Relevant bibliographies by topics / Tender Is the Night

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Tender Is the Night'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Tender Is the Night"

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Day, Giskin. "Tender is the Night." BMJ 335, no. 7631 (December 6, 2007): 1215.2–1215—a. http://dx.doi.org/10.1136/bmj.39414.492153.0f.

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Jacobs, Barry J. "Tender in the night." Families, Systems, & Health 17, no. 3 (1999): 379–82. http://dx.doi.org/10.1037/h0089969.

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Stepanenko, Olena, Maria Galina, and Tatiana Bonch-Osmolovskaya. "Tender A Night Dream, September 2013." Poem 5, no. 4 (October 2, 2017): 369–72. http://dx.doi.org/10.1080/20519842.2017.1389162.

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West, James L. W. "The Internal Chronology of Tender Is the Night." Papers of the Bibliographical Society of America 104, no. 4 (December 2010): 527–37. http://dx.doi.org/10.1086/680975.

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Rowe, David, and Nathaniel Bavinton. "Tender for the night: After-dark cultural complexities in the night-time economy." Continuum 25, no. 6 (November 29, 2011): 811–25. http://dx.doi.org/10.1080/10304312.2011.617875.

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Toles, George. "The Metaphysics of Style in Tender is the Night." American Literature 62, no. 3 (September 1990): 423. http://dx.doi.org/10.2307/2926740.

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Antonelli, Sara. "A Topsy-Turvy Novel: “Coloring Gestures” in Tender Is the Night." American Literary History 32, no. 3 (2020): 480–506. http://dx.doi.org/10.1093/alh/ajaa015.

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Abstract This essay addresses the black presence in F. Scott Fitzgerald’s Tender Is the Night (1934) not simply as an episode but as the very backbone of the plot. Inserting Fitzgerald into an unexpected lineage that originates with James Weldon Johnson and moves to Ishmael Reed and Toni Morrison, it argues that Fitzgerald shares with these writers a complex fusion of racial disorder, musical contagion, and intergenerational rivalry. Like Johnson and Reed, Fitzgerald also uses the figure of Harriet Beecher Stowe’s Topsy to announce the various permutations of race in the novel and to uncover the white characters’ fear of miscegenation and incest. Tender Is the Night is a “topsy-turvy” novel because of the dynamic patterning of black and white imagery Fitzgerald employs to reveal the slippery racial surface of the 1920s.
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Rauf, Raad Sabr. "F. Scott Fitzgerald's Tender is the Night Cons and Pros of the Narrative Method and Technique." Cihan University-Erbil Journal of Humanities and Social Sciences 4, no. 1 (July 19, 2020): 65–68. http://dx.doi.org/10.24086/cuejhss.v4n1y2020.pp65-68.

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Most critics tackle Fitzgerald's works thematically, whereas what distinguishes his fictional narratives is his magnificent style, suggestive language and innovative narrative methods and techniques. This is quite evident in The Great Gatsby and other pieces like The Last Tycoon, "The Mountain as Big as the Ritz", the autobiographical piece The Crack Up, etc. Tender is the Night is among these masterpieces which is our major concern in this paper. Yet still, this novel witnessed some controversial issues in its narrative technique and method. The study of the narrative method and technique in Tender is the Night has no less significance in the literary world than it has in The Great Gatsby. In fact, Fitzgerald mounted his artistic maturity and craftsmanship in this novel despite all the controversial issues that surrounded the novel's first publication. The present study sheds light on the cons and pros of the narrative technique and method in both versions of Tender is the Night with necessary reference to the development of the events in the novel.
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West, Greenwell, Mellette, McConnell, Birdwell, Maguire, Lee, et al. "Reading Tender Is the Night as a Serial Text." F. Scott Fitzgerald Review 12, no. 1 (2014): 1. http://dx.doi.org/10.5325/fscotfitzrevi.12.1.0001.

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Kwon, Jieun. "The Notion of ‘End of History’ in Tender Is the Night." Journal of Modern British & American Language & Literature 34, no. 4 (November 30, 2016): 1. http://dx.doi.org/10.21084/jmball.2016.11.34.4.1.

