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Journal articles on the topic 'Terracotta products'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Kozlenko, Roman, and Olha Puklina. "Roman Terracottas From the Lower City of Olbia from the collection of the National Museum of the History of Ukraine." Archaeology, no. 1 (March 16, 2021): 108–17. http://dx.doi.org/10.15407/archaeologyua2021.01.108.

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The article introduces clay figurines of eagles and terracotta of a Roman soldier, which were found during excavations at the Lower City of Olbia in the 1930—1940-ies, and are kept in the National Museum of the History of Ukraine. The iconography of the eagles is similar to the terracotta statuette of an eagle found in the praetorium building in the Upper City of Olbia. The series of rooms, in which the eagle figurines were found, belong to the Roman garrison structures, which were located in the port area of the city. Terracotta eagle figurines could be used in military sanctuaries, and imita

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Paschoarelli, Luis, Fernando Moreira da Silva, and Jonhatan Magno Norte da Silva. "Everyday design products and long-term memory." Convergences - Journal of Research and Arts Education 17, no. 34 (2024): 15–23. https://doi.org/10.53681/c1514225187514391s.34.283.

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Colour is an important component of product design and can influence usage interaction. This study aimed to study the influence of the colour of everyday products on the emotional response and perceived usability of senior adult females. Thirty women between 60 and 80 years old participated, who evaluated clay sausage roaster in three different colours, based on two protocols: Emotional Response Cards (ERC) and Perceived Usability Cards (PUC). The product in the “Terracotta” colour was significantly (p ≤ 0.05) better evaluated (emotional response and perceived usability) than the products in t

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Stratton, Michael. "The Terracotta Industry: its Distribution, Manufacturing Processes and Products." Industrial Archaeology Review 8, no. 2 (1986): 194–214. http://dx.doi.org/10.1179/iar.1986.8.2.194.

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Ekomadyo, Agus S., Nurrohman Wijaya, Vera J. Vardhani, Annas T. Maulana, Hernadi Suhendar, and Vanessa Susanto. "FIELD OF CREATIVE CULTURE: A STUDY OF CREATIVE MOVEMENT AND INNOVATION OF TERRACOTTA CULTURE IN JATIWANGI, INDONESIA." Creativity Studies 16, no. 1 (2023): 355–70. http://dx.doi.org/10.3846/cs.2023.15333.

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Although the creative city concept has received much criticism, the creative movement still occurs to fight for a better city. The decline in the terracotta tile business in Jatiwangi, Majalengka Regency, West Java, Indonesia, has triggered a creative movement to revitalize their identity through the Terracotta City movement. By combining Mihaly Csikszentmihalyi’s field of creativity and Pierre Bourdieu’s cultural capital, this study is carried out to reveal the creative culture of terracotta tile entrepreneurs in Jatiwangi and its relation to the movement. It is found that entrepreneurs’ crea

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Mohapatra, Sanjay, Amit Nayak, Ankita Bhangadiya, Ipshit Bagchi, Pradeep Kumar Sharma, and Sukanya Behera. "A dilemma of terracotta professional – the case of implementing information systems in a terracotta unit." Emerald Emerging Markets Case Studies 4, no. 4 (2014): 1–19. http://dx.doi.org/10.1108/eemcs-04-2013-0038.

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Subject area The case concerns strategy. Study level/applicability This study is applicable to information system, development sector and application of technology in development sector. Case overview Krutika Terracotta Unit is a small unit located in Bhubaneswar, Odisha (India), owned by Mr Tarun Tapan Sahoo. The organization product portfolio varies from decorative statues, pots and vessel to customized products demanded by customers. Organization is also involved in training and renting the products for traditional fairs, marriages and religious ceremony in Bhubaneswar along with order sale

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Indrawan, Stephanus Evert. "Alternatives Formation of Bricks Pattern from Trowulan through parametric design." International Journal of Creative and Arts Studies 5, no. 1 (2018): 41–53. http://dx.doi.org/10.24821/ijcas.v5i1.2214.

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This research is a continuation of the potential mapping from Trowulan Art and Crafts commodity based on its material which consist of Terracotta, Stone and Brass. Studies are limited to Terracotta and bricks as its products. Terracotta of Trowulan has a distinctive color texture and the product that based on this material are mostly sculpture, roofs tile, roofs ornament and bricks. Bricks are the most common material for building construction and being exposed in a common principles of bricks formation. This recent research aims to find an alternative principles of bricks formation through pa

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Kovalenko, O. V. "PRODUCTS OF POLTAVA POTTERS OF THE 18th CENTURY: THE POTS." Archaeology and Early History of Ukraine 29, no. 4 (2018): 125–32. http://dx.doi.org/10.37445/adiu.2018.04.06.

