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Journal articles on the topic 'Tender Is the Night'

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Published: 4 June 2021
Last updated: 25 April 2022

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1

Day, Giskin. "Tender is the Night." BMJ 335, no. 7631 (December 6, 2007): 1215.2–1215—a. http://dx.doi.org/10.1136/bmj.39414.492153.0f.

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2

Jacobs, Barry J. "Tender in the night." Families, Systems, & Health 17, no. 3 (1999): 379–82. http://dx.doi.org/10.1037/h0089969.

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3

Stepanenko, Olena, Maria Galina, and Tatiana Bonch-Osmolovskaya. "Tender A Night Dream, September 2013." Poem 5, no. 4 (October 2, 2017): 369–72. http://dx.doi.org/10.1080/20519842.2017.1389162.

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4

West, James L. W. "The Internal Chronology of Tender Is the Night." Papers of the Bibliographical Society of America 104, no. 4 (December 2010): 527–37. http://dx.doi.org/10.1086/680975.

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5

Rowe, David, and Nathaniel Bavinton. "Tender for the night: After-dark cultural complexities in the night-time economy." Continuum 25, no. 6 (November 29, 2011): 811–25. http://dx.doi.org/10.1080/10304312.2011.617875.

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6

Toles, George. "The Metaphysics of Style in Tender is the Night." American Literature 62, no. 3 (September 1990): 423. http://dx.doi.org/10.2307/2926740.

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7

Antonelli, Sara. "A Topsy-Turvy Novel: “Coloring Gestures” in Tender Is the Night." American Literary History 32, no. 3 (2020): 480–506. http://dx.doi.org/10.1093/alh/ajaa015.

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Abstract This essay addresses the black presence in F. Scott Fitzgerald’s Tender Is the Night (1934) not simply as an episode but as the very backbone of the plot. Inserting Fitzgerald into an unexpected lineage that originates with James Weldon Johnson and moves to Ishmael Reed and Toni Morrison, it argues that Fitzgerald shares with these writers a complex fusion of racial disorder, musical contagion, and intergenerational rivalry. Like Johnson and Reed, Fitzgerald also uses the figure of Harriet Beecher Stowe’s Topsy to announce the various permutations of race in the novel and to uncover the white characters’ fear of miscegenation and incest. Tender Is the Night is a “topsy-turvy” novel because of the dynamic patterning of black and white imagery Fitzgerald employs to reveal the slippery racial surface of the 1920s.
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8

Rauf, Raad Sabr. "F. Scott Fitzgerald's Tender is the Night Cons and Pros of the Narrative Method and Technique." Cihan University-Erbil Journal of Humanities and Social Sciences 4, no. 1 (July 19, 2020): 65–68. http://dx.doi.org/10.24086/cuejhss.v4n1y2020.pp65-68.

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Most critics tackle Fitzgerald's works thematically, whereas what distinguishes his fictional narratives is his magnificent style, suggestive language and innovative narrative methods and techniques. This is quite evident in The Great Gatsby and other pieces like The Last Tycoon, "The Mountain as Big as the Ritz", the autobiographical piece The Crack Up, etc. Tender is the Night is among these masterpieces which is our major concern in this paper. Yet still, this novel witnessed some controversial issues in its narrative technique and method. The study of the narrative method and technique in Tender is the Night has no less significance in the literary world than it has in The Great Gatsby. In fact, Fitzgerald mounted his artistic maturity and craftsmanship in this novel despite all the controversial issues that surrounded the novel's first publication. The present study sheds light on the cons and pros of the narrative technique and method in both versions of Tender is the Night with necessary reference to the development of the events in the novel.
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9

West, Greenwell, Mellette, McConnell, Birdwell, Maguire, Lee, et al. "Reading Tender Is the Night as a Serial Text." F. Scott Fitzgerald Review 12, no. 1 (2014): 1. http://dx.doi.org/10.5325/fscotfitzrevi.12.1.0001.

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10

Kwon, Jieun. "The Notion of ‘End of History’ in Tender Is the Night." Journal of Modern British & American Language & Literature 34, no. 4 (November 30, 2016): 1. http://dx.doi.org/10.21084/jmball.2016.11.34.4.1.