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Dissertations / Theses on the topic "Tender Is the Night"

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Zaring, Meredith A. ""How Art Thou Lost": Reconsidering the Fall in Fitzgerald's Tender is the Night." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/127.

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In Tender Is the Night, F. Scott Fitzgerald retells the story of the Fall from Genesis through psychologist Dick Diver and his wife and patient Nicole, drawing poetic and thematic inspiration from John Milton’s Paradise Lost. This essay traces the progression of the Divers’ fall and ultimate separation through the novel’s three books and considers how the highly autobiographical foundation of the novel, which has drawn considerable critical attention, may in fact allow Fitzgerald to craft a work that aligns with and simultaneously expands upon Milton’s interpretation of the Fall.
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Eugenes, Karolina. "“The Lost Caviare Days” – Gastronomy and Alcoholism in Fitzgerald's Tender is the Night." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85536.

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This thesis investigates the portrayal of gastronomy in F. Scott Fitzgerald's Tender is the Night. The discussion is based on the ideas “we are what we eat” and “we are where we eat” and the premise that Fitzgerald creates a significant association to gastronomy by way of the critical field of Food Studies, which divide the arguments into three different subcategories: Firstly, it presents the principals of Food Studies and stylistics, which focus on literary stylistic devices such as aesthetics and figurative language. Particularly, the analysis examinesthat a close reading of the novel is futile without further considerations of contextuality. Hence, it deals with the text in terms of textuality and contextuality. Secondly, the novel dealswith food as a reflection of ethical behaviour and social class, where it examines that appearance is as significant as money. Further, it investigates the cultural influences in terms of adaption of food preferences in different environmental settings. Thirdly, it explores the association between the concept of psychopathology, mood and the absence of gourmandise in parallel to alcoholism, emotional bankruptcy, escapism and nostalgia. Finally, this thesis seeks to examine that Fitzgerald is “authoring gastronomy” in similar fashion as food critics.
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Wagenblast, Becky Ann. "Gender and agency in Tender is the Night, Save Me the Waltz, and The Garden of Eden." Thesis, Washington State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3732723.

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This dissertation centers its readings of Tender Is the Night, Save Me the Waltz, and The Garden of Eden through the women protagonists’ voices, a radical critical shift. By considering the evolutionary attempts of Nicole, Alabama, and Catherine, regardless of their ultimate level of success, reifies their autonomy as individuals capable and worthy of development themselves. Examining their use of language, emotions, and actions reasserts their voices as creators of their own narratives, recentering the texts as important explorations of Modern women and their conceptualizing of self on the Riviera.

This important work of conceptualizing the self as other, outside the normative behaviors and conditions expected of American women of the time, is figured in these stories (as in American culture at large) as mentally unstable, diseased in some way; they make poor decisions and commit regrettable actions; they destroy as much as they create. But by courageously giving voice to their own sense of selves in a world which prizes muteness in its women, their attempts at creation are inspiring nonetheless.

Chapter One examines F. Scott Fitzgerald’s Tender Is the Night and the ways in which Nicole is able to move from the oppression of dehumanizing silence to a powerful and self-affirming fluency of language and selfhood. Chapter Two looks as Zelda Fitzgerald’s Save Me the Waltz and Alabama’s struggles toward individualization and agency. Chapter Three investigates how Catherine, the transitioning protagonist of Ernest Hemingway’s The Garden of Eden, at once acts as a subversive factor against authority and is ultimately scripted as doomed because of it.

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Luong, Merry B. "A Woman's Touch in F. Scott Fitzgerald's Tender is the Night: Pulling the Women Out of the Background." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/74.

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This is a critical study of F. Scott Fitzgerald‟s Tender Is the Night focusing primarily on the lack of examination and criticism surrounding the women characters. Included are reviews of Fitzgerald‟s personal and professional life from the publication of his critically acclaimed The Great Gatsby until the publication of his last complete novel, Tender Is the Night, discussion of the contemporary and current criticism of the novel, and a feminist reading of the novel in order to focus more significant critical attention upon the women characters in order to create a fuller understanding of Fitzgerald‟s novel.
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Mcleod, Deborah Susan. "The "Defective" Generation: Disability in Modernist Literature." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5272.