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The article considers the products of the Poltava potters of the 18th c. In particular, the pots: their form, decoration and chronological types. The author pays spesial attention to local morphological features and ornamental schemes. Among distinctive once are the next: a terracotta shard, straight rounded rims, low body, decorated with colorful ornamental patterns in upper part, which include lines, curvelets, and other elements.

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Pelin, Vasile, Ioana Huțanu, Eugen Borş, Viorica Vasilache, Ion Sandu, and Mihai Brânzilă. "Impact on Surface Treatment of Hydrophobic Consolidation Terracotta Ornaments." Key Engineering Materials 660 (August 2015): 369–76. http://dx.doi.org/10.4028/www.scientific.net/kem.660.369.

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During the consolidation and rehabilitation interventions of George RaduMelidon City Library Roman, Neamţ County, a series of architectural terracotta decorations, manufactured in the second half of the century XIX, have been identified and cataloged. The current state of these decorations, made from geomaterials, requires the establishment of a technical solution which will be used to preserve, to strengthen the color, the aesthetic surface and the chromatic reintegration. Thus, the paper presents the study of four current commercial chemicals products, part of the additives hydrophobic/wate

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Pal, Dr.Tapas, Dr. Sukanta Das, and Shubhajit Majumder. "Kunore Adarsha Terracotta Village of West Bengal: The Value of Mud-to-Money Transformation." International Journal of Advance and Applied Research 4, no. 42 (2023): 99–113. https://doi.org/10.5281/zenodo.10548009.

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Abstract: The rural terracotta business in West Bengal is a good example of a journey organized by rural folks from Mud to Money. It provides high employment opportunities in rural Bengal and improves living standards. Both the rural and urban populations comprise a large number of workers in this hand-made industry and have made a significant contribution to the state as well as the Indian economy. Rural Uttar Dinajpur district manufactures terracotta and pottery products as well as exports them to other countries. For the years 2019–2020, India exported clay vessels worth 9.97 mil

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Buiskykh, Alla, Olha Puklina, and Tetiana Shevchenko. "On the Ceramic Imports from Sinope at Olbia Pontica (on the Example of Architectural Terracottas)." Arheologia, no. 1 (March 29, 2023): 40–51. http://dx.doi.org/10.15407/arheologia2023.01.040.

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In the paper architectural terracottas — facade elements of building ceramics, which were imported to Olbia from Sinope for the decorative design of the roofs of public and, presumably, residential buildings, are studied. In the Olbian collection, fragments from various structurally-different parts are selected. These are frontal antefixes in the shape of multi-pelated palmettes and gorgoneions, as well as simas with ovolos and meander motifs and zoomorphic downspouts in the shape of lion protomes. It has been established that the time of the maximum spread of the Sinopean import of constructi

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Savostina, Elena A., and Tatiana S. Tikhonova. "TERRACOTTA PROTOMAS AND THE COROPLAST WORKSHOP OF GORGIPPIA." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2023): 22–41. http://dx.doi.org/10.28995/2686-7249-2023-1-22-41.

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In 2020, during excavations of the ancient polis of Gorgippia (Anapa), a pottery kiln (from the middle of the 3d century BC) was discovered, with the remains of a batch of terracotta baked in it, including two half-figures of Kore-Persephone and a protoma-mask of Demeter. It is noteworthy that such products were already familiar to researchers at Gorgippia, where a statuette of Kore was found in the necropolis (1954), and the protomas of Demeter were found in the alleged “dump” of temple offerings (1965). Analysis of the new finds and materials of the Anapa Museum revealed the peculiarities of

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Das, Jyotirmoy, Shouvik Sengupta, Sandipan Bhattacharjee, and Bhaskar Saha. "An Interactive Design Concept for Sustainability of Terracotta Production." International Journal of Design and Allied Sciences (IJDAS) 2, no. 1 (2023): 22–38. https://doi.org/10.5281/zenodo.8187280.

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<strong>Abstract:</strong> Evolving technologies are the center of an ever-modernizing society and assisted by products of skills and labour. A lot of explorations and initiatives have been already taken by the concerned authorities for proper recognition of the craft form in the country. Lately, with the change in market trends and shortcomings of artisans the culture tends to decay with the passage of time. The fear of unemployment and various other obstacles have let the artisans with a doubt whether to pass it to the future generations. This paper aims to regain the past glory of Terracott

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Touolak, B. Touogam, and F. Tchangnwa Nya. "More Value of Maroua Clay in the Formulation of Ceramic Products (Terracotta, Earthenware, Stoneware, Porcelain)." Advances in Materials Physics and Chemistry 04, no. 12 (2014): 284–99. http://dx.doi.org/10.4236/ampc.2014.412031.

