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Journal articles on the topic 'Terayama'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

LIM, JONGOK, JONGWOOK LEE, SANGHYUN KOH, BONGWOO LEE, CELSO O. Azevedo, and SEUNGHWAN LEE. "Taxonomy of Epyris Westwood (Hymenoptera: Bethylidae) from Korea, with the descriptions of ten new species." Zootaxa 2866, no. 1 (2011): 1. http://dx.doi.org/10.11646/zootaxa.2866.1.1.

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Nineteen Epyris species are recorded from Korea. Ten new species: E. aequalis Lim et S. Lee, sp. nov., E. breviclypeatus Lim et S. Lee, sp. nov., E. dulicus Lim et S. Lee, sp. nov., E. finitus Lim et S. Lee, sp. nov., E. jeonbukensis Lim et S. Lee, sp. nov., E. limatulus Lim et S. Lee, sp. nov., E. longiantennatus Lim et S. Lee, sp. nov., E. mureungensis Lim et S. Lee, sp. nov., E. yetus Lim et S. Lee, sp. nov., and E. sudosanensis Lim et S. Lee, sp. nov. are described from Korea. Hitherto unknown females are described for E. fuscipes (Kieffer 1906) and E. yamatonis Terayama 1999. New synonymy is proposed for E. sauteri (Enderlein 1920) = E. formosus Terayama 2006, syn. nov. New combination is proposed for E. fuscipes (Kieffer 1906), comb. nov. (from Rhabdepyris). Seven species: E. asura Terayama 2006, E. darani Terayama 2006, E. fuscipes (Kieffer 1906), E. idaten Terayama 2006, E. niwoh Terayama 2006, E. sauteri (Enderlein 1920), and E. yamatonis Terayama 1999 are recorded for the first time from Korea. Descriptions, illustrations of diagnostic characteristics for each species are presented with a key to the Korean Epyris species.

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2

Steven C. Ridgely. "Terayama Shūji and Bluebeard." Marvels & Tales 27, no. 2 (2013): 290. http://dx.doi.org/10.13110/marvelstales.27.2.0290.

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3

LIM, JONGOK, and SEUNGHWAN LEE. "Review of Goniozus Förster, 1856 (Hymenoptera: Bethylidae) of Korea, with descriptions of two new species." Zootaxa 3414, no. 1 (2012): 43. http://dx.doi.org/10.11646/zootaxa.3414.1.3.

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Five species of Goniozus are recognized in Korea. Goniozus koreanus Lim, sp. nov. and G. mesolevis Lim, sp. nov. are described and figured; G. akitsushimanus Terayama, 2006 and G. yoshikawai Terayama, 2006 are newly recorded from Korea. Goniozus maurus Marshall, 1905 is excluded from Korean fauna. A key to the Korean species in females is provided.

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4

ALENCAR, ISABEL D. C. C., and CELSO O. AZEVEDO. "Revision of the world Apenesia Westwood (Hymenoptera, Bethylidae)." Zootaxa 4724, no. 1 (2020): 1–72. http://dx.doi.org/10.11646/zootaxa.4724.1.1.

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The world species of Apenesia are revised. Twenty-seven previously described species of Pristocerinae are addressed to Apenesia: A. amoena Evans, A. bicolor Vargas & Terayama, A. chontalica Westwood, A. conradti Kieffer, A. delicata Evans, A. dominica Evans, A. flavipes Cameron, A. formosa Vargas & Terayama, A. laevigata (Evans), A. levis Kieffer, A. leytensis (Terayama), A. makiharai (Sawada, Terayama & Mita), A. malaitensis Brues, A. miki (Terayama), A. modesta (Smith), A. nigra Kieffer, A. parasitica (Smith), A. perlonga Corrêa & Azevedo, A. proxima Kieffer, A. punctata Kieffer, A. sahyadrica Azevedo & Waichert, A. singularis Lanes & Azevedo, A. sjostedti (Tullgren), A. substriata Kieffer, A. unicolor Kieffer, and A. vaurieorum Evans. Additionally, 21 new species are described and illustrated: Apenesia amenula sp. nov.; A. aniela sp. nov.; A. azeda sp. nov.; A. beliella sp. nov.; A. berela sp. nov.; A. bifiela sp. nov.; A. celiela sp. nov.; A. chandela sp. nov.; A. cila sp. nov.; A. colombela sp. nov.; A. elela sp. nov.; A. esila sp. nov.; A. eura sp. nov.; A. farela sp. nov.; A. gabela sp. nov.; A. girena sp. nov.; A. goela sp. nov.; A. itoiela sp. nov.; A. joela sp. nov.; A. juliela sp. nov. and A. kelsiela sp. nov. The sexual association of A. celiela and A. azeda was possible due to biological data information. A key to species based on males is presented. The genus Apenesia is a parasitiod of beetles that live in galleries in dead wood or seeds.

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5

De Vargas, Ferran. "Tira los libros, sal a la calle: el concepto de taishū de Yoshimoto Takaaki y la concepción del cine de Terayama Shūji." Estudios de Asia y África 54, no. 1 (2018): 57. http://dx.doi.org/10.24201/eaa.v54i1.2376.

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Conocer la dimensión artística de una ideología facilita la comprensión de la dimensión teórica de la misma, y viceversa. En este sentido, este artículo pretende analizar comparativamente el cine de Terayama Shūji, en concreto su película Sho o suteyo machi e deyō (Tira los libros, sal a la calle), y la teoría de la taishū de Yoshimoto Takaaki, como componentes de la ideología de la Nueva Izquierda japonesa de finales de la década de 1960 y principios de la de 1970. Específicamente me centro en los paralelismos existentes entre el cine de Terayama y la teoría de Yoshimoto en lo que respecta a su visión de la relación entre la figura del intelectual y las masas. Desarrollo este análisis comparativo partiendo de la base de que, a pesar de la crítica de la ideología que alberga la obra tanto de Yoshimoto como de Terayama, sus planteamientos contienen una fuerte carga política.