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Abstract The "Defective" Generation: Disability in Modernist Literature aims to provide an analysis of how Anglo-American authors in the early twentieth century conceived of, utilized, and portrayed disability in their fiction. Building on the existing scholarship in the field of Disability Studies, I argue that modernists revise the tradition of representation to make disabilities a generational trait rather than a sign of individual deviance. In novel after novel, multiple characters exhibit some form of illness or impairment, which appears as both cause and effect of the instabilities and traumas of modernity. Like many of their predecessors, then, these authors portray diverse health conditions as "defects" rather than natural variations in the human body, and most draw little distinction between the types of "disorders" they represent. This perspective, however, becomes particularly destructive in the era leading up to the Holocaust, when eugenical attitudes would lead to the murder or sterilization of over a million people with disabilities. Modernists also continue to exploit disability's potential for metaphor and sometimes evoke traditional stereotypes. Unlike traditional representations, however, these works do not resolve what the authors perceive as the "problem" of disability by curing or eliminating it; instead, they portray characters struggling to lead fulfilling lives despite feeling limited by their health. Working against the public's conception of disability as solely a medical condition, many of these authors further depict the social forces that turn a perceived "difference" into a "disability." The project is arranged into four chapters. In the first, "Idiots and Other Degenerates: Disability at the Dawn of Modernism," I use Joseph Conrad's novel The Secret Agent to illustrate how disability becomes characteristic of a generation, primarily through the influence of degeneration theory. Mocking the popular conception of a society divided into the "fit" and "unfit," Conrad creates a circle of characters who judge others to be degenerate while ignoring their own similar traits. From that beginning, I move in chapter 2, "Modernist Style: The Inward Turn and Portrayals of Mental Illness," to an analysis of the effects of stylistic experimentation on depictions of disability in both Virginia Woolf's Mrs. Dalloway and F. Scott Fitzgerald's Tender is the Night. The authors' use of multiple points of view in these works leads to a representation of both an individual's experience of psychosis and the stigma that can accompany such illness, and, like Conrad, both writers elide the differences between the seemingly able-bodied characters and those they deem disabled. These authors also offer a contrast in perceptions. Whereas Woolf treats shell shock and emotional instability largely as the unavoidable effects of World War I, Fitzgerald links both schizophrenia and alcoholism to decadent behavior, thus aligning himself with the public's perception of illness as a matter of intent. Moving from style to theme, in chapter 3, "Impaired Relationships: Physical Injury and the Pursuit of Romance," I explore the ways in which authors depict physical impairments as obstacles to personal relationships. Through a comparison of Ernest Hemingway's The Sun Also Rises and the "Nausicaa" chapter of James Joyce's Ulysses, I discuss the intersection of gender identity, disability, and romance. I argue against the critical consensus that Jake Barnes feels emasculated by his injury and that Gerty MacDowell is "doomed" to spinsterhood because she limps, contending that both authors allow their characters to maintain a sense of masculinity or femininity consistent with the hegemonic ideals of their time. While Hemingway presents Jake's wound as a physical disability that prevents his having the relationship he desires, Joyce uses Gerty's limp to mark her as an imperfect beauty in preference to an array of idealized iconic images, and in her encounter with Leopold Bloom grants her the sexual attention that she desires. In my final chapter, "African American Modernism and a Deadly Game of Blind Man's Buff," I shift focus from mainstream to African American modernism with an analysis of Richard Wright's Native Son,, addressing the author's use of folklore in relation to the metaphor of blindness. Posing the literally blind Mrs. Dalton as a revenant of the American colonists who ignored the humanity of those they enslaved and as a symbol of continuing oppression, Wright develops Bigger Thomas as both a trickster who exploits the "blindness" of others and a badman who rebels against it. My conclusion then addresses the use of disability metaphors, the attitudes those metaphors expose, and the authors' apparent agreement with or challenges to contemporary perceptions of disability. Although critics have previously analyzed specific works or certain aspects of disability representations during this era, this project seeks a more comprehensive discussion of disability in modernist fiction than currently exists. My hope is that it will enhance our understanding of both the period's literature and the harmful attitudes that existed at the time, which the work of Disability Studies has endeavored to overturn.
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Belisle, Alaina. "Almost Tender." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555613104685531.

