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Journal articles on the topic 'Tennyson, Alfred Tennyson'

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Published: 4 June 2021

Last updated: 16 February 2022

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1

Carlyle, T. "TC TO ALFRED TENNYSON." Carlyle Letters Online 15, no. 1 (1987): 216–17. http://dx.doi.org/10.1215/lt-18421207-tc-at-01.

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2

M. Hussein, M. A. Amani. "A Pragmatic Analysis of Oxymoron in Poetry: Tennyson’s “Lancelot and Elaine” as an Example." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 59, no. 4 (2020): 1–16. http://dx.doi.org/10.36473/ujhss.v59i4.1202.

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This paper purports to explore aspects of implied meaning carried out through the vehicle of oxymoron, which is a figure of speech that juxtaposes two contradictory words (or strings of words) in order to point to a curious fact or a beguiling statement. The different types of oxymoron are studied in this paper in accordance with a pragmatic approach that, though taking into consideration the theoretical implications of oxymoron, is primarily interested in practical aspects of the investigation. Grice’s maxims are taken as a point of departure to guide the discussion of both generalized implic

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3

Young-Zook, Monica M. "SONS AND LOVERS: TENNYSON'S FRATERNAL PATERNITY." Victorian Literature and Culture 33, no. 2 (2005): 451–66. http://dx.doi.org/10.1017/s106015030505093x.

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TERRY EAGLETONhas suggested that “the mid-nineteenth century bourgeois state had problems in resolving its Oedipus complex” (76). Eagleton's semi-serious remark certainly holds true for nineteenth-century British culture, which, while supposedly patriarchal in its political structures, features a great number of significant literary narratives in which the paternal parent is either missing, dead, or never mentioned. The poems of Alfred, Lord Tennyson, are no exception. Gerhard Joseph, Christopher Ricks, and Linda Shires, among others, turn to Freudian psychoanalysis, the Oedipal complex, and F

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4

Whissell, Cynthia. "Emotion Conveyed by Sound in the Poetry of Alfred, Lord Tennyson." Empirical Studies of the Arts 20, no. 2 (2002): 137–55. http://dx.doi.org/10.2190/6k4g-lwpq-ray8-67qg.

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The use of sound was studied in several of Tennyson's shorter and better-known poems (e.g., Break, Break, Break and Ulysses) and in In Memoriam A. H. H. Poems were broken down into their component phonemes which were then classified in terms of their emotional character. The emotional character of sounds preferentially employed in each of the shorter poems matched the emotional theme of the poem (e.g., sounds employed in Airy Fairy Lilian and Lady of Shallot were most pleasant, those in Crossing the Bar were least pleasant). The emotional character of sounds preferentially employed in the fina

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5

Siegel, Jonah. "Beauty." Victorian Literature and Culture 48, no. 4 (2020): 745–71. http://dx.doi.org/10.1017/s1060150320000315.

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Alfred Tennyson's poem “The Palace of Art” (1832/1842) is liable to strike the modern reader as all too clear in its meanings. Yet the author evidently feels the need to gloss the theme of the work and to elaborately preview its narrative in a brief poem that he includes with the piece when he sends it to his friend Richard Trench. “I send you here a sort of allegory (For you will understand it),” Tennyson writes in a peculiar formulation that muddies several issues about the aspirations of the work even while expressing certainty about the poem's clarity. The suggestion is that Trench will ha

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6

Batchelor, John. "Alfred Tennyson: Problems of Biography." Yearbook of English Studies 36, no. 2 (2006): 78. http://dx.doi.org/10.2307/20479244.

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7

English, Mary P. "Alfred lord Tennyson as mycophagist." Mycologist 7, no. 2 (1993): 84. http://dx.doi.org/10.1016/s0269-915x(09)80652-6.

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8

Wandana Y, Mhd Ridho. "INTERPRETATION OF POETRY THE CHARGE OF THE LIGHT BRIGADE BY ALFRED, LORD TENNYSON." LINGUISTICA 9, no. 3 (2020): 354. http://dx.doi.org/10.24114/jalu.v9i3.20138.