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6

JAITRONG, WEEYAWAT, and YOSHIAKI HASHIMOTO. "Revision of the Aenictus minutulus species group (Hymenoptera: Formicidae: Aenictinae) from Southeast Asia." Zootaxa 3426, no. 1 (2012): 29. http://dx.doi.org/10.11646/zootaxa.3426.1.2.

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The genus Aenictus is a diverse group of army ants in the Old World tropics and subtropics. The worker-based Aenictus piercei species group of Jaitrong and Yamane (2011) is redefined and renamed here as the Aenictus minutulus group. Aenictus piercei Wheeler et Chapman, 1930 and A. lifuiae Terayama, 1984 are removed from this group; the former is moved to the A. javanus group and the latter to the A. ceylonicus group. The Southeast Asian species of the group are revised to include six species: Aenictus changmaianus Terayama et Kubota, 1993, Aenictus sp.56 of WJT, A. minimus sp. nov., A. minutulus Terayama et Yamane, 1989, A. peguensis Emery, 1895 and A. subterraneus sp. nov. Aenictus changmaianus, A. minimus and A. peguensis are probably restricted to the seasonal forest located northward from the Isthmus of Kra, while A. minutulus, A. subterraneus and Aenictus sp.56 of WJT are obviously Sundaland species inhabiting the perhumid evergreen rainforest.

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7

Mita, Toshiharu. "Taxonomic study of Baeosega and its allies, with description of a new species of Nipponosega (Hymenoptera, Chrysididae, Amiseginae)." ZooKeys 1041 (May 31, 2021): 1–25. http://dx.doi.org/10.3897/zookeys.1041.66267.

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Three related genera of Asian Amiseginae, Baeosega Krombein, Nipponosega Kurzenko &amp; Lelej, and Okinawasega Terayama are revised. The male of N. yamanei Kurzenko &amp; Lelej and the female of O. eguchii Terayama are newly described. The following new synonymies are proposed: Baeosega humida Krombein, 1984 = B. laticeps Krombein, 1984, syn. nov.; Nipponosega yamanei Kurzenko &amp; Lelej, 1994 = N. kantoensis Nagase, 1995, syn. nov. A new species of Nipponosega, N. lineatasp. nov. is described based on a female from Thailand. A key to genera and species of Baeosega, Nipponosega and Okinawasega is given.

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8

Masato, Inagawa, and Eric Selland. "To Hanawa, Terayama, as Far as Nagare." Chicago Review 39, no. 3/4 (1993): 216. http://dx.doi.org/10.2307/25305752.

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9

Marc Sebastian-Jones. "Terayama Shūji's Red Riding Hood." Marvels & Tales 27, no. 2 (2013): 303. http://dx.doi.org/10.13110/marvelstales.27.2.0303.

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10

XU, ZAIFU, and JUNHUA HE. "A new species of Formosiepyris Terayama, 2004 (Hymenoptera: Bethylidae) from China." Zootaxa 959, no. 1 (2005): 1. http://dx.doi.org/10.11646/zootaxa.959.1.1.

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11

Holland, Allison. "Japanese Counterculture: The Antiestablishment Art of Terayama Shūji." Japanese Studies 32, no. 3 (2012): 482–84. http://dx.doi.org/10.1080/10371397.2012.735536.

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12

Taki, Hiromi. "The controversial debut of Terayama Shūji as aTankapoet." Japanese Studies 14, no. 3 (1994): 50–65. http://dx.doi.org/10.1080/10371399408727588.

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13

LIM, JONGOK, and SEUNGHWAN LEE. "A new species of Prorops Waterston 1923 (Hymenoptera: Bethylidae) from Cambodia with a key to world species." Zootaxa 3040, no. 1 (2011): 25. http://dx.doi.org/10.11646/zootaxa.3040.1.3.

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Prorops Waterston 1923 can be easily distinguished from the other genera of Sclerodermini (Bethylidae: Epyrinae) mainly by having frontal process of head well-developed; antenna twelve segmented; median, basal, and anal veins absent (Evans 1978; Terayama 2006).

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14

EGUCHI, KATSUYUKI, MASASHI YOSHIMURA, and SEIKI YAMANE. "The Oriental species of the ant genus Probolomyrmex (Insecta: Hymenoptera: Formicidae: Proceratiinae)." Zootaxa 1376, no. 1 (2006): 1. http://dx.doi.org/10.11646/zootaxa.1376.1.1.

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Ten species of the proceratiine ant genus Probolomyrmex are recognized in the Oriental Region: bidens Brown, dammermani Wheeler, itoi sp. nov., longinodus Terayama et Ogata, longiscapus Xu et Zeng, maryatiae sp. nov., okinawensis Terayama et Ogata, procne Brown, vieti sp. nov. and watanabei Tanaka. The ten species and two Australian species can be classified into two species groups. The longinodus group is characterized by the petiole which is clearly longer than high, and subpetiolar process which is low with poorly developed posteroventral portion. The greavesi group is characterized by the petiole which is at most a little longer than high, and subpetiolar process which is developed and somewhat rectangular. Males of dammermani and longiscapus, and queens of dammermani, longinodus, longiscapus and watanabei were described for the first time. A key to the Oriental species of the genus is also given.

