Relevant bibliographies by topics / Temples - India

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Temples - India'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Temples - India"

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Talbot, Cynthia. "Temples, Donors, and Gifts: Patterns of Patronage in Thirteenth-Century South India." Journal of Asian Studies 50, no. 2 (1991): 308–40. http://dx.doi.org/10.2307/2057210.

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The common model of the Hindu temple of South India has stressed its significance as the main integrative factor binding the disparate elements of precolonial society into one social fabric. As a focal point for economic redistribution, the South Indian temple was the conduit through which exchange occurred: material goods were transformed into the symbols of prestige and influence known as temple honors (Appadurai and Breckenridge 1976). The legitimacy of the medieval South Indian ruler rested on his role as the donor par excellence, and his sovereignty had a ritual basis that was far stronger than his more mundane methods of control (Stein 1980: 45–46). The foremost reason South Indian temples were able to perform this integrative function was their wide appeal in the society—their ability to incorporate members of different communities into one community of worship. By providing employment to artisans, peasants and shepherds and by lending money to agriculturalists in their vicinities, South Indian temples also redistributed the property of the wealthy to other segments of society (Spencer 1968:292). The widespread approval accorded to patrons of temples meant that, during the later Vijayanagara age, religious gifting could be used as a strategy by outside warriors for creating allegiances on the local level in Tamil Nadu (Appadurai 1977:55–59).
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Rodriques ; Rahadhian P. Herwindo, Laurentius Nicholas. "COMPARISON OF FORMS AND TECTONICS OF OLD CLASSICAL ERA HINDU TEMPLE IN JAVA WITH HINDU TEMPLES OF PALLAVA ERA IN SOUTH INDIA." Riset Arsitektur (RISA) 4, no. 03 (2020): 306–23. http://dx.doi.org/10.26593/risa.v4i03.3934.306-323.

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Abstract- Hindu temples in Java and Hindu temples in South India, often receive attention in the world of architecture due to the similarity of the Dravidian Architecture style of the temple in both places. The similarities are marked by the shape of a layered pyramid roof, yet it is not exactly similar if we observe all the architecture features and elements. The author tries to simplify the comparison of form and tectonics as seen from the general tectonic division of a building which are the feet, body and head. From the findings, it can be concluded that there are similarities in the 'basic idea' or 'initial image' of Hindu temple buildings in both places. However, after careful review of the form and tectonics in both places, they have their own unrelated characteristics. This study shows a unique relationship between the architecture of the Javanese Hindu Temple and South India where the relationship that occurs cannot be said to be one of the parties influencing the other party or vice versa. The findings from this study actually show the thick characteristics of each place. The distinguishing factor could be due to differences in nature, preferences, culture or technology at the two locations in that era. Even though Hinduism is a religion that originated from India, it seems that in terms of architecture it cannot be said that Javanese copied Indian Hindu architecture. This research shows that the architecture of Hindu temples has a common thread that binds to its basic principles, but the results of design processing will differ depending on the context and design. Key Words: temple, temple, Hindu, Javanese, South Indian, Form, Tectonic
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Sinha, Ajay J. "Architectural Invention in Sacred Structures: The Case of Vesara Temples of Southern India." Journal of the Society of Architectural Historians 55, no. 4 (1996): 382–99. http://dx.doi.org/10.2307/991180.

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The article explores the nature of architectural invention in Indian sacred structures by analyzing a group of eleventh-century sandstone temples in the Karnataka region of southern India. Identifying a variety of experiments in a closely related group, it refutes a commonly held scholarly assumption that Indian temples follow architectural norms ordained by India's religious traditions-an assumption fed by Western definitions of individuality and originality. These Karnataka temples demonstrate that their architects-while mostly unknown-fundamentally changed the formal as well as the conceptual basis of southern architecture they had inherited. Their formal choices, manipulating regional conventions as well as opening up their structures to include references from other regions, led to a new, consciously modern form of architecture whose modernity has been overlooked by scholars. Scholars have tended to call this new regional invention Vesara (Sanskrit "mule" or "hybrid"), defining it as a derivative style of temple created by mixing typical features of North Indian and South Indian architecture. The article traces the emergence of Vesara's conceptual logic in the eleventh century through architectural anomalies and daringly unprecedented play with the formal means of regional architecture, arguing that the makers of these temples exercised a level of inventiveness we have not been willing to credit them with so far.
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Waghorne, Joanne Punzo. "The Diaspora of the Gods: Hindu Temples in the New World System 1640–1800." Journal of Asian Studies 58, no. 3 (1999): 648–86. http://dx.doi.org/10.2307/2659115.

