Relevant bibliographies by topics / Temple murals

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Temple murals'

Author: Grafiati
Published: 2 June 2025
Last updated: 19 July 2025

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Journal articles on the topic "Temple murals"

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Li, Tian Tian. "Exploration on the Origin of Architectures Murals — Analysis on Geographical Features of Song, Liao and Jin Dynasty in Shanxi." Advanced Materials Research 838-841 (November 2013): 2870–74. http://dx.doi.org/10.4028/www.scientific.net/amr.838-841.2870.

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Abundant historic buildings still exist in Shanxi, of which architectures built in Song, Liao and Jin Dynasty are in the majority, especially the number and area of murals in this period ranking first in the nationwide, which embody the essence of Chinese traditional culture with great artistic value. The constant abundance and development of culture and art in ancient China are represented on murals of this period, and valuable materials have been provided for our understanding towards the painting technique of ancient murals in Shanxi, which is beneficial for our study on the historical orig
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Avto, Goguitchaichvili, Morales Juan, Esparza López Rodrigo, María Soler Ana, Urrutia Fucugauchi Jaime, and Cervantes Solano Miguel. "Primer intento de datación de pinturas murales mesoamericanas." Arqueologia Iberoamericana 29 (January 8, 2016): 3–8. https://doi.org/10.5281/zenodo.1314980.

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Se reporta, por vez primera, el intento de datación de cuatro pinturas murales del centro de México: Templo de Venus (Cacaxtla), Templo Rojo (Templo Mayor, Tenochtitlan), Chapulines y Estrellas (Cholula). Estos sitios corresponden al periodo Clásico y Posclásico Temprano de la cronología mesoamericana. Las edades obtenidas para Chapulines (1105-1194 A. D.), Templo de Venus (1002-1308 A. D.) y Estrellas (340-649 A. D.) están dentro de la cronología y contexto arqueológico de los sitios estudiados. Sin embargo, la edad de Templo Rojo (1829-
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Mogarichev, Yuriy, and Alena Ergina. "Fresco Paintings of Southwest Crimea Cave Churches According to Igor Grabar." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (February 2021): 116–30. http://dx.doi.org/10.15688/jvolsu4.2020.6.8.

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Introduction. Today, the remains of fresco paintings are preserved in six cave churches of Taurica: the temple of the Southern Monastery (Mangup); church in the field of Kielse-Tubu (district of Mangup); the temple of the Assumption and the Three Horsemen (Eski-Kermen); the Donators Temple (district of Eski-Kermen); the church number 12 on Zagaytansky rock (Inkerman). Authors of the 19th – early 20th centuries left descriptions of the now lost murals of six more monuments. Methods. Frescos of Crimean cave churches in historiography received insufficient comprehension. Only one monograph was pu
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Yu, Yeong Gyeong, Ye Hyeon Lee, and Hwa Soo Lee. "Manufacturing Technique Characteristics of the ｢Shide (monk)｣ Mural Painting in Yeongsanjeon Hall, Seonunsa Temple, Gochang." Journal of Conservation Science 40, no. 2 (2024): 177–88. http://dx.doi.org/10.12654/jcs.2024.40.2.08.

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In this study, in order to understand the manufacturing technique characteristics of the ｢Shide (monk)｣ mural painting in Yeongsanjeon Hall, Seonunsa Temple, Gochang, we conducted microscopic, SEM-EDS, XRD, particle size analysis, FT-IR, and starch-iodine reactions. As a result of the study, the ｢Shide (monk)｣ mural painting reflects the manufacturing style of Joseon Dynasty temple murals that have been studied to date, in terms of the composition of the wall and the material characteristics, such as the pigments used. However, the fact that the middle layer has not been confirmed and that the
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Lee, Hwa Soo, Yeong Gyeong Yu, and Kyeong-Soon Han. "Material and Manufacturing Properties of Bracket Mural Paintings of Daeungjeon Hall in Gaeamsa Temple, Buan." Journal of Conservation Science 38, no. 1 (2022): 45–54. http://dx.doi.org/10.12654/jcs.2022.38.1.04.

