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Journal articles on the topic 'Terracotta display'

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1

Barclay, Craig. "James C.S. Lin and Xiuzhen Li (2018). China’s First Emperor and the Terracotta Warriors." British Journal of Chinese Studies 8, no. 2 (2019): 162–64. http://dx.doi.org/10.51661/bjocs.v8i2.15.

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In February 2018 a new exhibition entitled China’s First Emperor and the Terracotta Warriors opened at the World Museum, in Liverpool. Organised in collaboration with the Shaanxi Provincial Cultural Relics Bureau and Shaanxi History Museum, this did not of course represent the first visit of the Terracotta Army to these shores. In terms of public engagement, however, it was undoubtedly a major coup for Liverpool: a small selection of the figures drew some 225,000 visitors to the City Arts Centre in Edinburgh in 1985; whilst the British Museum’s blockbuster 2007-8 exhibition attracted crowds th
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2

Ma, Y., W. Li, and N. An. "RESEARCH ON THE DIGITAL EXHIBITION OF CULTURAL RELICS FOR CROSS-CULTURE COMMUNICATION: CASE STUDY ON CHINA-GREECE COOPERATION ON TERRACOTTA WARRIORS." ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences X-M-1-2023 (June 23, 2023): 187–92. http://dx.doi.org/10.5194/isprs-annals-x-m-1-2023-187-2023.

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Abstract. With epidemics blocking offline interactions, it is difficult to organise events such as tours of major heritage sites and outbound exhibitions of cultural relics, and new paths need to be expanded for the presentation of cultural heritage and intercultural education efforts. With the booming development of digital technology, the integration of online virtual presentation and interactive technology and the innovative design of 3D scenes provide new solutions for the intercultural communication of these precious and immovable cultural relics (e.g. archaeological sites), etc. This pro
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Rayner, Georgina, Susan D. Costello, Arthur McClelland, Austin Akey, and Katherine Eremin. "Preliminary Investigations into the Alteration of Cadmium Orange Restoration Paint on an Ancient Greek Terracotta Krater." Heritage 4, no. 3 (2021): 1497–510. http://dx.doi.org/10.3390/heritage4030082.

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In preparation for exhibition, an ancient Greek terracotta krater received treatment which included selective in-painting with cadmium orange (CdSSe). After one year on display the object displayed disfiguring alteration in select areas of restoration. Cross-section analysis of samples taken from the object revealed that alteration only occurred in areas where the paint was in direct contact with darkened and abraded areas of the terracotta surface, in which analysis found the presence of chlorine. The alteration was recreated in mock-ups for more in-depth analysis. Using Raman spectroscopy an
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Yu, Zhaoqing. "Application of Virtual Reality Technology in Digital Protection of Cultural Heritage." Highlights in Art and Design 9, no. 3 (2025): 46–50. https://doi.org/10.54097/50dekj79.

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This study focuses on the application of virtual reality technology in the field of digital protection of cultural heritage, and builds a complete technical system through cutting-edge technologies such as multimodal data acquisition, digital twin restoration algorithm and virtual-reality fusion display system. In terms of multimodal data acquisition, laser scanning (accuracy ±0.05mm), close-range photogrammetry (resolution 5000dpi) and spectral analysis technology are integrated to establish a comprehensive and high-precision data archive for cultural heritage. The digital twin restoration al
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Jemo, Danijela, Barbara Margaretić, and Mateo Miguel Kodrič Kesovia. "Challenges of Exhibiting Ethnographic Costumes: Interinstitutional Project of Replacing Display Mannequins in Ethnographic Museum of Dubrovnik." Heritage 7, no. 9 (2024): 4666–77. http://dx.doi.org/10.3390/heritage7090220.

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The Ethnographic Museum in Dubrovnik holds an extensive textile collection which includes a number of dresses and costumes from Croatia and neighbouring countries. Until recently, the costumes were displayed on mannequins created by the academic artist Zvonimir Lončarić (1927–2004). His sculptures are expressive forms made of terracotta, fibreglass, wood, metal, acrylic paint and other materials chosen for their visual appeal. Due to their importance, the museum considered the mannequins to be protected works of art in the permanent exhibition; however, they had a harmful effect on the costume
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Ignatiadou, Despina, Irini-Despina Papaikonomou, and Irini Poupaki. "The Knucklebone and the Goose: Playing and Jeopardy for the Boy of Lilaia." Board Game Studies Journal 16, no. 1 (2022): 309–37. http://dx.doi.org/10.2478/bgs-2022-0010.

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Abstract A particularly beautiful marble statue of a boy, a dedication unearthed in Lilaia, Phokis, and on display in the National Archaeological Museum, Athens, is an opportunity for us to explore the connection between the boys’ games and the jeopardy in their outcome. Both the expression on the boy’s face and the way he holds an astragal and a goose demand multiple levels of reading. These are related to the intent of the dedication in the first place, the identification of the games requiring an astragal or involving a goose, as well as to the choice of these specific playthings for the pa
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7

Ignatiadou, Despina, Irini-Despina Papaikonomou, and Irini Poupaki. "The Knucklebone and the Goose: Playing and Jeopardy for the Boy of Lilaia." Board Game Studies Journal 16, no. 1 (2022): 309–37. http://dx.doi.org/10.2478/bgs-2022-0010.