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The proliferation of hindu temples now spread over the North American religious landscape appear at first glance to be part of a new process of globalization for Hinduism in an era of transnational religions. South India, long a bastion of temple culture, is simultaneously in the midst of a new boom in temple construction. The present resurgence of “Hinduism” in north India, steeped in ideology, nonetheless is written in terms of the alleged destruction of thousands of temples in north India by Muslim rulers and calls for their reconstruction. “My gods are crying,” writes one “angry” Hindu; “They are demanding restatement in all their original glory” (quoted in Bhattacharya 1991, 127).
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Talbot, Cynthia. "Inscribing the Other, Inscribing the Self: Hindu-Muslim Identities in Pre-Colonial India." Comparative Studies in Society and History 37, no. 4 (1995): 692–722. http://dx.doi.org/10.1017/s0010417500019927.

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The nature of medieval Hindu-Muslim relations is an issue of great relevance in contemporary India. Prior to the 200 years of colonial subjection to the British that ended in 1947, large portions of the Indian subcontinent were under Muslim political control. An upsurge of Hindu nationalism over the past decade has led to demands that the state rectify past wrongs on behalf of India's majority religion.' In the nationalist view, Hindu beliefs were continually suppressed and its institutions repeatedly violated during the many centuries of Muslim rule from 1200 C.E. onward. The focal point of nationalist sentiment is the most visible symbol of Hinduism, its temples. As many as 60,000 Hindu temples are said to have been torn down by Muslim rulers, and mosques built on 3,000 of those temples' foundations. The most famous of these alleged former temple sites is at Ayodhya in North India, long considered the birthplace of the Hindu god Rama. The movement to liberate this sacred spot, supposedly defiled in the sixteenth century when the Babri Masjid mosque was erected on the ruins of a Rama temple, was one of the hottest political issues of the late 1980s and early 1990s. Tensions reached a peak in December 1992, when Hindu militants succeeded in demolishing the mosque.
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Ansari, Sarah. "Editor's Foreword." Journal of the Royal Asiatic Society of Great Britain & Ireland 22, no. 1 (2012): 1. http://dx.doi.org/10.1017/s1356186312000090.

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We are delighted to publish this collection of articles on the world of the Paramāra dynasty, edited by Dr Michael Willis FRAS of the British Museum. Between 2006–10 Dr Willis led an Arts and Humanities Research Council-funded project in collaboration with the Department of History at SOAS and the Welsh School of Architecture, Cardiff, entitled ‘The Indian Temple: Production, Place and Patronage’. This project examined how Indian temples were designed, built and patronised and explored the social and economic role played by temples in medieval India. The project formed the backdrop for the articles which are brought together in this special issue.
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Jadhav, Anjali, Sushma Kulkarni, and Ashish Rege. "Study of impact of increased number of devotees on indoor environmental quality of heritage temples of goddess Mahalaxmi at Kolhapur, Maharashtra, India." E3S Web of Conferences 170 (2020): 05004. http://dx.doi.org/10.1051/e3sconf/202017005004.

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India has a great cultural heritage of temples across the country. There is a wide variety of temples of variety of deities constructed from East to West and North to South of India. Most of the temples are built centuries ago and still are in good condition and the centre of cultural activities. Mahalaxmi temple precinct is a very old precinct in Kolhapur, built in 8th century by Chalukyan rulers. Every year lacs of devotees are visiting this temple of goddess Mahalaxmi from most of the part of India. The temple is constructed of basalt stone with beautiful intricate carving on it. This paper focus on indoor environmental quality of the temple which is deteriorated due to the impact of increased number of devotees. Some of the devotees face the problem of suffocation, fatigue, fainting, irritation, nasal congestion; as provision of vents are absent and natural ventilation is not available inside the shrine of goddess Mahalaxmi. Due to lack of air exchange and natural ventilation the indoor environmental quality is deteriorated. It is observed that the CO2 level is increased, decreased in O2 level, rise in temperature and humidity above the standard level causing discomfort.
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Binumol Tom. "The Physicality and Spirituality of the Hindu Temples of Kerala." Creative Space 1, no. 2 (2014): 179–93. http://dx.doi.org/10.15415/cs.2014.12004.

