Relevant bibliographies by topics / Temple architecture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Temple architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 June 2025

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Journal articles on the topic "Temple architecture"

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Haoribao, Enke, Yoshinori Natsume, and Shinichi Hamada. "Arrangement Plan of Inner Mongolia Buddhist Temple." ATHENS JOURNAL OF ARCHITECTURE 8, no. 1 (2022): 67–90. http://dx.doi.org/10.30958/aja.8-1-4.

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Since BC, the construction of cities has been started in the Mongolian Plateau with the establishment of dynasties, but many were turned into ruins. However, the Tibetan Buddhist temples built after the 16th century, which are an indispensable element in the process of settling the Mongolians from nomadic life, have been relatively well preserved in Inner Mongolia. These temples have been thought to be the epitome of the Mongolian economy, culture, art, and construction technology. Therefore, it has a great significance to research them systematically. Interestingly, these temples in Mongolia were originated from Inner Mongolia, which is located on the south side of Mongolia. The architectural design of these temples has been primarily influenced by Chinese and Tibetan temple architecture, suggesting that the temples appear to be considered a vital sample for studying temple architecture in Mongolia or East Asia. So far, there is still no study systematically on temple architecture in Inner Mongolia. Therefore, this research aims to study the arrangement plan of Inner Mongolian Tibetan Buddhist temples, which is the most important factor to consider in the first stage of temple construction.
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Pratomo ; Rahadhian Prajudi Herwindo, Galih Andika. "THE IDENTIFICATION OF CENTRAL JAVA CLASSIC ERA’S ARCHITECTURE (BOROBUDUR AND PRAMBANAN, (9TH CENTURY) ON THE TEMPLE IN THE CAMBODIA’S TRASITIONAL ERA (BAKONG, 9TH CENTURY) MORPHOLOGICAL TYPOLOGY STUDIES (MASS ORGANIZATION, FLOOR PLAN, FIGURE AND ORNAMENTS)." Riset Arsitektur (RISA) 2, no. 03 (2018): 232–47. http://dx.doi.org/10.26593/risa.v2i03.2950.232-247.

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Abstract- Architectural temples of the middle classical era such as Prambanan and Borobudur temples are thought to have inspired the temples in Indochina. It has become a common guess both among the tour guides in Cambodia or the researchers who reviewed the Khemer Kingdom Architecture. The existence of the relationship between the temple in Java and the temple in Cambodia is possible because Jayawarman II, who later build the kingdom of Khemer, once lived in Java when large middle classical temple style architecture was built. To find out the architectural connections of temples in Java and in Cambodia then the first thing to do is to know all the architectural unsurts in both temples. So the purpose of this study is to know the unsurts of spatial, plan, figures and temple ornaments of the middle classical era of Java and pre-Angkor temple era. This research is done by qualitative method of comparative. Qualitative research is applied by visiting and observing physical objects, then discussed using theories relating to research topics. While the object is selected using purposive sampling method, with the basic object of research is closely related to the style, wholeness and scale. Of the 80 points used in identifying architectural unsurts in the mass structure, floor plan, figures, and ornaments, the authors found 13 very similar points, 50 points to Bakong but not similar, and 17 points missing from Bakong. Based on these results the allegation that the temple of the middle classical era of Java has a relationship with the transitional era are becoming stronger. Key Words: morphology, architectural elements, Borobudur, Prambanan, Bakong
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Pratomo ; Rahadhian Prajudi Herwindo, Galih Andika. "THE IDENTIFICATION OF CENTRAL JAVA CLASSIC ERA’S ARCHITECTURE (BOROBUDUR AND PRAMBANAN, (9TH CENTURY) ON THE TEMPLE IN THE CAMBODIA’S TRASITIONAL ERA (BAKONG, 9TH CENTURY) MORPHOLOGICAL TYPOLOGY STUDIES (MASS ORGANIZATION, FLOOR PLAN, FIGURE AND ORNAMENTS)." Riset Arsitektur (RISA) 2, no. 03 (2018): 232–48. http://dx.doi.org/10.26593/risa.v2i03.2950.232-248.