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11

Shapiro, Brendan L. "F. Scott Fitzgerald's TENDER IS THE NIGHT: Nicole Diver's Secret History." Explicator 74, no. 3 (July 2, 2016): 156–60. http://dx.doi.org/10.1080/00144940.2016.1203750.

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12

West, James L. W., Joe Greenwell, Justin Mellette, David J. McConnell, Robert Birdwell, Michael Maguire, Derek Lee, et al. "Reading Tender Is the Night as a Serial Text." F. Scott Fitzgerald Review 12, no. 1 (October 1, 2014): 1–12. http://dx.doi.org/10.5325/fscotfitzrevi.12.1.1.

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13

Othman, Amna A. "Autobiographical and Cultural Influences in F. Scott ‎Fitzgerald's ‘Tender is the Night’‎." Cihan University-Erbil Journal of Humanities and Social Sciences 6, no. 1 (March 30, 2022): 83–86. http://dx.doi.org/10.24086/cuejhss.v6n1y2022.pp83-86.

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Like most of his contemporaries of the American men of letter who spent long years as expatriates in Europe, F. Scott Fitzgerald's most works are influenced by either autobiographical elements or some philosophical, scientific and historical sources, which are put together in terms of "cultural elements". The main sources and material of Fitzgerald's fictional works in general and in ‘‘Tender is the Night’’ in particular are those of autobiographical and cultural influences that played major roles in setting the environments, delineating the characters and suggesting the themes of his works. The present paper sheds light on the autobiographical influences on Fitzgerald's ‘‘Tender is the Night’’ besides the impact of the writer's readings in history, philosophy and poetry in making and shaping this novel. Key words: Fitzgerald, autobiographical, philosophical, Dick Diver, Nicole.
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14

Zhou, Lingmin. "Rationality’s Confrontation with Irrationality-A Philosophical Thought About Tender Is the Night." Asian Social Science 15, no. 2 (January 30, 2019): 159. http://dx.doi.org/10.5539/ass.v15n2p159.

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F. Scott Fitzgerald’s Tender Is the Night vividly presents us a picture of western world in 1917-1930. In the book, Dick’s fall, incestuous behaviors and war’s effects on people all show that western world is occupied by irrationality and rationality is confronted with irrationality. This phenomenon arouses us to rethink about western civilization, even human nature and hurries us to best ourselves.
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15

SWANN, CHARLES. "A FITZGERALD DEBT TO KEATS? FROM ‘ISABELLA’ INTO TENDER IS THE NIGHT." Notes and Queries 37, no. 4 (December 1, 1990): 437–38. http://dx.doi.org/10.1093/nq/37-4-437.

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16

Houlding, Sybil. "Tender Is the Night: ROMANTIC TRAGEDY OR THE TRAGEDY OF BOUNDARY VIOLATIONS?" Psychoanalytic Quarterly 78, no. 2 (April 2009): 533–58. http://dx.doi.org/10.1002/j.2167-4086.2009.tb00403.x.

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17

McGowan, Philip. "Tender Is the Night & F. Scott Fitzgerald's Sentimental Identities." F. Scott Fitzgerald Review 13, no. 1 (October 1, 2015): 270–73. http://dx.doi.org/10.5325/fscotfitzrevi.13.1.270.

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18

Rennie, David. "“The world only exists through your apprehension”: World War I in This Side of Paradise and Tender Is the Night." F. Scott Fitzgerald Review 14, no. 1 (November 1, 2016): 181–97. http://dx.doi.org/10.5325/fscotfitzrevi.14.1.181.

