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Dissertations / Theses on the topic 'Textile design research'

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1

Barbosa, Ana Cecilia. "Embodied self-expression through textile design." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23190.

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Motivated by studies of dress and the importance that it has on identity formation and expression of self, this research tries to answer the question of how can an interactive tool create greater means for self-expression of the dressed body through the design of textiles? The goal of pursuing the question is to ultimately promote a more sustainable fashion culture that relies on the creation of long-lasting products. Employing Research through Design as the main methodology, this research went through a series of sequential design experiments – namely workshops and prototypes – with the ambi
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Tung, Peter So Wah. "Design and development of three-dimensional multilayer woven preforms for composites." Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/8686.

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Lewis, Erin. "Radiant Textiles : A framework for designing with electromagnetic phenomena." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26256.

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The design of smart, interactive, computational, and electronic textiles involves working with unknown variables that expand the tangible dimensions of textiles. Non-visual concepts such as electromagnetic fields, electrical current, computational code, and the temporal attributes of materials that exhibit dynamic qualities require that textile designers be able to perceive and manipulate domains of the textile that extend beyond its conventional forms of expression. Through these qualities, the textile becomes an interface to otherwise imperceptible phenomena of electromagnetism and thereby o
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Kjolberg, Torunn. "Visual research practice in fashion and textile design higher education." Thesis, University of Brighton, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.643553.

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This thesis is concerned with visual research in the context of fashion and textile design education. Utilising an ethnographic methodology, this study followed a group of self-selected fashion and textile design students throughout their first two years of study at a higher education institution in the south of England. Drawing on a series of personal interviews, participant observation and analysis of course documents, the research examines how visual research practices are structured through teaching, student engagement and participation, as well as through various forms of reification. Two
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McGaughey, Kathryn M. "Textural juxtaposition| Representing the natural and the human in Elements." Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10258312.

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<p> The costume design for the physical theatre piece <i> Elements</i> uses juxtaposition of the &lsquo;human&rsquo; clothing with that of the natural &lsquo;elements&rsquo; to reinforce the premise of an empty, mechanical world where the void echoes with meaningless routine and two people perform the motions of life without noticing one another until nature interferes. The constructed world is a normal, everyday human existence, and the crisp, tidy office wear worn by the two &lsquo;human&rsquo; characters, Sally and Avi, reflects this. In contrast, the costumes for the ensemble representing
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Morgan, Laura. "Laser textile design : the development of laser dyeing and laser moulding processes to support sustainable design and manufacture." Thesis, Loughborough University, 2016. https://dspace.lboro.ac.uk/2134/23176.

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This research developed new creative opportunities for textile design by investigating CO2 laser processing technology to achieve surface design and three-dimensional effects. A practice based and interdisciplinary textile design methodology was employed, integrating scientific and technical approaches with a reflective craft practice. It was found that the synthesis of design and science was imperative to achieving the research goal of evolving techniques that have opened new design opportunities for textile design whilst being viable and communicable for industrial and commercial application
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Berzina, Zane. "Skin stories : charting and mapping the skin : research using analogies of human skin tissue in relation to my textile practice." Thesis, University of the Arts London, 2004. http://ualresearchonline.arts.ac.uk/2297/.

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The practice based research "Skin stories: charting and mapping the skin" deals with issues across the fields of art, design, technology, biology and material science. In an attempt to bridge the gap between aesthetics and technology by investigating the potential of new and industrial materials, the epidermis is used as a metaphor for creating innovative textile surfaces which behave, look or feel like skin. As a result of theoretical enquiry and practical experiments, interactive design solutions have been developed to a prototype stage for possible application in domestic environments and p
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8

Lerpiniere, Claire. "The Textile Archive : curating personal histories and family narratives." Thesis, De Montfort University, 2015. http://hdl.handle.net/2086/11438.

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Textiles are a ubiquitous facet of global culture, with the potential to become records of significant relationships, events, and stories over their lifetime. This research project investigates textiles which have been informally gathered together, and kept within the home, for their emotional or symbolic resonance. No longer used for their designed function, these textiles are saved from disposal for their ability to prompt personal and family histories and stories, in a phenomenon identified within the study as the personal textile archive. Textile design research is increasingly concerned w
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9

Parvinian, Mandana. "The Textile Landscape: A Journey through the Structure of Landscape." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/30904.

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This is a study in which landscape architecture is theoretically related to the &quot;textile art.&quot; It establishes a theoretical analogy of the landscape as a kind of textual manifestation, &quot;the landscape is a textile,&quot; and aims to establish new resemblances that show how the landscape and textile arts are related, not only with regards to the elements of composition, or to similarities between the elemental relationships that exist in both these arts, but to how the study of structure and form in the production of textiles may influence our understanding of the textile nature
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10

Beccue-Barnes, Wendy Davis. "War brides: a practice-based examination of translating women’s voices into textile art." Diss., Kansas State University, 2012. http://hdl.handle.net/2097/13632.