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This study discusses indirect descriptive expressions in the poem The Charge of the Light Brigade by Alfred, Lord Tennyson use semiotics theory of Riffaterre. This study aims to, (a) to describe the kinds of indirect descriptive expressions used in the poetry The Charge of the Light Brigade by Alfred, Lord Tennyson, (b) to explain the realization of indirect descriptive expressions realized in the poetry The Charge of the Light Brigade by Alfred, Lord Tennyson, (c) to explain the reasons of indirect descriptive expressions realized in the ways they are. This research is a qualitative descripti

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9

Manor, Gal. "Victorian Mages: Robert Browning’s “Pietro of Abano” as a Critical Corollary to Alfred Tennyson’s Merlin." Anglia 137, no. 3 (2019): 395–410. http://dx.doi.org/10.1515/ang-2019-0036.

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Abstract Against the backdrop of Victorian celebrity culture, Robert Browning and Alfred Tennyson conjure the literary trope of the magician in order to convey their poetic choices and to examine the relationship between the poet and his audience. Whereas Browning’s magician, “Pietro of Abano” of Dramatic Idyls (1880), is subversive, odd and persecuted, the Poet Laureate’s Merlin of the Idylls of the King (1859–1875) is acknowledged and well admired. This essay will explore Browning’s Pietro as a critical response to Tennyson’s Merlin, reflecting the complex personal relationship between the t

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10

Wright, Jane. "Tennyson's Name: Identity and Responsibility in the Poetry of Alfred Lord Tennyson." English Studies 92, no. 1 (2011): 111–12. http://dx.doi.org/10.1080/0013838x.2010.518391.

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11

Flatten, Stephen. "Alfred Lord Tennyson: One Century On." Theology 97, no. 779 (1994): 332–44. http://dx.doi.org/10.1177/0040571x9409700503.

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12

Ledbetter, Kathryn. "Alfred Tennyson: The Critical Legacy (review)." Victorian Studies 48, no. 1 (2005): 192–93. http://dx.doi.org/10.1353/vic.2006.0039.

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13

TUCKER, HERBERT. "Review of Seamus Perry, Alfred Tennyson." Nineteenth-Century Literature 61, no. 1 (2006): 110–13. http://dx.doi.org/10.1525/ncl.2006.61.1.110.

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14

Tawfiq, Hatim Hassan. "A Study of the Phonological Poetic Devices of Selected Poems of Robert Browning and Alfred Tennyson." English Language and Literature Studies 10, no. 4 (2020): 16. http://dx.doi.org/10.5539/ells.v10n4p16.

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This paper focuses on the phonological poetic devices found in the poetry of Robert Browning and Alfred Tennyson. It investigates five patterns of phonological poetic devices. The study is based on randomly selected poems from each poet to obtain a representative sample of the particular poetic devices and tabulates the frequency their usage. The poetic devices under investigation are onomatopoeia, assonance, consonance, alliteration, and rhyme. The paper quantitatively analyzes the occurrence of these phonological poetic devices in randomly selected poems from the works of the two poets to a

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15

Naous, Mazen. "The Anglo-Arabic Poetics of “Locksley Hall”: Importation, Oscillation, and Disorientation." Hawliyat 15 (June 26, 2018): 9–40. http://dx.doi.org/10.31377/haw.v15i0.49.

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 Considerable scholarly attention has been given to Alfred Lord Tennyson's poem, "Locksley Hall," in relation to one of its main sources, the "Mu'allaqa" of Imru' al-Qais, but scarcely any has been paid to the comparative aspects of the two poems. This essay engages Tennyson 's debt to the "Mu 'allaqa"—its meter, imagery, and themes— in writing "Locksley Hall, " and traces the modifications of al-Qais's poetics as they travel from one culture to another. The essay argues that Tennyson's borrowing—importing—of the "Mu'allaqa's" more salient poetics reveals much about "Locksley Hall's " sp

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16

Frankel. "Tennyson Transformed: Alfred Lord Tennyson and Visual Culture, edited by Jim Cheshire." Victorian Studies 52, no. 4 (2010): 623. http://dx.doi.org/10.2979/vic.2010.52.4.623.

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17

SOUTHAM, BRIAN. "ALFRED LORD TENNYSON AND MRS JULIA MARGARET CAMERON." Notes and Queries 32, no. 4 (1985): 506—b—506. http://dx.doi.org/10.1093/nq/32-4-506b.

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18

Purton, Valerie. "Alfred Tennyson: Beyond the Academy or within It?" Journal of Victorian Culture 16, no. 3 (2011): 404–16. http://dx.doi.org/10.1080/13555502.2011.611698.