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Abstract- Architectural temples of the middle classical era such as Prambanan and Borobudur temples are thought to have inspired the temples in Indochina. It has become a common guess both among the tour guides in Cambodia or the researchers who reviewed the Khemer Kingdom Architecture. The existence of the relationship between the temple in Java and the temple in Cambodia is possible because Jayawarman II, who later build the kingdom of Khemer, once lived in Java when large middle classical temple style architecture was built. To find out the architectural connections of temples in Java and in Cambodia then the first thing to do is to know all the architectural unsurts in both temples. So the purpose of this study is to know the unsurts of spatial, plan, figures and temple ornaments of the middle classical era of Java and pre-Angkor temple era. This research is done by qualitative method of comparative. Qualitative research is applied by visiting and observing physical objects, then discussed using theories relating to research topics. While the object is selected using purposive sampling method, with the basic object of research is closely related to the style, wholeness and scale. Of the 80 points used in identifying architectural unsurts in the mass structure, floor plan, figures, and ornaments, the authors found 13 very similar points, 50 points to Bakong but not similar, and 17 points missing from Bakong. Based on these results the allegation that the temple of the middle classical era of Java has a relationship with the transitional era are becoming stronger. Key Words: morphology, architectural elements, Borobudur, Prambanan, Bakong
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Nurbayev, Zh Ye, and S. B. Nurbayeva. "Formation of the urban environment in Kostanay city at the turn of the XIX-XX centuries: analysis of cult architecture based on photo documents." BULLETIN of the L.N. Gumilyov Eurasian National University. Historical sciences. Philosophy. Religion Series 137, no. 4 (2021): 60–76. http://dx.doi.org/10.32523/2616-7255-2021-137-4-60-76.

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The article deals with the issue of «temple building» in the city of Kostanay in the pre-revolutionary period. Temple architecture is a category that encompasses not only the construction of temples but also their functioning and influence on the processes and events taking place in the city. In the conditions of temple construction, the task was set not so much of buildings of religious structures, but of the habitat as a whole. The main purpose of the study is to identify the features and factors of the influence of temple construction, the activities of priests on the change in the urban environment, to study the architectural styles and ideological compositions of the cult architecture of Kostanay. The work used a wide range of historiographic (works of Kazakh and foreign, Russian researchers) and source material (archival, museum sources). The methodological basis of the research was made by interdisciplinary, cross-cultural theoretical positions (concepts of K. Lynch and K. Norberg-Schulz, environmental approach) and specific methods (architectural analysis, historical and cultural reconstruction, methods of system-holistic analysis, critical research, and generalization of source material). Based on the results of the study, we came to the conclusion that temple architecture and priests had positive changes on the city and townspeople, a lot of educational, moral, charitable work was carried out, registers of births were kept. An active activity attitude influenced the architecture and style of temples. All of them were built according to certain patterns, but they all had their own unique characteristics. You can trace the interconnection and mutual influence of the West and the East, the interweaving of Russian, Tatar, European, Middle Eastern architectural styles.
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Keyal, Hema, and Yuan Shu Wan. "Shikhara Style Temples and its Importance in Nepal." Journal of Indian Philosophy and Religion 24 (2019): 108–32. http://dx.doi.org/10.5840/jipr2019245.

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The design of Hindu temple follows the design of vastupurusha-mandala as described in several Hindu texts on architecture. The design of temple is divided into ground plan and vertical alignment, the superstructure. Herein the present study, our focus is on architecture of the superstructure, especially Shikhara style of superstmcture, in the temple of Nepal. Shikhara style architecture came into Nepal from Lidia over a millennium ago. The purpose of this research is to understand the significance of Shikhara Style temples in the capital of Nepal, the Kathmandu valley. The first segment of the study reports the overall architecture of Hindu temple and then the common styles of architecture of superstructure (vertical alignment/tower) applied in building the temples in Nepal, which involves the Shikhara Style, the Pagoda Style, and the Stupa Style. The Shikhara style architecture is described in detail while other two are briefly discussed. The second segment of the study introduces some of the recognized temples of the Kathmandu valley that have Shikhara style architecture. And finally summing up everything, the conclusion of this research tries to recognize, acknowledge and bring to the fore the significance of Shikhara style temples in Nepal and also wrap the research by understanding the concept of architecture through pre-ancient perspective.
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MIKAEILI, Mahshid. "MITHRAISM ROCK TEMPLE ARCHITECTURE IN IRAN." New Era Journal of Interdisciplinary Social Studies 7, no. 12 (2022): 8–22. http://dx.doi.org/10.46291/newera.158.