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15

Alekseyeva, Julia. "Fury and the Landscape Film: Three Men Who Left Their Will on Concrete." ARTMargins 10, no. 1 (2021): 39–59. http://dx.doi.org/10.1162/artm_a_00283.

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Abstract In the 1960s, Japanese artists and filmmakers directed their fury against the sterile urban landscapes which surrounded them. The “Theory of Landscape,” developed by Matsuda Masao as well as many other filmmakers, artists, and writers, posited that our lived landscape is an expression of dominant political power. This article uses the lens of Landscape Theory to analyze three Japanese political avant-garde films from the late 1960s and early 1970s, all of which mark frustration and anger through a reworking of the mundane urban environment that surrounds them: Wakamatsu Koji’s Go, Go Second Time Virgin (1969), Oshima Nagisa’s The Man Who Left His Will on Film (1970), and Terayama Shuji’s Throw Away Your Books, Rally in the Streets (1971). These three films, whose narratives are fundamentally integrated with the discourse of Landscape Theory, use forms of violence to create gaps and fissures within the coldly modernized Tokyo landscape. While the forms of violence they use might differ, Wakamatsu, Oshima, and Terayama’s films critique and interrupt their cityscape, rendering the violence inherent in its concrete walls and buildings explicit.

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16

London, Barbara. "Video Letter by Shuntaro Tanikawa and Shuji Terayama: An Introduction." Camera Obscura: Feminism, Culture, and Media Studies 8, no. 3 (1990): 195–203. http://dx.doi.org/10.1215/02705346-8-3_24-195.

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17

RAMOS, MAGNO S., and CELSO O. AZEVEDO. "Revision of Eupsenella Westwood, 1874 (Hymenoptera, Bethylidae)." Zootaxa 3539, no. 1 (2012): 1. http://dx.doi.org/10.11646/zootaxa.3539.1.1.

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The Australian genus Eupsenella Westwood, 1874 is revised and 45 species are recognized, seven previously describedand 38 new, namely: Eupsenella ajabatha Ramos & Azevedo, sp. nov., E. alawa Ramos & Azevedo, sp. nov., E. aluraRamos & Azevedo, sp. nov., E. antakirinja Ramos & Azevedo, sp. nov., E. araba Ramos & Azevedo, sp. nov., E.arabana Ramos & Azevedo, sp. nov., E. baada Ramos & Azevedo, sp. nov., E. barada Ramos & Azevedo, sp. nov., E.barna Ramos & Azevedo, sp. nov., E. batjala Ramos & Azevedo, sp. nov., E. bilingara Ramos & Azevedo, sp. nov., E.bugulmara Ramos & Azevedo, sp. nov., E. dalla Ramos & Azevedo, sp. nov., E. djagaraga Ramos & Azevedo, sp. nov.,E. eora Ramos & Azevedo, sp. nov., E. ilba Ramos & Azevedo, sp. nov., E. inawonga Ramos & Azevedo, sp. nov., E.inggarda Ramos & Azevedo, sp. nov., E. ingura Ramos & Azevedo, sp. nov., E. iwaidja Ramos & Azevedo, sp. nov., E.jaadwa Ramos & Azevedo, sp. nov., E. jaara Ramos & Azevedo, sp. nov., E. jaburara Ramos & Azevedo, sp. nov., E.jadira Ramos & Azevedo, sp. nov., E. jagara Ramos & Azevedo, sp. nov., E. janda Ramos & Azevedo, sp. nov., E.kabalbara Ramos & Azevedo, sp. nov., E. kaibara Ramos & Azevedo, sp. nov., E. karanja Ramos & Azevedo, sp. nov.,E. karawa Ramos & Azevedo, sp. nov., E. kokatha Ramos & Azevedo, sp. nov., E. larrakia Ramos & Azevedo, sp. nov.,E. maya Ramos & Azevedo, sp. nov., E. malgana Ramos & Azevedo, sp. nov., E. nanda Ramos & Azevedo, sp. nov., E.nangatara Ramos & Azevedo, sp. nov., E. pangkala Ramos & Azevedo, sp. nov., E. wanamara Ramos & Azevedo, sp.nov., which are described and illustrated. Eupsenella ceciliae Terayama, 2004, E. diemenensis Dodd, 1916, E.flavifemorata Terayama, 2004, E. insulana Gordh & Harris, 1996, and E. reticulata Terayama, 2004 had their taxonomicalvariations and known distribution broadened. Keys to species of Australian region based on males and females are provided.

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HSU, PO-WEI, FENG-CHUAN HSU, YUN HSIAO, and CHUNG-CHI LIN. "Taxonomic notes on the genus Protanilla (Hymenoptera: Formicidae: Leptanillinae) from Taiwan." Zootaxa 4268, no. 1 (2017): 117–30. http://dx.doi.org/10.11646/zootaxa.4268.1.7.

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A new species of Protanilla Taylor, 1990, P. jongi sp. nov., from Taiwan is described and illustrated, along with a supplementary description of the queen morphology of P. lini Terayama, 2009 and biological notes of Protanilla species. Furthermore, Furcotanilla Xu, 2012 is considered a junior synonym of Protanilla on reanalysis of purported diagnostic characters. A key to the world fauna of genus Protanilla based on the worker caste is provided.

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19

Marotti, William. "Japanese Counterculture: The Antiestablishment Art of Terayama Shūji (review)." Journal of Japanese Studies 39, no. 1 (2013): 211–16. http://dx.doi.org/10.1353/jjs.2013.0014.

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20

Sorgenfrei, Carol Fisher, and Shuji Terayama. "Inugami: A Play for Masks in One Act, by Shuji Terayama." Asian Theatre Journal 11, no. 2 (1994): 163. http://dx.doi.org/10.2307/1124227.

