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Relevant bibliographies by topics / Textile design. Art, Igbo

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Academic literature on the topic 'Textile design. Art, Igbo'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Textile design. Art, Igbo"

1

Levchenko, D. G., and A. G. Levchenko. "TEXTILE DESIGN IN THE STYLE OF OP-ART." Физика волокнистых материалов: структура, свойства, наукоемкие технологии и материалы (SMARTEX), no. 1 (2020): 321–23. http://dx.doi.org/10.47367/2413-6514_2020_1_321.

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Guo, Chuan. "Research on Rapid Detection Electrochemical Sensor-Assisted Textile Art Design." Journal of Sensors 2021 (September 23, 2021): 1–10. http://dx.doi.org/10.1155/2021/6573771.

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Electrochemical sensor is a detection means that integrates electrochemical analysis technology with sensor technology. In this paper, we analyze the superiority of electrochemical sensors and the achievements made by electrochemical sensors in other related fields and argue the great impact of electrochemical sensors on modern industrial production and people’s life; we present the unique application of electrochemical sensors in textile art and its supporting design with the development of electrochemical sensor-assisted textile art and its supporting design and analyze the current situation of textile art and development requiring technological innovation, rapid detection of electrochemical sensor-assisted design, and the corresponding improvement of the quality and quality of the design. Also, we focus on the combination of design and art, using the characteristics of electrochemical sensors, the artistic expression, and functional enhancement, focusing on the space supporting the artistic effect. In this paper, two fibers, PU and PU/PAN-SPA, were designed with the aid of electrochemical sensors for rapid detection and tested for their water absorption, moisture permeability, air permeability, and mechanical properties, all of which performed well and can be used as good materials for textile art design. The use of electrochemical sensors to assist in the design of suitable textile fiber materials according to artistic expression techniques can better stimulate the artist’s creative inspiration and release more contemporary artistic energy.

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Liu, Xian Jun. "Relevance and Application between Fractal Graphics and Fabric Defects Texture Design." Advanced Materials Research 821-822 (September 2013): 373–77. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.373.

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The art of fractal graphics features by modern scientific spirits and modern scientific knowledge, which is full of the magnetic creativity of intricacy, variable and exaggeration and can create the combination of the scientific world and the art world. Meanwhile, it can also make the rational designed medium has a magical infectivity on the textile fabric. In this paper, the study of relevance between the art design methods of fabric fractal graphics and defects texture makes the application room of the modern textile fabrics into the indoor soft environment and garment design field larger, whose results promote the development of the combination of the modern art and science. It is helpful to improve the new ways of the textile fabrics design and the aesthetic value.

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Jiamrungsan, Supamas. "The Ancient Technique of Weaving with the Contemporary Art." International Journal of Creative and Arts Studies 4, no. 1 (June 1, 2017): 13. http://dx.doi.org/10.24821/ijcas.v4i1.1951.

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This study is a qualitative research method. The purposes are firstly to trial production of Pha Yok Dok which is one of the local handicrafts, found in the north-eastern part of Thailand. It is the guidelines for handling core issues of the creation and must start from studying motif of design, focus on techniques the golden fabric is located at weaving with gold threads, called Yok Thong. Secondly, to improve the pattern of contemporary fabric are the synthesis of Yok Dok texti le design in making fabric. It is a complex process which requires highly skilled weavers. In researcher’s point of view, for weaving of each fabric-depending on the design and used for similar was weaving 1500 shaft/Ta-kor. Thirdly to invent textile art inspiration from Yok Dok textile design to create new works of art. The results showed that the fabric weave of the operation weave structure on motifs of Yok Dok textile design. This is an outstanding special technique. The contemporary new fabric pattern can be operated by opening and closing of the warp yarn on a draw frame. The new pattern design and process of Yok Dok textile design by fabric weave selection. It is a supplementary weft technique that is the process a nd design which is the first method of fabric craft practice use for the manual textile art inspiration from Yok Dok textile design to those who is the weaver. Textile weaving process by adding a special fabric pattern these characteristics come from the roots and identity of steps and methods of natural fabric cultivation. It is completed by delicate skill of weaving alternatives for creating a product and to serve as a guideline for further research. This handicraft highlights the significance continuation and bridge the relationship between classic fabric contemporary. Art to humanity from the ancient world until the present day. In summary the researchers plan to design and c ontemporary Yok Dok, a synthesis between classical the golden fabric of the Royal cord of Rattanakosin period and the contemporary Thai litterateur work which telling design.