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This study examined the production technique of bracket murals in Daeungjeon Hall, Gaeamsa Temple by conducting a analysis of their wall structure, material characteristics, and painting layers. Wall was a single-branch structure with support layer, middle layer, finishing layer, and painting layer. The support layer, middle layer and finishing layer, were produced by mixing sand (quartz, feldspars etc.), and loess. The ratio of above medium sand to below fine sand was approximately 0.7 : 9.3 in the support layer, 4 : 6 in the middle layer and 6 : 4 in the finishing layer, which had a more per
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Li, Zhiyong, and Sitthisak Champadaeng. "Study of Cultural Heritage and Digital Preservation: The case of Murals of the Northern Yue Temple." International Journal of Education and Literacy Studies 13, no. 2 (2025): 262–68. https://doi.org/10.7575/aiac.ijels.v.13n.2p.262.

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The Beiyue Temple murals represent a significant cultural heritage that faces preservation challenges due to aging and limited accessibility. This study addresses these challenges through digital preservation methods while exploring their historical and cultural significance. The purpose of this research was to: (1) explore the social and historical origins and cultural value of Beiyue Temple murals, and (2) investigate the digital preservation and dissemination of Beiyue Temple murals. This study adopts qualitative research methods to study the literature and collect field data through survey
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Burhan, Mukhamad Agus, Hanggar Budi Prasetya, Suastiwi Triatmodjo, Endah Budiarti, and Ku Boon Dar. "Narrative Murals as a Form of Offerings and Evidence of Confucian Conggregation Participation in Maintaining the Temple." VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual 17, no. 2 (2025): 37–49. https://doi.org/10.62161/revvisual.v17.5404.

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This study focuses on the question of why narrative murals are consistently present in temples, what these murals depict, and what themes they contain. A qualitative descriptive case study approach has been employed to answer these questions. Three types of data were used to study the murals: visual data in the form of the murals themselves, interviews, and documents. The findings of this study show that a narrative mural is intended as an offering to express gratitude to the gods or goddesses for the fulfilment of a family's prayers to demonstrate the congregation's participation in maintaini
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Lee, Na Ra, Yeong Gyeong Yu, and Hwa Soo Lee. "Study on the Characteristics of Materials and Manufacturing Techniques for the Mural Paintings in Daeunjeon at Ssanggyesa Temple, Jindo." Journal of Conservation Science 37, no. 6 (2021): 701–11. http://dx.doi.org/10.12654/jcs.2021.37.6.09.

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This study identifies the structure and material characteristics of the mural paintings in Daeungjeon at Ssanggyesa temple in Jindo by conducting scientific research and analysis including microscope examination, SEM-EDS, XRD, particle size analysis, and others. According to the analyses, the murals were considered to be of a typical soil mural style for Korean Buddhist murals, given that the walls were made of sand and soil and the murals had layers consisting of wall layers and a finishing layer. However, some finishing layer used calcite, while some ground layer used zinc white beneath the
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Chatakul, Paron, and Shusak Janpathompong. "Identifying plant species and their usage for landscape on the historical mural paintings of Nan, Thailand." Nakhara : Journal of Environmental Design and Planning 21, no. 3 (2022): 219. http://dx.doi.org/10.54028/nj202221219.

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Nowadays, marketing influences landscape design plant selection in Thailand, with less concern for ecology, culture, or local identity. Archaic murals showing historical contexts offer extraordinary evidence related to the effort to understand the history of plants in the geographic area. It is highly informative to study whether plants on murals correlate with plants that were part of daily life at the time that the murals were created. The study of Thailand's famous murals at Phumin and Nongbua temples is the first complete identification of plant species in Tid Buaphan's murals in Nan provi
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Suphaphimol, Nattaphon, Nakarin Suwannarach, Witoon Purahong, et al. "Identification of Microorganisms Dwelling on the 19th Century Lanna Mural Paintings from Northern Thailand Using Culture-Dependent and -Independent Approaches." Biology 11, no. 2 (2022): 228. http://dx.doi.org/10.3390/biology11020228.

