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Books on the topic 'Temptation in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 February 2023

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1

Royal, Lauren. The Art of Temptation. New York: Penguin Group USA, Inc., 2008.

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2

Gustave, Flaubert. The temptation of St. Anthony. New York: Modern Library, 2001.

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3

Gustave, Flaubert. The temptation of St. Antony. England?]: DoDo Press, 2011.

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4

Chicago, Art Institute of, and J. Paul Getty Museum, eds. James Ensor: The Temptation of Saint Anthony. Chicago, Illinois: The Art Institute of Chicago, 2014.

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5

1951-, Brittnacher Hans Richard, and Bucerius Kunst Forum, eds. Schrecken und Lust: Die Versuchung des heiligen Antonius : von Hieronymus Bosch bis Max Ernst : eine Austellung des Bucerius Kunst Forums, 9. Februar bis 18. Mai 2008. München: Hirmer, 2008.

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6

Die Kunst der Versuchung: Antonius eremita bei Henri Fantin-Latour und einigen seiner Zeitgenossen. Frankfurt am Main: Lang, 1997.

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7

Verführerische Ansichten: Mittelalterliche Darstellungen der Dritten Versuchung Christi. Regensburg: Schnell + Steiner, 2011.

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8

Kraft, Hartmut. Die Versuchung des hl. Antonius: Le tentazioni di San Antonio = The temptation of Saint Anthony. Köln: Salon Verlag, 2003.

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9

Ardery, Julia S. The temptation: Edgar Tolson and the genesis of twentieth-century folk art. Chapel Hill: University of North Carolina Press, 1998.

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10

1955-, Rollins Tim, Flaubert Gustave 1821-1880, Museum für Gegenwartskunst Basel, and K.O.S. (Group of artists), eds. Tim Rollins + K.O.S.: Temptation of Saint Antony, 1987-1990, Museum für Gegenwartskunst Basel, 20. Mai-20. August 1990. Basel: Museum für Gegenwartskunst, 1990.

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11

1840-1916, Redon Odilon, ed. The temptation of Saint Redon: Biography, ideology, and style in the Noirs of Odilon Redon. Chicago: University of Chicago Press, 1992.

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12

Myers, Ivor. The Christian art of war: Spiritual lessons for the battle against "self". Coldwater MI: Remnant Publications, 2008.

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13

Gustave, Flaubert. La tentation de Saint Antoine. Paris: Maxi-livres-Profrance, 1998.

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14

Gustave, Flaubert. La tentation de Saint Antoine. Paris: Flammarion, 1990.

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15

Kosh, David. Temptation: A comedy in one act. New York: Playscripts, Inc., 2003.

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16

Tastes and temptations: Food and art in Renaissance Italy. Berkeley: University of California Press, 2009.

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17

Jacques, Ellul. If you are the Son of God: The suffering and temptations of Jesus. Eugene, Oregon: Cascade Books, 2014.

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18

Copyright Paperback Collection (Library of Congress), ed. Are You Lonesome Tonight?: The Wrong Bed. Toronto: Harlequin, 2004.

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19

(Leeuwarden, Netherlands) Algemeen Financieel Incassobedrijf. Verleidingen: Een keuze uit de AFI collectie = Ferliedings : in kar út de AFI kolleksje = Temptations : a selection from the AFI collection. Franeker [Netherlands]: Uitgeverij Van Wijnen, 1998.

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20

Tonini, Alberto, and Marcella Simoni, eds. Realtà e memoria di una disfatta. Florence: Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-8453-952-6.

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Realtà e memoria di una disfatta does not address either the causes of the Six Day War or the consequences that the military conflict had for Israelis and Palestinians, about which much has been written. It focuses instead on the impact of the war on Arab countries, and the weighty legacy left by the defeat of 1967, which has been much less studied. There are several references to this in the short essay by Samir Kassir, L'infelicità araba, published posthumously in Italy in 2006. In his analysis, Kassir warns against falling into the dual trap that has ensnared the Arab world for the last forty years: on the one hand the Orientalist reading that lays the blame on Islam for the delayed modernisation of this part of the world, and on the other the temptation to heap responsibility for all evils on the West. To avoid this risk, as Kassir sees it, the Arabs have to take their destiny into their own hands, shrugging off victimism and coming to terms with modernity.

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21

Dopp, Hans-Jurgen. Erotic Oreint (Temptation) (Temptation). Parkstone Press Ltd, 2002.

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22

Döpp, Hans-Jürgen. Faces of Ecstasy. Parkstone Press, 2002.

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23

Oliver, Kayla. Art of Temptation. Independently Published, 2018.

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24

Royal, Lauren. Art of Temptation. Novelty Publishers, LLC, 2015.

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25

Royal, Lauren. Art of Temptation. Novelty Publishers, LLC, 2020.