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Every culture can stir a type of architecture that can range from landmarks to everyday homes. History has proved that the various architectural styles have developed in response to climate, lifestyle, geology and geography of a place, religious philosophy of the people and availability of building materials. Religion and lifestyle seem to be the most common influences overall. Culture, in fact, underlines the important role that economics, politics, religion, heritage and the natural environment play in shaping the built environment. Kerala (the southern-most state of India), the land of temples appears unique in this context as the temples here were the pivot of religious, social, economic and cultural life of every Keralite. The typical Hindu temples of Kerala stand out from among the Indian temple typology in its form, structural clarity, stylistic tradition, symbolism and above all, in its construction and craftsmanship in wood. They show a distinctive style which is a local adaptation of the Dravida or the South Indian tradition of temple construction, considerably influenced by the various geographical, religious, cultural and political factors. Most of the temples of Kerala are traditionally neighborhood institutions of worship, rich in both tangible and intangible cultural values. The spatiality of Kerala temples follows the general Indian philosophical concepts of the centre, axis and the human relatedness to cosmic reality, while its implementation in the built form follows the Vedic religious practices. This paper attempts to explore the evolution of the generic built form of temples of Kerala and the philosophical and spatial concepts of their architecture.
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Clarissa ; Rahadhian P. Herwindo, Clarissa. "APPLICATION OF MAHAYANA AND VAJRAYANA CONCEPT, AND MANASARA BOOK ON MATARAM SAILENDRA BUDDHIST TEMPLE IN TERMS OF FIGURE, ORNAMENT, MASS AND SPATIAL ORDER." Riset Arsitektur (RISA) 5, no. 01 (2020): 1–17. http://dx.doi.org/10.26593/risa.v5i01.4414.1-17.

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Abstract- Classical Indian architectural principles and traditions has been collected and preserved in a vast body of literature collectively known as the Vāstuśāstra. This branch of classical Indian knowledge is a realization of Hindu ideals in terms of architectural edifice, which significantly influence the religious architecture of the Indian cultural sphere which extends to the medieval Island of Java. Indian influence can be seen in Hindu temples of Java during the Śailendra’s dynasty even though some of it’s architectural elements can’t be found in vāstuśāstra. However, in contrast of Hindu’s vāstuśāstra, Buddhism has no architecture guideline and free standing structure as of sources that are used as it’s guide are questioned, especially Buddhist Temples in Central Java during ancient Mataram’s Dynasty of Śailendra. Although Buddha’s teachings and some parts of vāstuśāstra are known to play a role in the construction of Buddhist Temples in Indonesia, how far they are applied is difficult to observe, giving the absence of special studies and free standing temple references to build Buddhist Temple, and it’s interviewees are gone. By finding information about architecture’s theory of Buddha’s teachings that entered Indonesia and identify as well as compare the relevant parts of vāstuśāstra, then the architectural elements that are part of the concept of Buddha’s teachings and vāstuśāstra can be seen.In this research, descriptive method and qualitative approach are used by the author. The author focused in terms of figure and ornament as well as mass and spatial order. This research collects and compares parts of vāstuśāstra that are relevant as well as Buddha’s teachings concept to compare them with datas from the twelve samples of Buddhist Temples in Central Java during ancient Mataram’s Dynasty of Śailendra. Comparison by the author shows a number of results. Firstly, the concept of mahāyāna, vajrayāna, and mānasāra book applied in terms of figure, ornament, mass, and spatial order are seen in Central Java’s Buddhist Temples. However, various architectural details of these elements have marked differences from what is instructed in the Vāstuśāstra. The distinctive Javanese Kala-Makara for example, does not conform the mānasāra book. Secondly, the application of mānasāra book concepts in Central Java’s Buddhist Temples prove the influence of Hinduism which was affected by the harmonious relationship between Buddhism and Hinduism during that time. Lastly, the first free-standing Buddhist Temples is 5th Batujaya Temple/Blandongan Temple (2-3 CE and 7-10 CE) because the Mahabodhi Temple in India was built as we see today during the 6th restoration phase (8 CE).
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DAS ACEVEDO, DEEPA. "Divine Sovereignty, Indian Property Law, and the Dispute over the Padmanabhaswamy Temple." Modern Asian Studies 50, no. 3 (2015): 841–65. http://dx.doi.org/10.1017/s0026749x14000535.