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Vakhrameieva, G. "THE HEYDAY OF THE DEMETER CULT DURING THE REIGN OF THE SPARTOKIDS DYNASTY ON BOSPORUS." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 136 (2018): 11–15. http://dx.doi.org/10.17721/1728-2640.2018.136.1.02.

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The article is devoted to the general characteristics of Demeter cult in the Bosporus, thread V – beginning III century BC. The author gives account of the main Bosporus sanctuaries of Demeter. During the excavation of cities and necropolis, a lot of terracotta of Demeter and Kore-Persephone was found. Apart from sacral complexes and coroplast products, epigraphic sources, graffiti, paintings and images of an ear on the coins evidence honouring the goddess of fertility in the Bosporus. The priority of ancient rules and traditions in the cult of Demeter was maintained in the course of this peri

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Windnigda, ZOUNGRANA, BOUKAR Makinta, COULIBALY Ousmane, TUBREOUMYA Guy Christian, and BERE Antoine. "Performance Optimization of a Terracotta Tube-Based Direct Evaporative Cooling System." Physical Science International Journal 28, no. 5 (2024): 80–95. http://dx.doi.org/10.9734/psij/2024/v28i5850.

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This study presents the design and testing of a lab-scale Terracotta Flat Tubular direct evaporative cooler constructed from locally sourced materials. The key components of the system include a galvanized steel box, hollow baked clay tubes with a flat geometry, an axial fan, and a low-power submersible water pump. Experiments were conducted to evaluate the effects of varying intake air velocity, and water temperature. The experiment was carried out between 2:30 PM and 5:00 PM where air temperature and humidity in the test room stabilize. The results demonstrated temperature reductions ranging

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Shpak, L. Yu. "TYPOLOGY OF FACES ON ETRUSCAN TERRACOTTA (TO THE PROBLEM OF THE EVOLUTION OF THE STYLE OF HEAD TYPES ACCORDING TO P.J. RIIS)." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta Seria XXIII Antropologia), no. 2/2024 (July 10, 2024): 105–14. http://dx.doi.org/10.55959/msu2074-8132-24-2-9.

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Introduction. Etruscan-Italian fine art experienced a noticeable artistic influence from Greece. Iconographic types of the head and face were transmitted both through the import of finished Greek products and through the circulation of matrices and the artists themselves, which complicates the chronology and typology of monuments. P.J. Riis proposes to systematize the "evolution" of Etruscan terracotta styles by constructing a chronological series from the early archaic to the late classic [Riis, 1981]. The purpose of the work was to study the concept of P.J. Riis about iconography in Etruscan

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Bykovskaya, Aleksandra Viktorovna. "The image of goddess on the throne in the Bosporan coroplast of the archaic and classical periods (VI – IV centuries BC): iconography and sacred meaning." Исторический журнал: научные исследования, no. 3 (March 2021): 36–57. http://dx.doi.org/10.7256/2454-0609.2021.3.35727.

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This article explores the peculiarities of application of compositional pattern of the enthroned goddess in the coroplast of the European part of Bosporus. A number of figurines of the East Crimean Historical and Cultural Museum-Reserve of such iconography is published for the first time, including the discarded coroplast products dating back to the IV century BC. The article reviews the emergence of iconography, its origins in the Neolithic cultures of Anatolia, and proliferation. The following sections are dedicated to the analysis of Bosporan terracotta of the enthroned goddess of the archa

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BOUQUILLON, A., I. KATONA, A. D'ALESSANDRO, and A. ZUCCHIATTI. "PIXE ANALYSIS OF ARTISTIC BLUE GLAZES AND THE USE OF COBALT PIGMENTS IN CERAMICS DURING THE ITALIAN RENAISSANCE." International Journal of PIXE 15, no. 03n04 (2005): 317–22. http://dx.doi.org/10.1142/s0129083505000672.

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PIXE has been used to extract the elemental composition of cobalt blue glazes in 55 dated and undated terracotta sculptures from the Florentine della Robbia school. The data, consistently with previous work, show a rapid change in the composition of blue glazes and locate it just before 1520. The change is marked essentially by the presence of arsenic and bismuth in the glaze and by reduced amounts of iron and nickel after 1520. We speculate that this is due to procedures introduced to industrialise the blue pigments production more than to exploitation of different families of cobalt minerals

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Suman, Siti Norhashimah, Rusmadiah Anwar, Nor Nazida Awang, and Salwa Ayob. "Composition of Various Percentages of Terracotta Clay as Colourant Glaze." Environment-Behaviour Proceedings Journal 8, SI16 (2023): 99–104. http://dx.doi.org/10.21834/e-bpj.v8isi16.5228.