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Short, Anna. "Tender Alchemy." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555718320899574.

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Hamri, Rachid El. "Étude stylistique des quatre romans de Francis Scott Fitzgerald." Paris 10, 1994. http://www.theses.fr/1994PA100162.

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Le but de cette thèse est d'étudier le style de Francis Scott Fitzgerald à travers ses quatre principaux romans. La première partie - intitulée "langue" - concerne la rhétorique, c'est-à-dire l'expression d'une "conscience littéraire" qui se dévoile à travers les jeux de l'écriture. De nombreuses oppositions peuvent être établies entre les langages poétique et ironique ; le point de vue interne et externe. Cette analyse sert à décrire une éthique sociale propre à l'Amérique des années vingt et trente, admirablement exprimée dans the Great Gatsby. La seconde partie, consacrée a la "structure", met l'accent sur le rôle et le traitement du temps, comme instrument de structuration du récit. L'analyse de l'intrigue permet une plus grande concentration sur la psychologie des personnages. Le dernier chapitre, consacre à l'organisation de l'œuvre, traite des relations entre l7artiste et son univers fictionnel. Ainsi, de l'étude de la cohérence, se dégage le problème de la création artistique
The aim of this research is to present a stylistic study of Francis Scott Fitzgerald’s four novels. The first part attempts to demonstrate - in various ways - how language, point of view and pragmatics illustrate the social and cultural aspects of American life during the nineteen twenties and thirties. The most striking part of this study is the rhetoric function of language, through which the author examines his own consciousness. Thus, the dialectic that oppose s poetics and irony, internal and external point of view, is Fitzgerald’s way of expressing the gap that obtains between reality and fiction. Such themes, based mainly on the confrontation of the nostalgic pas with the dreary present, are beautifully and fully expressed in the Great Gatsby. The second part deals with "structure". Here, the main focus lays on the function and treatment of time, considered as a n instrument to give shape to the narrative. The plot allows the reader to concentrate on the psychology of the characters. The last chapter, coherence, shows the way Fitzgerald creates his world, with his art, expressed both in small and larger units
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Van, Langenberg Carolyn. "With tender contempt /." View thesis, 2000. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20051122.103129/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, Nepean, 2000.
"A thesis submitted to fulfil the requirements for the award of the degree Doctor of Philosophy from the University of Western Sydney, Nepean" Bibliography : leaves 327-348.
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Milvet, Karly R. "Green, Green, & Tender." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461168477.

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Books on the topic "Tender Is the Night"

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The tender night. Bath, England: Chivers Press, 1991.

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Copyright Paperback Collection (Library of Congress), ed. Tender is the night. New York: The Berkley Publishing Group, 1985.

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Fitzgerald, F. Scott. Tender is the night. New York: Macmillan, 1988.

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Fitzgerald, F. Scott. Tender is the night. Ware: Wordsworth Edns., 1994.

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Fitzgerald, F. Scott. Tender is the night. New York: Scribner, 1996.

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Fitzgerald, F. Scott. Tender is the night. Ware: Wordsworth, 1995.

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Fitzgerald, F. Scott. Tender is the night. New York: Collier Books, 1986.

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Fitzgerald, F. Scott. Tender is the night. London: Penguin Books, 1997.

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Fitzgerald, F. Scott. Tender is the night. Richmond: Oneworld Classics, 2011.

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Fitzgerald, F. Scott. Tender is the night. Thorndike, Me: G.K. Hall, 1994.

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Book chapters on the topic "Tender Is the Night"

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Hook, Andrew. "Trailing Tender is the Night." In F. Scott Fitzgerald, 80–117. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403919267_5.