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Mithraism is known as one of the ancient world religions. The roots of Mithraism settle in the old world beliefs, culture, and mysteries. Historical documents show the origin of Mithraism belongs to the 1400 years B.C. Mithraism features found in different parts of the ancient world from east to the west: India, Iran, Anatolia, and Europe. The name of Mithra in ancient Indo-Iranian mythology as the god of light is in some historical inscription. Among the ancient world’s religions, Mithraism is the ancient Iran pre-Zoroastrian religion. There are some doctrines about the origins of Mithra. The well-defined of them is the dualism doctrine that comes from Zoroastrianism. This doctrine is always a battleground between the Good Principles and the Evil Principles. The force of propitious is light or day and the forces of evil are with darkness or night. These two forces are in a state of perpetual war. According to the archeologists, many rock temples with Mithraism features locate in Iran. Some of these natural rock temples are in the northwest part of Iran. The gravity center of this study is one of the rock temples of Mithraism in the northwest of Iran. These temples locate at a cross-sectional point between different cultural impressions. For accessing the aims of the research, the study consists of three stages. In the first stage, the focus point is on the roots of Mithraism in Iran and the ancient world and the interaction of Mithraism with other cultures. Then in the second stage, be tried to find Mithraism temples’ general architectural characters and elements due to the expansion in Iran and in Europe. Finally, the study is concentrated on the case study rock temple Mehr Temple in the northwest of Iran to investigate the structural characteristics, find similarities with the other temple, and evaluate these characters.
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Permilovskaya, Anna B. "Mythology of the russian orthodoxy and wooden church architecture." Yaroslavl Pedagogical Bulletin 2, no. 119 (2021): 151–58. http://dx.doi.org/10.20323/1813-145x-2021-2-119-151-158.

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This research topic is the initial stage of new work. The influence of the mythopoetic worldview of Russians and Orthodoxy on the architectural structure and symbolism in the concept of wooden temple building in the northern and arctic territories is considered an integrative scientific field in the article. This is founding a confirmation in the organization of the cultural and sacred landscape, in historical traditions and legends about the choosing of a place for the building of a temple (chapel). As well as the special status of «sacred» and «roadside» groves of trees, the selection of these trees for construction in a sacred meaning and using of individual parts of these temples as a community center and place for ancient rituals. The lexis, connected with the folk architecture, indicates the anthropomorphic nature of the architectural space of the temple. The construction, as it were, is assembled from «large», qualitatively significant components of the human body: head, neck, face, eyes, kokoshnik, forehead, rib, human bust, etc. This tradition is preserved and strengthened by the circumstance that since ancient times, the proportions of the human body acted as a tectonic (building) model of the entire architectural structure. The research substantiates an algorithm for the interactionof the mythopoetic worldview and the Orthodoxy on the architectural structure, and the significance of church architecture. The temple occupied a central place in the sacred space of the northern peasant world. The conducted research made it possible to convincingly prove that wooden churches are a symbolic heritage of the Russian North and the Arctic. The pinnacle of the development of wooden architecture, embodied in the northern temple architecture, was a natural result of ancient Russian architectural – constructional traditions and a reflection of the talent of the Russian people, which allows us to translate the concept of «Russian carpenter» into the category of «Russian architect».
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Shenkar, Michael. "Temple Architecture in the Iranian World before the Macedonian Conquest." Iran and the Caucasus 11, no. 2 (2007): 169–94. http://dx.doi.org/10.1163/157338407x265423.