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19

Bickers, Robert. "Paul Cohen, the Boxers, and Alfred, Lord Tennyson." Chinese Historical Review 14, no. 2 (2007): 192–95. http://dx.doi.org/10.1179/tcr.2007.14.2.192.

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20

M. Fahmi Saeed , Ismael, and Lanja A. Dabbagh. "History and Language in Tennyson’s Tragedy Harold (1876)." Al-Adab Journal, no. 128 (March 15, 2019): 67–76. http://dx.doi.org/10.31973/aj.v0i128.416.

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Alfred Tennyson (1809- 1892) wrote a compact, action- packed, historical, patriotic, and a pioneering tragedy inspired by the Norman Conquest of England entitled Harold in 1876. It is based on the facts regarding the events leading to the Battle of Hastings in 1066. Tennyson has been, so far, the only man- of- letters to have dramatized this chapter of British history in a tragedy, even though he has never been the only writer to have paid attention to this turning- point in the destiny of his homeland. This tragedy focuses on the personal conflict between Harold Godwinson (1022- 1066) and Wil

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21

Gray. "Tennyson's Name: Identity and Responsibility in the Poetry of Alfred Lord Tennyson, by Anna Barton." Victorian Studies 51, no. 4 (2009): 761. http://dx.doi.org/10.2979/vic.2009.51.4.761.

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22

de L. Ryals, Clyde, Alfred Lord Tennyson, Cecil Y. Lang, and Edgar F. Shannon. "The Letters of Alfred Lord Tennyson. Volume II: 1851-1870." Modern Language Review 84, no. 2 (1989): 445. http://dx.doi.org/10.2307/3731592.

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23

Morton, John. "LEONEE ORMOND (ed.). The Reception of Alfred Tennyson in Europe." Review of English Studies 68, no. 287 (2017): 1020–22. http://dx.doi.org/10.1093/res/hgx056.

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24

Ahn, Joong-Eun. "Greek and Roman Myths in the Poetry of Alfred Lord Tennyson." British and American Language and Literature Association of Korea 103 (December 16, 2017): 169–92. http://dx.doi.org/10.21297/ballak.2017.127.169.

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25

Clayton, Owen. "We’re All Anglo-Saxons Now: Alfred Tennyson and the United States." Victorian Review 43, no. 1 (2017): 87–110. http://dx.doi.org/10.1353/vcr.2017.0012.

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26

Barbara D. Miller. "La Recepción de Alfred Lord Tennyson en España: Traductores y Traducciones Artúricas. ('The Reception of Alfred Lord Tennyson in Spain: Arthurian Translators and Translations.') (review)." Arthuriana 20, no. 3 (2010): 132–33. http://dx.doi.org/10.1353/art.2010.0003.

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27

Zhatkin, Dmitriy N. ""In Memoriam" by Alfred Tennyson in Russia: issues of reception and study." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 4(36) (August 1, 2015): 101–15. http://dx.doi.org/10.17223/19986645/36/8.

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28

Phelan, Joseph. "“Bloomluxuriance”." Nineteenth-Century Literature 75, no. 1 (2020): 1–23. http://dx.doi.org/10.1525/ncl.2020.75.1.1.

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Joseph Phelan, “‘Bloomluxuriance’: Compound Words in the Poetry of the 1830s and 1840s” (pp. 1–23) The brief interregnum between Romanticism and Victorianism saw the emergence of and retreat from a number of formal and linguistic experiments in poetry. One of the most striking of these is the ostentatious employment of compound words; the early verse of Alfred Tennyson and some of his less-illustrious contemporaries is littered with coinages such as “tendriltwine,” “mellowmature,” and “bloomluxuriance.” The impetus behind this phenomenon came from developments in philology that emphasized the

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29

Miller, Elizabeth Carolyn. "TWILIGHT OF THE IDYLLS: WILDE, TENNYSON, ANDFIN-DE-SIÈCLEANTI-IDEALISM." Victorian Literature and Culture 43, no. 1 (2015): 113–30. http://dx.doi.org/10.1017/s1060150314000370.

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In the climactic finaleto the first act of Oscar Wilde's 1895 playAn Ideal Husband, Gertrude Chiltern convinces her husband, a Member of Parliament, not to support the construction of a boondoggle Argentinean canal. Gertrude, not her husband, is the ostensibly moral character here, since the canal's only purpose is to create wealth for its stockholders, but the language she uses in this impassioned speech quotes Guinevere, the contrite fallen wife in Alfred Tennyson'sIdylls of the King. Near the end of theIdylls, recognizing that her infidelity has occasioned war, turmoil, and the end of Arthu

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30

Quackenbush, Karen Celebrado, and Don Alan Quackenbush. "Stylistics analysis of "The charge of the light brigade" by Alfred lord Tennyson." International Journal of Applied Research 7, no. 2 (2021): 218–23. http://dx.doi.org/10.22271/allresearch.2021.v7.i2d.8275.