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Terracotta is valuable for its mineral content, which produces pigments for coloring ceramic bodies and glazes. Unlike commercial colors, terracotta's natural minerals make it unique. This study explores the potential use of local terracotta clay in transparent glaze formulations. Methods like clay powder percentages, X-ray diffraction, X-ray fluorescence tests, electron scanning, and microscope analysis (SEM) are used to examine the clay elements' morphology and structure. The addition of terracotta clay powder in proportions (20-50%) rendered the glaze translucent. Samples were applied on po

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Novita, Novita, Shabri Abd. Madjid, Muhammad Bahi, Irvanizam Irvanizam, Erni Erni, and Irma Angraini. "UTILISATION OF NATURAL DYES FROM NIPAH FRUIT SKIN (NYPA FRUTICANS) USING THE SHIBORI TECHNIQUE IN FASHION PRODUCTS." International Journal of Applied Science and Engineering Review 05, no. 03 (2024): 76–84. http://dx.doi.org/10.52267/ijaser.2024.5310.

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This research explores the potential of Nipah fruit skin as a natural dye for textiles and demonstrates its practical application. Natural dyes derived from plant extracts, such as roots, wood, fruit, skin, seeds, or flowers, have long been used in textiles. However, this study investigates using palm fruit skin waste as a natural dye. The Shibori Nui Technique, a tie-dye technique originating from Japan, is employed, where fabric is sewn together and wrapped with thread, then dipped in dye and made into fashion products. The extraction of colour from nipa palm skin is a process of boiling the

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Petrovic, Snezana, Vojo Jovanov, Slavica Vujovic, Jonjaua Ranogajec, and Emilija Fidancevska. "Historical materials from the medieval fortress Bac." Processing and Application of Ceramics 1, no. 1-2 (2007): 75–80. http://dx.doi.org/10.2298/pac0702075p.

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Conservation and restoration of cultural heritage are the objects of great interest worldwide. For setting the correct methodology for the procedures of the restoration it is very important to have the right information about the state of the object and the characteristics of the original materials. The basis of our examinations were clay products (samples of bricks, terracotta and clay roof tile) from the middle ages, the fortress in Bac. The following methods were used: x-ray diffraction, classic chemical analysis, SEM-EDS, Hg-porosimetry and dilatometry. Based on the used methods, mineral c

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Cahyono, Puguh, and Deajeng Octavianti Masfufah. "The Effect of Price and Product Quality on Consumer Satisfaction Levels." Research Trend in Technology and Management 2, no. 3 (2024): 122–31. http://dx.doi.org/10.56442/rttm.v2i3.71.

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From the economic aspect, the development of cafes has a positive impact on the development and business activities of the creative economy. The fierce competition demands that entrepreneurs must be ready and able to compete. Terracotta Cafe is a hangout place that is currently crowded with young people, especially those in Lamongan. The purpose of this study is to find out the factors that affect the level of consumer satisfaction. This study uses a quantitative approach. The consumer population at Terakota Cafe is 21,975 people and the sample needed is based on the calculation of the slovin

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Spathi, Maria G. "What do terracotta figurines in a sacral context reveal? The case of the Aphaia sanctuary on the island of Aegina." Journal of Greek Archaeology 7 (November 23, 2022): 213–32. http://dx.doi.org/10.32028/jga.v7i.1715.

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Figurines are one of the most numerous categories of finds, coming to light in their hundreds in sacral contexts. And while other finds, such as ceramics, fall often into the category of profane, coroplastic finds are clearly always votives. They are offerings to the deity given either singly or, possibly, in groups, along with other offerings, such as edible stuffs. The importance of figurines as votive offerings in shrines has undergone a revision: up to a few decades ago, they were considered cheap, mass-produced products of little interpretive significance to the results of modern research

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Gavrish, Larisa. "Sale of Clay Products of Potters of Kyiv Governance at the End of the 19th – at the Beginning of the 20th Century." Ethnic History of European Nations, no. 75 (2025): 29–33. https://doi.org/10.17721/2518-1270.2025.75.04.

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Тhe proposed article summarizes scattered material on the sale of clay products by potters of the Kyiv province at the end of the 19th – at the beginning of the 20th century. The choice of the territorial boundaries of the study is explained by the significant spread of handicrafts in each of the districts of the Kyiv region. The chronological framework of the work covers the time from the appearance of the first publications containing information on the sale of clay products in the province to the publication of the landmark monographic work of Mykola Ionov. The analysis of the literature ma

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Gavrish, Larisa. "Exchange as a Form of Sale of Clay Products Potters of the Left Bank of Ukraine in the Second Half of the 19th – at the Beginning of the 20th century." Ethnic History of European Nations, no. 71 (2023): 58–62. http://dx.doi.org/10.17721/2518-1270.2023.71.08.