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Lanna painting is a unique type of painting in many temples in the Northern Thai region. Similar to most mural paintings, they usually decay over time partly due to the activity of microbes. This study aimed to investigate the microorganisms from two Lanna masterpiece paintings in two temples that differ in the numbers of visitors using both culture-dependent and -independent approaches. The microorganisms isolated from the murals were also tested for the biodeterioration activities including discoloration, acid production and calcium precipitation. Most microorganisms extracted from the paint
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Dissertations / Theses on the topic "Temple murals"

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Le, Fur Daniel. "La peinture murale des temples de Karnak : technique, conservation, restauration." Paris 1, 1989. http://www.theses.fr/1989PA010567.

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A la demande de l'organisation des antiquites egyptiennes, le centre franco-egyptien des temples de karnak, s'est trouve confronte aux problemes de conservation des peintures murales du site (variations climatiques, nature des materiaux, excrements d'animaux etc. ). La recherche engagee concerne l'akh-menou erige par thoumossis iii. La connaissance de la nature des materiaux et des procedes techniques utilises par les artistes egyptiens et coptes etaient indispensables avant toute intervention sur le terrain. L'utilisation des methodes scientifiques d'identification a permis l'analyse de la pa
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Lurson, Benoît. "Image dedoublee ou image redoublee : symetrie et dissymetries dans les relations entre les scenes rituelles des temples de ramses ii." Paris, EPHE, 2000. http://www.theses.fr/2000EPHE4015.

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Dans les temples egyptiens de l'epoque pharaonique, les scenes rituelles disposees de part et d'autre de l'axe longitudinal sont en general identiques. Leur repartition obeit a la loi de la symetrie. Toutefois, des dissymetries viennent souvent distinguer ces scenes. L'interpretation habituelle (cf. E. Hornung) y voit le resultat d'un conflit entre la pensee dualiste des anciens egyptiens, que traduirait la symetrie et leur sensibilite artistique, qui trahiraient les dissymetries. Cette hypothese est en contradiction avec l'importance que revet la symetrie dans l'etude des scenes des temples d
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Asavaplungkul, Saisingha Monruedee. "Le Râmâyana dans les peintures du temple du Buddha d'Émeraude (Wat Phra Kèo) à Bangkok : sources, contexte, prolongements." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040049.

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Le Râmakîen est une des œuvres littéraires les plus importantes du royaume thaïlandais. Reprenant l’épopée indienne de Vâlmîki, le Râmâyana, il revêt une grande importance à la cour royale et sa popularité est considérable dans toute l’Asie du Sud-Est. Au Wat Phra Kèo, ses épisodes ont été intégralement illustrés sur le mur de la galerie. La thèse ne prend en compte que les parties figurant les dix incarnations de Viṣṇu et la naissance des dieux hindous et des personnages de l’épopée. Ces épisodes nous amènent au prélude du Râmakîen et l’étude s’arrête au moment du retour du roi Jânaka à Mithi
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Chew, Anne-May. "Les temples excavés de la colline de Po Win en Birmanie centrale : architecture, sculptures et peintures murales." Paris 3, 1999. http://www.theses.fr/1999PA030041.

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Situee au nord-ouest de la birmanie centrale, po win taung ou la + colline de po win ;, abrite un vaste complexe religieux avec environ huit cents grottes excavees dans la roche greseuse sur plusieurs niveaux. Les facades de ces grottes, qui vont de la simple piece de meditation a l'imposant temple-sanctuaire, sont decorees de motifs ornementaux en bas et haut reliefs, avec certaines entrees encadrees de sculptures, humaines ou animalieres, en ronde-bosse. A l'interieur, de nombreuses sculptures sont taillees dans le roc et certaines parois sont ornees de peintures murales representant des sce
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Preys, René. "Les complexes de la demeure du Sistre et du trône de Rê : théologie et décoration dans le temple d'Hathor à Dendera /." Leuven ; Paris ; Sterling (Va) : Peeters, 2002. http://catalogue.bnf.fr/ark:/12148/cb389527621.