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Danylenko, Lesya. "Op-Art in the British Graphic Design of the 1960s–1970s. Fashion And Graphic Design." Artistic Culture. Topical Issues, no. 17(1) (June 8, 2021): 38–48. http://dx.doi.org/10.31500/1992-5514.17(1).2021.235125.

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The article reveals the characteristic manifestations of the op-art style in British fashion on the examples of textile companies and individual designers, as well asin graphic design based on the analysis of printed products of British publications in the 1970s. It is claimed that the visual experiments of the op-art in the field of British fashion were most fully revealed in the activities of the textile companies "Heals", "Hull Traders" and "Edinburgh Weavers" and in the work of designer Mary Quant. And in graphic design — in the book covers of the popular science series "Pelican Books".

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Feng, Bin, Hai Lian Deng, and Li Ping Yang. "Analysis of Computer-Aided Design Software Used in Home Textiles of Digital Design." Applied Mechanics and Materials 751 (April 2015): 293–97. http://dx.doi.org/10.4028/www.scientific.net/amm.751.293.

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This paper will discuss computer-aided design software use in textile design, from the development of computer-aided design applications and home textiles design, software is the core of computer-aided design in textile design, graphic combined with three-dimensional software, building the systematic of home textiles design and computer-aided design to enhance the artistic beauty of textile design. Secondly, introduce the two-dimensional and three-dimensional software application in fabric pattern and textile design. We can see the convenience of computer-aided design, which combines technology and art in one. And from the comparison of plane and solid software, both proposed to build a systematic mutual, for textile design, which is based on the performance requirements and the effect of artistic design, and the theoretical analysis of consumer purchase intention and behavior; and discussing from the beauty of color、 formal and spatial three aspects of computer-aided design to enhance the artistic beauty of textile design.

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Zarembo, Liene. "ART DECO STYLE’S FEATURES IN THE TEXTILE WORKS OF DESIGNERS SONIA DELAUNAY AND PAUL POIRET." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 25, 2018): 530. http://dx.doi.org/10.17770/sie2018vol1.3388.

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Art Deco is an artistic term that stands for an elegant eclectic design style dating back to the 1920s. Style has affected virtually all industries, including architecture, fine arts, applied arts, interior design, industrial design, fashion and jewellery, as well as painting, graphics and cinema. Art Deco architecture and arts expanded on other movements - Constructivism, Cubism, Modernism, Bauhaus, and Futurism. Principles of Constructivism and Cubism are also used in contemporary textile patchwork and quilt. The aim of the paper: exploration of the features of Art Deco style in the textile works of 20th century designers - Sonia Delaunay and Paul Poiret. The methods of the research: exploration of theoretical literature and Internet resources, the experience of reflection.The research emphasizes Sonja Delaunay’s particular importance of textile works in the development of contemporary quilt in the 21st century.

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Rusu, Alexandra-Andreea. "Revitalizing Ancient Technologies and Advancing an Ethical Design in Textile Art Education." Procedia - Social and Behavioral Sciences 51 (2012): 1061–65. http://dx.doi.org/10.1016/j.sbspro.2012.08.288.

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Wang, Chong Lan, Wei Ping Hu, and Xiao Ping Yang. "Analysis of the Textile Materials and Art Forms of Minorities in Yunnan." Advanced Materials Research 739 (August 2013): 777–80. http://dx.doi.org/10.4028/www.scientific.net/amr.739.777.

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The minorities in Yunnan are quite skilled at weaving and embroidering techniques, and they boast the unique materials and special textile art form. With the plant material resources in Yunnan, they are able to create numerous kinds of patterns and drawings on the textile fabric, surrounded by the local rural flavor and intense ethnic characteristics. However, with the social and economic development, together with the opening to the outside world, this ethnic textile activity which reserves much of the primitive style and national characteristics has shrunk and stalled at this moment, turning into the modern manufacturing of commercialization. It is a necessity for the textile art design to embody distinctive nationality and local characteristics before opening to the world. At present, it is of great value to study the textile materials and art forms of the minorities in depth and figure out the whole process from the acquisition and preliminary processing of textile raw material to spinning, weaving, printing and dyeing.