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The proposed article summarizes scattered material on exchange as one of the forms of selling clay products, used by potters of the Left Bank of Ukraine in the second half of the 19th – and early 20th centuries. Territorially, the study covers the Kharkiv, Chernihiv and Poltava provinces, where the exchange has become the most widespread. The written sources of the outlined period and contemporary ceramologists were studied to identify the necessary information. The analysis of the literature made it possible to draw a conclusion about the dispersion and certain fragmentation of the materials

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Aprilia, Hasna, Ponimin Ponimin, and Lisa Sidyawati. "Seni Keramik Gerabah Sentra Bumijaya Serang: Studi Proses Produksi dan Desain Ragam Hias Gerabah Berciri Khas Banten." JoLLA: Journal of Language, Literature, and Arts 2, no. 4 (2022): 561–81. http://dx.doi.org/10.17977/um064v2i42022p561-581.

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Abstract: Bumijaya pottery is a traditional terracotta ceramic craft product located in Serang, Banten. As a result of the development of technology, Bumijaya's pottery products have decreased, so that Bumijaya's pottery products remain sustainable and known to many people, an in-depth study of Bumijaya pottery related to the production process and decoration is needed. These pottery products are unique in terms of the manufacturing process, the design of the pottery shapes, and the variety of pottery decorations so that these pottery products are unique with the characteristics of Banten. The

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Negru, Mihaela, Violeta Calotă, Lavinia Călugăreanu, and Dana Mateș. "Occupational exposure to inorganic lead and its compounds in Romania." Romanian Journal of Occupational Medicine 71, no. 1 (2020): 26–33. http://dx.doi.org/10.2478/rjom-2020-0004.

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AbstractLead and its compounds are hazardous chemical agents; some lead compounds, are classified as carcinogens in humans. In Romania, the occupational exposure to inorganic lead and its compounds occurs in many sectors: production of lead, manufacture of batteries, manufacture of thermal ceramic products (terracotta), production of electric and electronic components, manufacture of articles of metal wire, production of dyes and additives for plastics, recovery of lead from waste batteries, waste collection and treatment of electrical and electronic equipment, etc. The binding occupational li

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Ilgar Aliyeva, Gulana. "Qarabağın antik dövr bədii keramikası". ANCIENT LAND 12, № 6 (2022): 5–10. http://dx.doi.org/10.36719/2706-6185/12/5-10.

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As a result of large-scale archaeological excavations of ancient settlements and burial grounds, carried out over the past 25 years in the zone of the lowland part of Karabakh, the number of ceramic finds has increased several times. A significant place in the composition of ceramic products belongs to artistic ceramics: zoomorphic and anthropomorphic vessels, terracotta figurines of people, animals and birds. In the studied period, painted jugs occupy a significant place in pitcher burials. The discovered archaeological materials indicate that painting was used less in the Northern territory

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Anirban, Banerjee. "The Temple Village of Maluti: A Re-appraisal of Bengali Identity and Culture from the Margin." postScriptum: An Interdisciplinary Journal of Literary Studies ISSN: 2456-7507 6, no. 1 (2021): 131–46. https://doi.org/10.5281/zenodo.4506993.

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While defining the Bengali identity and culture, most of the people often simplify it and, in their replies, we find some recurrent terms, like, “Maachh Bhaat” (fish with boiled rice), “Robi Thakur”, “Durga Puja” and “Rasogolla”. But, is the Bengali identity only limited to these terms! Well, those above-mentioned terms do represent some facets of Bengali culture, but limiting the entire culture within those terms, simplifying the identity is basically diminishing the complex Bengali culture and making the other facets of culture obsolete. For un

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Chernaya, Mariya P. "TECHNICAL, MORPHOLOGICAL AND STYLISTIC FEATURES OF SIBERIAN TILES AS A HISTORICAL SOURCE." Ural Historical Journal 77, no. 4 (2022): 78–85. http://dx.doi.org/10.30759/1728-9718-2022-4(77)-78-85.

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Tiles are ceramic products with a front plate and a vertical framed rib (1 inch or higher) on the back side, intended for architectural or stove lining. They became a completely new phenomenon in Siberia in the 17th–18th centuries. Their distribution is associated with the process of civilizational modernization, which entailed the emergence of new industries, technologies, and specialists. Buildings and stoves with tiled decor have not been preserved in the region, written information is scarce, so the main source for the study of Siberian tiles is archaeological materials. The most represent

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Chekanovski, A. A. "THE STYLES OF TOBACCO PIPES OF THE 17th — EARLY 19th CENTURIES FROM KYIV EXCAVATION AND THEIR PARALLELS." Archaeology and Early History of Ukraine 43, no. 2 (2022): 169–98. http://dx.doi.org/10.37445/adiu.2022.02.13.