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31

Soto Delgado, Rocío. "“Harta de sombras estoy”. La Dama de Shalott de Alfred Tennyson como metáfora del ideal de feminidad victoriano y su reflejo en el imaginario pictórico decimonónico." Revista Eviterna, no. 8 (September 22, 2020): 250–67. http://dx.doi.org/10.24310/eviternare.vi8.9838.

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En un clima de revivalismo medieval y recuperación de la tradición artúrica, Alfred Tennyson (1809-1892) escribe en 1833 el que se convertiría en uno de sus poemas más célebres, La Dama de Shalott. En él, recuperaría la figura de la Doncella de Astolat creada por Sir Thomas Malory en La muerte de Arturo (1485). Pronto se convertiría en una de las heroínas paradigmáticas del poeta y uno de los motivos iconográficos preferidos de artistas prerrafaelitas y victorianos del siglo XIX y principios del XX. Tanto el poema como las imágenes, se tomaron como ilustraciones de actitudes victorianas hacia

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32

Krasner, James. "Doubtful Arms and Phantom Limbs: Literary Portrayals of Embodied Grief." Publications of the Modern Language Association of America 119, no. 2 (2004): 218–32. http://dx.doi.org/10.1632/003081204x21270.

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Theories of grief based on Freud's “Mourning and Melancholia” typically portray mourning as a disembodied process. This essay investigates the literary portrayal of grief in the context of phantom limb pain, a literally embodied, neurological response to loss. By comparing Derrida's image-based discussion of mourning with theories of embodied habit by Merleau-Ponty and of disability by Lennard Davis, this essay investigates the physical apprehension of loss caused by our habitual engagements with the bodies of our loved ones. Virginia Woolf, Mark Doty, Alfred Tennyson, and Donald Hall portray

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33

Pereira, Maria Cristina. "O revivalismo medieval pelas lentes do gênero: as fotografias De Julia Margaret Cameron para a obra the Idylls of the King e outros poemas de Alfred Tennyson." Domínios da Imagem 11, no. 20 (2017): 119. http://dx.doi.org/10.5433/2237-9126.2017v11n20p119.

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Pioneira na arte da fotografia, Julia Margaret Cameron (1815-1879) produziu centenas de retratos e tableaux vivants. Estes últimos, embora inseridos no movimento Pré-Rafaelita então em voga na Inglaterra, davam mostra de uma visão da Idade Média um pouco distinta da que seus contemporâneos ajudaram a construir: menos heroica e mais íntima, com grande quantidade e protagonismo de mulheres. A fim de estudar suas ideias a esse respeito, analisaremos neste artigo um conjunto de imagens feitas por ela em 1874 para a obra The Idylls of the King, de Alfred Tennyson, com histórias da corte do rei Artu

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34

Buda, Agata. "In the postmodern mirror: intertextuality in Angels and Insects by Antonia Susan Byatt." Journal of Language and Cultural Education 3, no. 2 (2015): 66–70. http://dx.doi.org/10.1515/jolace-2015-0015.

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Abstract The aim of the paper is to analyse the novel Angels and Insects by Antonia Susan Byatt in terms of intertextual references. The author’s assumptions are based on the categorisation by Ryszard Nycz, who distinguishes three major types of intertexts: text versus text, text versus literary genre and text versus mimesis. Byatt uses intertextuality mainly to comment on the role of nature in the world, as well as to enhance the importance of human relationship with nature. Moreover, the writer moves towards literary criticism, discussing poems by famous artists, such as Alfred Tennyson or J

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35

Anna Jane Barton. "Letters, Scraps of Manuscript, and Printed Poems: The Correspondence of Edward FitzGerald and Alfred Tennyson." Victorian Poetry 46, no. 1 (2008): 19–35. http://dx.doi.org/10.1353/vp.0.0006.

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36

ASIATIDOU, Anna. "THE METAPHYSICS OF THE FORM BEAUTY AND REALITY IN THE ART OF ALFRED LORD TENNYSON." Gaziantep University Journal of Social Sciences 20, no. 1 (2021): 110–24. http://dx.doi.org/10.21547/jss.773969.