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NG, Frankie M. C., and Jiu ZHOU. "Digital Jacquard Textile Design In A Colorless Mode." Research Journal of Textile and Apparel 10, no. 2 (May 1, 2006): 36–42. http://dx.doi.org/10.1108/rjta-10-02-2006-b005.

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Jacquard fabric is regarded as a “high-grade” textile, having intricate, interesting color and texture, and digital image design is the latest technique of computer art in the design field. Merging the design features of jacquard fabrics and digital image, this study was carried out to investigate digital jacquard fabric design in a colorless mode, which is one of the main modes of digital image design; another is that of a colorful mode. In this paper, the design principles and design methods for unconventional digital jacquard fabric design in a colorless mode were analyzed critically based on the application of digital technologies, and in particular, the digital color theory so that with tailor-made structural design, any colorless digital images with certain grays can be designed to form jacquard fabrics directly. The results of this study bring about an innovative design concept in jacquard fabrics and have a significant influence on the future development of jacquard textiles.

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Dissertations / Theses on the topic "Textile design. Art, Igbo"

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Hayden, Sara Elisabeth. "Creating cloth, creating culture : the influence of Japanese textile design on French art deco textiles, 1920-1930." Online access for everyone, 2007. http://www.dissertations.wsu.edu/Thesis/Summer2007/S_Hayden_072607.pdf.

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Bhattacharjee, Samita. "Poly'nAsia a fashionable fusion of Tongan & Indian textile traditions : this exegesis is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Art and Design (Fashion Design ), February 2005." Full thesis. Abstract, 2005.

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Ghani, Sulaiman Abdul. "The forms and colors of nature on silk /." Online version of thesis, 1987. http://hdl.handle.net/1850/10427.

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MacKay, W. Iain. "The development of pre-Hispanic art forms in Peru : seen as an outgrowth of textile techniques and their influence upon art forms and depiction of symbols." Thesis, University of St Andrews, 1988. http://hdl.handle.net/10023/7359.

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Pre-Hispanic geometric art forms In Peru and the Andean Area are taken to be an outgrowth of textile techniques. Textiles and fibre arts predate ceramics by several millennia In the Central Andean Area. The artist who created these textiles developed an art style which was to go largely unaltered until the arrival of the Spaniards. The foundations of the Andean art form date to the Pre-ceramic. The restrictive, rather Inflexible nature of the warp and the weft of the cloth (the geometric grid) was to influence the methods of represention that were to follow. Geometric designs were well suited to fit Into the rigid framework. A series of conventions were developed for the representation of symbols. With the development of ceramics, there was leeway for a new style to come Into being. However, this was not to be the case. The potter borrowed extensively from the weaving tradition and Its associated styles (only in Moche times did the potter make a break the highly geometric style developed centuries before, and even then this break with tradition was a short lived one). The pre-Columbian artist often portrayed birds, cats, fish and reptiles. Many of these designs were used frequently and repeatedly throughout the centuries, but none, I would maintain. was represented as frequently as the double-headed serpent, and with so few variants. Andean art Is a truly distinctive art form; very different from European art, and through Its geometricity It conveyed and still conveys a totally different approach to nature and the world surrounding Andean man.

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Robledo, Arcos Maria Andrea. "Electronic design and publishing for the Mexican textiles exhibition /." Online version of thesis, 1990. http://hdl.handle.net/1850/11249.

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Smith, Lesley A. "Aboriginal textile art : Ernabella batiks and the screen printed fabrics of Tiwi design /." Title page, table of contents and abstract only, 2003. http://web4.library.adelaide.edu.au/theses/09ARAH.M/09arah.ms6421.pdf.

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Matheson, Jennifer. "[Untitled] [an exegesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2003.]." Images, 2003.

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Beccue-Barnes, Wendy Davis. "War brides: a practice-based examination of translating women’s voices into textile art." Diss., Kansas State University, 2012. http://hdl.handle.net/2097/13632.

