Relevant bibliographies by topics / Tennyson, Alfred Tennyson – Baron , 1809-1892

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Academic literature on the topic 'Tennyson, Alfred Tennyson – Baron , 1809-1892'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Tennyson, Alfred Tennyson – Baron , 1809-1892"

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Dr. Upendra Kumar. "Reinterpretation of Alfred Lord Tennyson’s Selected Poetry: A Thematic Analysis." Creative Launcher 5, no. 3 (2020): 124–29. http://dx.doi.org/10.53032/tcl.2020.5.3.17.

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Alfred Lord Tennyson was the most loved and acclaimed poet of the Victorian Era. He was born on 06 August 1809 in Somersby, Lincolnshire, England. He belonged to an influential family as his father was a clergyman having a large family. Alfred Lord Tennyson had 11 siblings and he showed his interest for writing in his early age. When he was merely thirteen years old, he wrote a 6000-line poem in epic style. His father was suffering from mental breakdowns and had an addiction for alcoholism. One of Tennyson’s brothers would quarrel with his father and another was sent to mental asylum. One more
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Soto Delgado, Rocío. "“Harta de sombras estoy”. La Dama de Shalott de Alfred Tennyson como metáfora del ideal de feminidad victoriano y su reflejo en el imaginario pictórico decimonónico." Revista Eviterna, no. 8 (September 22, 2020): 250–67. http://dx.doi.org/10.24310/eviternare.vi8.9838.

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En un clima de revivalismo medieval y recuperación de la tradición artúrica, Alfred Tennyson (1809-1892) escribe en 1833 el que se convertiría en uno de sus poemas más célebres, La Dama de Shalott. En él, recuperaría la figura de la Doncella de Astolat creada por Sir Thomas Malory en La muerte de Arturo (1485). Pronto se convertiría en una de las heroínas paradigmáticas del poeta y uno de los motivos iconográficos preferidos de artistas prerrafaelitas y victorianos del siglo XIX y principios del XX. Tanto el poema como las imágenes, se tomaron como ilustraciones de actitudes victorianas hacia
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M. Fahmi Saeed , Ismael, and Lanja A. Dabbagh. "History and Language in Tennyson’s Tragedy Harold (1876)." Al-Adab Journal, no. 128 (March 15, 2019): 67–76. http://dx.doi.org/10.31973/aj.v0i128.416.

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Alfred Tennyson (1809- 1892) wrote a compact, action- packed, historical, patriotic, and a pioneering tragedy inspired by the Norman Conquest of England entitled Harold in 1876. It is based on the facts regarding the events leading to the Battle of Hastings in 1066. Tennyson has been, so far, the only man- of- letters to have dramatized this chapter of British history in a tragedy, even though he has never been the only writer to have paid attention to this turning- point in the destiny of his homeland. This tragedy focuses on the personal conflict between Harold Godwinson (1022- 1066) and Wil
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Bartilotti Machado, Alexandre. "TRADUZINDO LORD ALFRED TENNYSON." REVISTA LIBERTAÇÃO - A FILOSOFIA, A EDUCAÇÃO E SUAS INTERFACES 2, no. 1 (2021). http://dx.doi.org/10.48098/refiedi.v2i1.245.

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Nosso objetivo aqui é o de expor uma tradução do poema Ulysses (1842), de Lord Alfred Tennyson (1809-1892). Uma tradução de Ulysses nos parece importante para termos mais uma fonte para investigar as relações entre estudos de gênero, história das mentalidades e representações literárias 1) na Antiguidade homérica e 2) numa relação dialética entre o tempo no qual o poema se passa e o tempo no qual ele é produzido, a Modernidade oitocentista.
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Koy, Christopher E. "Revising Alfred, Lord Tennyson: A Closer Look at Two Color Line Stories “The Wife of His Youth” and “Cecily’s Dream” by Charles W. Chesnutt." Primerjalna književnost 44, no. 3 (2021). http://dx.doi.org/10.3986/pkn.v44.i3.09.

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This article explores an African American writer’s revision of a famous English poet Tennyson whose versified medieval portrait of the Arthurian legend appears in Idylls of the King as well as other poems. The Wife of His Youth and Other Stories of the Color Line (1899), a story collection by African American author Charles Chesnutt (1858–1932), addresses parameters contextualized in the aftermath of slavery such as esthetic notions of beauty tied to whiteness and intra-racial inequality. The final failure of two protagonists, a man and a woman, to fulfill their romantic aspirations of whitene
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Farias, Lucas Pinheiro Tenório Farias Pinheiro Tenório. "A Lady de Shalott também é brasileira: uma análise socioantropológica sobre o poema “The Lady of Shalott” como registro na denúncia da violência psicológica contra a mulher." Sociologias Plurais 9, no. 1 (2023). http://dx.doi.org/10.5380/sclplr.v9i1.89594.