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Abstract Scholars have spoken of Tender Is the Night as marking Fitzgerald's most “mature” representation of World War I in his fiction. This article, however, argues that all of the main facets of Fitzgerald's depiction of World War I in Tender Is the Night can be identified in his first novel, This Side of Paradise. Amory Blaine, like Dick Diver, is given to questioning the significance of the war, concluding as he does that it has resulted in a profound and irrevocable severance between his and preceding generations. Amory and Dick are further linked by the ways in which their self-conception is simultaneously challenged and empowered by World War I. Although divorced from the stability of the pre-war world, Amory and Dick appropriate the war, as they understand it, as a powerful new means of conceptualizing themselves and the generation to which they belong. The article concludes by arguing that This Side of Paradise and Tender Is the Night are further connected by Fitzgerald's incorporation of characters that hold readings of the war that contrast with those offered by the protagonist, a strategy that accentuates the subjectivity of Amory and Dick's views.
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19

Dai, Hongbin. "“Tender Is the Night” and F. Scott Fitzgerald’s Sentimental Identities by Chris Messenger." Modernism/modernity 22, no. 4 (2015): 846–48. http://dx.doi.org/10.1353/mod.2015.0056.

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20

Stalter-Pace, Sunny. "Tender is the Night & F. Scott Fitzgerald's Sentimental Identities by Chris Messenger." Alabama Review 70, no. 1 (2017): 91–94. http://dx.doi.org/10.1353/ala.2017.0006.

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21

Anderson, Michael. ""So Much Fun—So Long Ago": F. Scott Fitzgerald'S Tender Is the Night." Hopkins Review 12, no. 2 (2019): 206–21. http://dx.doi.org/10.1353/thr.2019.0032.

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22

Keshmiri, Fahimeh, and Mina Mahdikhani. "Tender is the Night: The Historical Configuration of the Failure of the American Dream." Theory and Practice in Language Studies 6, no. 2 (February 14, 2016): 346. http://dx.doi.org/10.17507/tpls.0602.16.

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23

SHAHMURADYAN, ANAHIT, and ANNA HARUTYUNYAN. "IDEA OF THE AMERICAN DREAM IN F. SCOTT FITZGERALD’S NOVEL “TENDER IS THE NIGHT”." Main Issues Of Pedagogy And Psychology 15, no. 3 (December 19, 2017): 147–53. http://dx.doi.org/10.24234/miopap.v15i3.238.

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The novel “Tender Is the Night” is one of the most prominent works of F. Scott Fitzgerald. He described his hero Dick as a smart, talented and a person full of spiritual richness, but who was unable to prevent himself from moral degradation. Doctor’s tragedy is not only personal, but also social. The American son of a clergyman who is on the way to becoming a renowned psychologist when he falls in love with Nicole and marries her. Dick is extraordinarily charismatic and graceful at the start of the novel, but eventually falls to his ruin.
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24

Cokal, Susann. "Caught in the Wrong Story: Psychoanalysis and Narrative Structure in Tender Is the Night." Texas Studies in Literature and Language 47, no. 1 (2005): 75–100. http://dx.doi.org/10.1353/tsl.2005.0005.

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25

Baptista, Gregg. "Restoring a Scandal to "The Love Boat": Daddy, Peaches, and Tender Is the Night." F. Scott Fitzgerald Review 4, no. 1 (January 2005): 129–46. http://dx.doi.org/10.1111/j.1755-6333.2005.tb00019.x.

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26

Bilton, Alan. "The Melancholy of Absence: Reassessing the Role of Film in Tender Is the Night." F. Scott Fitzgerald Review 5, no. 1 (January 2006): 28–53. http://dx.doi.org/10.1111/j.1755-6333.2006.tb00031.x.

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27

Pacheco, Gilda. "Nightmare in The kingdom of this world." Revista de Filología y Lingüística de la Universidad de Costa Rica 23, no. 1 (August 30, 2015): 97. http://dx.doi.org/10.15517/rfl.v23i1.20394.

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El presente artículo es un estudio profundo de las novelas Tender ls the Night de F. Scott Fitzgerald y El reino de este mundo de Alejo Carpentier. Se analiza la relación europeo americana, los personajes, las imágenes, los acontecimientos históricos y los puntos de vista filosóficos. Además se yuxtaponen los ambientes variados que se presentan en ambas novelas y con esto, las similitudes y diferencias discutidas convergen en una misma reversión rnitica: el legado de posibilidades edénicas del continente americano. The present article is a thorough study of the novel s Tender ls the Night by F. Scott Fitzgerald and El reino de este mundo [The Kingdom of This World] by Alejo Carpentier. By analyzing the European-American relationship, characters, imagery patterns, historical events and philosophical views, and by juxtaposing the varied milieus depicted in both works, the similitudes and differences discussed converge into a similar mythical reversal: the demise of Edenic possibilities on the American continent.
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28

Bertrand, Joan. "Translating Non-Idiomatic Phrasal Verbs into French: Examples from Dubliners and Tender Is the Night." Palimpsestes, Hors série (September 1, 2006): 331–54. http://dx.doi.org/10.4000/palimpsestes.415.