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AbstractSecular governance in India was meant to have incorporated religion within public life, but the implementation of ‘Indian secularism’ has in important ways been premised on separating religious and secular lifeworlds. Public Hindu temples, whose assets and operations are managed by a melange of statutory bodies, courts, and state governments, exemplify this puzzling situation. The 2011 discovery of treasures within the Padmanabhaswamy temple in Trivandrum, Kerala, prompted extended public debate about the ownership of temple assets as well as litigation that eventually reached the Supreme Court of India. Indian citizens, erstwhile princely rulers, and the deity of the temple were variously presented as the true owners of the wealth. Ultimately, both public discourse and judicial opinion largely reaffirmed the notion that religious institutions are to be treated as private, contractually defined properties, and that temple wealth, as specifically religious property, exists outside of market circulations.
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Dissertations / Theses on the topic "Temples - India"

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Ramaswami, Siri. "Dance sculpture as a visual motif of the sacred and the secular: a comparative study of the BelurCennakesava and the Halebidu Hoysalesvara temples." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240926.

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Singh, Upinder. "Kings, Brāhmaṇas, and temples in Orissa : an epigraphic study (300-1147 C.E.)". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74673.

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Royal endowments to Brahmanas have been interpreted either as a factor of political integration or disintegration in Indian history. Through the first thorough presentation and analysis of the epigraphic data from Orissa, this study argues that the period 300-1147 C.E. was one of intensive state formation and political development in which royal grants played an important integrative role. During this period, Brahmanas, many of whom were ritual specialists associated with the Yajur Veda, emerged as land-holders endowed by royal decree with privileged control over land. Despite the consistent appearance of sectarian affiliations in the royal inscriptions, temples did not benefit from royal patronage on a comparable scale. Until the close of the period under review, it was the gift of land to Brahmanas, not the royally-endowed temple establishment, that was a major basis of royal legitimation and political integration in Orissa.
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Ślączka, Anna A. "Temple consecration rituals in Ancient India : text and archaeology /." Leiden : Brill, 2007. http://catalogue.bnf.fr/ark:/12148/cb41010535v.

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Datta-Ray, Mohini. "Monumentalizing Tantra : the multiple identities of the Haṃseśvarī Devī Temple and the Bansberia Zamīndāri". Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112331.

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This thesis examines the complex interplay between colonial modernity and Sakta (goddess-centered) devotion in the context of an elite family of zamindars (landholders) in Bengal. One consequence of colonialism in Bengal was the efflorescence of overt Sakta religiosity among Bengal's elite. Religious practice, supposedly "protected" by the colonial order, became the site where indigenous elites expressed political will and, to an extent, resisted foreign domination. I argue that the zamindars of Bansberia in the Hugli district of Bengal were creative agents, engaging and resisting the various cultural ruptures represented by colonial rule in the eighteenth and nineteenth centuries. Employing analyses of archival material, contemporary ethnography, and architectural style, this thesis is an ethnohistory of a modern zamindari-kingdom that locates its political voice in an emblematic Sakta-Tantric temple. It demonstrates the powerful relationship between religion and politics in colonial Bengal and discusses the implications of this strong association in the contemporary context.
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Vedagiri, Anu. "Five Narasimha temples in Andhra Pradesh and their function as a religious collective." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1092749968.

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Thesis (Ph. D.)--Ohio State University, 2004.
Document formatted into pages; contains xix, 216 p. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 Aug. 17.
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Howes, Jennifer. "The courts of pre-colonial south India : material culture and kingship /." London ; New York : RoutledgeCurzon, 2003. http://catalogue.bnf.fr/ark:/12148/cb40140812p.

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Efurd, David. "Early Buddhist caves of western India ca. second century BCE through the third century CE core elements, functions, and Buddhist practices /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1210983943.

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Wessels-Mevissen, Corinna. "The gods of the directions in Ancient India : origin and early development in art and literature, until c. 1000 A.D. /." Berlin : D. Reimer, 2001. http://catalogue.bnf.fr/ark:/12148/cb38867430t.

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Texte remanié de: Ph.D.. Titre de soutenance : The formation and early development of the brahmanical group of directional guardian deities in Indian art, until c. 1000 A.D.
Bibliogr. p. 117-127. Index.
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Le, Sauce-Carnis Marion. "Du héros épique à l'icône divine. L'image de Rama dans les décors sculptés de l'empire de Vijayanagar." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA073.