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Abstract A particularly beautiful marble statue of a boy, a dedication unearthed in Lilaia, Phokis, and on display in the National Archaeological Museum, Athens, is an opportunity for us to explore the connection between the boys’ games and the jeopardy in their outcome. Both the expression on the boy’s face and the way he holds an astragal and a goose demand multiple levels of reading. These are related to the intent of the dedication in the first place, the identification of the games requiring an astragal or involving a goose, as well as to the choice of these specific playthings for the pa
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8

Pütz, Babette, and Kenneth Sheedy. "Bad Hair Day: Some Mementos of New Comedy Refurbished." Antichthon 44 (November 2010): 33–49. http://dx.doi.org/10.1017/s0066477400002069.

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Masks having a bad hair day? Two terracotta masks now in the Museum of Ancient Cultures, Macquarie University (figs 1-5), and the Classics Museum, Victoria University of Wellington (figs 9-12), seem to be in this embarrassing situation. Both of these tonsorially-challenged characters display highly unusual features (indeed the entire forehead of the male mask seems somewhat deformed) but a closer look suggests that in both cases their bad hair is the result of ‘tampering’ with classic mask representations or their moulds. That is to say, existing moulds have been modified and then brought back
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9

Yaman, Hüseyin, and Tolga Özhan. "Roman Sarcophagus Depicting Scylla in the Çanakkale Troia Museum." Tekmeria 16 (November 17, 2022): 209–44. http://dx.doi.org/10.12681/tekmeria.31883.

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 This article discusses an inscribed sarcophagus that originates from Nikaia and is now on display in the Çanakkale Troia Museum. The front is divided into three framed panels. Each short end has a single frame, and both are decorated with a gorgoneion. On the front, pantomime masks occupy the left and right frames while the middle one is embellished with a bust depicting a young woman. This discussion focuses mainly on the identification of the relief in the central frame and the inscription on the sarcophagus. The middle figure arouses curiosity with her leafy garment an
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10

Kem, Tatiana E. "SARAH BERNHARDT IN SCULPTURAL SELF-PORTRAITS AND WORKS OF SCULPTORS - HER CONTEMPORARIES." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 4 (2024): 224–49. https://doi.org/10.28995/2073-6401-2024-4-224-249.

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The work analyzes sculptural portraits of Sarah Bernhardt, created either by French artists of the second half of the 19th – early 20th century, or by the actress herself. Understanding the need for self-expression not only on stage, but also in the sculptor’s studio, Bernard used her fame to promote her own creations at exhibitions and in theaters during tours, putting on public display both sculptures and busts of her friends and famous contemporaries, as well as self-portraits. To embody the images of the great French actress in marble, bronze, terracotta, clay, and plaster, artists used a
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11

Gao, Hongjuan, Guohua Geng, and Sheng Zeng. "Approach for 3D Cultural Relic Classification Based on a Low-Dimensional Descriptor and Unsupervised Learning." Entropy 22, no. 11 (2020): 1290. http://dx.doi.org/10.3390/e22111290.

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Computer-aided classification serves as the basis of virtual cultural relic management and display. The majority of the existing cultural relic classification methods require labelling of the samples of the dataset; however, in practical applications, there is often a lack of category labels of samples or an uneven distribution of samples of different categories. To solve this problem, we propose a 3D cultural relic classification method based on a low dimensional descriptor and unsupervised learning. First, the scale-invariant heat kernel signature (Si-HKS) was computed. The heat kernel signa
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12

Corke-Webster, James. "Roman History." Greece and Rome 65, no. 2 (2018): 259–66. http://dx.doi.org/10.1017/s0017383518000207.

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Identity studies live. This latest batch of publications explores what made not just the Romans but the Italians, Christians, and Etruscans who they were. We begin with both age and beauty, the fruits of a special exhibition at the Badischen Landesmuseum Karlsruhe in the first half of 2018 into the most famous of Roman predecessors, the Etruscans. Most of the exhibits on display come from Italian museums, but the interpretative essays that break up the catalogue – which are also richly illustrated – are by both Italian and German scholars. These are split between five overarching sections cove
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13

Pak, Yangjin. "Emergence and Development of the Pedestal Vessels in Northeast Asia." Hoseo Archaeological Society 52 (June 30, 2022): 112–41. http://dx.doi.org/10.34268/hskk.2022.52.112.

