Books: 'Temporal references'

1

Ogihara, Toshiyuki. Temporal reference in English and Japanese. Seattle: T. Ogihara, 1992.

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2

Grisot, Cristina. Cohesion, Coherence and Temporal Reference from an Experimental Corpus Pragmatics Perspective. Cham: Springer Nature, 2018.

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3

Grisot, Cristina. Cohesion, Coherence and Temporal Reference from an Experimental Corpus Pragmatics Perspective. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96752-3.

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4

Wiberg, Eva. Il riferimento temporale nel dialogo: Un confronto tra giovani bilingui italo-svedesi e giovani monolingui romani. Lund: Lund University Press, 1997.

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5

Crawford, Ann Caddell. Temporary military lodging around the world. Falls Church, Va: Military Living Publications, 1992.

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6

The spatial language of time: Metaphor, metonymym, and frames of reference. Amsterdam: John Benjamins Publishing Company, 2014.

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7

Aspectual grammar and past-time reference. London: Routledge, 1998.

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8

VanNostrand, Shannon. Temporary sanity: Managing today's flexible workforce. Westminster, CO: SOCAA Pub., 1997.

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9

Crawford, Ann Caddell. Military living's temporary military lodging around the world. Edited by Crawford William Roy 1932- and Russell Donna L. Falls Church, Va: Military Living publications, 1997.

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10

Nordlander, Johan. Towards a semantics of linguistic time: Exploring some basic time concepts with special reference to English and Krio. [Umeå]: Umeå Univsity, 1997.

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11

Wahab, H. A. An evaluation of Brunei land policy: With particular reference to the temporary occupation licence (TOL). Oxford: Oxford Brookes University, 1996.

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12

Jean-Chris, Miller, ed. Make your own tattoo: From temptu, the creators of the original temporary tattoo. New York: Black Dog & Leventhal Publishers, 1999.

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13

Saussure, Louis de. Temps et pertinence: Éléments de pragmatique cognitive du temps. Bruxelles: De Boeck, 2003.

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14

Temporale Referenz in der Zweitsprache: Eine Untersuchung am Beispiel des Zweitspracherwerbs und -gebrauchs des Deutschen durch koreanische Krankenschwestern. Frankfurt am Main: P. Lang, 1996.

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15

Damova, Mariana. Tense and aspect in discourse: A study of the interaction between aspect, discourse relations and temporal reference within discourse representation theory with special attention to Bulgarian. Sofia: FDC Pub. Agency, 1999.

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16

Marron, Aileen. The henna body art book: Everything you need to create stunning temporary tattoos. Boston, MA: Journey Editions, 1998.

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17

Fonseca, Fernanda Irene. Deixis, tempo e narração. Porto, Portugal: Fundação de Almeida, 1992.

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18

Zeitkonzept und Zeitreferenz: Eine Untersuchung zum bilingualen Erstspracherwerb (französisch/deutsch). Frankfurt am Main: P. Lang, 1994.

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19

Marshall, John G. A digested index to the statutes of the province of Nova Scotia: Showing all the statutes in force at the end of the session of the General Assembly in the year 1826, distinguishing the perpetual from the temporary statutes ... also showing the statutes repealed or expired previous to the above period, carefully compared and digested, with proper references, &c. [Halifax, N.S.?: s.n.], 2000.

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20

News, PM Medical Health. 21st Century Complete Medical Guide to Giant Cell Arteritis, Temporal Arteritis, Polymyalgia Rheumatica, Authoritative Government Documents, Clinical References, ... for Patients and Physicians (CD-ROM). Progressive Management, 2004.

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21

Marco, Bertinetto Pier, ed. Temporal reference, aspect and actionality. Torino: Rosenberg & Sellier, 1995.

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22

Attiwill, Suzie. Framing – ?interior. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429344.003.0004.