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Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/1101.

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The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second part in Chapters I and II
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Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." University of Sydney, 2005. http://hdl.handle.net/2123/1101.

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Master of Visual Arts<br>The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second
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Li, Chun-tung, and 李俊彤. "Envisioning authority: the Mongol imperium and the Yonglegong mural paintings and architecture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48079911.

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This thesis addresses the question of how the Mongol imperium’s patronage in combination with Quanzhen Taoist proselytism inspired the mural paintings and architectural forms of the Yonglegong永樂宮. The Taoist temple of Yonglegong was constructed during the Yuan dynasty (1279-1368) on the site of the former residence of the Taoist immortal L? Dongbin呂洞賓. During the period of the temple’s construction from 1244 to 1358, the Quanzhen 全真order, to which the Yonglegong was affiliated, thrived under the Mongol imperium. Previous scholarship has emphasized the Quanzhen order’s autonomous and exclusive
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PONTES, Salmo Sóstenes. "O olhar moderno sobre temas recorrentes: o amor e o tempo na poesia de Murilo Mendes." Universidade Federal de Pernambuco, 2007. https://repositorio.ufpe.br/handle/123456789/7784.

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Made available in DSpace on 2014-06-12T18:35:45Z (GMT). No. of bitstreams: 2 arquivo7503_1.pdf: 796525 bytes, checksum: 04f013a41d4045640ee93e0be3beb254 (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2007<br>O Amor e o Tempo configuramse como experiências marcantes da existência humana. A literatura, por ser criação e recriação humana, impregnase desses temas e compõe junto com outros discursos o mosaico de idéias que marcou a relação do ser humano com esses dois temas. A presença dessas duas temáticas na modernidade será analisa
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Chen, Meiho. "Recherche de nouvelles formes et structures dans le domaine de la restauration et la création de l'oeuvre d'art dans une perspective éducative : création artistique et restauration d'une oeuvre d'art à partir de l'exemple de la création d'une oeuvre murale." Paris 8, 2003. http://www.theses.fr/2003PA082271.

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La conservation et la préservation des patrimoines culturels sont devenues un sujet récurrent à Taiwan depuis le 21 septembre 1999, date à laquelle s'est produit le plus important tremblement de terre depuis un siècle. Face à des dégâts irrémédiables, des chercheurs ont tenté de trouver les solutions les plus adaptées à l'endroit de ces patrimoines. L'étude de la corrélation entre la création et la restauration a donné une vision prospective plus pertinente en faveur du futur patrimoine. Le temple représente en effet un centre spirituel au coeur de la société chinoise de Taiwan mais c'est auss
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Books on the topic "Temple murals"

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Ringis, Rita. Thai temples and temple murals. Oxford University Press, 1990.

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India, Archaeological Survey of, ред. Chōl̲a murals: Documentation and study of the Chōl̲a murals of Bṛihadīśvara temple, Thanjavur. Archaeological Survey of India, 2011.

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1949-, Shulman David Dean, ed. The Mucukunda murals in the Tyāgarājasvāmi temple, Tiruvārūr. Prakriti Foundation, 2011.

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author, Balasubramanian R. 1956, and Tamil Nadu (India). Commissioner of Museum, eds. Tiruppudaimarudur murals and wood carvings: Documentation of the murals and wood carvings in the Narumpoonathaswami Temple, Tiruppudaimarudur. Department of Museums, Government of Tamil Nadu, 2014.

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Wyatt, David K. Temple murals as an historical source: The case of Wat Phumin, Nan. Chulalongkorn University Press, 1993.