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Este artigo objetiva fazer uma reflexão sobre as diferentes formas de violência a que as mulheres foram submetidas no mundo ocidental através da análise do registro poético The Lady of Shalott escrito em 1833 por Alfred Tennyson (1809-1892), que representa um dos mais importantes documentos acerca do cenário de opressão feminina durante o século XIX e, a partir dele, traçar uma correlação com a atual situação de violência psicológica a que grande parte das mulheres brasileiras ainda vêm sendo submetidas, dentro dos mais variados espaços da estrutura social. Adjunto a isso, busca-se discutir o
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Dissertations / Theses on the topic "Tennyson, Alfred Tennyson – Baron , 1809-1892"

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Kang, Sang Deok. "Tennyson's Lyricism: The Aesthetic of Sorrow." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278413/.

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The primary purpose of this study is to show that anticipations of the "art for art's sake" theory can be found in Tennyson's poetry which is in line with the tenets of aestheticism and symbolism, and to show that Tennyson's lyricism is a "Palace of Art" in which his tragic emotions-- sadness, sorrow, despair, and melancholic sensibility--were built into beauty.
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Guidici, Cynthia (Cynthia Dianne). "Iconic Ida: Tennyson's The Princess and Her Uses." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc277631/.

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Alfred Lord Tennyson's The Princess: A Medley has posed interpretative difficulties for readers since its 1847 debut. Critics, editors, and artists contemporary with Tennyson as well as in this century have puzzled over the poem's stance on the issue of the so-called Woman Question. Treating Tennyson as the first reader of the poem yields an understanding of the title character, Princess Ida, as an ambassador of Tennyson's optimistic and evolutionary views of human development and links his work to that of visionary educators of nineteenth-century England. Later artists, however, produced adap
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Abaurre, Maria Luiza Marques. "A materia de Bretanha no seculo XIX : Alfred Tennyson e Mack Twain na corte do rei Arthur." [s.n.], 1993. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270000.

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Orientador: Yara Frateschi Vieira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-07-18T07:12:55Z (GMT). No. of bitstreams: 1 Abaurre_MariaLuizaMarques_M.pdf: 5360910 bytes, checksum: f9c3d6cf3762f54e4da6e93c50a0c136 (MD5) Previous issue date: 1993<br>Resumo: Não tem resumo na obra impressa. Base IEL resumo: Leitura comparativa de duas refacções da matéria de Bretanha produzidas no século XIX: Idylls of the King, de Alfred Tennyson, e A Connecticut Yankec in King Arthur's Court, de Samuel Langhorne Clemens (
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Louw, Denise Elizabeth Laurence. "A study of the numinous presence in Tennyson's poetry." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1005891.

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From Preface: A reader looking to this study for a charting of the diverse religious views held by Tennyson at different periods in his life may be disappointed. My primary concern has been not with religious forms, but with the numinous impulse. However, though I approached the topic with a completely open mind, I find my own Christian convictions have been strengthened through the study of Tennyson's poetry. As the title indicates, I have not attempted to deal with the plays. To explore both the poetry and the plays in a study of this length would have been impossible. I have perhaps been so
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Torrence, Avril Diane. "The people's voice : the role of audience in the popular poems of Longfellow and Tennyson." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/32172.

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At the height of their popularity in the mid-nineteenth century, a vast transatlantic readership conferred on Longfellow and Tennyson the title "The People's Poet." This examination of Anglo-American Victorian poetry attempts to account for that phenomenon. A poetic work is first defined as an aesthetic experience that occurs within a triangular matrix of text, author, and reader. As reception theorist Hans Robert Jauss contends, both the creator's and the receptor's aesthetic experiences are filtered through a historically determined "horizon of expectations" that governs popular appeal. A
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Falconer, Marc Stuart. "A study of Tennyson's Idylls of the King." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002280.

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This thesis is a study of themes and genre in Tennyson's Idylls of the King. I have not attempted to present a survey of the body of critisicm on the cycle, nor have I attempted a comprehensive comparison of the poem with any of Tennyson's sources. The first chapter is based on A. Fowler's study of genres and I follow the implications of his work in my reading of the Idylls. Tennyson blends various generic strands in his cycle, in particular allegory, epic, dramatic monologue and the Alexandrian idyll, to create a complex psychological allegory of epic scope which both draws on traditional gen
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Holloway, Tamara C. ""All Is Well": Victorian Mourning Aesthetics and the Poetics of Consolation." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12141.

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viii, 214 p.<br>In this study, I examine the various techniques used by poets to provide consolation. With Tennyson's In Memoriam, I explore the relationship between formal and thematic consolation, i.e., the ways in which the use of formal elements of the poem, particularly rhyme scheme, is an attempt by the poet to attain and offer consolation. Early in his laureateship after the Duke of Wellington's funeral, Tennyson wrote "Ode on the Death of the Duke of Wellington," but this poem failed to meet his reading audience`s needs, as did the first major work published after Tennyson was named Po
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Louw, Denise Elizabeth Laurence. "A literary study of paranormal experience in Tennyson's poetry." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002292.

