Academic literature on the topic 'Textile design research'

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Dissertations / Theses on the topic "Textile design research"

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Barbosa, Ana Cecilia. "Embodied self-expression through textile design." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23190.

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Motivated by studies of dress and the importance that it has on identity formation and expression of self, this research tries to answer the question of how can an interactive tool create greater means for self-expression of the dressed body through the design of textiles? The goal of pursuing the question is to ultimately promote a more sustainable fashion culture that relies on the creation of long-lasting products. Employing Research through Design as the main methodology, this research went through a series of sequential design experiments – namely workshops and prototypes – with the ambi
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Tung, Peter So Wah. "Design and development of three-dimensional multilayer woven preforms for composites." Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/8686.

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Lewis, Erin. "Radiant Textiles : A framework for designing with electromagnetic phenomena." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26256.

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The design of smart, interactive, computational, and electronic textiles involves working with unknown variables that expand the tangible dimensions of textiles. Non-visual concepts such as electromagnetic fields, electrical current, computational code, and the temporal attributes of materials that exhibit dynamic qualities require that textile designers be able to perceive and manipulate domains of the textile that extend beyond its conventional forms of expression. Through these qualities, the textile becomes an interface to otherwise imperceptible phenomena of electromagnetism and thereby o
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Kjolberg, Torunn. "Visual research practice in fashion and textile design higher education." Thesis, University of Brighton, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.643553.

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This thesis is concerned with visual research in the context of fashion and textile design education. Utilising an ethnographic methodology, this study followed a group of self-selected fashion and textile design students throughout their first two years of study at a higher education institution in the south of England. Drawing on a series of personal interviews, participant observation and analysis of course documents, the research examines how visual research practices are structured through teaching, student engagement and participation, as well as through various forms of reification. Two
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McGaughey, Kathryn M. "Textural juxtaposition| Representing the natural and the human in Elements." Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10258312.

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<p> The costume design for the physical theatre piece <i> Elements</i> uses juxtaposition of the &lsquo;human&rsquo; clothing with that of the natural &lsquo;elements&rsquo; to reinforce the premise of an empty, mechanical world where the void echoes with meaningless routine and two people perform the motions of life without noticing one another until nature interferes. The constructed world is a normal, everyday human existence, and the crisp, tidy office wear worn by the two &lsquo;human&rsquo; characters, Sally and Avi, reflects this. In contrast, the costumes for the ensemble representing
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Morgan, Laura. "Laser textile design : the development of laser dyeing and laser moulding processes to support sustainable design and manufacture." Thesis, Loughborough University, 2016. https://dspace.lboro.ac.uk/2134/23176.

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This research developed new creative opportunities for textile design by investigating CO2 laser processing technology to achieve surface design and three-dimensional effects. A practice based and interdisciplinary textile design methodology was employed, integrating scientific and technical approaches with a reflective craft practice. It was found that the synthesis of design and science was imperative to achieving the research goal of evolving techniques that have opened new design opportunities for textile design whilst being viable and communicable for industrial and commercial application
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Berzina, Zane. "Skin stories : charting and mapping the skin : research using analogies of human skin tissue in relation to my textile practice." Thesis, University of the Arts London, 2004. http://ualresearchonline.arts.ac.uk/2297/.

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The practice based research "Skin stories: charting and mapping the skin" deals with issues across the fields of art, design, technology, biology and material science. In an attempt to bridge the gap between aesthetics and technology by investigating the potential of new and industrial materials, the epidermis is used as a metaphor for creating innovative textile surfaces which behave, look or feel like skin. As a result of theoretical enquiry and practical experiments, interactive design solutions have been developed to a prototype stage for possible application in domestic environments and p
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Lerpiniere, Claire. "The Textile Archive : curating personal histories and family narratives." Thesis, De Montfort University, 2015. http://hdl.handle.net/2086/11438.

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Textiles are a ubiquitous facet of global culture, with the potential to become records of significant relationships, events, and stories over their lifetime. This research project investigates textiles which have been informally gathered together, and kept within the home, for their emotional or symbolic resonance. No longer used for their designed function, these textiles are saved from disposal for their ability to prompt personal and family histories and stories, in a phenomenon identified within the study as the personal textile archive. Textile design research is increasingly concerned w
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Parvinian, Mandana. "The Textile Landscape: A Journey through the Structure of Landscape." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/30904.

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This is a study in which landscape architecture is theoretically related to the &quot;textile art.&quot; It establishes a theoretical analogy of the landscape as a kind of textual manifestation, &quot;the landscape is a textile,&quot; and aims to establish new resemblances that show how the landscape and textile arts are related, not only with regards to the elements of composition, or to similarities between the elemental relationships that exist in both these arts, but to how the study of structure and form in the production of textiles may influence our understanding of the textile nature
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Beccue-Barnes, Wendy Davis. "War brides: a practice-based examination of translating women’s voices into textile art." Diss., Kansas State University, 2012. http://hdl.handle.net/2097/13632.

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Doctor of Philosophy<br>Department of Apparel, Textiles, and Interior Design<br>Sherry J. Haar<br>Research about military wives has been limited. In academia, most research centers on the soldier and/or the family as a unit. When literature does address only the wife’s perspective it rarely presents a positive portrayal of her life. However, it is not just literature that shows a gap in exposing the voice of the military wife. Art-based works rarely focus on her perspective; and methodologies, such as practice-based research, rarely utilize actual voices as inspiration. The aim of the current
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