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Albert, Dharmasiri, and Jayasinghe Gamini 1940-, eds. Bellanwila murals. Bellanwila Rajamahavihara in associatiion with the Maharaja Organisation Ltd., 2002.

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Wyatt, David K. Reading Thai murals. Silkworm Books, 2004.

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Ngari Diqu (China). Wen hua ju. Gu yun tian cheng zun zhe yi zhen: Xizang Ali Diqu gu dai bi hua zhen cang tu ji (Tuolin si bai dian) = Venerable treasures, ancient fascination : collections of ancient murals in Ngari, Tibet (the white temple of the Tholing monastery). Zhejiang da xue chu ban she, 2015.

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Phlāinō̜i, Sombat. Mural paintings. Office of the National Culture Commission, Ministry of Education, 1985.

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Su-yong, Kim, Pyŏn Yong-mun та Chʻae Tal-sŏng, ред. Yangchʻŏnsa =: Ryangchon temple. Chosŏn Munhwa Pojonsa, 2002.

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Book chapters on the topic "Temple murals"

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Chandru, Uma V., Namitha A. Kumar, C. S. Vijayashree, and Vijay Chandru. "Digitizing Hampi and Lepakshi Temple Ceiling Murals: Towards Universal Access and Tangible Virtuality." In Digital Hampi: Preserving Indian Cultural Heritage. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5738-0_12.

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Wu, Yue, Zhekai Wu, Tianyi Zhou, Shan Guo, and Zheng Ding. "Coexistence of Divinity and Custom: The Song Dynasty Shanxi Gaoping Kaihua Temple Murals Secularization Reason Analysis." In Proceedings of the 2022 5th International Conference on Humanities Education and Social Sciences (ICHESS 2022). Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-89-3_308.

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Karunaratne, P. V. M., and K. P. N. Bhagya. "Transforming Design Motifs of the Textiles Depicted in the Buddhist Temple Murals into Handwoven Textile Designs." In SDGs and Textiles. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-6530-3_6.

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Lise Seastrand, Anna. "Methods for murals." In The Routledge Handbook of Hindu Temples. Routledge India, 2022. http://dx.doi.org/10.4324/9781003097709-14.

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Didiot, Mylène. "L’adaptation de l’enceinte urbaine de Metz face à l’artillerie : l’étude des comptes des gouverneurs des murs (1463-1542)." In Fortification et artillerie en Europe autour de 1500 : le temps des ruptures. Éditions de l’Université de Lorraine, 2018. https://doi.org/10.4000/13o58.

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À partir du XIVe s. une administration spécialisée est chargée de la poursuite des travaux de construction et de l’entretien de l’enceinte messine. Les « Sept des Murs » et les « gouverneurs des murs et fermeteit de la cité » viennent ainsi seconder les « Sept de la Guerre » dans le domaine de la mise en défense de la ville. Placés sous les ordres des « Sept des Murs », les gouverneurs gèrent les deniers de la fortification : ils tiennent une comptabilité très précise dont la retranscription et l’analyse apportent un nouvel éclairage sur l’évolution de l’enceinte. Si ces comptes, longtemps ignorés des chercheurs, permettent de localiser, d’identifier et de chiffrer les différents travaux menés sur les remparts de 1463 jusqu’au milieu du XVIe s., ils témoignent également des améliorations et des adaptations architecturales rendues nécessaires par l’utilisation de l’artillerie. Certaines portions de l’enceinte se verront ainsi complètement transformées pour permettre l’emploi d’armes à poudre ou pour faire face à de telles menaces.
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Salamagne, Alain. "Arras 1500 : la fortification d’une ville à l’aube des temps modernes." In Fortification et artillerie en Europe autour de 1500 : le temps des ruptures. Éditions de l’Université de Lorraine, 2018. https://doi.org/10.4000/13oba.

