ganga Project: Water Rights and Conflicts." In Water Conflicts in India, 383–87. Routledge India, 2020. http://dx.doi.org/10.4324/9780367817671-71.

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Conference papers on the topic "Telugu and Indic"

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Naidu, Reddy, Santosh Kumar Bharti, and Korra Sathya Babu. "Building SentiPhraseNet for Sentiment Analysis in Telugu." In 2018 15th IEEE India Council International Conference (INDICON). IEEE, 2018. http://dx.doi.org/10.1109/indicon45594.2018.8987162.

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Negi, Atul, and Anish M. Rao. "Offline Handwritten Telugu Character Dataset and Recognition." In 2019 IEEE 16th India Council International Conference (INDICON). IEEE, 2019. http://dx.doi.org/10.1109/indicon47234.2019.9028977.

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Mouli, T. Sai Chandra. "Towards Understanding Identity, Culture and Language." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-8.

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Abstract:
Knowledge of self is at the core of all human endeavours. In the quest identity assumes significance. It acquired greater relevance and respect on account of Postcolonial concerns. ‘Class’ emerged as the basis of a person’s identity. Subsequent to liberation of colonies from alien rule, postcolonial concerns gained ground. Focus on indigenous ways of life adds new dimension. Social, cultural, psychological and economic structures became the basis of one’s own view of identity. These dynamics are applicable to languages that flourished, perished or are on the verge of extinction. In India, regional, linguistic, religious diversity add to the complexity of the issue in addition to several subcultures that exist. Culture is not an independent variable. Historical factors, political developments, geographical and climatic conditions along with economic policies followed do contribute to a larger extent in fixing the contours of a country’s culture. Institutional modifications also sway the stability of national culture. Cultural transmission takes place in diverse ways. It is not unidirectional and unilateral. In many countries culture models are passed on from one generation to another through recitation. The learners memorize the cultural expressions without understanding meaning or social significance of what is communicated to them. Naturally, this practice results in hierarchical patterns and hegemony of vested elements. This is how norms of ‘high’ and ‘low’ are formed and extended to written works and oral/folk literatures respectively. This presentation focuses on the identity, culture and language of indigenous people in Telugu speaking states of Telangana and Andhra Pradesh in South India.
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