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My thesis is that many of Tennyson's apparently paranormal experiences are explicable in terms of temporal lobe epilepsy; and that a study of the occurrence, in the work of art, of phenomena associated with these experiences, may be useful in elucidating the workings of the aesthetic imagination. A body of knowledge relevant to paranormal experience in Tennyson's life and work, assembled from both literary and biographical sources, is applied to a Subjective Paranormal Experience Questionnaire, compiled by Professor V.M. Neppe, in order to establish the range of the poet's apparently "psychic"
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Picy, Jean-Baptiste. "L'imaginaire de Tennyson, 1820-1892." Paris 4, 1997. http://www.theses.fr/1997PA040087.

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Ces travaux de recherche concernent le domaine des études victoriennes, au travers d'un éminent victorien s'il en fut, le poète lauréat Alfred, Lord Tennyson (1809-1892). Ainsi que l'indique son titre, "l'imaginaire de Tennyson, 1820-1892" a pour objet précis un domaine de la poétique: l'imaginaire. Par une étude de l'œuvre en six parties chronologiques, la thèse analyse les images poétiques sous tous leurs aspects: la symbolique, la métaphore, la psychologie, la portée idéologique, la dimension picturale, l'insertion dans l'histoire littéraire. La thèse tend à démontrer: 1) que Tennyson révèl
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Theoden, Haude. "Les cycles de l’écriture dans l’œuvre poétique d’Alfred Tennyson : répétitions et différences." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040246.

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L’œuvre poétique d’Alfred Tennyson est cyclique. La répétition des mots, des thèmes et des personnages lui confère une dimension autoréférentielle. Le retour des refrains crée un effet de ressassement formel. Cette œuvre se concentre sur elle-même au point de s’affranchir des formes et des genres poétiques existants, à la recherche d’un langage qui lui est propre. L’écriture se prend elle-même pour objet et pour fin. La mélancolie au cœur de bien des poèmes devient un prétexte à écrire toujours plus car la dynamique de la sublimation mélancolique s’apparente au fonctionnement même du langage p
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Books on the topic "Tennyson, Alfred Tennyson – Baron , 1809-1892"

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Jordan, Elaine. Alfred Tennyson. Cambridge University Press, 1988.

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Thorn, Michael. Tennyson. Abacus, 1993.

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Levi, Peter. Tennyson. Macmillan, 1994.

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Mazzeno, Laurence W. Alfred Tennyson: The critical legacy. Camden House, 2004.

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Norman, Page, ed. Tennyson: Interviews and recollections. Macmillan, 1985.

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Albright, Daniel. Tennyson: The muses' tug-of-war. University Press of Virginia, 1986.

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Tennyson, Tennyson Alfred. Tennyson, the manuscripts in the minor collections and the indexes for the Tennyson archive. Garland, 1993.

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Pinion, F. B. A Tennyson chronology. Macmillan, 1990.

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Shaw, Marion. An annotated critical bibliography of Alfred, Lord Tennyson. Harvester Wheatsheaf, 1989.

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Ricks, Christopher B. Tennyson. 2nd ed. University of California Press, 1989.

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Book chapters on the topic "Tennyson, Alfred Tennyson – Baron , 1809-1892"

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Bauer, Mark S. "Alfred Tennyson (1809–1892)." In A Mind Apart. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336405.003.0052.

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Abstract from “In Memoriam” III O Sorrow, cruel fellowship, O Priestess in the vaults of Death, O sweet and bitter in a breath, What whispers from thy lying lip? “The stars,” she whispers, “blindly run; A web is wov’n across the sky; From out waste places comes a cry, And murmurs from the dying sun: “And all the phantom, Nature, stands— With all the music in her tone, A hollow echo of my own,— A hollow form with empty hands.” And shall I take a thing so blind, Embrace her as my natural good; Or crush her, like a vice of blood, Upon the threshold of the mind? IV To Sleep I give my powers away; My will is bondsman to the dark; I sit within a helmless bark, And with my heart I muse and say: O heart, how fares it with thee now, That thou should’st fail from thy desire, Who scarcely darest to inquire, “What is it makes me beat so low?”
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"Alfred, Lord Tennyson (1809–1892)." In The Longman Anthology of Gothic Verse. Routledge, 2014. http://dx.doi.org/10.4324/9781315834023-45.

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"Alfred, Lord Tennyson (1809–1892)." In London. Harvard University Press, 2015. http://dx.doi.org/10.2307/j.ctv22jnsm7.86.

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"Alfred, Lord Tennyson (1809–1892) from In Memoriam." In London. Harvard University Press, 2015. http://dx.doi.org/10.4159/9780674273702-136.

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