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En mars 1477, à la mort du duc de Bourgogne Charles le Téméraire devant les murs de Nancy, Louis XI se faisait remettre la Cité d’Arras puis s’emparait de la Ville. A la suite de leur reprise par les Impériaux en 1492 était entrepris en 1493 un vaste programme de fortification avec la reconstruction de la porte de Cité (1494-1498), des murailles de la ville contre la Cité et de la porte d’eau de Claquedent (1497-1498), de la porte Saint-Michel, des boulevards des portes d’Haguerue (1507-1509), de Méaulens (1508-1510) et de Ronville (1505-1509), etc. Les ouvrages qui furent alors érigés attestaient de réalisations de transition entre la fortification médiévale et celle des Temps Modernes : grosses tours d’artillerie et moineaux, boulevards rattachés au corps de place, murailles remparées devaient faire d’Arras, après les travaux conduits de 1493 à 1510, un des verrous de la frontière des Pays-Bas méridionaux contre la France.
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Bragard, Philippe. "Les formules de fortification pour armes à feu dans les anciens Pays-Bas, 1480-1530." In Fortification et artillerie en Europe autour de 1500 : le temps des ruptures. Éditions de l’Université de Lorraine, 2018. https://doi.org/10.4000/13oca.

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Le demi-siècle 1480-1530, dans les anciens Pays-Bas bourguignons, est marqué par un état de guerre quasi permanent au gré des retournements d’alliances, mais principalement en raison de l’antagonisme entre Habsbourg et Valois.En architecture défensive, l’apparition, la diffusion et l’usage de l’artillerie à poudre en poliorcétique ont causé de lentes adaptations, pendant un bon siècle. Les maîtres d’œuvre, traditionnellement spécialistes du matériau font peu à peu place pour la conception à des hommes de guerre et à des artilleurs.À la croisée des cultures militaires européennes, ce territoire se révèle un véritable laboratoire expérimental mêlant tradition médiévale et innovation technique. Des organes existants persistent : la fausse braye, le boulevard curviligne, les ouvertures de tir. Les « nouveautés » apparaissent après 1480 environ : boulevard en fer à cheval, remparement des murs et terrées avancées, parapet oblique, rhomboïdal puis courbe, moineau, forteresses militaires, processus de conception utilisant dessins et maquettes. Mélange donc de tradition et d’une ébauche de modernité.
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Rousset, Geoffrey. "Fortifications médiévales et armes à feu : adaptation à moindre coût ou construction de tours à canon ou boulevard comme à Présilly ?" In Fortification et artillerie en Europe autour de 1500 : le temps des ruptures. Éditions de l’Université de Lorraine, 2018. https://doi.org/10.4000/13ob1.

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Dans le courant du XVe s., l’amélioration de l’artillerie à poudre a rapidement nécessité l’adaptation des fortifications médiévales à ce type d’armement. Ces premiers « balbutiements » ont pris en compte les défenses préexistantes, tâchant de minimiser au maximum les frais occasionnés par ces travaux. Les ouvrages défensifs tels que tours et courtines ont dans un premier temps été percées d’ouvertures de tirs adaptées aux différents calibres des canons, mais il est cependant vite apparu que les vieilles murailles posaient des problèmes intrinsèques : une trop importante hauteur des enceintes pour une trop faible épaisseur. Afin de pallier cet inconvénient, l’arasement des murs était la solution la moins couteuse ; mais lorsque les moyens financiers pouvaient le permettre, des tours à canons ont été installées aux endroits stratégiques des enceintes ainsi que des boulevards en avant des portes. Les places jugées inadaptables (telles que commandées par un relief à portée de tir) auraient dû être « déclassées », pourtant certains châteaux présentent des ouvrages parfaitement adaptés aux armes du moment, démontrant ainsi l’aisance financière du commanditaire comme cela semble le cas pour le boulevard du château de Présilly.
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Peleggi, Maurizio. "The Place of the Other in Temple Art." In Monastery, Monument, Museum. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824866068.003.0004.