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21

WANG, CHUNG-HONG, JUN-HUA HE, and XUE-XIN CHEN. "Taxonomy of Bethylus (Hymenoptera, Bethylidae) from China with description of nine new species." Zootaxa 4974, no. 2 (2021): 361–82. http://dx.doi.org/10.11646/zootaxa.4974.2.6.

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Nine new species as well as a known species of Bethylus Latreille (Hymenoptera, Bethylidae) from China are described and illustrated: B. crassicapitis sp. nov., B. convexus sp. nov., B. gansensis sp. nov., B. glabricarinatus sp. nov., B. hunanensis sp. nov., B. incurvus sp. nov., B. ningxicus sp. nov., B. prolatus sp. nov., B. quadraticapitis sp. nov., and B. sinensis Xu, He & Terayama. A key to the known Chinese species is provided.

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22

Kerr, Douglas. "‘King Lear’ as an Experimental Musical: the Japanese Production of ‘Ria O’." New Theatre Quarterly 18, no. 2 (2002): 161–75. http://dx.doi.org/10.1017/s0266464x02000246.

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The avant-garde Japanese company Ban'yu Inryoku was formed following the death in 1983 of the inspirational writer and director Shuji Terayama, who has subsequently become a cult figure. This article explores his influence – both limiting and liberating – on the production by one of the founders of the company, his disciple J. A. Seazer, of an experimental musical version of King Lear, as Ria O. Douglas Kerr places the production – seen in England during the Japan Festival of 1991 – within the context of evolving attitudes towards the avant-garde theatrical movement in Japan during the late 'sixties, notably as modified by the national trauma of the gas attack in Tokyo of 1995. Adapting Shakespeare was a break with the Terayama tradition of presenting only works collectively created by the ensemble – and it also made their work more accessible to the intercultural festival circuit. Explicated by the printed synopsis which forms a ‘map’ of the play for its audiences, the production also used Brechtian signboards to signal the titles of scenes, while being predicated also on the ‘representation of the inner and the outer experience’ which was Artaud's perception of Balinese performance. Lear himself was in this sense the entranced dancer, depending on the guidance of his supporters. Douglas Kerr, who explores here the tensions between the cultural elements employed and between the ideological pulls for conservatism and for social change, is currently an advanced PhD student at Stanford University in American Literature. His interests include Performance Poetics and Buddhism in contemporary American poetry.

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23

Jortner, David. "Unspeakable Acts: The Avant-Garde Theatre of Terayama Shūji and Postwar Japan (review)." Theatre Journal 59, no. 1 (2007): 142–43. http://dx.doi.org/10.1353/tj.2007.0059.

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24

Goodman, David G. "Unspeakable Acts: The Avant-Garde Theatre of Terayama Shūji and Postwar Japan (review)." Monumenta Nipponica 61, no. 3 (2006): 432–35. http://dx.doi.org/10.1353/mni.2006.0029.

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25

Dultra, Maruzia De Almeida. "Correspondência poética." Visualidades 17 (July 18, 2019): 18. http://dx.doi.org/10.5216/vis.v17.50121.

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Este artigo apresenta uma análise descritivo-reflexiva da série de vídeo-cartas trocadas pelos artistas japoneses Shuntarō Tanikawa e Shûji Terayama, em 1982-1983. Por meio do imbricamento entre o recurso verbal e o audiovisual, eles realizaram uma das primeiras experiências do gênero, que passa pela comunicação, mas vai além dela, na medida em que compõe uma obra de arte em seu conjunto (em certo sentido uma obra colaborativa, já que uma vídeo-carta dependeria da outra como resposta para ser criada). Este estudo de caso exemplifica a necessidade humana de formar circuitos, inclusive na arte.

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26

Torres Hortelano, Lorenzo J. "El tiempo deconstruido en Saraba Hakobune, la versión cinematográfica de Cien años de soledad." Cuadernos de Literatura, no. 31 (July 15, 2020): 131–59. http://dx.doi.org/10.15648/cl..31.2020.2540.

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En este artículo analizo textualmente la adaptación cinematográfica de Cien años de soledad realizada por el director japonés Terayama Shuji que se titula Saraba Hakobune [Despedida del arca]. Más allá de que tradicionalmente se la ha considerado una adaptación libre, hasta el punto de que se piensa ―aunque no se ha confirmado― que García Márquez no habría permitido la utilización del título original, nuestra hipótesis es que vio algo que le sorprendió: una profundización radical sobre el tiempo, el deseo y el amor, deconstruyéndola y chocando, asimismo, con unas imágenes que venían a dialogar de manera muy íntima con su novela.

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27

AZEVEDO, CELSO O., JUAN M. R. VARGAS, and WESLEY D. COLOMBO. "Synopsis of world Discleroderma Kieffer (Hymenoptera, Bethylidae)." Zootaxa 4742, no. 3 (2020): 467–80. http://dx.doi.org/10.11646/zootaxa.4742.3.3.

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We provide a synopsis of the genus Discleroderma, which is known only from females. The genus is easily recognized by having tubercles on metasomal tergites III-V. In this synopsis we recognized D. gundari Terayama, D. indiensis Lanes & Azevedo, D. tuberculatum Magretti, and D. yemenensis Lanes & Azevedo as valid species. Additionally we discovered four more species D. concursum sp. nov., D. dolium sp. nov., D. plymouthoides sp. nov., and D. guamensis sp. nov., which are described and illustrated. We also provide an emended diagnosis and a key to the world species of this genus.