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29

Käck. "Besides Zurich and Beyond Europe: Decentering Euro-Centrism in Tender Is the Night." F. Scott Fitzgerald Review 15, no. 1 (2017): 34. http://dx.doi.org/10.5325/fscotfitzrevi.15.1.0034.

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30

KELLER, SUSAN L. "The Riviera's Golden Boy: Fitzgerald, Cosmopolitan Tanning, and Racial Commodities in Tender Is the Night." F. Scott Fitzgerald Review 8, no. 1 (September 16, 2010): 130–59. http://dx.doi.org/10.1111/j.1755-6333.2010.01013.x.

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31

KELLER, SUSAN L. "The Riviera's Golden Boy: Fitzgerald, Cosmopolitan Tanning, and Racial Commodities in "Tender Is the Night"." F. Scott Fitzgerald Review 8, no. 1 (January 1, 2010): 130–59. http://dx.doi.org/10.2307/fscotfitzrevi.8.2010.0130.

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32

Krajewska, Anna. "Dramaturgia pojęć." Przestrzenie Teorii, no. 36 (December 15, 2021): 7–13. http://dx.doi.org/10.14746/pt.2021.36.0.

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The article is an introduction to the dramaturgies in contemporary humanities and focuses on the problem of the dramaturgy of concepts. Using Olga Tokarczuk’s example of the “tender narrator” and Wisława Szymborska’s poem Night, it shows different ways of creating attitudes towards the disintegration of the vision of the world based on the topos of the Book.
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33

Esteve, Nuria, and Rafael Huertas. "Zelda and Scott Fitzgerald and psychoanalysis: The construction of Tender Is the Night (1934)." Culture & History Digital Journal 7, no. 1 (July 6, 2018): 011. http://dx.doi.org/10.3989/chdj.2018.011.

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This article analyzes the biographical and contextual elements which enabled Fitzgerald to incorporate the psychiatry of the time into Tender Is the Night (1934). The content of the novel is linked to Zelda Fitzgerald’s mental illness and her admission to a Swiss psychiatric clinic in 1930. It also identifies the parallels between the doctors who treated the couple and those that appear in the novel, examining the elements used to construct fictional characters inspired by major figures in psychiatry during this period, including Oscar Forel, Eugen Bleuler and Carl Gustav Jung. Lastly, it evaluates the weight and significance of the discourse and the psychiatric and psychoanalytic concepts utilized by Fitzgerald in the novel.
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34

Ullrich, David W. "Reconstructing Fitzgerald's "Twice-Told Tales": Intertextuality in This Side of Paradise and Tender Is the Night." F. Scott Fitzgerald Review 3, no. 1 (January 2004): 43–71. http://dx.doi.org/10.1111/j.1755-6333.2004.tb00004.x.

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35

Chard-Hutchinson, Martine, and Christine Raguet-Bouvart. "L’évolution de la problématique de la corporéité dans The Great Gastby et Tender is the Night." Revue Française d'Etudes Américaines 55, no. 1 (1993): 83–93. http://dx.doi.org/10.3406/rfea.1993.1487.

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36

Pamela A. Boker. "Beloved Illness: Transference Love as Romantic Pathology in F. Scott Fitzgerald's Tender Is the Night." Literature and Medicine 11, no. 2 (1992): 294–314. http://dx.doi.org/10.1353/lm.2011.0225.

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37

Joseph, Tiffany. ""Non-Combatant's Shell-Shock": Trauma and Gender in F. Scott Fitzgerald's Tender Is the Night." NWSA Journal 15, no. 3 (2003): 64–81. http://dx.doi.org/10.1353/nwsa.2004.0010.