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The paper is devoted to clay tobacco pipes of the 17th — early 19th centuries, found in Kyiv. The two-part type of pipes of the so-called «eastern» type is analyzed, the most widespread in the territory of Ukraine and prevailing among finds from Kiev. The chibouk and the pipe body of such products are separate parts. Other types are one-piece pipes of the so-called «western» type (or «Dutch»), in which the chibouk and the bowl are one whole, and three-part pipes, in which the middle part (shank) served for connection of chibouk with a one-part pipe. They are extremely few among archaeological

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Keleş, Vedat, and Ersin Çelikbaş. "A Terracotta Appliqué Relief Mould From Parion." Höyük, no. 10 (November 29, 2022): 19–36. http://dx.doi.org/10.37879/hoyuk.2022.2.019.

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The ancient city of Parion lies on the coast of the Dardanelles in Turkey and is blessed with two natural harbours; it thus sits in an extremely important geopolitical location. The city experienced a golden age in the imperial Roman period as a religious and cultural centre. In 2006 a terracotta figure mould was found on the surface in the vicinity of Taşkule. The mould produces an Apollo figure. . According to Strabo and Apollon Aktaios legend seen on the local coins dated to 165-160 BC, the existence of an Apollo cult at Parion is known. In addition to its important association with the cul

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Panella, Cristiana. "Lost in translation: ‘Unprovenanced objects’ and the opacity/transparency agenda of museums’ policies." Anuac 4, no. 1 (2015): 66–87. http://dx.doi.org/10.7340/anuac2239-625x-1874.

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Starting from the case of ancient Malian terracotta in this article I propose an epistemological reflection on the relationship between hidden practices of circulation of unprovenanced objects and official discourses and policies driven by museums. In particular I develop a critique of the Kantian association of Truth, Beauty and Goodness involved in cultural heritage policies and art circulation. Through this perspective I refer to Luhmann’s theory on trust and power as well as to Handler’s theory on authenticity in order to show how the erasing of the social life of the Malian terracotta (ov

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Billot, Marie-Françoise. "Terres cuites architecturales de Sinope de l’époque archaïque à l’époque hellénistique." Ancient Civilizations from Scythia to Siberia 16, no. 1-2 (2010): 217–551. http://dx.doi.org/10.1163/157005711x560390.

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Abstract Architectural Terracottas of the Archaic to the Hellenistic Period from SinopeDecorated architectural terracottas held in the Sinope Museum are re-examined here from several angles: techniques of manufacture, combinations of different series on one and the same building, importing of models, export of these exclusively local products to cities of the North Pontic region, style and chronology. Reconsidered so as to take into account all significant features, this form of production ‐ recorded from as early as the 6th century BC ‐ provides some continuation of the ‘Milesian’ tradition,

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Bulíř, P. "Growth of Austrian pine (Pinus nigra Arnold) treated with soil conditioners on Loket spoil bank." Journal of Forest Science 52, No. 12 (2012): 556–64. http://dx.doi.org/10.17221/4536-jfs.

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The effects of soil conditioners Frisol, TerraCottem, Bi-algeen, and fertilisers Silvamix Forte and Cererit on the welfare of Austrian pine were observed in a seven-year experiment on Loket spoil bank. Simultaneously the economic aspects of growing the Austrian pine until the stage of established plantation were examined. The application of products one year and a half after planting did not cause seedling mortality. The elongation growth of young plants conditioned by the application of Silvamix Forte and Frisol was statistically significant whereas these effects manifested themselves in the

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Oria Segura, Mercedes, and José Luis Escacena Carrasco. "Figurilla femenina embarazada con símbolo astral en la antigua Caura: ¿súplica privada a Dea Caelestis?" Lucentum, no. 35 (December 15, 2016): 99. http://dx.doi.org/10.14198/lvcentvm2016.35.05.

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Estudiamos en este artículo una pequeña terracota procedente de la antigua ciudad de Caura, hoy Coria del Río (provincia de Sevilla). Aunque no se conserva completa, representa una figura femenina en estado de gestación. La imagen se apoya sobre una base troncocónica hueca que exhibe en su parte delantera un símbolo astral. Es posible que dispusiera inicialmente de brazos abiertos en actitud orante. Estos rasgos sugieren interpretar la figurilla como ofrenda o exvoto (¿a Dea Caelestis?), y en cualquier caso como producto de un acto piadoso para propiciar la maternidad. La pieza puede fecharse,

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Arron Sonangnon, Brito Thibautéon, Aboudou Kowiou, Alidou Chérif, Goudjinou Codjo, and Soumanou M. Mohamed. "Analyse des pratiques de production et qualité des poissons fumés commercialisés au sud-Bénin." European Scientific Journal, ESJ 18, no. 17 (2022): 154. http://dx.doi.org/10.19044/esj.2022.v18n17p154.