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Chapter 3 examines the “Othering” of Europeans (farang) and Indian/Middle Easterners (khaek) in temple murals and illuminated manuscripts as a reflection of two divergent sources of knowledge: the premodern geography rooted in Indo-Buddhist cosmogony, and the commercial and diplomatic exchanges of the early modern age. The chapter examines several specific depictions of foreigners in pictorial illustrations of the Buddhist cosmology of the Three World and in mural cycles of the Buddha’s legendary previous lives (jatakas).
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"The Murals from the Guangsheng Lower Temple." In The Water God's Temple of the Guangsheng Monastery. BRILL, 2002. http://dx.doi.org/10.1163/9789004483033_007.

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Conference papers on the topic "Temple murals"

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Santana, Davison Costa de, Alexandre Lima Castelo Branco, and Mércia Adriana Damasceno de França Mendonça. "PROMOÇÃO DA SAÚDE E O BEM-ESTAR INTEGRAL DA CRIANÇA E DO ADOLESCENTE: UM BREVE ESTUDO RETÓRICO." In Anais do II Congresso Nacional Multidisciplinar em Saúde. Even3, 2024. https://doi.org/10.29327/1467441.2-6.

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O conceito de saúde já foi relacionado a fatores puramente espirituais ou ambientais, e também já foi reduzido a tão somente a ausência de doença. Atualmente predomina a abordagem contemporânea, que institui um conceito ampliado de saúde, no qual a saúde é entendida como um estado de completo bem-estar físico, mental e social, resultante dos modos de vida, de organização e de produção em um determinado contexto histórico, social e cultural. A criação, em 1990, do Sistema Único de Saúde (SUS), está inserida num contexto em que a Constituição de 1988 exigiu transformações nas políticas públicas
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Yao, Feiyang, and Xiaojing Liu. "Named Entity Recognition in Qu Tan temple murals based on BERT-BiLSTM-CRF." In 2022 IEEE 6th Advanced Information Technology, Electronic and Automation Control Conference (IAEAC ). IEEE, 2022. http://dx.doi.org/10.1109/iaeac54830.2022.9929499.

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Fan, Zhen, Xiaojing Liu, and Yuhong Chen. "Animation design of Qu Tan temple mural based on Maya." In 2021 IEEE 5th Information Technology,Networking,Electronic and Automation Control Conference (ITNEC). IEEE, 2021. http://dx.doi.org/10.1109/itnec52019.2021.9587140.

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Vita, Gianluca Emilio Ennio, and Irene Ruiz Bazán. "Reflexión sobre la elaboración de un modelo tridimensional único de las pinturas góticas de la iglesia de San Miguel de Daroca (Zaragoza) y su posterior difusión al público." In I Simposio anual de Patrimonio Natural y Cultural ICOMOS España. Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/icomos2019.2020.11748.

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En esta comunicación presentamos una reflexión sobre la utilización de la técnica de la fotogrametría convergente para la realización de un modelo único de las pinturas góticas de la iglesia de San Miguel de Daroca (Zaragoza), que actualmente se encuentran divididas entre las que todavía se conservan en el propio templo y las que se arrancaron en los años 40 del pasado siglo y que actualmente se encuentran en el Museo Provincial de Zaragoza, separadas a su vez en dos lienzos diferentes que no permiten su contemplación en la posición original en la que fueron realizadas ni en relación con las q
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Yujuan, Ma, and Liu Xiaojing. "Research on Virtual Restoration and 3D Digital of Qutan Temple Mural." In 2022 IEEE International Conference on Sensing, Diagnostics, Prognostics, and Control ( SDPC). IEEE, 2022. http://dx.doi.org/10.1109/sdpc55702.2022.9915846.

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Pacheco, Fernanda Grecco. "A guerra está sobre nós: mudanças sociais e política na pintura mural de Bonampak e Chichén Itzá." In Encontro de História da Arte. Universidade Estadual de Campinas, 2015. http://dx.doi.org/10.20396/eha.11.2015.4263.