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Cette thèse étudie l’émergence du culte de Rāma à travers l’évolution de son iconographie dans les décors sculptés des temples de l’époque de Vijayanagar. À partir du XIIe siècle, Rāma qui, jusqu’ici, était un avatar de Viṣṇu, se détache de sa tutelle pour acquérir une autonomie de culte, avec ses propres dévots. Nous nous sommes demandé dans quelle mesure le changement de statut de Rāma était perceptible dans les reliefs qui le prennent pour sujet et comment l’étude de ces reliefs pouvait nous éclairer sur ce changement. Notre étude se fonde sur un corpus d’environ 2700 reliefs, relevés dans 47 temples sur tout le territoire de l’empire (Karnataka, Andhra Pradesh, Tamil Nadu). Trois catégories de reliefs se dégagent : les cycles narratifs, les séquences narratives et les reliefs iconiques. En comparant les modes de représentation au sein d’une même catégorie, puis entre catégories, nous avons observé l’importance prise par les images iconiques. Nous avons constaté le faible rôle du régionalisme, mais plutôt une homogénéité à travers l’empire, confirmée par le rapprochement que nous avons fait des reliefs avec six versions du Rāmāyaṇa, et qui démontre que les différentes régions ont toutes eu, de préférence, recours à la même version. Cette analyse s’inscrit dans un examen plus vaste de la place de Rāma dans la culture indienne et aboutit à des conclusions sur la relation entre arts visuels et littérature, les liens entre Rāma et la royauté de Vijayanagar et montre les différents moyens de signifier la divinité désormais accomplie de Rāma
This thesis studies the emergence of the cult of Rāma through the development of his iconography in the sculpted decoration of temples from the Vijayanagara era. From the 12th century, Rāma, who until then had been an avatar of Viṣṇu, broke away and acquired a separate cult, with his own worshippers. We wondered to what extent the change in Rāma’s status could be observed in the reliefs in which he features and how studying these reliefs could shed light on this change. Our study is based on a corpus of around 2700 reliefs from 47 temples throughout the territory of the Empire (Karnataka, Andhra Pradesh, Tamil Nadu). Three categories of relief can be identified: narrative cycles, narrative sequences and iconic reliefs. When we compared the means of representation within each category, then between categories, we noted the increasingly important role of iconic images. We observed little difference between regions, but rather homogeneity throughout the Empire, confirmed by our comparison between the reliefs and six versions of the Rāmāyaṇa, which showed that the various regions all favoured the same version. This analysis forms part of a broader study of the role of Rāma in Indian culture and leads to conclusions on the relationship between visual arts and literature, the links between Rāma and the Vijayanagara royalty, and the different ways of representing the divine status that Rāma had, by then, acquired
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Shaw, Richard. "Iconography of Siddhas on south Indian temples." Thesis, Lancaster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340652.

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Books on the topic "Temples - India"

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Temples of India. Aryan Books International, 1995.

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Temples of Western India. Westland, 2011.

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Temples of South India. Prakash Books India, 2010.

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Srinivasan, K. R. Temples of South India. 3rd ed. National Book Trust, 1985.

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Ramaswami, N. S. Temples of South India. 2nd ed. Maps and Agencies, 1993.

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Deva, Krishna. Temples of North India. National Book Trust, India, 2008.

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(Firm), Times of India. Temples of India: A Times of India presentation. Bennett, Coleman & Co., 2011.

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Temple culture of South India. Inter-India Publications, 1986.

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Fergusson, James. The cave temples of India. 2nd ed. Munshiram Manoharlal Publishers Pvt. Ltd., 1988.

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Marathé, Kaumudi. Temples of India: Circles of stone. Eeshwar, 1998.

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Book chapters on the topic "Temples - India"

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Trouillet, Pierre-Yves. "Hindu Temples and Development of Localities in Tamil Nadu (South India)." In Exploring Urban Change in South Asia. Springer India, 2017. http://dx.doi.org/10.1007/978-81-322-3616-0_12.

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Menon, Srikumar M. "From Megaliths to Temples: Astronomy in the Lithic Record of South India." In The Growth and Development of Astronomy and Astrophysics in India and the Asia-Pacific Region. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3645-4_27.

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Loane, Edward. "South India: “Reunion by Destruction”." In William Temple and Church Unity. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40376-2_5.

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Dutta, Ranjeeta. "Temple, urban landscape, and production of space." In Religion and the City in India. Routledge, 2021. http://dx.doi.org/10.4324/9781003029144-3.