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28

Xu, Zheng-Hui. "Gaoligongidris planodorsa, a New Genus and Species of the Ant Subfamily Myrmicinae from China with a Key to the Genera of Stenammini of the World (Hymenoptera: Formicidae)." Sociobiology 59, no. 2 (2014): 331. http://dx.doi.org/10.13102/sociobiology.v59i2.594.

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A new genus and species of the ant subfamily Myrmicinae collected from the Gaoligong Mountain Nature Reserve of the Hengduan Mountains, southwestern China, is described. The new genus, Gaoligongidris gen. nov., is close to Lasiomyrma Terayama & Yamane, but with anterior clypeal margin not angled, metanotal groove deeply impressed, propodeal spiracles large, propodeal spines long and slender, and petiolar peduncle longer than the node. The new genus is distributed in the Oriental region and belongs to the tribe Stenammini of Myrmicinae. A key to the known genera of Stenammini of the world based on worker and queen castes is provided.

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29

MITA, TOSHIHARU, HIROSHI NAGANO, and MASSIMO OLMI. "Dryinidae and Embolemidae (Hymenoptera, Chrysidoidea) from Anijima, Ogasawara Islands, Japan." Zootaxa 4323, no. 2 (2017): 239. http://dx.doi.org/10.11646/zootaxa.4323.2.7.

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The fauna of Dryinidae and Embolemidae from Anijima in Ogasawara Islands, Japan is surveyed. Five species of Dryinidae and one of Embolemidae. Gonatopus adelphos Mita & Olmi, sp. nov. and Ampulicomorpha viator Mita & Olmi, sp. nov. are described and illustrated. Gonatopus tambiniae (Esaki & Hashimoto) is recorded for the first time from Anijima. Anteon achterbergi Olmi, Gonatopus nigricans (R. Perkins) are recorded for the first time from Ogasawara Islands. The male of Dryinus sinicus Olmi is described for the first time. Gonatopus hagoromo Terayama & Ohbayashi is considered junior synonymous of Gonatopus tambiniae (Esaki & Hashimoto).

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30

Sorgenfrei, Carol Fisher. "Showdown at Culture Gap: Images of the West in the Plays of Shuji Terayama." Modern Drama 35, no. 1 (1992): 117–26. http://dx.doi.org/10.3138/md.35.1.117.

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31

ITO, RYUDAI, and TOSHIHARU MITA. "A new species of Odontepyris (Hymenoptera: Bethylidae: Bethylinae) from East Asia." Journal of Insect Biodiversity 23, no. 1 (2021): 9–16. http://dx.doi.org/10.12976/jib/2021.23.1.2.

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Odontepyris costatus sp. nov. is described from Japan and Taiwan. This new species is most similar to O. formosicola Terayama, 1997 known from Cambodia and Taiwan according to the key to the Eastern Palaearctic Odontepyris. O. costatus sp. nov. can be distinguished from the latter by the relatively small eye and the wide metapectal-propodeal disc. It is also similar to O. telortis Lim & Lee, 2009 known from South Korea, but it is distinguished from O. telortis by the imbricate median area of metapostnotum. The morphological variations and diagnostic characters of the Eastern Palaearctic species are briefly discussed and the modified key to species is provided. Key words: new species, Japan, Taiwan, wing venation

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SATO, Takaharu, and Yoshimasa KAYAHARA. "Dacite lava including fresh and oxidized biotite phenocryst. Oxygen fugacity in Terayama dacite magma, Osaka, Japan." JOURNAL OF MINERALOGY, PETROLOGY AND ECONOMIC GEOLOGY 88, no. 7 (1993): 339–51. http://dx.doi.org/10.2465/ganko.88.339.

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Swain, John D. "Unspeakable Acts: The Avant-Garde Theatre of Terayama Shūji and Postwar Japan (review)." Asian Theatre Journal 24, no. 1 (2007): 301–4. http://dx.doi.org/10.1353/atj.2007.0025.

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Okita, Ichiro, Mamoru Terayama, and Koji Tsuchida. "Cryptic Lineages in the Cardiocondyla sl. kagutsuchi Terayama (Hymenoptera: Formicidae) Discovered by Phylogenetic and Morphological Approaches." Sociobiology 62, no. 3 (2015): 401. http://dx.doi.org/10.13102/sociobiology.v62i3.805.

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The taxonomy of ant species in the genus Cardiocondyla is very confused due to the extreme difficulty in separating many species based on morphology alone. In Japan, one group of the species complex Cardiocondyla sl. kagutsuchi has both winged and wingless worker-like (ergatoid) males (dimorphic) whereas others have only ergatoid males (monomorphic). The presence of both groups prompted us to hypothesize that C. sl. kagutsuchi presumably includes several independent species with differences in their male wing morphologies. However, whether any species boundary actually exists between the male groups has remained unsolved over the 10+ years since the previous revision of this genus. In this study, using discriminant and phylogenetic analyses, we compared the worker caste morphology of this species complex among lineages detected by phylogenetic analyses. In addition, we examined the number of sexuals present in field colonies. Our results revealed the existence of at least three morphological and phylogenetic groups within this species complex.

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Mita, Toshiharu, Kentaro Tsujii, Mamoru Terayama, Hong Thai Pham, and Shuji Okajima. "Discovery of the genus Formosiepyris Terayama, (Hymenoptera, Bethylidae) in Vietnam, with a description of a new species." ZooKeys 507 (June 8, 2015): 25–30. http://dx.doi.org/10.3897/zookeys.507.9773.