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AbstractThe article offers a survey of temple architecture in the Iranian world before the Macedonian conquest. Despite the observations that ancient Iranians worshipped in the open air, structures of cultic significance have been discovered in some areas of Eastern Iran. While the attribution of the earliest, second millennium temples to the Iranian tribes is still disputable, Iranians definitely had temples before the Achaemenids. The earliest temples found in the Iranian settlements are the ones from Tepe Nush-i Jan (for Western Iran) and Dahān-i Ghulāmān (for the Eastern). However, it seems that the majority of ancient Iranians, including the first Achaemenids, worshiped under the open sky. Given the nomadic background of the ancient Iranians they probably became acquainted with temple architecture once they came into close contact with the highly developed civilisations, which preceded them in some areas of what was later to become the Iranian World. In general it is impossible to speak of one “Iranian culture” or a unified “Iranian cult” in the second and first millennia BCE; instead, temple architecture demonstrates a variety of different regional traditions. More temples have been discovered in Eastern Iran than in Western. The architectural evidence from Eastern Iran in this period also suggests a complex picture of heterogeneous local cults, at least some of which made use of closed temples. Another kind of cultic structure was the open air terraces. There is also some evidence for domestic cults. Iranian cults also share a number of common, dominant features. Special significance was attributed to fire and ashes. Most temple altars (often stepped) were at the centre of the cult and rituals. Another important feature is the absence of cult statues and images. It is remarkable that most of the temples were erected on the highest point of the site or on an artificial elevated platform.
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Clarissa ; Rahadhian P. Herwindo, Clarissa. "APPLICATION OF MAHAYANA AND VAJRAYANA CONCEPT, AND MANASARA BOOK ON MATARAM SAILENDRA BUDDHIST TEMPLE IN TERMS OF FIGURE, ORNAMENT, MASS AND SPATIAL ORDER." Riset Arsitektur (RISA) 5, no. 01 (2020): 1–17. http://dx.doi.org/10.26593/risa.v5i01.4414.1-17.

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Abstract- Classical Indian architectural principles and traditions has been collected and preserved in a vast body of literature collectively known as the Vāstuśāstra. This branch of classical Indian knowledge is a realization of Hindu ideals in terms of architectural edifice, which significantly influence the religious architecture of the Indian cultural sphere which extends to the medieval Island of Java. Indian influence can be seen in Hindu temples of Java during the Śailendra’s dynasty even though some of it’s architectural elements can’t be found in vāstuśāstra. However, in contrast of Hindu’s vāstuśāstra, Buddhism has no architecture guideline and free standing structure as of sources that are used as it’s guide are questioned, especially Buddhist Temples in Central Java during ancient Mataram’s Dynasty of Śailendra. Although Buddha’s teachings and some parts of vāstuśāstra are known to play a role in the construction of Buddhist Temples in Indonesia, how far they are applied is difficult to observe, giving the absence of special studies and free standing temple references to build Buddhist Temple, and it’s interviewees are gone. By finding information about architecture’s theory of Buddha’s teachings that entered Indonesia and identify as well as compare the relevant parts of vāstuśāstra, then the architectural elements that are part of the concept of Buddha’s teachings and vāstuśāstra can be seen.In this research, descriptive method and qualitative approach are used by the author. The author focused in terms of figure and ornament as well as mass and spatial order. This research collects and compares parts of vāstuśāstra that are relevant as well as Buddha’s teachings concept to compare them with datas from the twelve samples of Buddhist Temples in Central Java during ancient Mataram’s Dynasty of Śailendra. Comparison by the author shows a number of results. Firstly, the concept of mahāyāna, vajrayāna, and mānasāra book applied in terms of figure, ornament, mass, and spatial order are seen in Central Java’s Buddhist Temples. However, various architectural details of these elements have marked differences from what is instructed in the Vāstuśāstra. The distinctive Javanese Kala-Makara for example, does not conform the mānasāra book. Secondly, the application of mānasāra book concepts in Central Java’s Buddhist Temples prove the influence of Hinduism which was affected by the harmonious relationship between Buddhism and Hinduism during that time. Lastly, the first free-standing Buddhist Temples is 5th Batujaya Temple/Blandongan Temple (2-3 CE and 7-10 CE) because the Mahabodhi Temple in India was built as we see today during the 6th restoration phase (8 CE).
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Jin, Jian, Jindi Yao, and Jianxiang Wang. "Value of Planning and Design of Buddhist Temples in Hebei Province, China." Open House International 41, no. 3 (2016): 44–49. http://dx.doi.org/10.1108/ohi-03-2016-b0007.

