Relevant bibliographies by topics / Terry Eagleton

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Academic literature on the topic 'Terry Eagleton'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Terry Eagleton"

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CARIÑO, JOVITO V. "Eagleton, Terry, Materialism." Kritike: An Online Journal of Philosophy 11, no. 2 (December 1, 2017): 331–35. http://dx.doi.org/10.25138/11.2.b.

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Drakakis, John. "Terry Eagleton, Humour." Notes and Queries 67, no. 1 (January 14, 2020): 150–54. http://dx.doi.org/10.1093/notesj/gjz203.

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Petro, Patrice, and Andrew Martin. "Interview with Terry Eagleton." Iowa Journal of Literary Studies 6, no. 1 (1985): 1–17. http://dx.doi.org/10.17077/0743-2747.1139.

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Baute, Carla. "Materialism de Terry Eagleton." Remate de Males 38, no. 1 (June 7, 2018): 466–72. http://dx.doi.org/10.20396/remate.v38i1.8650715.

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Materialism (2017) é a obra mais recente de Terry Eagleton (1943-), um dos críticos culturais mais influentes da Grã-Bretanha nos dias atuais. No livro, o autor discute os Materialismos de Karl Marx, Friedrich Nietzsche e Ludwig Wittgenstein. No decorrer de cinco breves capítulos, traça distanciamentos e semelhanças entre essas propostas. São tomados como temas centrais a relação do ser humano com seu corpo, com a natureza, com a linguagem e o autoconhecimento.
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Puglia, Daniel. "Terry Eagleton: cultura e política em transformação." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 1 (February 1, 2019): 115–24. http://dx.doi.org/10.5007/2175-8026.2019v72n1p115.

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This article aims at commenting on some works by the British critic and essayist Terry Eagleton. The following books have been selected: Against the grain: selected essays (1986), William Shakespeare (1986), The Ideology of the Aesthetic (1990), Ideology: an introduction (1991) and The Illusions of Postmodernism (1996). Our hypothesis is that this period represents a transition phase in both the form and content of Eagleton's work. Some previous theoretical assumptions are abandoned and others are reaffirmed or modified. I try to discuss the results of this process in cultural, historical and political terms.
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Cooper, Andrew. "Terry Eagleton, Hope without Optimism." Philosophy Today 60, no. 4 (2016): 991–94. http://dx.doi.org/10.5840/philtoday2016604137.

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Sager, Valeria. "Terry Eagleton, Cómo leer literatura." Orbis Tertius 22, no. 25 (June 27, 2017): 043. http://dx.doi.org/10.24215/18517811e043.

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Saxton, Alex. "Terry Eagleton and Tragic Spirituality." Science & Society 76, no. 1 (January 2012): 95–105. http://dx.doi.org/10.1521/siso.2012.76.1.95.

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Abrahamse, Jan Martijn. "Radical Sacrifice, by Terry Eagleton." Journal of Reformed Theology 14, no. 4 (December 1, 2020): 393–94. http://dx.doi.org/10.1163/15697312-01404004.

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Knepper, Steven. "Terry Eagleton, Hope without Optimism." Christianity & Literature 67, no. 1 (December 2017): 236–39. http://dx.doi.org/10.1177/0148333117711780.

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Dissertations / Theses on the topic "Terry Eagleton"

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Das, Gupta Kalyan. "Christopher Caudwell, Raymond Williams and Terry Eagleton." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25578.

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This dissertation politically analyses the principles of literary evaluation (here called "axiology") argued and applied by the English critics Christopher Caudwell, Raymond Williams, and Terry Eagleton. The paradoxical fact that all three claim to be working within a Marxist framework while producing mutually divergent rationales for literary evaluation prompts a detailed examination of Marx and Engels. Moreover, since Caudwell and Eagleton acknowledge Leninism to be Marxism, and, further, since Eagleton and I both in our own ways argue that Trotskyism--as opposed to Stalinism--is the continuator of Leninism, the evaluative methods of Lenin and Trotsky also become relevant. Examined in light of that revolutionary tradition, however, and in view of the (English) critics' high political self-consciousness, the latter's principles of "literary" evaluation reveal definitive political differences between each other and with Marxism itself, centrally over the question of organised action. Thus, each of the chapters on the English critics begins with an examination of the chosen critic's purely political profile and its relationship to his general theory of literature. Next, I show how the contradictions of his "axiology" express those of his politics. Finally, with Hardy as a focus, I show the influence of each critic's political logic on his particular "literary" assessment of individual authors and texts. The heterogeneity of these critics' evaluations of Hardy, the close correspondence of each critic's general evaluative principles to his political beliefs, and the non-Marxist nature of those beliefs themselves all concretely suggest that none of the three English critics is strictly a Marxist. I do not know whether a genuinely Marxist axiology is inevitable; however, I do admit such a phenomenon as a logical possibility. In any case, I argue, this possibility will never be realised unless aspiring Marxist axiologists seek to match their usually extensive knowledge of literature with an active interest in making international proletarian revolution happen. And, since it can only happen if it is organised, the "Marxist" axiologist without such an orientation will be merely an axiologist without Marxism.
Arts, Faculty of
English, Department of
Graduate
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Sugiyama, Yasuaki. "Terry Eagleton on the English Novel : A Question of Realism." Thesis, University of Newcastle Upon Tyne, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.506559.