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Cette étude vise à analyser les pratiques de production et évaluer la qualité des poissons fumés commercialisés au Sud-Bénin. A cet effet, une enquête a été réalisée auprès de trente (30) transformatrices spécialisées dans le fumage du poisson. Les données relatives aux espèces de poissons fumés, aux procédés et équipements de fumage puis aux contraintes des transformatrices de poisson ont été collectées sur cinq (05) sites de fumage préalablement identifiés (Calavi Kpota, Xwlacodji, Bohicon, Dangbo et Comé) à raison de six (06) transformatrices par site. Les qualités physicochimiques et micro

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Salaš, Petr. "Use of waste material in cultivation substrates." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 52, no. 2 (2004): 43–52. http://dx.doi.org/10.11118/actaun200452020043.

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Gardeners' practical experience and experimental work prove the affirmation that the used substrate is a very important base for the production of quality nursery products. It is important to emphasis the complexity and synergy of all factors influencing the ecosystem and there mutual relations. Physical, chemical and biological properties do not separately affect the growth and development of plants. In addition, the relations are not statical but differ in relation with other factors changes. This article is dealing with the possibility to use waste material from timber processing in cultiva

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Silveira, Mario, Horacio Padula, Ricardo Orsini, and Eva Bernat. "Análisis zooarqueológico de los restos hallados en una estructura sanitaria vinculada a momentos tempranos del actual barrio de Belgrano." Teoría y Práctica de la Arqueología Histórica Latinoamericana 9 (November 28, 2019): 71–87. http://dx.doi.org/10.35305/tpahl.v9i0.22.

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La excavación de una estructura hallada en el Sitio Barrancas de Belgrano permitió establecer dos niveles de descarte muy definidos, donde se recuperaron materiales de origen cultural correspondientes a las últimas décadas del siglo XIX y principios del XX, y entre otro, con descartes más tempranos cuya cronología se sitúa entre fines del siglo XVIII y principios del XIX, y podría tener vinculación directa con la presencia de los franciscanos y su industria y los demás grupos humanos que se asentaron la zona en aquellos años. Fue en estos últimos estratos, en los cuales se recuperó el material

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Suharson, Arif, and Dwita Anja Asmara. "KONTEMPORER FINISHING PADA MEDIA GERABAH NON SILIDRIS DENGAN TEKNIK PAINTING IN THE WATER." CORAK 2, no. 2 (2013). http://dx.doi.org/10.24821/corak.v2i2.2333.

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Creative terracotta products are required to meet the best possible standard ofmaterial, technique, and finishing method. Innovation in the shapes and finishing application ofnon-cylindrical terracotta products can be an appropriate solution to crease centre of interest,and to meet the need for contemporary and modern terracotta products in the market. Most ofthe artisans of terracotta products have not diversified their products. Neither have they madeinnovation about the design for non-cylindrical terracotta products for interior or exteriorornaments. The finishing of products has not improv

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-, Sivarithanya Viswanathan, and Nirmala Varghese -. "Development of Sustainable Home Decor Prodoucts." International Journal For Multidisciplinary Research 6, no. 5 (2024). http://dx.doi.org/10.36948/ijfmr.2024.v06i05.27329.

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The need for sustainable products is growing and the market for sustainable products are increasing. Terracotta earth is one such sustainable material that is easily available and priced low and is used for making endless varieties of products. Carving, shaping, molding, and finishing the terracotta to serve as utility products is an age-old craft that is being practiced in many parts of the world & many states across India. Terracotta has entered global markets and saw its drastic growth. This project focusses on utilizing this craft skill to create sustainable home décor aesthetic plante

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Pariniti, Singh, and Gupta Diksha. "An Overview of Evolution in Modern Terracotta Home Accessories Products." June 5, 2024. https://doi.org/10.5281/zenodo.13383391.

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This paper explores the evolution of terracotta home accessories, which has gained renewedinterest in recent years for its ability to add warmth, texture, and natural beauty to interiorspaces. It investigates the various techniques and technologies that have shaped the productionof terracotta, as well as the environmental impact of its manufacture. Additionally, the paperexamines the popularity of terracotta in interior design and its potential for sustainable design.The evolution of terracotta home accessories has been driven by a combination of factors,including advances in technology, chang

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-, Farozan, and Deepika Kumari -. "A Study on Issues and Challenges Faced by the People Involved in the Terracotta Industry in Gorakhpur." International Journal For Multidisciplinary Research 6, no. 2 (2024). http://dx.doi.org/10.36948/ijfmr.2024.v06i02.18045.