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This chapter presents a series of exhibition and curatorial projects situated in the discipline of interior design that experimented with questions of interior and interiority, subject and object relations, spatial and temporal conditions. Deleuze’s critique of interior and interiority as isolated, pre-existing entities provokes a thinking and doing otherwise where space and subjectivity, interior and exterior are unquestioned givens. Thinking through practising with Deleuze, the technique of framing is re-posed as a technique of interiorization where interior and interiority are productions in exteriority; the frame as a fold of an outside that involves processes of selection and arrangement. Deleuze’s book Foucault and the ‘Outside-interior’ and Elizabeth Grosz’s Chaos, Territory, Art. Deleuze and the Framing of the Earth are key references. The chapter poses ‘?interior’ – with reference to Deleuze’s ?-being – as a problematic to be addressed through designing interior – each time anew.

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23

Simon, Julia. Time, Tradition, Performance, and the Aesthetic Object. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190666552.003.0006.

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The final chapter addresses the temporality of a genre based on tradition. Working from conceptions of tradition gleaned from the epic and historical chronicle, and of modern anxieties about the weight of the past, reveals a resonating, vibrant, multi-temporal field for the blues that employs meta-textual references to the tradition to create ironic distance. Tracing the genealogy of a riff from Robert Johnson’s “If I Had Possession Over Judgment Day” to Muddy Waters’s “Rollin’ and Tumblin’, ” through to Nick Moss and the Flip Tops’ “The Money I Make” reveals the dynamic forms of temporal simultaneity that define the blues as a genre. An investigation of improvisation foregrounds the historical rootedness of all creative expression, while the necessary interplay between tradition and reception enables a final interrogation of the relationship between individual and community in the blues.

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24

Germana, Michael. “Modulate, Daddy, Modulate!”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682088.003.0005.

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Chapter 4 examines Ellison’s use of rhythm—specifically his incorporation of polyrhythms and his application of an advanced rhythmic concept called metric modulation—to express his beliefs about virtual temporalities and social change. The chapter illustrates how Ellison often places temporal constructs, including the static time of official history and the dynamic time of duration, into polyrhythmic relation in order to challenge an entrenched ideology of historical determinism. This process, and the critique that emerges from it, depend upon a related rhythmic concept, metric modulation, which creates metronomic instability within a musical composition and, in so doing, produces nodes of temporal bifurcation. Ellison’s use of polyrhythms and metric modulation are, like his ekphrastic references to the visual media examined in Chapters 2 and 3, expressions of his commitment to dynamic time and to the promotion of social changes that the actualization of hitherto virtual temporalities makes possible.

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25

Kainz, Wolfgang, Xinming Tang, Yaolin Liu, and Jixian Zhang. Advances in Spatio-Temporal Analysis. Taylor & Francis Group, 2007.

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26

Kainz, Wolfgang, Xinming Tang, Yaolin Liu, and Jixian Zhang. Advances in Spatio-Temporal Analysis. Taylor & Francis Group, 2007.

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27

Kainz, Wolfgang, Xinming Tang, Yaolin Liu, and Jixian Zhang. Advances in Spatio-Temporal Analysis. Taylor & Francis Group, 2007.

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28

Kainz, Wolfgang, Xinming Tang, Yaolin Liu, and Jixian Zhang. Advances in Spatio-Temporal Analysis. Taylor & Francis Group, 2007.

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29

Xinming, Tang, ed. Advances in spatio-temporal analysis. London: Taylor & Francis, 2008.

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30

1947-, Tallal Paula, ed. Temporal information processing in the nervous system: Special reference to dyslexia and dysphasia. New York, N.Y: New York Academy of Sciences, 1993.

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31

Peters, Gary. Improvisation and Time-Consciousness. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.002.

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This chapter investigates the “being in the moment” sought after and celebrated by improvisers. Through an initial reference to Hegel’s phenomenology of the “unhappy consciousness,” the discussion proper begins with Soren Kierkegaard’s commentary and existential radicalization of this inEither/Or. Understood as precisely an out-of-the-moment experience, such unhappiness is here understood as being at the heart of much post-romantic art, exemplified in Theodor Adorno’s perspective on the yearning of modernism understood as thepromesse de Bonheur. If unhappiness, conceived as temporal dislocation, is considered essential to art, then the question is posed as to how improvisation’s desire for temporal resolution fits (if at all) into such an aesthetic schema. A conclusion is drawn by combining Kierkegaard’s proto-existentialism with both Edmund Husserl’s phenomenology of internal time-consciousness (retention/intention/protention) and Maurice Blanchot’s writings on solitude, fascination, and “time’s absence.” The result is a far more complex and temporally differentiated conception of the “being in the moment” moment, one that attempts to do justice to the interlaced continuity and discontinuity of the improvised event.