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38

Mitaitė, Donata. "The Cycle of Poems by Alfonsas Maldonis “On the Bright and Tender Night in August” and its Contexts." Žmogus ir žodis 16, no. 2 (December 20, 2014): 33–42. http://dx.doi.org/10.15823/zz.2014.032.

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39

Hook, A. "Short notice. Reader's companion to F Scott Fitzgerald's Tender is the Night. Matthew J Bruccoli, Judith S Baughman." Review of English Studies 49, no. 194 (May 1, 1998): 255. http://dx.doi.org/10.1093/res/49.194.255.

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40

MESSENGER, CHRIS. "“How Many Women Is Power”:Dickens’s Sarah Gamp and Fitzgerald's Resentful Care-Taking in Tender Is the Night." F. Scott Fitzgerald Review 8, no. 1 (September 16, 2010): 160–80. http://dx.doi.org/10.1111/j.1755-6333.2010.01037.x.

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MESSENGER, CHRIS. ""How Many Women Is Power": Dickens's Sarah Gamp and Fitzgerald's Resentful Care-Taking in "Tender Is the Night"." F. Scott Fitzgerald Review 8, no. 1 (January 1, 2010): 160–80. http://dx.doi.org/10.2307/fscotfitzrevi.8.2010.0160.

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42

Stepien, Aneta. "Polish Literary Reckoning of the Post-WWII Population Resettlement: the Lens of “Tender Narrator”." Review of European Studies 14, no. 2 (March 17, 2022): 1. http://dx.doi.org/10.5539/res.v14n2p1.

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This article investigates two literary texts, House of Day, House of Night (2002) by Olga Tokarczuk and Piaskowa Góra [Sand Mountain] (2009) by Joanna Bator and how they overcome the divisive and politicized narration of the post-WWII population expulsions and resettlement in Poland. The article argues that by employing the “tender narrator,” (Tokarczuk, 2019) e.g. directing readers’ attention to the former German items of everyday use and their stories, the writers create a more empathetic version of this period of history, thus recovering the memories of the, largely silenced, Polish and German experiences of displacement. Adopting postcolonial approaches, the article draws from affect theories and studies of how displaced populations relate emotionally to the changing material environment (Svašek, 2012) to examine the attitudes and emotions of the Poles dealing with the objects, landscape and property of the German deportees. These texts raise important questions about the foundations of the communities in the Polish-German borderlands, and their wider implications for Polish-German relations.
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43

Bain, Caroline L., Douglas J. Parker, Christopher M. Taylor, Laurent Kergoat, and Françoise Guichard. "Observations of the Nocturnal Boundary Layer Associated with the West African Monsoon." Monthly Weather Review 138, no. 8 (August 1, 2010): 3142–56. http://dx.doi.org/10.1175/2010mwr3287.1.

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Abstract A set of nighttime tethered balloon and kite measurements from the central Sahel (15.2°N, 1.3°W) in August 2005 were acquired and analyzed. A composite of all the nights’ data was produced using boundary layer height to normalize measured altitudes. The observations showed some typical characteristics of nocturnal boundary layer development, notably a strong inversion after sunset and the formation of a low-level nocturnal jet later in the night. On most nights, the sampled jet did not change direction significantly during the night. The boundary layer thermodynamic structure displayed some variations from one night to the next. This was investigated using two contrasting case studies from the period. In one of these case studies (18 August 2005), the low-level wind direction changed significantly during the night. This change was captured well by two large-scale models, suggesting that the large-scale dynamics had a significant impact on boundary layer winds on this night. For both case studies, the models tended to underestimate near-surface wind speeds during the night, which is a feature that may lead to an underestimation of moisture flux northward by models.
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Gunnar De Boel. "Junkermann by M. Karagatsis: A Greek Great Gatsby and Tender is the Night." Journal of Modern Greek Studies 27, no. 1 (2009): 55–79. http://dx.doi.org/10.1353/mgs.0.0055.