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Monterrubio Ibáñez, Lourdes. "Friends in cinema. Correspondencias fílmicas: de la subjetividad a la intersubjetividad." Área Abierta 19, no. 3 (2019): 439–70. http://dx.doi.org/10.5209/arab.65384.

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El presente artículo analiza la práctica de la correspondencia fílmica a partir del concepto contemporáneo de intersubjetividad: el lugar donde confluyen y se comparten las subjetividades a fin de alcanzar nuevas perspectivas y resultados. El análisis de las correspondencias más relevantes, generadas a lo largo ya de más de tres décadas –desde Video Letter (Tanikawa y Terayama, 1983) a Life May Be (Cousins y Akbari, 2014)–, nos permitirá determinar cómo se produce este desplazamiento de la subjetividad a la intersubjetividad, mediante qué construcciones epistolares, en torno a qué prácticas fílmicas, espacios y temáticas, y con qué resultados. Concluiremos entonces cómo el ensayo intersubjetivo epistolar se materializa en diferentes dinámicas: punto de partida de una reflexión compartida; resultado del intercambio; búsqueda de un espacio creativo; dialéctica entre prácticas fílmicas diferentes; simulacro que aparenta una intersubjetividad que en realidad evita; e incluso su imposibilidad, cuando el intento intersubjetivo amenaza las subjetividades implicadas.

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Sorgenfrei, Carol Fisher. "‘Supernatural Soliciting’: Pathways from Betrayal to Retribution in Macbeth and Yotsuya Kaidan." New Theatre Quarterly 31, no. 1 (2015): 28–32. http://dx.doi.org/10.1017/s0266464x15000032.

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Although written two centuries apart and in divergent cultures, the kabuki play Tōkaidō Yotsuya Kaidan and Shakespeare's Macbeth exhibit marked similarities (as well as differences) in plot. Here, Carol Fisher Sorgenfrei analyzes some of the ways that these plays reflect (mostly male) anxieties regarding shifting patterns of gender and political power in Jacobean England and Tokugawa Japan. Professor Emerita of Theatre at UCLA, Carol Fisher Sorgenfrei is a specialist in Japanese theatre and intercultural performance, and was recently a Research Fellow at the International Research Institute in Interweaving Performance Cultures at the Free University, Berlin. She is the author of Unspeakable Acts: the Avant-Garde Theatre of Terayama Shūji and Postwar Japan (University of Hawaii, 2005) and co-author of Theatre Histories: an Introduction (Routledge, third edition, 2015). She is also a playwright whose latest play, Ghost Light, is a contemporary fusion of Macbeth and Yotsuya Ghost Stories, in which the ghost of a Japanese-American actress returns to wreak vengeance on the husband who betrayed her. The play will be staged as an Equity Showcase in New York in Autumn 2015.

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Sorgenfrei, Carol Fisher. "Guilt, Nostalgia, and Victimhood: Korea in the Japanese Theatrical Imagination." New Theatre Quarterly 29, no. 2 (2013): 185–200. http://dx.doi.org/10.1017/s0266464x13000286.

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How has post-war Japanese theatre grappled with Japanese responsibility for its imperialistic/militaristic past in Asia, and for institutionalized discrimination against resident minorities? Using the tools of guilt, nostalgia, and the valorization of victimhood that are embedded in the idea of hōgan biiki (sympathy for the loser/victims), Carol Fisher Sorgenfrei here analyzes Japan's often contradictory, flip-flopping self-image as both victimizer and victim in relation to Korea and resident Koreans. Looking at both mainstream and alternative performances, her article suggests that despite attempts to discuss these issues openly, most theatre artists actually present images that soften or displace responsibility for the past. Carol Fisher Sorgenfrei is Professor Emerita of Theatre at UCLA, and was recently a Research Fellow at the Institute for Interweaving Performance Cultures, Freie Universität, Berlin. An authority on post-war Japanese and cross-cultural performance, she is also a translator, director, and award-winning playwright. Her books include Unspeakable Acts: the Avant-Garde Theatre of Terayama Shuji and Postwar Japan and the co-authored Theatre Histories: an Introduction. She has published numerous articles and presented papers and keynotes throughout the world. Professor Sorgenfrei is Associate Editor of Asian Theatre Journal and Editor of the Association for Asian Performance Newsletter.

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Lanes, Geane, and Celso Azevedo. "Phylogeny and Taxonomy of Sclerodermini (Hymenoptera, Bethylidae, Epyrinae)." Insect Systematics & Evolution 39, no. 1 (2008): 55–86. http://dx.doi.org/10.1163/187631208788784165.

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AbstractSclerodermini are a small tribe of parasitoid wasps, with 13 genera worldwide. Its phylogeny has already been investigated, but doubts still exist about the taxonomic classification of the tribe and its genera. The phylogenetic relationships of Sclerodermini are inferred from a cladistic analysis based on 72 female characters. The dataset was analyzed under equal weights parsimony and implied weighting. To assess the monophyly of the Sclerodermini, representatives of Cephalonomiini were also included in the taxon sample. The Cephalonomiini were retrieved as monophyletic and nested well within Sclerodermini, indicating the paraphyly of the latter tribe. The genus Discleroderma Kieffer, 1904 is polyphyletic, and we transfer Discleroderma yakushimensis Terayama, 1999 and D. undulatum Krombein, 1996 to Sclerodermus Latreille, 1809. Lepidosternopsis sulcata Azevedo, 1999 and L. brasiliensis (Evans, 1973) do not belong to Lepidosternopsis Ogloblin, 1953; we propose to reinstate the genus Nothepyris Evans, 1973 to accommodate these two species. The genus Glenosema Kieffer, 1905 is polyphyletic and we transfer Glenosema viduatus (Turner, 1928) to Epyris Westwood, 1832. In addition, Discleroderma yemenensis Lanes & Azevedo sp. n., Discleroderma indiensis Lanes & Azevedo sp. n., Glenosema denteata Lanes & Azevedo sp. n., Glenosema elevata Lanes & Azevedo sp. n., Platepyris sepalus Lanes & Azevedo gen. n., sp. n., and Tuberepyris basibrevis Lanes & Azevedo gen. n., sp. n. are described and illustrated.