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37

Adams, Ann Marie. "Reader, I Memorialized Him: A. S. Byatt's Representation of Alfred Lord Tennyson in “The Conjugial Angel”." Lit: Literature Interpretation Theory 19, no. 1 (2008): 26–46. http://dx.doi.org/10.1080/10436920701884696.

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38

Dobosiewicz, Ilona. "“The wrathful sunset glared…”: The Krakatoa Sunsets in Victorian Science and Art." Anglica Wratislaviensia 58 (November 13, 2020): 11–20. http://dx.doi.org/10.19195/0301-7966.58.1.

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The eruption of Krakatoa on August 27, 1883 was an event both tragic and spectacular. Thousands of lives were lost; sea waves and atmospheric disturbances were detected around the globe. Billions of tons of volcanic ash were thrown into the atmosphere producing multi-coloured sunsets caused by the scattering of light by aerosol particles. The paper discusses the ways in which these so-called Krakatoa sunsets, which were experienced by most of the world, were reflected in Victorian scientific and artistic discourse. The accounts included in the section “Descriptions of the Unusual Twilight Glow

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39

Sultan, Dr Muthanna Mohammed. "Colonialism Revisited: Reading in Selected Poems of the Nineteenth Century." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 224, no. 1 (2018): 165–78. http://dx.doi.org/10.36473/ujhss.v224i1.253.

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This paper will try to discover and discuss the colonial contentsof some of the nineteenth-century British poets. At that time, the colonial ideology and impetus were increasingly elevated and demanded as the British Empire notably expanded and significantly flourished. Colonialism was among the main aspects in the British political and social life. Literary figures and scholars dealt with thisnewly-born phenomenon differently; some welcomed and adhered it, while others showed some doubts and suspicion. There was no unified thread about the colonial project the Europeans held. Did exist there

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40

Woodworth, Elizabeth. "Elizabeth Barrett Browning, Coventry Patmore, and Alfred Tennyson on Napoleon III: The Hero-Poet and Carlylean Heroics." Victorian Poetry 44, no. 4 (2006): 543–60. http://dx.doi.org/10.1353/vp.2007.0012.

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41

Ford, Sean. "Authors, Speakers, Readers in a Trio of Sea-Pieces in Herman Melville's John Marr and Other Sailors." Nineteenth-Century Literature 67, no. 2 (2012): 234–58. http://dx.doi.org/10.1525/ncl.2012.67.2.234.

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Much recent interest in Herman Melville's poetry involves reassessing its position both within the Melville canon and within or against various literary traditions. This essay considers the range of stances, speakers, and personae in John Marr and Other Sailors With Some Sea-Pieces (1888) and its resonances of past works as evidence that Melville is more committed to a public audience and less oppositional or adversarial to established traditions than a number of scholars have proposed. A study of topical and rhetorical interdependencies in a sequence of poems in the volume uncovers dynamic af

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42

Ekdawi, Sarah. "Leonee Ormond (ed.), The Reception of Alfred Tennyson in Europe. London and New York: Bloomsbury, 2017. Pp. 424." Σύγκριση 26 (February 25, 2018): 102. http://dx.doi.org/10.12681/comparison.16008.

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43

Spivey, Nigel. "Art and Archaeology." Greece and Rome 62, no. 1 (2015): 119–23. http://dx.doi.org/10.1017/s001738351400031x.

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The archaeologist Heinrich Schliemann once met, in London, the poet Alfred Tennyson – who, though he saluted Mount Ida tenderly, never travelled much south of the Dolomites. In the course of conversation, Schliemann remarked: ‘Hissarlik, the ancient Troy, is no bigger than the courtyard of Burlington House’. ‘I can never believe that’, Tennyson replied. Most of us, I dare say, would understand Tennyson's disbelief – and agree, accordingly, with the sentiment that Troy the site is not a marvellous ‘visitor experience’. The location may be broadly evocative – for those imaginatively predisposed

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Babamiri, Navid Salehi. "The Struggle for Confiscation: An Imperialistic Look at Alfred Lord Tennyson’s Poem “Ulysses”." English Language and Literature Studies 7, no. 1 (2017): 9. http://dx.doi.org/10.5539/ells.v7n1p9.