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45

Singh, Bir, Luke Haley, Jamie Nightengale, Won Hee Kang, Candace H. Haigler, and A. Scott Holaday. "Long-term night chilling of cotton (Gossypium hirsutum) does not result in reduced CO2 assimilation." Functional Plant Biology 32, no. 7 (2005): 655. http://dx.doi.org/10.1071/fp05018.

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The aim of this study was to characterise the response of CO2 assimilation (A) of cotton (Gossypium hirsutum L.) to short- and long-term exposures to night chilling. We hypothesised that short-term exposures to night chilling would induce reductions in gs and, therefore, A during the following days, while growth of cotton plants for several weeks in cool night conditions would cause elevated leaf carbohydrate content, leading to the down-regulation of the capacity for A. Transferring warm-grown seedlings of wild type cotton, transgenic cotton with elevated sucrose-phosphate synthase activity (SPS+) that might produce and export more sucrose from the leaf, and a segregating null to cool nights (9°C minimum) for 1 or 2 d caused a small reduction in A (12%) and gs (21–50%) measured at 28°C. Internal CO2 did not change, suggesting some biochemical restriction of A along with a gs restriction. After 30 d, new leaves that developed in cool nights exhibited acclimation of A and partial acclimation of gs. Despite the elevated leaf carbohydrate content when plants were grown to maturity with night chilling, no reduction in A, gs, carboxylation capacity, electron transport capacity, or triose-phosphate utilisation capacity occurred. Instead, growth in cool nights tended to retard the diminishing of photosynthetic parameters and gs for aging stem and subtending leaves. However, elevated SPS activity did not affect any photosynthetic parameters. Therefore, when cotton that is well fertilised with nitrogen is grown with continuous night chilling, photosynthesis should not be negatively affected. However, an occasional exposure to cool nights could result in a small reduction in A and gs for leaves that have developed in warm night conditions.
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Delcourt, Charlotte, Jean Cyr Yombi, and Halil Yildiz. "Man with bilateral inguinal lymphadenopathy." Emergency Medicine Journal 35, no. 8 (July 20, 2018): 522.1–522. http://dx.doi.org/10.1136/emermed-2017-207337.

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Clinical introductionA 37-year-old man with history of lymph node tuberculosis presented with bilateral inguinal swelling with night sweats but no fever for 2 weeks. He had a cat but he had no history of scratches. He had an extraconjugal sexual intercourse a few weeks before. Physical examination revealed 5 cm tender, erythematous and painful bilateral inguinal adenopathy (figure 1A) and a small ulceration at the base of the penis (figure 1B). Vital signs were normal.Figure 1(A) Inguinal lymphadenopathy. (B) Ulceration at the base of the penis.QuestionWhat is the most likely diagnosis?ToxoplasmosisTuberculosisCat-scratch diseaseLymphogranuloma venereumSyphilis
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47

Callahan, John F. "F. Scott Fitzgerald's Evolving American Dream: The "Pursuit of Happiness" in Gatsby, Tender Is the Night, and The Last Tycoon." Twentieth Century Literature 42, no. 3 (1996): 374. http://dx.doi.org/10.2307/441769.

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48

Bochkovskaya, A. V. "BALBIR MADHOPURI. KORE KĀĠAZ KĪ GAHRĪ LIKHAT / INSCRIPTIONS ON A TENDER MIND (A CHAPTER FROM CHĀNGIĀ RUKH / AGAINST THE NIGHT)." Journal of the Institute of Oriental Studies RAS, no. 3 (13) (2020): 249–64. http://dx.doi.org/10.31696/2618-7302-2020-3-249-264.