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Sorgenfrei, Carol Fisher. "Alluring Ambiguity: Gender and Cultural Politics in Modern Japanese Performance." New Theatre Quarterly 30, no. 4 (2014): 341–51. http://dx.doi.org/10.1017/s0266464x14000682.

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In contrast to most studies of cultural nationalism, which tend to focus on literary style, narrative devices, or the static visual arts, in this article Carol Fisher Sorgenfrei analyzes the ways that Japanese actors deploy physical and vocal techniques in portraying gender and ethnic ambiguity. Expanding on her recent work on actor-dancer Itō Michio (1893–1961), she uses the concept of J-centrism (Japancentrism) to demonstrate how modern Japanese performing bodies (in both traditional and contemporary genres) imply political meaning – her title being a riff on Susan Sontag's famous essay ‘Fascinating Fascism’. While not suggesting that the artists under consideration promulgate fascism, Sorgenfrei maintains that the Japanese aesthetic preference for gender and ethnic ambiguity fuels the politics of Japanese cultural nationalism, even when the performers or directors adamantly disavow rightist, nationalistic ideologies. Through a focus on analysis of selected performances by Bando Tamasaburō and theoretical writings by Suzuki Tadashi, Sorgenfrei suggests that the performance of ambiguity by a single actor implies the ‘universality’ and cultural superiority of the Japanese body. Professor Emerita of Theatre at UCLA, Carol Fisher Sorgenfrei is a specialist in Japanese theatre and intercultural performance, and was recently a Research Fellow at the International Research Institute in Interweaving Performance Cultures at the Free University, Berlin, where she researched the work of Japanese dancer Itō Michio. She is the author of Unspeakable Acts: the Avant-Garde Theatre of Terayama Shūji and Postwar Japan (University of Hawaii, 2005) and co-author of Theatre Histories: an Introduction (Routledge, third edition 2015).

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Cummings, Alan. "Unspeakable Acts: The Avant-Garde Theatre of Terayama Shūji and Postwar Japan. By Carol Fisher Sorgenfrei. Honolulu: University of Hawai'i Press, 2005. Pp. 340. ISBN 0824827961." International Journal of Asian Studies 4, no. 2 (2007): 304–5. http://dx.doi.org/10.1017/s1479591407000885.

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Gillitt, Cobina. "Unspeakable Acts: The Avant-Garde Theatre of Terayama Shu¯ji and Postwar Japan. By Carol Fisher Sorgenfrei. Honolulu: University of Hawaii Press, 2005; pp. 340. $48 cloth." Theatre Survey 48, no. 2 (2007): 373–74. http://dx.doi.org/10.1017/s0040557407000828.

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Leiter, Samuel L. "Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuji and Postwar Japan. By Carol Fisher Sorgenfrei. Honolulu: University of Hawai'i Press, 2005; ix + 335 pp.; illustrated. $48.00 cloth." TDR/The Drama Review 51, no. 2 (2007): 195–96. http://dx.doi.org/10.1162/dram.2007.51.2.195.

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SEIFERT, BERNHARD, ICHIRO OKITA, and JÜRGEN HEINZE. "A taxonomic revision of the Cardiocondyla nuda group (Hymenoptera: Formicidae)." Zootaxa 4290, no. 2 (2017): 324. http://dx.doi.org/10.11646/zootaxa.4290.2.4.

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A taxonomic revision of the Cardiocondyla nuda species group is presented based on methods of Numeric Morphology-Based Alpha-Taxonomy (NUMOBAT) and supplemented by analysis of mtDNA. A total of 258 samples with 571 worker individuals were investigated by the hierarchical and non-hierarchical exploratory data analyses NC-Ward and NC-K-Means clustering considering 16 NUMOBAT characters. Two species are described as new, increasing the number of species in the group to eight. We separate the group into two main clades: the C. mauritanica species complex, which is of Oriental and Indo-Australian origin and contains the cryptic species C. mauritanica Forel 1890, C. strigifrons Viehmeyer 1922, C. kagutsuchi Terayama 1999, and C. itsukii sp. nov. and the Australasian and Polynesian C. nuda species complex with the cryptic species C. nuda (Mayr 1866), C. atalanta Forel 1915, C. paranuda Seifert 2003, and C. compressa sp. nov. The mean error of the two NC-clustering methods relative to the controlling linear discriminant analysis was 0.4% in C. mauritanica, 2.2% in C. itsukii, 0% in C. strigifrons, 0% in C. kagutsuchi, 1.5% in C. nuda, 3.2% in C. atalanta and 3.2% in C. paranuda—all these data are below the 4% threshold recommended by the Pragmatic Species Concept. The morphologically determined species clusters were confirmed by mtDNA data with a rather strong sequence divergence among the cryptic species of the C. nuda complex of 5.6–7.9%. The mean mismatch of two different mtDNA analyses with NUMOBAT clustering was 5.4% in 54 samples of seven species of the C. nuda group for which mtDNA data were available. The mismatch thus is smaller than in many other studies of Eumetazoa in general or ants in particular and is probably explained by low frequencies of ancient hybridization and/or incomplete lineage sorting. Comments on zoogeography, colony demography and behavior are given in the species sections and determination keys are provided. Cardiocondyla ectopia Snelling 1974 and Leptothorax caparica Henin, Paiva & Collingwood 2002 (syn nov.) are synonymized under Cardiocondyla mauritanica. Cardiocondyla nuda sculptinodis is not a member of the C. nuda group and is moved to C. shuckardi sculptinodis, a revived combination.