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32

Champollion, Lucas. Aspect and space. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198755128.003.0006.

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This chapter models the relation between temporal aspect (run for an hour vs. *run all the way to the store for an hour) and spatial aspect (meander for a mile vs. *end for a mile) previously discussed by Gawron (2009). The chapter shows that for-adverbials impose analogous conditions on the spatial domain and on the temporal domain, and that an event may satisfy stratified reference with respect to one of the domains without satisfying it with respect to the other one as well. This provides the means to extend the telic-atelic opposition to the spatial domain. The chapter argues in some detail that stratified reference is in this respect empirically superior to an alternative view of telicity based on divisive reference (Krifka 1998).

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33

Miller, Jean-Chris, and Roy Zuckerman. Make Your Own Temporary Tattoo: From Temptu, the Originator of the Long-lasting Temporary Tattoo. Black Dog & Leventhal Publishers, 1999.

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34

Arregui, Ana, María Luisa Rivero, and Andrés Salanova. Aspect and tense in evidentials. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198718208.003.0011.

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This chapter investigates the interaction between evidential categories and temporal anchoring in Bulgarian, a South Slavic language, Mébengokre, a Jê language in Central Brazil, and Matses, a Panoan language in the Amazon region in Brazil and Peru. It argues that temporal categories retain their usual interpretation in evidential contexts both in Mébengokre, a language whose evidential system seems independent from tense, and in Bulgarian and Matses, two languages where evidential markers are fused with temporal categories. The conclusion is that there is no need to hypothesize an independent “evidential” system of temporal reference in these languages. A careful analysis of tense and aspect, with particular attention to aspectual interpretations, can account for cases in which temporal relations appear to shift in evidential contexts. The chapter thus argues against the postulation of independent “evidential specific” temporal paradigms.

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35

Shapiro, Kimron, and Simon Hanslmayr. The Role of Brain Oscillations in the Temporal Limits of Attention. Edited by Anna C. (Kia) Nobre and Sabine Kastner. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199675111.013.037.

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Attention is the ubiquitous construct referring to the ability of the brain to focus resources on a subset of perceptual input which it is trying to process for a response. Attention has for a long time been studied with reference to its distribution across space where, for example, visual input from an attentionally monitored location is given preference over non-monitored (i.e. attended) locations. More recently, attention has been studied for its ability to select targets from among rapidly, sequentially presented non-targets at a fixed location, e.g. in visual space. The present chapter explores this latter function of attention for its relevance to behaviour. In so doing, it highlights what is becoming one of the most popular approaches to studying communication across the brain—oscillations—at various frequency ranges. In particular the authors discuss the alpha frequency band (8–12 Hz), where recent evidence points to an important role in the switching between processing external vs. internal events.

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36

Crawford, William Roy, and Lela Ann Crawford. Temporary Military Lodging Around the World. Military Living Pubns, 1992.

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37

Sidnell, Jack, and N. J. Enfield. Deixis and the Interactional Foundations of Reference. Edited by Yan Huang. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199697960.013.27.

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Deictic expressions such as here–there, this–that, now–then, I–you make interpretable reference only by virtue of an indexical connection to some aspect of the things, people, places, and times that constitute the speech event. For instance, this refers by identifying some enumerable thing proximate to the speaker. Now indicates a temporal span that overlaps with the time of speaking. In what follows, we suggest that through a study of deixis in both its most basic and its elaborated forms it is possible to apprehend the interactional foundations of all reference which, like deixis, involves directing the attention of others.