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Terracotta art is a ceramic craft based on glazed or unglazed clay. It is characterized by ornamentation, natural dyes and includes experimenting with innovative shapes. The Aurangabad village in the Bhathat block of Gorakhpur district is the area which is famous around the world for its terracotta products. This area is rich in a type of clay known as “Kabis Clay” that is very useful in making terracotta products. But due to lack of resources and adequate incentives, the manufacturers have to face numerous hardships. This study examines the problems confronted by the potters’ community of Aur

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Androuin, Loïc, and David Wavelet. "A Terracotta Mold Discovered in Chartres (France, Eure-et-Loir) with Original Iconography for Apollo." Les Carnets de l'ACoSt 24 (2024). http://dx.doi.org/10.4000/11rv1.

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Serwint, Nancy. "The Coroplast and the Potter: Considerations on Cross-Craft Specialists." Światowit 62 (2025). https://doi.org/10.31338/0082-044x.swiatowit.62.3.

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Coroplastic studies is a vibrant area of research among material culture specialists dealing with the ancient world. With terracotta sculpture ranging in size from miniature to over lifesize, various techniques were employed in the crafting of distinctive products. Use of clay demanded facility with the hands as well as the employment of other technical devices. It is clear from the study of how terracotta sculpture was made that many of the techniques used for fashioning objects were similar to those employed by potters. The votive terracotta sculpture discovered at ancient Marion, one of the

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Wiedemann, Hans G., Andreas Boller, and Gerhard Bayer. "Thermoanalytical Investigations on Terracotta Warriors of the Qin Dynasty." MRS Proceedings 123 (1988). http://dx.doi.org/10.1557/proc-123-129.

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Ancient Chinese ceramics is usually related or equated with the terms pottery and porcelain. In fact the manufacture of porcelain in ancient China is one of the most important chapters in the history of ceramics. Porcelain products were developed gradually from stoneware over a time span of nearly a thousand years. The typical white and translucent porcelain that we know as China was probably first made in the ninth century.

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Nzeukou, A. N., D. Tsozué, I. Y. Bomeni, J. R. Mache, M. R. Kwopnang, and N. Fagel. "Clay mineralogy in mylonite weathering products from Njimom (west Cameroon): origin and terracotta suitability." Discover Geoscience 2, no. 1 (2024). http://dx.doi.org/10.1007/s44288-024-00078-2.

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Srishti, Hemant, and Pawar. Ashok. "BASTAR ART : INSIGNIA OF CULTURAL BEQUEST AND MARKET APPREHENSIONS." August 1, 2019. https://doi.org/10.5281/zenodo.3404870.

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The history of Indian handicrafts has been age old. Indian arts and artisans have astonished people from other countries of the world through their creations since a very long time. Bastar region of Chhattisgarh possesses excellence in creating exceptional artifacts along with a wide variety .The tribals of this region hold proficiency in creating various Bastar art products categorized as Bell metal or Dhokra Art, Wrought Iron art, Sisal art, Wooden art and the Terracotta art. There is an elevating demand of these products but in spite of that these products fall short in reaching the target

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Conti, C., M. Catrambone, C. Colombo, et al. "Scientific investigation to look into the conservation history of a Tang Dynasty terracotta Dancing Horse." Heritage Science 10, no. 1 (2022). http://dx.doi.org/10.1186/s40494-022-00758-7.

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AbstractA terracotta Dancing Horse sculpture dating to the Tang Dynasty (China) and owned by the Cincinnati Art Museum (US) is the topic of the present investigation. Besides its intrinsic artistic and historical values, the peculiarity of this horse concerns its conservation history; it shows extensive breakage signs and restoration and above all, the presence of an odd tassel on the frontal part of the head. Nine tassels are present on the two sides of the body, which is very common for these kinds of sculptures. Here, a scientific survey of this masterpiece is proposed aimed at looking into

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-, Siddhi Pandey, and Priyanshu Kumar -. "Employment Dynamics Among PVTGs in Jharkhand: Challenges and Opportunities." International Journal For Multidisciplinary Research 6, no. 6 (2024). https://doi.org/10.36948/ijfmr.2024.v06i06.33678.

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Particularly Vulnerable Tribal Groups (PVTGs) are among the most marginalized communities in India, grappling with profound socio-economic challenges. This study examines the employment landscape of PVTGs in Jharkhand, through primary survey in Latehar district, a tribal-dominated district in Jharkhand, focusing on opportunities, obstacles, and current interventions. This paper dives into the exploration of the employment opportunities and challenges among PVTGs and seeks to offer insights into ways these communities can be incorporated into the larger economic framework while safeguarding the

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