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AZEVEDO, CELSO O., ISABEL D. C. C. ALENCAR, MAGNO S. RAMOS, et al. "Global guide of the flat wasps (Hymenoptera, Bethylidae)." Zootaxa 4489, no. 1 (2018): 1. http://dx.doi.org/10.11646/zootaxa.4489.1.1.

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The flat wasp family Bethylidae Haliday lacks global scale literature on their alpha taxonomy. The only world revision for the family was by Kieffer in 1914 and is fully out of date and somewhat useless; the only catalog for the family was made by Gordh & Móczár in 1990 and does not include hundreds of changes made since then; and the most recent world genera keys were proposed by Terayama in 2003, but do not reflect the current knowledge we have for the family. Given this scenario, we present a global guide of Bethylidae with diagnoses, taxonomic evaluation, keys, and a checklist of all their extant genera and subfamilies. We visited the main collections around the world, analyzed about 2,000 holotypes, and examined at least 400,000 specimens. To eliminate homonymies, we add the prefix “neo” to the original specific epithet when possible. The family is now composed by 2,920 species allocated in 96 genera distributed in eight subfamilies: Bethylinae, Pristocerinae, Epyrinae, Mesitiinae, Scleroderminae, Lancepyrinae, Holopsenellinae and Protopristocerinae. The latter three are extinct. One new family-group synonym is proposed: Fushunochrysidae Hong syn. nov. of Bethylidae. Two incertae sedis genera are allocated into Bethylinae: Cretobethylellus Rasnytsyn and Omaloderus Walker. One new genus-group synonym is revalidated: Pristepyris Kieffer stat. rev. from Acrepyris Kieffer. Sixteen new genus-group synonyms are proposed: Fushunochrysites Hong syn. nov. and Sinibethylus Hong syn. nov. of Eupsenella Westwood; Messoria Meunier syn. nov. of Goniozus Förster; Acrepyris Kieffer syn. nov. of Pristepyris Kieffer; Apristocera Kieffer syn. nov. and Parapristocera Brues syn. nov. of Pristocera Klug; Usakosia Kieffer syn. nov. of Prosapenesia Kieffer; Isobrachium Förster syn. nov., Leptepyris Kieffer syn. nov., Neodisepyris Kurian syn. nov., Rhabdepyris Kieffer syn. nov. of Epyris Westwood; Codorcas Nagy syn. nov., Hamusmus Argaman syn. nov. and Ukayakos Argaman syn. nov. of Heterocoelia Dahlbom; Domonkos Argaman syn. nov. of Incertosulcus Móczár; Ateleopterus Förster syn. nov. of Sclerodermus Latreille. One new genus-group synonym is revalidated: Topcobius Nagy syn. rev. of Sulcomesitius Móczár. One new genus-group revalidation is proposed: Incertosulcus Móczár stat. rev. from Anaylax Móczár. The following species-group nomenclatural acts are established: 153 new or revalidated combinations, 16 new names to avoid secondary homonyms, 11 species with revalidated status, and one synonym. Keys to the subfamilies and genera are provided. The text is supported by 599 illustrations organized onto 92 plates.

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Cook, Ryan. "Book Review: Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s by Isolde Standish | Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return by Miryam B. Sas | Japanese Counterculture: The Antiestablishment Art of Terayama Shuji by Steven Ridgely." Film Quarterly 66, no. 1 (2012): 73–76. http://dx.doi.org/10.1525/fq.2012.66.1.73.

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LEONG, CHI-MAN, BENOIT GUÉNARD, SHIUH-FENG SHIAO, and CHUNG-CHI LIN. "Taxonomic revision of the genus Ponera Latreille, 1804 (Hymenoptera: Formicidae) of Taiwan and Japan, with a key to East Asian species." Zootaxa 4594, no. 1 (2019): 1. http://dx.doi.org/10.11646/zootaxa.4594.1.1.

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Ponera is a widespread genus of litter and soil ants. The highest diversity of the genus is found in Asia, with Taiwan and Japan being two of the most species-rich regions. Here, we systematically review the taxonomy of the 16 Taiwanese and Japanese Ponera species, two of which are new species from Taiwan: Ponera terayamai sp. n. and P. wui sp. n. A new key for Ponera species of East Asia is presented.

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Kiejziewicz, Agnieszka. "Badania przemian japońskiego filmu awangardowego. Od Terayamy do audiowizualnego eksperymentu po 2000 roku." Studia Azjatystyczne, no. 3 (December 18, 2017): 77. http://dx.doi.org/10.14746/sa.2017.3.06.

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Eaton, Thomas Dylan. "The Imaginary Martial Theatre of Shuji Terayama's Emperor Tomato Ketchup." Afterall: A Journal of Art, Context and Enquiry 22 (October 2009): 90–97. http://dx.doi.org/10.1086/aft.22.20711768.

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FUKUSHIMA, Tsuyoshi, Shiro NAKANO, Shigeto YONEYAMA, et al. "A CASE OF ADULT GIANT RETROPERITONEAL MATURE TERAYTOMA WITH SERUM HIGH LEVELS OF CEA AND CA19-9." Journal of the Japanese Practical Surgeon Society 57, no. 7 (1996): 1713–18. http://dx.doi.org/10.3919/ringe1963.57.1713.

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