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This paper aims to discuss the introduction of the pedestal vessels to northeast China and their change and development in this region. Pedestal vessels, sometimes called dou, were used to offer, display, and distribute food and seem to have appeared for the first time in southern China during the early period of the Neolithic culture, probably around the 6th millennium B.C.E. The pedestal pottery quickly became popular in the societies of the middle and late phase of the Neolithic Age culture in this area and spread to those in the middle reaches of the Yangzi River as well. Among the Neolith
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14

Kock, Jan, and Mette Svart Kristiansen. "Skjern Slot – En undersøgelse af en borg og dens omgivelser gennem middelalder og renæssance." Kuml 59, no. 59 (2010): 129–77. http://dx.doi.org/10.7146/kuml.v59i59.24535.

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Skjern Castle – an archaeological investigation of a castle through the Middle Ages and RenaissanceIn the very middle of the river Nørreå’s extensive meadowlands, 15 km west of Randers, lies the striking castle mound of Gammel Skjern. During the Middle Ages and Renaissance period this site was the centre of a manorial complex which at times was one of the largest in Denmark and some of the country’s most influential noble families resided here. Its location, where the highway between Viborg and Randers crosses the river today, was one of the few good crossing points over Nørreå (fig. 1). A maj
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15

Li, Xiaoxi, Wendi Yu, Desheng Lan, et al. "Analysis of newly discovered substances on the vulnerable Emperor Qin Shihuang's Terracotta Army figures." Heritage Science 10, no. 1 (2022). http://dx.doi.org/10.1186/s40494-022-00701-w.

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AbstractIn this paper, X-ray diffraction spectroscopy (XRD), Raman spectroscopy (RS), firing temperature analysis, pore size distribution analysis, Fourier infrared spectroscopy (FTIR), scanning electron microscopy-energy dispersive spectroscopy (SEM–EDS), and transmission electron microscopy (TEM) were utilized to analyze the unearthed vulnerable terracotta figures of Emperor Qin Shihuang's Terracotta Army, as well as the unknown precipitated white crystals and black substances. The results show that the firing temperature of the vulnerable terracotta figure is much lower than those of simila
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16

Albertocchi, Martina. "Ancora sui keimelia: potenza comunicativa e difficoltà di datazione delle figurine 'd'antiquariato' nei contesti votivi della Sicilia." Otium. Archeologia e Cultura del Mondo Antico 17, no. 1 (2025). https://doi.org/10.5281/zenodo.14917498.

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The presence of objects older than their discovery context -called heirlooms, <em>keimelia</em> or <em>aphidrumata</em>- involves different geographical basins of the Greek world in all chronological periods. The phenomenon has been given from time to time different explanations depending on the context. Focusing on terracottas, we will review the most significant cases identified in Sicily, trying to understand if we can suggest a unitary interpretative key to the ritual actions that have involved figurines older than their context. Attention will also be paid to the particular positioning of
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17

-, Saurav Khuttiya Deori, Sukanya Sharma -, and Deep Bora -. "Architectural and Comparative Material Study of Brick and Mortar of Ahom Terracotta Monuments, Assam, India." International Journal For Multidisciplinary Research 5, no. 1 (2023). http://dx.doi.org/10.36948/ijfmr.2023.v05i01.1754.

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The Ghanasyam house of Sivasagar district and Namath Kali Mandir(Temple) of Nilachal hills, Guwahati, Assam, are among the most unique and detailed ornamented brick architecture monuments built during the reign of the Ahom dynasty in India. Although Namath kali mandir has retained only a few portions of its original architecture due to natural causes and vegetation, the remains still display detailed ornamentation. According to historians and scholars, both monuments follow similar architectural styles irrespective of geographical differences. This paper compares and analyses the architectural
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18

Despina, Ignatiadou, Papaikonomou Irini-Despina, and Poupaki Irini. "The Knucklebone and the Goose: Playing and Jeopardy for the Boy of Lilaia." April 26, 2022. https://doi.org/10.2478/bgs-2022-0010.

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A particularly beautiful marble statue of a boy, a dedication unearthed in Lilaia, Phokis, and on display in the National Archaeological Museum, Athens, is an opportunity for us to explore the connection between the boys&rsquo; games and the jeopardy in their outcome. Both the expression on the boy&rsquo;s face and the way he holds an astragal and a goose demand multiple levels of reading. These are related to the intent of the dedication in the first place, the identification of the games requiring an astragal or involving a goose, as well as to the choice of these specific playthings for the
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19

SÉGuin, Fredrick H. "High-Resolution Computed Tomography and Digital Radiography of Archaeological and Art-Historical Objects." MRS Proceedings 185 (1990). http://dx.doi.org/10.1557/proc-185-65.

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AbstractRecent advances in x-ray imaging and image processing are providing new options for the nondestructive physical evaluation of archaeological artifacts and works of art. Traditional film-based methods have played an important role in this field for many decades1, but digital modes developed for medical and industrial applications have been gaining ground2 and can be expected to become more important as they become more accessible and less expensive. Modes such as digital radiography (DR) and computed tomography (CT) have many advantages in terms of information content, quantitative anal
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