Academic literature on the topic 'Telugu Hindu literature'

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Journal articles on the topic "Telugu Hindu literature"

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Srika, M. "A Critical Analysis on “Revolution 2020” - An Amalgam of Socio- Political Commercialization World Combined with Love Triangle." SMART MOVES JOURNAL IJELLH 7, no. 10 (2019): 6. http://dx.doi.org/10.24113/ijellh.v7i10.10255.

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Literature is considered to be an art form or writing that have Artistic or Intellectual value. Literature is a group of works produced by oral and written form. Literature shows the style of Human Expression. The word literature was derived from the Latin root word ‘Litertura / Litteratura’ which means “Letter or Handwriting”. Literature is culturally relative defined. Literature can be grouped through their Languages, Historical Period, Origin, Genre and Subject. The kinds of literature are Poems, Novels, Drama, Short Story and Prose. Fiction and Non-Fiction are their major classification. S
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Wirata, I. Wayan. "A Study of Wetu Telu Syncretism in Lombok: Socio-Religious Approach." Soshum : Jurnal Sosial dan Humaniora 8, no. 1 (2018): 1. http://dx.doi.org/10.31940/soshum.v8i1.774.

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Wetu Telu is a syncretism of belief prevalent in West Lombok region. Danghyang Dwijendra from Daha in East Java region is regarded as the founder of the Watu Telu cult. He came to the Island of Lombok to teach enlightenment. One of the Ashram where he developed Hindu teaching and religion was Suranadi, a beautiful holy place. That Ashram was encircled by holy water, which currently can still be used by the Hindu devotees in performing their sacred sacrifice (yajnya). This study is aimed at knowing social and religious aspects of Wetu Telu as cultural heritage. The data is obtained through lite
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3

Trivedi, Poonam. "Framing Lear’s fool in Indian films: ‘Doth any here know me?’." Cahiers Élisabéthains: A Journal of English Renaissance Studies, March 31, 2021, 018476782199998. http://dx.doi.org/10.1177/0184767821999985.

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This article examines three Indian films based on King Lear through their reconfigured framing of the Fool: Gunasundari Katha (Tale of the Virtuous Woman, 1949, Telugu), Rui Ka Bojh (Weight of Cotton, 1997, Hindi), and Natsamrat (Actor King, 2016, Marathi). Though the nature and role of the Fool in the play is much debated, this essay argues that he is central and his treatment reflects the divergent views the films take on Shakespeare’s tragedy. The fact that the Fool is also a familiar figure in Indian drama, from the classical Sanskrit, medieval folk and modern plays, conditions the transpo
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Dissertations / Theses on the topic "Telugu Hindu literature"

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Soneji, Davesh. "Performing Satyabhāmā : text, context, memory and mimesis in Telugu-speaking South India." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85029.

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Hindu religious culture has a rich and long-standing performance tradition containing many genres and regional types that contribute significantly to an understanding of the living vitality of the religion. Because the field of religious studies has focused on texts, the assumption exists that these are primary, and performances based on them are mere enactments and therefore derivative. This thesis will challenge this common assumption by arguing that performances themselves can be constitutive events in which religious worldviews, social histories, and group and personal identities ar
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Prabhakaran, Varijakshi. "The religio-cultural dynamics of the Hindu Andhras in the diaspora." Thesis, 1994. http://hdl.handle.net/10413/6832.

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Aruna, G. "Telugu - hindi pouranika geya pariseelana (With special reference to Ramayana)." Thesis, 1998. http://hdl.handle.net/2009/773.

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Books on the topic "Telugu Hindu literature"

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Es, Sudarśanācāryulu Ār. Telugu sāhityamulō Hanumantunikatha-pātracitraṇa. Prāptisthānaṃ, Ār. Es. Sudarśanācāryulu, 1992.

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En, Pārvatī Dēvi Pi. Āndhra sāhityamulō Satyabhāma pātra citraṇamu =: The character portrayal of Sathyabhama in Telugu literature. Pratulaku, Viśālāndhra bukhaus, 1999.

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Vīrarāghavācāryulu, Koṇḍuru. Śrī Vīrarāghava vyāsāvaḷi. Tirumala Tirupati Dēvasthānamulu, 1997.

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Vijayēndranātharāvu, Allamarāju. Telugu sāhityaṃlō Couḍēśvarī Dēvi caritra: Śrīkr̥ṣṇadēvarāya Viśva Vidyālayaṃ nuṇḍi Ph.D. paṭṭā pondina siddhānta vyāsaṃ. Sri Chowdeswari Publications, 1999.

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Śrīrāmacandramūrti, Callā. Adhyātma rāmāyaṇamulu. Cinuku Pracuraṇalu, 2009.

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6

Si, Reḍḍi Ḍi. Draupadi: Viślēṣaṇātmaka pariśīlana. Priyadarśinī Pablikēṣans, 1986.

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Si, Reḍḍi Ḍi. Draupadi: Tulanātmaka pariśīlana. Priyadarśinī Pablikēṣans, 1986.

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8

Malayavāsini. Āndhravāṅmayamu-Rāmāyaṇamu. Prāptisthānamu, Malayavāsini, 1989.

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9

Anūrādha, Rūpanaguḍi. Telugulō vāṅmayaṃlō nr̥siṃhāvatāramu: Siddhānta vyāsaṃ. Śrī Yōgēśvar Pablikēṣans, 1994.

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10

Prabhāvati, Vāsā. Āndhra sāhityamulō Hariścandrōpākhyānamu. Pratulaku, Vi. Vi. Es. Prakāṣ, 1987.

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