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Sharma, Satyadhrik, Arun Menon, Hareesh Haridasan, and Shibu Samson. "Structural Behaviour of Gopurams in South Indian Temples." In RILEM Bookseries. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-99441-3_100.

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McKim Malville, J. "Astronomy of Indian Cities, Temples, and Pilgrimage Centers." In Handbook of Archaeoastronomy and Ethnoastronomy. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-6141-8_208.

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Pacciolla, Paolo. "A drum between courts and temples." In The Indian Drum of the King-God and the Pakhāvaj of Nathdwara. Routledge, 2020. http://dx.doi.org/10.4324/9780367370244-2.

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Mitra, Soumen, and Mayukh Ch Sadhukhan. "Spatial Growth of Religious Architecture: Case of Indian Temples." In Springer Geography. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-25879-5_17.

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Bhowmik, Tamali, G. Mahesh Reddy, Arun Menon, and S. T. G. Raghukanth. "Seismic Vulnerability Assessment of Sri Kedarnath Temple in India." In RILEM Bookseries. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-99441-3_106.

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Rodhiyah, A. K., and T. Hidayat. "Astronomical Aspects of Sukuh Temple, a Fifteenth Century Hindu Temple in Indonesia." In The Growth and Development of Astronomy and Astrophysics in India and the Asia-Pacific Region. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3645-4_29.

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Conference papers on the topic "Temples - India"

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Daware, Ar Revati. "Orientation of Hindu Temples – India." In International Conference on Science and Engineering for Sustainable Development. Infogain Publication, 2017. http://dx.doi.org/10.24001/ijaems.icsesd2017.135.

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Vengerova, Marina E. "Branding Identity in Architecture: Christian Churches of Ancient Russia, Hindu Temples of India, and Company Offices of the 21st Century." In Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.15.

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Venkatraman, N. "Pattern approach to preservation – temple towns in India." In REHAB 2014 - International Conference on Preservation, Maintenance and Rehabilitation of Historical Buildings and Structures. Green Lines Institute for Sustainable Development, 2014. http://dx.doi.org/10.14575/gl/rehab2014/044.

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Patil, Hemant A., and Shrishail S. Gajbhar. "Acoustical analysis of musical pillar of great stage of Vitthala temple at Hampi, India." In 2012 International Conference on Signal Processing and Communications (SPCOM). IEEE, 2012. http://dx.doi.org/10.1109/spcom.2012.6290213.

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Bobek, Andreas, Elmar Zeeb, Hendrik Bohn, Frank Golatowski, and Dirk Timmermann. "Device and service templates for the Devices Profile for Web Services." In 2008 6th IEEE International Conference on Industrial Informatics (INDIN). IEEE, 2008. http://dx.doi.org/10.1109/indin.2008.4618210.

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Chithralekha, K. "“A RHYTHMIC JOURNEY THROUGH TIME AND SPACE”- A STUDY OF ANCIENT SOUTH INDIAN DANCE AND TEMPLE ARCHITECTURE." In International Conference on Arts and Humanities. The International Institute of Knowledge Management (TIIKM), 2018. http://dx.doi.org/10.17501/icoah.2017.4106.

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Mayette, Jessica B., Roger L. Davenport, and Russell E. Forristall. "The Salt River Project SunDish Dish-Stirling System." In ASME 2001 Solar Engineering: International Solar Energy Conference (FORUM 2001: Solar Energy — The Power to Choose). American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/sed2001-111.

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Abstract:
Abstract The SunDish is a solar thermal power system designed to produce utility-grade electricity from concentrated sunlight. The system is based on a reflective solar dish concentrator that concentrates solar energy to a Stirling engine/generator, producing a net output of up to 22kW at 1000 W/sq. m. of insolation (Stine and Diver, 1994). Salt River Project (SRP), Science Applications International Corporation (SAIC), STM Corporation, and the U.S. Department of Energy have cooperated to install and operate a prototype SunDish at the Salt River Pima-Maricopa Indian Community Landfill (SRP-MICL) in Tempe, Arizona. Operational results and experiences are discussed. At the site, methane gas is collected from the landfill and used as fuel in the SunDish to generate electricity when sunlight is not available due to clouds, and at night. Gas operation has presented some challenges, and operational experiences and incidents are discussed. Finally, design changes and system improvements that have resulted from operation of the prototype SunDish are discussed.
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