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Patrón, Costa Pepi. "Terry Eagleton, Sobre el mal, Barcelona: Ediciones Península, 2010, 175pp." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113058.

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Hetrick, Katherine Elaine. ""Having it both ways" navigating Terry Eagleton's contemporary identities /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1703233331&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Cuff, Simon L. "Paul's 'new moment' : the reception of Paul in Alain Badiou, Terry Eagleton, Slavoj Zizek." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:aac1f812-2d61-4fa0-ac8d-e107b174e7f2.

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This thesis traces the ‘New Moment’ in Pauline reception in the writings of Alain Badiou, Terry Eagleton and Slavoj Žižek. It explores how the Pauline epistles are read and feature in their thought. An answer to the question, 'why Paul?' prompts reflection on what it is to read and understand the Apostle. An introduction sets out the writers of this ‘New Moment’ [Jacob Taubes, Giorgio Agamben, Stanislas Breton, as well as Badiou, Eagleton and Žižek] before isolating the figures of this study. The reception of this ‘moment’ by mainstream New Testament studies is considered, and with it the charge of ‘appropriation’. The concept of ‘appropriation’ is explored, and a definition arrived at, for the purpose of evaluating the readings we will go on to discover. As part of this notion of ‘appropriation’, the turn to Gadamer in recent New Testament study is surveyed. We suggest another potential hermeneutical approach that derives from Gadamer is possible. Thus, the object of this study is both an instance of, and means by which to critique the understanding of, New Testament Wirkungsgeschichte. Each of our thinkers is then considered in turn. The outline for each chapter is the same. A brief introduction to the figure with bibliographical background salient to his Pauline reading precedes some textual examples indicative of that reading. We then move to analyse the manner of that reading and certain conceptual problems which are revealed in the course of the engagement with Paul. The conclusion analyses the approaches, and reasons for turning, to Paul on the part of these thinkers. Salient differences between each thinker's reading are noted and the charge of appropriation is evaluated afresh. The implications of such readings for conventional biblical criticism are considered, and the success of an approach which explores a Gadamerean-inspired interest in reception in the manner adopted by this thesis is judged.
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Marinho, Andrew Yan Solano. "Do cientista ao ativista: os problemas da ci?ncia do texto e uma solu??o revolucionaria na obra de Terry Eagleton." Universidade Federal do Rio Grande do Norte, 2014. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16342.

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Made available in DSpace on 2014-12-17T15:07:11Z (GMT). No. of bitstreams: 1 AndrewYSM_DISSERT.pdf: 1257696 bytes, checksum: 309b05179e3d4e5c72b883b5c4785af1 (MD5) Previous issue date: 2014-05-28
Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico
The literary critic Terry Eagleton obtained notoriety in academic circles when he was recognized intellectually for his bestselling book Literary Theory: An Introduction. In this book, the English author boldly proposes the end of literature and literary criticism. However, Eagleton proposed years before, in his book Criticism and Ideology (1976), a scientific system of analysis of literary texts, which seemed less radical, both in theory and in method, than in his later theoretical proposal. Based on this, the objective of this dissertation is to present the English literary critic?s initial method, explaining the reasons that led him to abandon his initial project - of develop a method of analysis of the literary text on a Marxist scientific perspective - and to propose, in the following years, in his most famous book and others, a revolutionary vision that would go beyond textual analysis and make literary texts have a practical intervention in society. Finally, we explain what would be his idea of revolutionary criticism
O cr?tico liter?rio Terry Eagleton obteve notoriedade no meio acad?mico ao ser reconhecido intelectualmente com seu livro best-seller Teoria da Literatura: uma introdu??o. Nesse livro, o autor ingl?s prop?e, ousadamente, o fim da literatura e da cr?tica liter?ria. Contudo, anos antes, Eagleton prop?s, no livro Criticism and Ideology (1976), um sistema cient?fico de an?lise do texto liter?rio aparentemente menos radical, tanto em teoria quanto no m?todo, que sua proposta te?rica posterior. Com base nisso, o objetivo dessa disserta??o ? apresentar o m?todo inicial do cr?tico liter?rio ingl?s, explicitar os motivos que o levaram a abandonar seu projeto inicial de elaborar um m?todo de an?lise do texto liter?rio sobre uma ?tica cient?fica marxista e a propor, nos anos seguintes, em seu livro mais famoso e em outros, uma vis?o revolucion?ria, que iria muito al?m de an?lises textuais e faria os textos liter?rios terem uma interven??o pr?tica na sociedade. Por fim, explicitaremos qual seria sua ideia de cr?tica revolucion?ria
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Butler, Jayna D. ""You've Got to Be Carefully Taught": Reflections on War, Imperialism and Patriotism in America's South Pacific." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3812.