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To raise public awareness of protecting Buddhist temples, this study considers Hebei Province of China as an example, and explores the value of architectural planning and design of Buddhist temples. After 11 Buddhist temples in Hebei Province of China are selected, the paper adopts a Delphi method and questionnaire survey method, establishes the value evaluation system from four dimensions: historical value, artistic value, scientific value, and sociocultural value; and calculates the value of the Buddhist temples’ architectural planning and design according to expert rating. Research results indicate the following. Puning Temple, Jinhe Temple, and ShiEn Temple rank at the top because they are complete extant ancient buildings and have beautiful architectural styles. Chongguang Temple and other Buddhist temples have low comprehensive score because they are severely damaged and other reasons. The comparative study indicates that Buddhist temples at different historical periods have different architectural heritage values, and different influencing factors exert different effects on the architectural heritage value. The study establishes an evaluation indicator system, studies the value of Buddhist temples’ architectural planning and design, and achieves certain innovative research perspective. The evaluation of the value of Buddhist temples’ architectural planning and design can help the public gain a better understanding of the value of temple architectural culture. This understanding benefits the preservation of the temple building heritage.
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Dissertations / Theses on the topic "Temple architecture"

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Sohoni, Ashutosh. "Temple architecture of the Marathas in Maharashtra." Thesis, De Montfort University, 1998. http://hdl.handle.net/2086/4324.

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Chan, Ping-hung Joseph. "New Chinese opera house in Temple Street." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25949421.

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Khare, Ajay. "Temple architecture of Bengal, 9th to 16th centuries." Thesis, De Montfort University, 2004. http://hdl.handle.net/2086/4162.

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Marcheschi, Michael Henry 1967. "Mormon temple architecture and the spaces of ritual." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/42818.

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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1999.<br>Some ill. are printed as folded leaves.<br>Includes bibliographical references (p. 86-92).<br>Temples are the most significant religious buildings of The Church of Jesus Christ of Latter-day Saints. In the early days of the church, temples were used for general worship and congregation. These temples represented the spiritual and physical heart of the communities in which they were built. As the theology of the church evolved, temples took on a more restricted function- the performance of sacred ordinances. Mormons believe that these ordinances are necessary to prepare individuals to return to the presence of God. In the church today the temple is seen as the pinnacle of a member's worship and to attend the temple a sign of one's commitment and worthiness. In this thesis I propose that, as the most significant structures built by the church, temples could be designed such that the form and arrangement of the ritual spaces reinforce to a greater degree the clarity of Mormon doctrine and the spiritual quality of the temple ordinances. In addition, the design of our temples could be more religiously symbolic and clear yet cultural ly neutral thus allowing for local design intervention and participation from the church's diverse membership. This thesis has been the vehicle to explore the possibilities of Mormon temple architecture. The final product is not a building model to be replicated en masse but rather the design of a building type that has the potential to inspire numerous variations. What is most important is that the spaces of ritual are clearly defined and meaningfully associated so that the temple patron can be taught and inspired in the House of the Lord.<br>Michael Henry Marcheschi.<br>M.Arch.
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Tichit, Doria. "The Udayeśvara Temple, Udayapur : architecture and iconography of an 11th century temple in central India." Thesis, Cardiff University, 2010. http://orca.cf.ac.uk/54186/.

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This study is the first to analyse the complex iconographic programme of the temple. Despite first impressions of conformity to the iconography of the time, various unusual iconographic features are striking, as is the importance given to certain forms. Moreover, exploration of the relationship between the figures reveals that the iconographic programme results from a refined elaboration aiming to accompany the devotees in their worship.
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Nanda, Vivek. "Chidambaram : temple and city in the Tamil tradition." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389431.

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Chan, Ping-hung Joseph, and 陳炳雄. "New Chinese opera house in Temple Street." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985063.

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Magliozzi, Wendy. "A library as a temple." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/53265.

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Saloojee, Ozayr S. "Solomon's temple as metaphor : an Islamic understanding /." Ottawa, 2001.

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Chand, Inglis Megha. "Reimagining tradition : the Sompura hereditary temple architects of Gujarat." Thesis, Cardiff University, 2016. http://orca.cf.ac.uk/94669/.