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Doctor of Philosophy
Department of Apparel, Textiles, and Interior Design
Sherry J. Haar
Research about military wives has been limited. In academia, most research centers on the soldier and/or the family as a unit. When literature does address only the wife’s perspective it rarely presents a positive portrayal of her life. However, it is not just literature that shows a gap in exposing the voice of the military wife. Art-based works rarely focus on her perspective; and methodologies, such as practice-based research, rarely utilize actual voices as inspiration. The aim of the current study was to discover the voice of the military wife, examine it through a feminist lens, and then translate those voices into artwork that represented the collective, lived experience of the women interviewed. Three methodologies were utilized to analyze and translate the voices of military wives into textile art. These three methodologies: practice-based research, phenomenology, and feminist inquiry provided a suitable structure for shaping the study to fulfill the project aim. Interviews conducted with 22 military wives revealed two overarching themes: militarization and marriage; as well as multiple subthemes. Three subthemes were recognized as being the most prominent: relationships, separation, and collective experience. These themes were used as the inspiration for the creation and installation of three textile art pieces. The current study serves to fill the gaps in both the literature and the artistic process by presenting both the positive and negative aspects of the military wife’s lived experience and using that lived experience as inspiration for textile art.

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Bredberg, Hanna. "DEAR DEER - Exploring the possibilities of materials of animal origin from a textile design perspective." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-254.

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Through manipulation of the materials and creation of sculptural forms, the knowledge in textile design was used to develop alternative methods for working with materials of animal origin. The project touches the issue of consumption by accentuating the fascinating features of animal materials and proposes a way of taking care of materials looked upon as disposals. It questions how we value what resources we have in our surroundings and how we use them. Or more important – how we are not using them.

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Dalton, Jane Emily. "Awakening the spirit /." Online version of thesis, 1987. http://hdl.handle.net/1850/10311.

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Books on the topic "Textile design. Art, Igbo"

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B, Stephan Barbara, and Honolulu Academy of Arts, eds. Textile art of Okinawa. Honolulu: Honolulu Academy of Arts, 1990.

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Paine, Melanie. The textile art in interior design. New York: Simon and Schuster, 1990.

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International Exchange Exhibition Textile Design (2001 Daegu, Korea). Textile design: International Exchange Exhibition Textile Design 2001, 2001.4.24-4.29, Daegu Culture & Art Center, Art Hall. [Daegu]: Daegu Textile Design Federation, 2001.

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Yang, Sunny. Textile art of Japan. Tokyo, Japan: Shufunotomo/Japan Publications, 1989.

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Clarke, Duncan. The art of African textiles. San Diego, Calif: Thunder Bay Press, 1997.

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The art of African textiles. Hoo: Grange, 2002.

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Woods, Karen. Creative textile art: Techniques and projects. London: A. & C. Black, 2010.

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Art cloth: A guide to surface design for fabric. Loveland, Colo: Interweave Press, 2010.

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Chenciner, Robert. Kaitag: Textile art from Daghestan. London: Textile Arts Publications, 1993.

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1959-, Kar Padmalaya, ed. The weaving art of Orissa. Bhubaneswar: Mahalakshmi Publication, 2006.

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Book chapters on the topic "Textile design. Art, Igbo"

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Fernandes, Ana Margarida, and Isabele Lavado. "Design Artisan and Art: Development of a Textile Collection in Contemporary Fashion." In Advances in Industrial Design, 754–60. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51194-4_98.

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Nawawi, Norwani Md, Norakmal Abdullah, Rafeah Legino, Mohd Firdaus Md Khalid, Nani Hartina Ahmad, Ruzaika Omar Basaree, and Noor Hafiza Ismail. "Classification of Frieze Patterns in Malay Songket Textile." In International Colloquium of Art and Design Education Research (i-CADER 2014), 491–500. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-332-3_51.

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Twyford, Evan. "Design for Confinement: The Art and Science of Sensory Deprivation in Space." In Textile Technology and Design. Bloomsbury Academic, 2016. http://dx.doi.org/10.5040/9781474261975.ch-014.

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Edwards, Clive. "Matthew D. Wyatt, ‘On the Principles of Design Applicable to Textile Art’." In Nineteenth-Century Design, 312–25. Routledge, 2021. http://dx.doi.org/10.4324/9780429279461-37.

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"Project Thirteen—Illustrator: The Blob and Art Brushes." In Fashion and Textile Design with Photoshop and Illustrator, 164–71. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9781350090149.ch-013.

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"Multifractal spectra of the textile pattern in quilts art design." In Innovation in Design, Communication and Engineering, 169–72. CRC Press, 2015. http://dx.doi.org/10.1201/b18737-37.

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Harjuniemi, Emmi, and Çağlar Genç. "Arctic and Traditional Textile Techniques as Inspiration for Electronic Textiles." In RELATE NORTH: Tradition and Innovation in Art and Design Education, 178–97. InSEA, 2020. http://dx.doi.org/10.24981/2020-7-8.