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Keil, Hartmut, and Uwe Juras. "Fitzgerald, F. Scott: Tender Is the Night." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5294-1.

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Anderson, Sarah Wood. "Infidelity and Madness in Fitzgerald’s Tender is the Night." In Readings of Trauma, Madness, and the Body, 85–111. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137263193_4.

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Tredell, Nicolas. "Introduction." In F. Scott Fitzgerald: The Great Gatsby / Tender is the Night, 1–2. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34673-4_1.

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Tredell, Nicolas. "A Sample of Critical Views." In F. Scott Fitzgerald: The Great Gatsby / Tender is the Night, 195–208. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34673-4_10.

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Tredell, Nicolas. "Beginnings." In F. Scott Fitzgerald: The Great Gatsby / Tender is the Night, 5–28. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34673-4_2.

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Tredell, Nicolas. "Society." In F. Scott Fitzgerald: The Great Gatsby / Tender is the Night, 29–58. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34673-4_3.

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Tredell, Nicolas. "Money." In F. Scott Fitzgerald: The Great Gatsby / Tender is the Night, 59–86. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34673-4_4.

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Tredell, Nicolas. "Gender." In F. Scott Fitzgerald: The Great Gatsby / Tender is the Night, 87–112. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34673-4_5.

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Tredell, Nicolas. "Trauma." In F. Scott Fitzgerald: The Great Gatsby / Tender is the Night, 113–41. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34673-4_6.

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Conference papers on the topic "Tender Is the Night"

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Ito, Shoichi, and Yoshinori Fujisawa. "Tender." In ACIT 2019: 7th ACIS International Conference on Applied Computing and Information Technology. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3325291.3325368.

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Goldberg, Ken, Eric Paulos, John Canny, Judith Donath, and Mark Pauline. "Legal tender." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253642.

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Noor, N. M. Mohamad, N. H. Abdul Samat, M. Yazid M. Saman, M. Suzuri Hitam, and M. Man. "iWDSS-Tender: Intelligent Web-based Decision Support System for Tender Evaluation." In 2007 IEEE International Symposium on Signal Processing and Information Technology. IEEE, 2007. http://dx.doi.org/10.1109/isspit.2007.4457998.

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Lorehn, O. L. "Semisub Tender-Assisted Drilling Rigs." In IADC/SPE Drilling Conference. Society of Petroleum Engineers, 1994. http://dx.doi.org/10.2118/27507-ms.

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Ya-hui, Sun, and Feng Yu-qiang. "Study on the Power Weight Distribution of the Tender Member in the Joint Procurement Tender." In 2006 International Conference on Management Science and Engineering. IEEE, 2006. http://dx.doi.org/10.1109/icmse.2006.313888.

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Botker, Stig, Terje Karp, Thomas B. Johannessen, and Marcus Stig Chew. "Wellhead TLP with Tender Assisted Drilling." In Offshore Technology Conference. Offshore Technology Conference, 2001. http://dx.doi.org/10.4043/12988-ms.

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Mathiesen, R. "The Tender Assisted Drilling - NPD Experience." In Offshore Europe. Society of Petroleum Engineers, 1989. http://dx.doi.org/10.2118/19248-ms.

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Goswami, Sumit, Sunaina Kapoor, and Prakriti Bhardwaj. "Machine learning for automated tender classification." In 2011 Annual IEEE India Conference (INDICON). IEEE, 2011. http://dx.doi.org/10.1109/indcon.2011.6139406.

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Tyrell, David. "Liquefied Natural Gas Tender Crashworthiness Research." In 2015 Joint Rail Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/jrc2015-5815.