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Este artigo tem por objetivo apresentar uma discussão de mudanças sociais ocorridas na área maia e na Mesoamérica por volta do século X d.C. a partir da análise de duas manifestações artísticas de duas diferentes cidades. Os murais encontrados na cidade de Bonampak, localizada no sul do atual México, no Estado de Chiapas, e os murais do Templo dos Jaguares de Chichén Itzá, localizada na Península de Iucatã. As duas cidades floresceram em temporalidades e espacialidades diferentes. Bonampak foi uma cidade localizada próximo ao rio Usumacinta, importante rota de comércio e transporte no período
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Saihoo, Nam-oi. "THE STUDY OF COLOR SCHEME OF MURAL PAINTING AND DECORATION IN INTERIOR ARCHITECTURE (CASE STUDY: TEMPLES IN KHONKAEN)." In International Conference on Arts and Humanities. The International Institute of Knowledge Management (TIIKM), 2018. http://dx.doi.org/10.17501/icoah.2017.4103.

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Vargas, André Luiz, Amanda Rainha Monteiro, Bruna Ewald Montenegro, and Gabrielle Alves Martins Pavoni. "Educação em Saúde usando mural de rua com grafite para prevenção: interação e construção de significados da COVID-19." In Semana Científica da Faculdade de Medicina de Campos. Faculdade de Medicina de Campos, 2002. http://dx.doi.org/10.29184/anaisscfmc.v12022p5.

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Informações sobre o novo coronavírus tem circulado diariamente, chegando a população por diversas fontes como mídia televisionada, radiodifusão e mídias digitais, sendo necessário e urgente que essas informações sejam produzidas e veiculadas de forma precisa e confiável, contribuindo para que as pessoas tomem decisões conscientes e adotem comportamentos positivos de modo a proteger a si e o outro. A Educação em Saúde (ES) tem trabalhado nesse sentido, utilizando diversas estratégias para comunicação com a sociedade, entre elas o uso de imagens, da arte. O mural grafite, como expressão artístic
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Tanaka, Oriana Harumi de Lima, Marielle Cristina Ribeiro de Carvalho, Dalva Rossi, Maria Heloisa Rodrigues Roza Genghini, Cristhiane Ferreira, and Andria Cleia Alves. "Pétalas : as vozes além dos muros do CAISM." In Congresso dos Profissionais das Universidades Estaduais de São Paulo. Universidade Estadual de Campinas. Sistema de Bibliotecas, 2023. http://dx.doi.org/10.20396/conpuesp.2.2023.5022.

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Introdução: Este projeto surgiu da necessidade observada pelas assistentes sociais do CAISM/Unicamp em estreitar sua relação com os profissionais da Rede de Proteção Social e Sistema de Garantia de Direitos dos municípios atendidos nos casos em que há risco social iminente no segmento de gestantes e puérperas. Foi observado que, para uma transição de cuidados efetiva, era necessário a construção de planos de cuidados em conjunto. Neste sentido, o trabalho do CAISM deve ser baseado na soma dos conhecimentos de profissionais para construção de atendimentos baseados na missão e princípios do SUS.
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Cunha, Álvaro Saluan da. "A guerra em imagem e texto: a coleção "Quadros historicos da guerra do Paraguay"." In Encontro de História da Arte. Universidade Estadual de Campinas, 2018. http://dx.doi.org/10.20396/eha.13.2018.4316.

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O historiador José Murilo de Carvalho (2009) há algum tempo chamava atenção para várias de lacunas presentes na história social da guerra da Tríplice Aliança (1864-1870), a qual “quase nada sabemos sobre as consequências da guerra para a cultura cívica do país”. Porém, anteriormente, ainda nos anos 2000, o próprio autor organiza uma série de trabalhos voltados para o século XIX em geral, culminando no livro Nação e cidadania no Império: novos horizontes (2007), que tinha justamente como objetivo promover os estudos do Oitocentos ao buscar outras possibilidades a partir de novas fontes e aborda
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