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The power of imperialism ascended during the Victorian age, when both the sense of nationalism and industrial revolution concurrently took place. Imperialism in its kind is the sense of domination of one group of people over another, or to a great point, it’s the domination of one country to other countries to confiscate its properties and belongings. Here in the poem written by Alfred Lord Tennyson, the poet tries to ironize the situation by showing and focusing on such an old king (may be the king of England), who has recently come back home from his travels and has complained about his “idl

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45

Khan, Jalal Uddin. "Literature of the New Year: Literary Variations on the Celebration of the New Year." IJOHMN (International Journal online of Humanities) 5, no. 4 (2019): 1–29. http://dx.doi.org/10.24113/ijohmn.v5i4.105.

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Is the New Year really new or old? Happy or sad? Is it only part of the process and the cycle of seasons making one look back and think of death? Is it a time to wish to stay where one is or hope for opportunities and possibilities? Like a point in a circle, is every day a New Year’s day? Is it a time for nostalgia and reminiscence or promises and resolutions for the future? With the (Gregorian and the British Government) changes in the Western calendar at different times in history and with different countries/cultures celebrating the New Year at different times of the year and with the fisca

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46

Warner, J. O. "âThe old order changeth, yielding place to the newâ¦â (From: The Passing of Arthur, Alfred Lord Tennyson, 1809â1892)." Pediatric Allergy and Immunology 20, no. 8 (2009): 709. http://dx.doi.org/10.1111/j.1399-3038.2009.00977.x.

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47

Davis, Aimee. "Adapting Elaine: Tennyson’s “The Lady of Shalott” and Feminist Young Adult Novels." ALAN Review 44, no. 3 (2017): 36–46. http://dx.doi.org/10.21061/alan.v44i3.a.4.

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One of the hallmarks of young adult literature is its focus on adolescent protagonists who struggle to reconcile what they want with what they are supposed to want. Indeed, some of the most enduring works of young adult literature, from L. M. Montgomery’s Anne of Green Gables (2006) to Judy Blume’s Forever (1975), place their young characters at a crossroads between cultural convention and individual desire. Foundational scholarship in the field of young adult fiction has suggested a recurring conflict in novels for young readers in which a protagonist finds himself or herself directly at odds

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48

Конышева, М. В., та Г. Г. Слышкин. "Художественно-образное воплощение литературного конфликта в романе Д. Лоджа «Прекрасная работа» (David Lodge “Nice Work”)". Current Issues in Philology and Pedagogical Linguistics, № 1 (2020) (25 березня 2020): 186–95. http://dx.doi.org/10.29025/2079-6021-2020-1-186-195.

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В статье представлены результаты комплексного лингво-литературоведческого исследования, имевшего целью выявить особенности художественно-образного воплощения литературного конфликта в романе Дэвида Лоджа «Прекрасная работа». В ходе исследования авторами был решен ряд задач, включавший: выявление индивидуальных авторских приемов построения сюжета; установление структурных особенностей сюжетной линии; раскрытие лингвокультурной специфики романа, проявляющейся в художественно-образных средствах. Была продемонстрирована концептуальная связь романа со значимым для британской культуры текстом лириче

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White, Michael V. "Frightening the ‘Landed Fogies’: Parliamentary Politics and The Coal Question." Utilitas 3, no. 2 (1991): 289–302. http://dx.doi.org/10.1017/s0953820800001163.

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In early 1864, disappointed by the response to his previous work, the young Manchester academic W. Stanley Jevons announced that he was undertaking a study of the so-called coal question: ‘A good publication on the subject would draw a good deal of attention … it is necessary for the present at any rate to write on popular subjects’. When Jevons's The Coal Question (henceforth CQ) was published in April 1865, however, it received comparatively little attention and sales were slow. Jevons and his publisher, Alexander Macmillan, then began sending complimentary copies to luminaries such as Sir J

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Kanaan, Marlene. "Editorial." Hawliyat 15 (July 6, 2018): 7–8. http://dx.doi.org/10.31377/haw.v15i0.51.

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To all readers who followed Hawiiyat, the University of Balamand Journal of the Faculty of Arts and Social Sciences from its first issue, I have the pleasure to offer them this Florilege issue after an interruption of four years. It contains mainly philosophical, literary and political studies, as well as research in other domains written by colleagues from the University of Balamand, the Lebanese University, the University of AI-Yarrnouk, the University of Jordan, and the University of Mascara in Algeria. These articles, unveil, in some way, the basic interests of our Balamand Faculty as well

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