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38

Galaburda, Albert M., and Paula Tallal. Temporal Information Processing in the Nervous System: Special Reference to Dyslexia and Dysphasia (Annals of the New York Academy of Sciences). New York Academy of Sciences, 1993.

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39

Galaburda, Albert M., and Paula Tallal. Temporal Information Processing in the Nervous System: Special Reference to Dyslexia and Dysphasia (Annals of the New York Academy of Sciences). New York Academy of Sciences, 1993.

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40

Hans, Kamp, and Reyle U. 1955-, eds. How we say WHEN it happens: Contributions to the theory of temporal reference in natural language. Tübigen: Niemeyer, 2002.

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41

Temporal Deixis of the Greek Verb in the Gospel of Mark with Reference to Verbal Aspect. Peter Lang Pub Inc, 2000.

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42

Reyle, Uwe, and Hans Kamp. How We Say WHEN It Happens: Contributions to the Theory of Temporal Reference in Natural Language. De Gruyter, Inc., 2017.

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43

Nostrand, Shannon Van, and Marsha Breeke. Temporary Sanity: Managing Today's Flexible Workforce. SOCAA Pub, 1997.

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44

Crawford, William Roy, L. Ann Crawford, and Ann Caddell Crawford. Military Living's Temporary Military Lodging Around the World. Military Living Pubns, 1997.

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45

(Editor), Xinming Tang, Yaolin Liu (Editor), Jixian Zhang (Editor), and Wolfgang Kainz (Editor), eds. Advances in Spatio-Temporal Analysis (International Society for Photogrammetry and Remote Sensing). CRC, 2007.

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46

Jacques, Moeschler, ed. Langage et pertinence: Référence temporelle, anaphore, connecteurs et métaphore. Nancy: Presses universitaires de Nancy, 1994.

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47

Richards, Robert N., and G. E. Meharg. Cosmetic and Medical Electrolysis and Temporary Hair Removal: A Practice Manual and Reference Guide. 2nd ed. Medric Ltd, 1997.

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48

Cosmetic and Medical Electrolysis and Temporary Hair Removal: A Practice Manual and Reference Guide. Medric Ltd, 1991.

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49

Yust, Jason. Organized Time. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190696481.001.0001.

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This book presents a theory of temporal structure for music, making two main arguments. The first is that a single model of temporal structure, expressible in the form of a certain type of mathematical network, is common to all modalities, particularly rhythm, tonality, and form. As a result, we can develop tools to talk about the experience of musical time in abstraction from any particular modality, and make analogies from structural phenomena in one modality to another (e.g., formal counterpoint). The second argument is that each of these modalities is in principle independent: it has its own set of structuring criteria, and it may lead to structures that agree or disagree with each other. The resulting coordination or disjunction between modalities is of more direct aesthetic importance, typically, than anything that can be said about one isolated parameter alone. These claims have deep ramifications for theories of rhythm, tonality, and form: for instance, that it is possible to discuss formal structure without necessary reference to tonal features. Theories of harmony, key, formal function, hypermeter, and closure are developed in conjunction with analysis of a wide range of eighteenth- and nineteenth-century composers, surveys of classical repertoire, and observations about the history of musical styles. A number of mathematical tools for temporal structure are also proposed.

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50

Dawson, Benjamin. Science and the Scientific Disciplines. Edited by Paul Hamilton. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199696383.013.35.

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For a long time, empirical science lay outside the field of scholarship concerned with European Romanticism. Recently, however, Romanticism’s traditional reconstruction in terms of an exclusively literary absolute has been challenged and revised. It is now more frequently acknowledged that even the notion ofromantische Poesie, which had always appeared to affirm poetry as Romanticism’s sovereign form, quickly outgrew any stringently restrictive reference to literature. This chapter examines the self-grounding and self-depending character of Romantic scientific discourse. Modern scientific discourse has especially sought to repress such self-consciousness. Romantic science rather becomes an especially interesting variety of Romantic experience, because it seeks to preserve consciousness of the temporal and operational nature of its own statements, while not giving up on the positivity of description, the possibility of veridical reference to objects, or the sensible reality of material nature.

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Books on the topic 'Temporal references'

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