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Underneath the romance, comedy and exoticism, South Pacific is a story that questioned core American values, exploring issues of race and power at a time when these topics were intensely relevant-the original opened just four years post WWII, on the heels of Roosevelt's aggressive expansionist response to domestic instabilities. Much has been written about the depiction of war and racial prejudice in South Pacific. However, examining such topics in the context of their cultural and political moment (both in 1949 and 2008) and through the lens of Terry Eagleton's unique take on morality, is not only a fascinating study, but an intensely relevant and unchartered endeavor. This work concerns the evolution of an American code of ethics as it has been reflected and constructed in both Broadway productions of Roger and Hammerstein's South Pacific (c.1949, 2008). Specifically, it examines the depiction of WWII, America's imperialistic foreign policy, and the function of American patriotism in light of Terry Eagleton's theories surrounding an evolving code of ethics in 20th/21st century America. By so doing, this thesis uncovers answers to the following questions: What were the cultural and political forces at work at the time South Pacific was created (both in 1949 and 2008), and how did these forces influence the contrasting depictions of war, imperialism and patriotism in each version of the musical? In what ways were these productions reflective of a code of ethics that evolved from what Eagleton would classify as moral realism (prescriptive of behavior) to moral nihilism (reflective of behavior)? How did the use of this increasingly reflexive moral code make this politically controversial musical more palatable, and therefore commercially viable during the contrasting political climates of WWII and the recent war on Iraq? Determining answers to questions such as these enables us as a society to look back on our history-on our mistakes and triumphs-and recognize our tendency to find pragmatic justification for our actions rather than acknowledging the possibility of the existence of objective truth, which remains unchanged through time and circumstance.
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Books on the topic "Terry Eagleton"

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Alderson, David. Terry Eagleton. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-80180-6.

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Terry Eagleton. New York: Palgrave Macmillan, 2004.

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Terry Eagleton: A critical introduction. Cambridge: Polity, 2008.

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Eagleton, Terry. The task of the critic: Terry Eagleton in dialogue. London: Verso, 2009.

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Wittgenstein, Ludwig. Wittgenstein: The Terry Eagleton script, the Derek Jarman film. London: BFI Pub., 1993.

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Smith, James. Terry Eagleton. Polity Press, 2013.

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Smith, James. Terry Eagleton. Polity Press, 2013.

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Eagleton, Terry, and Drew Milne. Conversations with Terry Eagleton. Polity Press, 2006.

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Milne, Drew. Conversations With Terry Eagleton. Blackwell Pub, 2008.

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Eagleton, Terry, and Derek Jaman. Wittgenstein: The Terry Eagleton Script : The Derek Jarman Film. BFI Publishing, 1993.

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Book chapters on the topic "Terry Eagleton"

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Bruyn, Frans De. "Eagleton, Terry." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 301–3. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-088.

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Alderson, David. "Introduction." In Terry Eagleton, 1–8. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-80180-6_1.

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Alderson, David. "Marxism, Culture and English Studies." In Terry Eagleton, 9–60. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-80180-6_2.

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Alderson, David. "Culture and Postmodernism." In Terry Eagleton, 61–98. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-80180-6_3.

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Alderson, David. "Marxism, Culture and Irish Studies." In Terry Eagleton, 99–141. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-80180-6_4.

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Alderson, David. "A Picture of Oscar Wilde?" In Terry Eagleton, 142–61. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-80180-6_5.

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Newton, K. M. "Terry Eagleton: ‘Towards A Science of The Text’." In Twentieth-Century Literary Theory, 171–76. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25934-2_35.

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"Terry Eagleton." In Modern Criticism and Theory, 839–52. Routledge, 2014. http://dx.doi.org/10.4324/9781315835488-56.

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"Terry Eagleton: Morality." In Physical Theatres: A Critical Reader, 70–72. Routledge, 2007. http://dx.doi.org/10.4324/9780203012857-17.

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"The Author as Producer (Terry Eagleton)." In The Routledge Drama Anthology and Sourcebook, 509–18. Routledge, 2012. http://dx.doi.org/10.4324/9780203124406-47.

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