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By examining the shifting working practices of the Sompura community of hereditary temple architects of western India my thesis argues that the nature of their work culture invested in their architectural and textual production is far more critical, innovative, heterogeneous and fluid than how it is portrayed in post-colonial knowledge located within the disciplinary bounds of architecture and art history. Through unchartered empirical investigation, which uses ‘cultural translation’ as a framework for analysis, the thesis highlights their creative negotiations and struggles with modernity between the late 19th and early 21st - century. Whether it is modern historical consciousness, notions of ‘antiquity’, nationalist ideas of hereditary craftsmen and tradition, changing patronage, global economy or technology, the Sompuras in their concrete and ‘present’ practices, translate all these as well as their long architectural lineage in specific inviolable modes. These query notions of a ‘fossilised’ tradition viewed through historical frameworks; the agency of ‘ritual’ untouched by capitalist processes and binary oppositions such as ‘east vs west’ or ‘traditional vs modern’. The publications of Narmadashankar M. Sompura (1883-1956) and P.O. Sompura (1896-1978), are analysed as transformations of both modern notions of antiquity and history and indigenous practices. The restoration of medieval ruins of Ranakpur and Dilwara temples in the early and mid-twentieth century by master builder Amritlal Mulshankar Trivedi (1910-2005) are explored as negotiations with western European ideas of history and conservation. The contingent relations between practice and codified knowledges are explored through oral histories concerning transnational case studies in the UK, whereas a variety of qualities and affects are seen as transforming capitalist processes and relations in modern carving factories, deploying a range of hand intensive, machine and digital technologies for a global dispersal. The thesis uses a variety of extra disciplinary methodologies such as oral history, close reading of family archives, along with a range of architecture and texts by the Sompuras and their medieval ancestors. It demonstrates that the Sompuras, believed to be carriers of a dynamic architectural tradition, have creatively and dynamically negotiated change by translating and transforming both their pre-existing cultures of work, as well as modern and global paradigms.
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Books on the topic "Temple architecture"

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Miśra, Ratanalāla. Temple architecture of Rajasthan. B.R. Pub. Corp., 2009.

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Temple architecture of Rajasthan. B.R. Pub. Corp., 2009.

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Temple architecture of the western Himalaya: Wooden temples. Indus Pub. Co., 2001.

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Elements of Nepalese temple architecture. Adroit Publishers, 2007.

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Temple architecture of eastern India. Shubhi Publications, 2005.

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Kanellopoulos, Chrysanthos. The Great Temple of Amman: The architecture. American Center of Oriental Research, 1994.

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Mohapatra, Ramesh Prasad. Decorative art of Parasuramesvar Temple. Orissa State Museum, 1991.

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Project for Studies in Indian Temple Architecture. and Lalbhai Dalpatbhai Institute of Indology., eds. Temple of Mahavira Osiaji. L.D. Institute of Indology, 2001.

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Q, Stephenson D., ed. Tempel und Teehaus in Japan =: The temple and teahouse in Japan. 2nd ed. Birkhäuser, 1988.

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Coins and temples: Numismatic evidence on the evolution of temple architecture. Reesha Books International, 2007.

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Book chapters on the topic "Temple architecture"

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Wilson, Penelope. "Temple Architecture and Decorative Systems." In A Companion to Ancient Egypt. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444320053.ch35.

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Morrison, Tessa. "Prophesy and the Temple." In Isaac Newton's Temple of Solomon and his Reconstruction of Sacred Architecture. Springer Basel, 2010. http://dx.doi.org/10.1007/978-3-0348-0046-4_3.

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Gardam, C. M. L. "Restorations of the Temple Church, London." In X MEDIEVAL ART, ARCHITECTURE AND ARCHAEOLOGY in London. Routledge, 2022. http://dx.doi.org/10.4324/9781315091280-7.

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Dolan, Marion. "Art, Archaeology, and Astronomy at Angkor Wat Temple." In Decoding Astronomy in Art and Architecture. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76511-8_8.

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Shylaja, B. S. "Use of Astronomical Principles in Indian Temple Architecture." In Handbook of Archaeoastronomy and Ethnoastronomy. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-6141-8_253.

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Datta, Sambit. "Evolution and Interconnection: Geometry in Early Temple Architecture." In Digital Techniques for Heritage Presentation and Preservation. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-57907-4_11.

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Morrison, Tessa. "Chronology, Prisca Sapientia and the Temple." In Isaac Newton's Temple of Solomon and his Reconstruction of Sacred Architecture. Springer Basel, 2010. http://dx.doi.org/10.1007/978-3-0348-0046-4_2.

