Relevant bibliographies by topics / Tenshoku

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Tenshoku'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

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Journal articles on the topic "Tenshoku"

1

Margaret, Stefany Josephine, Yusida Lusiana, and Muammar Kadafi. "Representasi Ikigai pada Tokoh Sakura Yamauchi pada Anime Kimi no Suizou o Tabetai karya Yoru Sumino." HUMANIKA 30, no. 1 (2023): 30–44. http://dx.doi.org/10.14710/humanika.v30i1.52144.

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Tujuan penelitian ini adalah menjelaskan konsep ikigai yang direpresentasikan melalui tokoh utama Sakura melalui tanda ataupun simbol. Analisis data dalam penelitian ini menggunakan metode kualitatif deskriptif dengan analisis semiotika John Fiske dengan teori code of television dengan tiga tahanan dalam menganalisis yaitu tahap level realitas, level representasi, dan level ideologi. Hasil penelitian adalah adanya tanda-tanda Ikigai dalam anime Kimi No Suizou Wo Tabetai. Tanda-tanda tersebut direpresentasikan oleh tokoh utama melalui keempat elemen ikigai yaitu semangat hidup (jounetsu), tujua
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2

NAKA, Shuhei. "Purofesshonaru rōdō shijō: Sukiru keisei/chingin/tenshoku no jittai bunseki (The Professional Labour Market: An Analysis of the Actual Condition of Vocational Skill Formation, Wages and Job Transfers)." Social Science Japan Journal 23, no. 1 (2019): 123–25. http://dx.doi.org/10.1093/ssjj/jyz035.

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3

Pye, Michael. "Refletindo sobre primos distantes: distância cultural na transplantação de religiões japonesas em outros países." Revista de Estudos da Religião (REVER). ISSN 1677-1222 11, no. 2 (2012): 11. http://dx.doi.org/10.21724/rever.v11i2.8130.

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Este artigo leva em consideração a questão da “distância cultural” na transplantação de religiões japonesas em países distantes, isto é, em países que são distantes do Japão, geográfica e culturalmente. Em particular, o texto se refire a exemplos selecionados daquilo que no Japão é considerado “novas religiões”, tais como, Omotokyo, Sekai Kyuseikyo, Seicho-no-iê, Shinnyoen, Tenrikyô e Tensho Kotai Jingu Kyo, são bastante ativas no Brasil.
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Hayami, Yohei, and Toshikazu Tsuchimoto. "A Rise of Density in Kyoto at the Tenshoh Era." Journal of the City Planning Institute of Japan 40.2 (2005): 14–24. http://dx.doi.org/10.11361/journalcpij.40.2.14.

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5

KANAORI, Yuji, Kenji YAIRI, Shin-ichi KAWAKAMI, and Toshiyuki HATTORI. "Comment on the Epicenter of the 1586 Tensho Earthquake." Zisin (Journal of the Seismological Society of Japan. 2nd ser.) 46, no. 2 (1993): 143–47. http://dx.doi.org/10.4294/zisin1948.46.2_143.

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6

Kim, HeaKyung. "Valignano’s “Tensho boys’ embassy” to Europe and Its Impact on Mission." Theology of Mission 52 (November 30, 2018): 113–50. http://dx.doi.org/10.14493/ksom.2018.4.113.

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7

Hamrin, Tina. "Dance as Aggressiveness." Scripta Instituti Donneriani Aboensis 16 (January 1, 1996): 175–92. http://dx.doi.org/10.30674/scripta.67228.

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The woman who founded Tenho-kötai-jingii-kyö, Kitamura Sayo (1900-1967), publicly announced in July 1945 that the world was coming to an end and that she had been chosen by the absolute deity Tensho Kotai Jingu to be the savior of the world. People began to gather to her banner, a religious organization was formed, and legal incorporation of the group as a religious juridical person took place in January 1947. Teaching that regret, desire, hatred, love and other emotional antipathies were the cause of all misfortune, the founder urged people to free themselves of such restraints by praying ear
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MATSU^|^rsquo;URA, Ritsuko S. "What Is Concrete from Historical Materials in Europe on 1586 Tensho Earthquake." Zisin (Journal of the Seismological Society of Japan. 2nd ser.) 65, no. 1 (2012): 1–7. http://dx.doi.org/10.4294/zisin.65.1.

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9

YAMAMURA, Norika, and Yasuyuki KANO. "Source Fault Estimation of the 1586 Tensho Earthquake by Evaluating the Possibility of Liquefaction." Zisin (Journal of the Seismological Society of Japan. 2nd ser.) 73 (October 7, 2020): 97–110. http://dx.doi.org/10.4294/zisin.2019-7.