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""Exhibition of Industrial Art in Textiles and Costumes, 1919"." In "An American Style: Global Sources for New York Textile and Fashion Design, 1915–1928". Bard Graduate Center, 2013. http://dx.doi.org/10.37862/aaeportal.00254.004.

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Ramli, Harozila, and Tajul Shuhaizam Said. "Surface Design Technique through Tradition Technique." In Textiles for Functional Applications [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.97069.

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This aim of this study is to examine the application of tritik technique in creating exquisite batik pattern design. Essentially, tritik is a technique in batik pattern making that is almost similar to the “tie-and-dip” (ikat-dan- celup) technique; however, the subtle difference between the two techniques lies in the aspect of fabric treading, with the former being able to produce elegant and appealing patterns. This study used a qualitative approach using an observation method in which the researchers observed the creation of such art through studio practice. Essentially, the examination of the practice of such a technique was carried out based on direct observation and unstructured interviews, and the collection of textile products. The research findings showed the experimentation of the tritik technique in the textile pattern designs was highly effective, as evidenced by the exquisite aesthetical effects on the surface of the fabrics, such as the formation of elegant lines consisting of dots and of dashed lines and 3-dimensional texture. In addition, the research findings revealed that the quality of fabrics, the type of colors, and sewing polarity heavily influenced such exquisite tritik pattern design. Collectively, all the above elements were intertwined that helped create appealing, beautiful tritik pattern design infused with high aesthetical values.

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""“A New American Decorative Art”: The American Museum of Natural History and the Pursuit of a National Design Identity, 1915–1928"." In "An American Style: Global Sources for New York Textile and Fashion Design, 1915–1928". Bard Graduate Center, 2013. http://dx.doi.org/10.37862/aaeportal.00254.001.

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Conference papers on the topic "Textile design. Art, Igbo"

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Rizali, Nanang. "Arts, Designs, and Textile Craft Art." In Proceedings of the 3rd International Conference on Creative Media, Design and Technology (REKA 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/reka-18.2018.1.

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Ferreira, Frederico Hudson. "Textile art mixed and hybrid in Pirenopolis / GO, an encounter between tradition and contemporaneity." In 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-160.

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Li, Dongdong. "Cultivation of Ability of Talents in Textile Art Design Specialty from the Perspective of Market Situation." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.400.

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Ningsih, Yosepin, and Jeani Widjaja. "Analysis of Fashion Product using Traditional Woven Textile and The Correlation with The Trend in Indonesia." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294882.

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Zhang, Yuanmei, and Qiuhan Wang. "Study on the Integration of Intangible Cultural Heritage and College Art Major Teaching Taking the Fashion Design Major of Wuhan Textile University as an Example." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.190.

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Turner, Adam W., William G. Davids, and Michael L. Peterson. "Experimental Methods to Determine the Constitutive Properties of Fabric Inflatable Structures." In ASME 2006 International Mechanical Engineering Congress and Exposition. ASMEDC, 2006. http://dx.doi.org/10.1115/imece2006-16299.

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In an effort to reduce deployment cost and time, the military is taking a closer look at how to more efficiently deploy and construct their shelters. In support of this effort, one current research topic is lightweight inflatable structures used for maintenance and shelter. While inflatable fabric structures are not new, recent developments have vastly improved the load-carrying capability and durability of these structures, allowing them to replace traditional framed tent structures. This is due in large part to the development of inflated structural members called airbeams, which are essentially pressurized fabric tubes with an impermeable internal bladder. The working pressures of the structural airbeams are upwards of 592 kPa. There are two major types of airbeams; woven and braided. The woven beams generally operate at lower pressures (69-296 kPa), while the more recently developed braided beams operate at much higher pressures (296-592 kPa). Since the technology of airbeams is relatively new, there are few standard material tests for determining the fabric constitutive properties necessary for airbeam design. This represents a significant barrier to their efficient implementation. This paper will present the current state of the art in relevant areas of textile testing and describe test practices useful for identifying the constitutive properties of the airbeam fabrics. In addition, preliminary testing of inflated airbeams will also be presented, and the results discussed.

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Reports on the topic "Textile design. Art, Igbo"

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Parsons, Jean L., Jessica L. Ridgway, and Lauren Tofflemire. With a Theme, as a Team, for a Client: A Digital Textile Design Commissioned Art Project. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-471.

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