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Wilson Jones, Mark. "Ancient Architecture and Mathematics: Methodology and the Doric Temple." In Architecture and Mathematics from Antiquity to the Future. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-00137-1_19.

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Morrison, Tessa. "The Temple Measurements and the Sacred Cubit." In Isaac Newton's Temple of Solomon and his Reconstruction of Sacred Architecture. Springer Basel, 2010. http://dx.doi.org/10.1007/978-3-0348-0046-4_5.

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Kulke, Hermann. "Imperial temple architecture and the ideology of kingship in Odisha." In The Routledge Handbook of the State in Premodern India. Routledge India, 2021. http://dx.doi.org/10.4324/9781003242062-20.

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Conference papers on the topic "Temple architecture"

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Dolnakov, P. A. "Old Believer temple architecture." In Old Belief: History and Modernity, Local Traditions, Relations in Russia and Abroad. Buryat State University Publishing Department, 2015. http://dx.doi.org/10.18101/978-5-9793-0771-8-339-345.

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2

Warusfel, Olivier, and Sibylle Emerit. "Assessing the Acoustics of an Ancient Egyptian temple." In 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE, 2021. http://dx.doi.org/10.1109/i3da48870.2021.9610973.

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3

Gao, Y., and J. Xu. "Renaissance with recycled materials: Reconstruction of Guifeng Temple." In Proceedings of the International Conference on Civil, Architecture and Environmental Engineering (ICCAE2016). CRC Press/Balkema, 2017. http://dx.doi.org/10.1201/9781315116259-34.

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4

Pishchulina, V. V. "Architectural-spatial organization of the medieval temple complex of North Caucasus." In 3rd International Conference on Contemporary Problems in Architecture and Construction. IET, 2011. http://dx.doi.org/10.1049/cp.2011.1117.

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5

Yue, Pang, Li Li, Fang Wuhong, and Zeng Zhiwei. "A Study of Creation of Physical Environment of Ancestral Temples in Lingnan —Take Qiu’s Ancestral Temple at Guangzhou as example." In 5th Annual International Conference on Architecture and Civil Engineering (ACE 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2301-394x_ace17.55.

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6

Jerala, Maja. "Virtuuvius - automated drawing of temple architecture according to Vitruvius the case of the temple of Hercules in Celje, Slovenia." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419496.

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7

Yao, Junfeng, Hui Zhang, and Fei She. "Research on Method of 3D Reconstruction of Ancient Architecture (Nanputuo Temple)." In 2008 International Conference on Cyberworlds (CW). IEEE, 2008. http://dx.doi.org/10.1109/cw.2008.146.

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8

Pertiwi, Ayu Ratna, Hardiyati, and Yosafat Winarto. "Evolution of Hindu–Buddhist Architectural Ornaments Into Javanese Traditional Architecture: Case Study of Sewu Temple." In 4th International Conference on Arts Language and Culture (ICALC 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200323.017.

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9

Şirikçi, Tuğçe. "The Effect of Wood on Japanese Architecture: The Sample of The Horyu-Ji Temple." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021tr0057n20.

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Abstract:
Traditional Japanese architecture consists of natural wood, hay, earthenware, and similar types of materials. Japanese architecture has a linear structure. The main purpose of Japanese architecture is to be unified. Many of the materials used here have a higher moisture protection function than those made of plywood or spinning. The structure has a breathing mechanism that naturally preserves good air and moisture. The fact that Japan is rich in vegetation has a great effect on the formation of natural materials. There is a bond in Japanese architecture that respects the harmony between human and nature. Human beings are a part of nature. This article refers to the oldest wooden building in the world. The first world cultural heritage in Japanese architecture, and the temple of Horyu-ji, which has been standing for over 1300 years. The aim is to investigate the aesthetic, ethical awareness and ethnology of traditional wood used on Japanese architecture. While the structure and varieties of wood refer to the findings on the buildings, it is an attempt to approach the "lifestyle and values" of the wood form and structure.
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10

Alfan, EmptyYN="Y", D. Beynon, and F. Marcello. "Changing a Hindu temple into the Indrapuri Mosque in Aceh: the beginning of Islamisation in Indonesia – a vernacular architectural context." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. WIT Press, 2016. http://dx.doi.org/10.2495/iha160081.

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