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Research is being conducted to develop technical information needed to formulate effective natural gas fuel tender crashworthiness standards. This research is being performed for the Federal Railroad Administration’s (FRA’s) Office of Research, Development, and Technology, and intended to facilitate industry efforts to use natural gas as a locomotive fuel. Strategies to assure crashworthiness during moderate accidents, such as train-to-train collisions at speeds up to 40 mph, are being evaluated. This research applies the approach FRA has used to develop technical information on locomotive, hazmat tank car, and diesel fuel tank crashworthiness. There are four primary tasks: 1. Definition of collision scenarios 2. Evaluation of traditional designs 3. Evaluation of alternative designs 4. Recommendation of effective crashworthiness strategies The tender scenarios have been drafted from reviews of freight train accidents and of scenarios developed for locomotives, hazmat tank cars, and fuel tanks. From these reviews, five scenarios were selected. These scenarios are intended to bound the range of collisions that a tender may experience, are being used to evaluate the crashworthiness of traditional tender designs, and will be used to evaluate alternative design tenders. The five candidate scenarios are: 1. Train-to-train collision 2. Grade-crossing accident 3. Tender derailment and rollover 4. Impact into tender tank shell during derailment 5. Impact into tender tank head during derailment As part of previous research on locomotives and passenger equipment, a range of crashworthiness analysis techniques were developed. These include simplified techniques, which can be performed rapidly and provide essential results, and detailed computer simulations which provide a wealth of information. The crashworthiness performance of a hypothetical tender design has been evaluated using simplified techniques. Simplified techniques include quasi-static crush analysis of structural elements and lumped-parameter analysis of train dynamics. The results suggest that efforts to enhance crashworthiness should principally be directed toward the train-to-train scenario. Work is ongoing to develop strategies for improving tender crashworthiness. This research is being conducted cooperatively with the Association of American Railroads (AAR). The research results are being shared with the AAR’s Natural Gas Fuel Tender Technical Advisory Group (NGFT TAG). The NGFT TAG is developing industry standards, including crashworthiness requirements, for revenue-service natural gas fuel tenders. There is a companion paper which describes crashworthiness research sponsored by AAR, including detailed computer simulations of tender crashworthiness. This paper describes development of scenarios and simplified analyses of tender crashworthiness.
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McCartan, S., and M. Bryden. "Design-Driven Innovation: Superyacht Vertical Tender." In Marine Design 2015. RINA, 2015. http://dx.doi.org/10.3940/rina.md.2015.15.

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Reports on the topic "Tender Is the Night"

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Hayes, Monica F., and Alan J. Marcus. Analysis of Submarine Tender Manning Issues. Fort Belvoir, VA: Defense Technical Information Center, January 1988. http://dx.doi.org/10.21236/ada196243.

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Marple, Dennis N., Joseph G. Sebranek, and Ben Huisinga. Isolating Tender Muscles in the Pork Shoulder. Ames (Iowa): Iowa State University, January 2004. http://dx.doi.org/10.31274/ans_air-180814-14.

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Guziel, Mark. Night Office. Portland State University Library, April 2020. http://dx.doi.org/10.15760/etd.7308.

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Higginbotham, Kathleen, Pamela Ulrich, and Helen Koo. Night in Shining Armor. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-566.

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Marsh, Victor, and Michelle Sams. Night Operations Urban Trainer (NightOUT). Fort Belvoir, VA: Defense Technical Information Center, October 2001. http://dx.doi.org/10.21236/ada396381.

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Geiselman, Eric E., and Jeffrey L. Craig. Panoramic Night Vision Goggle Update. Fort Belvoir, VA: Defense Technical Information Center, April 1999. http://dx.doi.org/10.21236/ada400111.

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7

Funsten, H., J. Nordholt, and D. Suszcynsky. Night vision device technology development. Office of Scientific and Technical Information (OSTI), September 1996. http://dx.doi.org/10.2172/369694.

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8

Geiselman, Eric E., and Jeffrey L. Craig. Panoramic Night Vision Goggle Update. Fort Belvoir, VA: Defense Technical Information Center, January 1998. http://dx.doi.org/10.21236/ada430243.

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9

Funsten, H., J. Nordholt, and D. Suszcynsky. Night vision device technology development. Office of Scientific and Technical Information (OSTI), December 1998. http://dx.doi.org/10.2172/562591.

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10

Northrup, Paul A. Development of a Tender-Energy Microprobe for Geosciences at NSLS and NSLS-II. Office of Scientific and Technical Information (OSTI), August 2014. http://dx.doi.org/10.2172/1150854.

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