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10

HAMAJIMA, Kazunari. "REBUILDING PROJECTS FOR ISE-JINGU IN THE EIROKU ERA (1563) AND THE TENSHO ERA (1585)." Journal of Architecture and Planning (Transactions of AIJ) 73, no. 627 (2008): 1077–81. http://dx.doi.org/10.3130/aija.73.1077.

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Dissertations / Theses on the topic "Tenshoku"

1

Cunha, Lucas Monteiro Regis. "Pequena fenomenologia da sombra : Guignard e Tensho Shubun." reponame:Repositório Institucional da UnB, 2018. http://repositorio.unb.br/handle/10482/33933.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Artes, 2018.<br>Esta dissertação visa comparar obras de Alberto da Veiga Guignard e Tensho Shubun a partir da utilização da sombra, fenômeno recorrente em suas pinturas de paisagens, para verificar a existência de semelhanças que permitem estabelecer um diálogo entre os dois recortes. A pesquisa se baseia em um aporte teórico sobre a sombra na história da arte, na contextualização dos períodos em que os artistas viveram, e uma aproximação fenomenológica do objeto que visa enriquecer a análise form
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2

Hamrin-Dahl, Tina. "Tenshō-kōtai-jingū-kyō och karmakampen : En dōjō i Honolulu med besatthetsandar, häxeriföreställningar och transdans." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156640.

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In 1952 a pro-Japanese group in Hawai'i became the religious movement Tenshō-Kōtai-Jingū-kyō, after the arrival of Sayo Kitamura, a charismatic woman from Japan called Ōgamisama. Her teaching was filled with traditional elements, and Japanese imperialism acquired a new form, and became a spiritual world – a world filled with spirits in need of redemption. To dance in an ego-free state and redeem the evil spirits was a goal for her followers, who learnt how to perform the ecstasy dance and to achieve an altered state of consciousness. Some families, though, were suspected of being carriers of e
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Yamafune, Kotaro. "Portuguese Ships on Japanese Namban Screens." Thesis, 2012. http://hdl.handle.net/1969.1/ETD-TAMU-2012-08-11735.

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Namban screens are a well-known Japanese art form that was produced between the end of the 16th century and throughout the 17th century. More than 90 of these screens survive today. They possess substantial historical value because they display scenes of the first European activities in Japan. Among the subjects depicted on Namban screens, some of the most intriguing are ships: the European ships of the Age of Discovery. Namban screens were created by skillful Japanese traditional painters who had the utmost respect for detail, and yet the European ships they depicted are often anachronistic
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Books on the topic "Tenshoku"

1

Fukada, Yūsuke. Suchuwādesu waga tenshoku. Shinchōsha, 2003.

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2

Mita, Norifusa. Urenokoru jidai no tenshokujutsu: Anata no kachi wa sōba de kimaru : Enzeru banku kōshiki fukudokuhon. Kōdansha, 2009.

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3

Kenkyūjo, Tōkyō Toritsu Rōdō. Daisotsusha no chūto saiyō to tenshoku keiken: Tenshoku rōdō shijō no jittai. Tōkyō Toritsu Rōdō Kenkyūjo, 1993.

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4

Takeda, Keita. Minʼei shokugyō shōkai jigyō ni yoru chūkōnen no tenshoku to tenshokugo no shokuba tekiō. Nihon Rōdō Kenkyū Kikō, 1991.

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5

Yamamoto, Junji. Sōseki no tenshoku: Unmei o kaeta yonjussai. Sairyūsha, 2005.

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6

Kenkyūjo, Tōkyō Toritsu Rōdō. Fukyōka ni okeru josei no ri-tenshoku to seikatsu. Tōkyō Toritsu Rōdō Kenkyūjo, 1997.

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7

1964-, Genda Yūji, and Nakata Yoshifumi 1955-, eds. Risutora to tenshoku no mekanizumu: Rōdō idō no keizaigaku. Tōyō Keizai Shinpōsha, 2002.

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8

Hoshi, Kento. Jibunrashiku hataraku, LGBT no shūkatsu, tenshoku no fuan ga kaishōsuru hon. Shoeisha, 2020.

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9

Ōshima, Chikako. Ōshima Chikako no torabāyu sengen: Josei no tame no shū tenshoku sapōto. Sōgō Rōdō Kenkyūjo, 2000.

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10

Fukushima, Sōta. Yutori sedai wa naze tenshoku o kurikaesu no ka: Kyaria shikō to jiko sekinin no wana. Kabushiki Kaisha Chikuma Shobō, 2017.

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Book chapters on the topic "Tenshoku"

1

"Illness and Salvation in Tensho-Kotai-Jingu-Kyo - The Dancing Religion of Hawaii." In Japanese New Religions in Global Perspective. Routledge, 2013. http://dx.doi.org/10.4324/9781315027951-14.

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