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26

Art of Temptation. Novelty Publishers, LLC, 2015.

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27

Royal, Lauren. Art of Temptation. Novelty Publishers, LLC, 2012.

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28

Temptation. Bruno Gmunder, 2003.

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29

Palmer, Jeff. Temptation. 2nd ed. Bruno Gmunder Verlag Gmbh, 2004.

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30

Dopp, Hans-Jurgen. Sapphic Art (Temptation Collection). Parkstone Press, 2003.

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31

Dopp, Hans-Jurgen. Feet-Ishism (Temptation). Parkstone Press Ltd, 2002.

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32

Dopp, Hans-Jurgen. Sadomasochism (Temptation Collection). Parkstone Press, 2003.

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33

Todd James: Yield to Temptation. PictureBox, Incorporated, 2012.

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34

Dopp, Hans-Jurgen. The Kiss (Temptation Collection). Parkstone Press, 2003.

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35

The Art of Temptation (Signet Eclipse). Signet, 2007.

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36

The Temptation of Saint Anthony. Waiheke Island: The Floating Press, 2009.

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37

Flaubert, Gustave. The Temptation of St. Anthony. Kessinger Publishing, LLC, 2005.

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38

Flaubert, Gustave. The Temptation of Saint Anthony. Digireads.com, 2011.

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39

Gustave, Flaubert. The Temptation of St. Anthony. Kessinger Publishing, 2005.

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40

Tilghman, Benjamin R. But Is It Art?: The Value of Art and the Temptation of Theory. Blackwell Publishers, 1986.

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41

Sollors, Werner. Temptation of Despair. Harvard University Press, 2014.

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42

Palmer, Jeff. Temptation (Post Card Book 52). Bruno Gmunder Verlag Gmbh, 2003.

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43

(Contributor), Stephanie Buck, Susan Foister (Contributor), Gunnar Heydenreich (Contributor), Anne Woollett (Contributor), and Caroline Campbell (Editor), eds. Temptation in Eden: Lucas Cranach's Adam and Eve (Courtauld Institute of Art Gallery). Paul Holberton Publishing, 2007.

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44

Ridley, Aaron. Expression in Art. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0011.

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It is natural to assign a significant role to artists in artistic expression, and perhaps to do so by extrapolating from the role we assign to people when they express themselves in everyday, non-artistic contexts. When, for instance, we say of someone's face that it expresses pleasure, we ordinarily take it that the pleasure revealed there is the person's own pleasure, and that the expression on their face is to be explained by the pleasure that they feel. In ordinary, non-artistic cases, then, we take the expression to reveal the state of the person, and the state of the person to explain the expression. The temptation is to suppose that the same must be true of artistic expression. The temptation, that is, is to suppose that a work of art expressing anguish both reveals and is to be explained by the artist's own anguish. But things may not be as straightforward as that.

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45

Cottbus, Brandenburgische Kunstsammlungen, ed. Verlockung: Erotik in der Plakatkunst = Temptation : eroticism in poster art. Cottbus: Brandenburgische Kunstsammlungen Cottbus, 2005.

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46

Ross, Stephanie. Style in Art. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0012.

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The work of two contemporary philosophers in particular, Nelson Goodman and Richard Wollheim, has done much to clarify our understanding of style and of the complex issues with which style becomes intertwined. This article looks through the lens of their proposals. In ‘The Status of Style’, Goodman emphasizes that ‘Style comprises certain characteristic features both of what is said and of how it is said, both of subject and of wording, both of content and of form’. This is an important corrective to the temptation to take style as entirely constituted by formal or surface qualities. Goodman makes his point with examples drawn from nonfiction.

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47

The temptation of despair: Tales of the 1940s. The Belknap Press of Harvard University Press, 2014.

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48

Gustave, Flaubert. St. Anthony and the Temptations of the Flesh. Foundation for Classical Reprints, the, 1988.

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49

Pattison, George. The Tempted Self. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813507.003.0007.

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As a complex relational entity, the self is exposed to constant centripetal pressures that it experiences as temptations. However, temptation is not primarily seen as the lure of sensual pleasures threatening the rule of reason. The primary source of temptation is other people, wanting to be like them, and to win their favour. Resisting temptation is made all the more difficult by the way in which choices are mediated through language, which facilitates dissembling and therefore requires keen interpretation. The situation of temptation reveals the self as surrounded by possibilities and having to choose itself in responsible freedom. One such possibility is to do more than God asks of it and to become what Kierkegaard called ‘the exception’. Awareness of error and its own limits is therefore a constant accompaniment of devotion.

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50

Centro Atlántico de Arte Moderno., ed. Las tentaciones de San Antonio: Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, 21 enero-23 marzo 2003. Las Palmas de Gran Canaria: Centro Atlántico de Arte Moderno, 2003.

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