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The commented translation from Hindi of a chapter from the Chāṅgiā rukh (Against the Night) autobiography (2002) by Balbir Madhopuri, a renowned Indian writer, poet, translator, journalist and social activist, brings forward episodes from the life of low-caste inhabitants of a Punjab village in the 1960–1970s. Following the school of hard knocks of his childhood in the chamar quarter of Madhopur, a village in Jalandhar district, Balbir Madhopuri managed to receive a good education and take to literature. In 2014 he was awarded the Translation Prize from India’s Sahitya Academy for contribution to the development and promotion of Punjabi, his mother language. Narrating the story, Balbir Madhopuri shares memories, thoughts and emotions from early days that determined his motivations to struggle against poverty, deprivation and injustice. The chapter Kore kāġaz kī gahrī likhat (Inscriptions on a Tender Mind [Madhopuri, 2010]) tells readers about joys and sorrows, hopes and fears, delights and regrets that were part of his childhood in Madhopur. Scenes from everyday life in the home village, episodes highlighting complex relations between its inhabitants — predominantly Sikhs and Hindus — intertwine with Balbir Madhopuri’s reflections on social oppression and caste inequality that still remain in contemporary India’s society. This commented translation is the third in a series of four chapters from Balbir Madhopuri’s autobiography scheduled for publication in this journal in 2020.
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49

Embree, C. G., E. N. Estabrooks, and H. Y. Ju. "Blackheart in a Tender Apple Cultivar is Not Influenced by Using a Hardy Frame." HortScience 35, no. 4 (July 2000): 604–7. http://dx.doi.org/10.21273/hortsci.35.4.604.

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To determine the effects of rootstock and frameworking on hardiness, `Gravenstein' apple, which is not winter hardy, was grafted on trees frameworked with the hardy genotypes `Budagovsky 9' (B. 9), `Lobo', Kentville Stock Clone (KSC 28), or `Dudley', all of which were propagated on either `Beautiful Arcade' (BA) seedlings or on `Alnarp 2' (A. 2) rootstocks. For comparison, `Dudley' was grafted on `Dudley' frames propagated on both rootstocks. Growth after 8 years was greatest at Kentville; `Gravenstein' was larger than `Dudley', although when grafted, it was 40% smaller on the dwarf B. 9 than on the `Lobo' frame. On one night in Feb. 1993, all sites recorded temperatures below –30 °C. Blackheart was therefore measured in the rootstock trunk, framebuilder, and scion to document the resistance to this sublethal winter injury. Trees at the two colder sites, Truro and Centreville, had more blackheart than did those at the milder site. The percentage of blackheart in the trunk and frame was greatest for B. 9 and least for KSC 28. The tender scion, `Gravenstein', exhibited extensive blackheart regardless of site, rootstock, or the hardiness of the frame. The hardy scion, `Dudley', had some blackheart in the colder locations but none at Kentville. Blackheart levels in `Gravenstein' were very high on the framebuilder B. 9, and while generally less with the other hardy framebuilders, they were still high. While the hardy frames may have helped improve the survival of this cultivar, they did not change its hardiness status relative to `Dudley', even when `Dudley' was one of the hardy framebuilders.
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50

Jones, Ian L., Anthony J. Gaston, and J. Bruce Falls. "Factors affecting colony attendance by Ancient Murrelets (Synthliboramphus antiquus)." Canadian Journal of Zoology 68, no. 3 (March 1, 1990): 433–41. http://dx.doi.org/10.1139/z90-064.

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Abstract:
We studied factors influencing variation in nightly levels of activity (birds arriving and vocalizing) and numbers of birds staging offshore at a colony of Ancient Murrelets at Reef Island, British Columbia, during 1984, 1985, and 1986. Activity was restricted to the hours of darkness and extremely variable in magnitude from night to night. The rate of entry into burrows tended to decrease, and the amount of vocalization and numbers of birds at the staging area increased during the nesting season. We detected an underlying 4-day cyclical pattern of attendance. Nightly variability of activity at the colony was affected by moonlight and weather conditions. Since activity, particularly vocalization, was reduced on moonlit nights, we suggest that nocturnal colony attendance is a strategy to avoid diurnal predators in this species. The largest numbers of birds were present and vocalizing at the colony on calm moonless nights. Weather conditions explained a substantial proportion of the night to night variability in murrelet activity. Among weather variables, wind speed had the most consistent effect and was particularly important in 1985. Both short-term, i.e., of a particular night, and long-term, i.e., over the previous 3 days, conditions influenced activity. Our observations suggest that direct weather effects at the colony may be more important than weather effects related to foraging conditions. Interyear differences in activity may have resulted from the interaction of weather and general foraging conditions.
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