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Doctor of Philosophy<br>Department of Apparel, Textiles, and Interior Design<br>Sherry J. Haar<br>Research about military wives has been limited. In academia, most research centers on the soldier and/or the family as a unit. When literature does address only the wife’s perspective it rarely presents a positive portrayal of her life. However, it is not just literature that shows a gap in exposing the voice of the military wife. Art-based works rarely focus on her perspective; and methodologies, such as practice-based research, rarely utilize actual voices as inspiration. The aim of the current
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11

Byrne, Ceara Ann. "Design of an e-Textile sleeve for tracking knee rehabilitation for older adults." Thesis, Georgia Institute of Technology, 2013. http://hdl.handle.net/1853/49047.

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The occurrence of total knee replacements is increasing in the United States for persons over the age of 45 because they are inexpensive and a very effective method for treating degenerative joint diseases. Rehabilitation requires regular access to a wide variety of resources and personnel and, as the demand for post-operative, rehabilitative care increases, the ability to marginally relieve the healthcare system by offloading resources to the patient is necessary. Tools to enable tracking a patient’s rehabilitative progress at home are an essential method to help unload the healthcare system.
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Stumpo, Gordon. "Design Iterations Through Fusion of Additive and Subtractive Design." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461602511.

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13

Rossol, Evelyn. "The Viability of Banana Fiber-based Textiles in the Fashion Industry." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1574248933968539.

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14

Rothman, Maria. "The needle has a point, stitch has a function : Exploring the embroidered stitch in a functional context." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-288.

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This project within the textile design field explores the textile technique embroidery. By using design methods based on words and actions the technique was used in another angle approach that allowed the stitches to be used in a more functional context. This approach differs from how embroidery is traditionally looked upon, an added decorative surface to an already functional object. Embroidery has been explored in a way to see if the technique could be used as something more than just an added surface and if that added surface could be manipulated so that the stitch has both decorative and f
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Schilder, Marit. "3 Dimensional Virtual Fabric and Garment Simulation." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212101542.

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Paleologos, Esther, and esther paleologos@rmit edu au. "An exploration of new processes and products for knitted textiles: this research will explore the combination of standard and non-standard fibres and finishing processes to create three-dimensional and sculptural knitted fabric structures, while expanding the potential of domestic machine knitting to be viewed as an art form." RMIT University. Fashion & Textiles, 2010. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20100329.143129.

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Contemporary knitting over the past decade has experienced a recent resurgence in cultural interest and technical exploration. This research project aims to identify, through personal practice, the implications of knitting as undefined, removed from the boundaries of product. It is the dissolving of the lines between design, art and craft and exploring the domestically machine knitted textile via the use of materials and the inherent qualities of the fabric which are the driving factors of this research. It is through this exploration that my personal and creative process is diversified.
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Barnes, M. Lynn. "Luxury Yacht Interiors, 1870-1920, as a Reflection of Gilded Age Social Status." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1275426589.

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18

Songur, Yasemin. "Waffle Contrasts : Reinterpreting the Traditional Waffle Weave through Technical, Material and Colour Research." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23801.

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Asking the question: How can the waffle weave be reinterpreted through material, technical and colour research, the investigation of this MA thesis revolves around the weaving technique with the aim of presenting a collection of various woven textiles, where the waffle has been used in different ways. The weave, with its three- dimensional structure creates an interesting canvas to experiment upon as its structure creates both texture as well as depth to the textile. Furthermore, the research is conducted through a systematic exploration of the different aspects mentioned above, where theory a
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19

Lopez, Barazarte Maria Angelica BARAZARTE. "IT WAS, IT IS, WHAT IF." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1499449654080401.

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20

Sun, Lushan. "Slow design in Chinese Su Xiu embroidery for apparel: applying silk, cotton, and wool flosses to silk and cotton fabrics with physical resist dyeing techniques using natural dye." Kansas State University, 2012. http://hdl.handle.net/2097/13704.

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Master of Science<br>Department of Apparel, Textiles, and Interior Design<br>Sherry J. Haar<br>This study was based on the concept of slow design, proposed after the slow food movement. The idea of slowing down production processes and increasing product quality and value suggests an antidote to the fast cycle of the fashion industry. Slow design supports two principals, inheriting tradition and maintaining eco-efficiency, which guided this project. Inheriting tradition is an expression that explores ways to sustain lost art and traditional heritage in our daily lives, as well as develop produ
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21

Stater, Lydia M. "Female Friendship: Strength Found Through Support." Kent State University Honors College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1525691709141172.

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22

Seeburger, Katryn I. "LIEBLINGSPULLIFAVORITE SWEATER." Kent State University Honors College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1494203908011374.

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23

Howell, Amy Beth. "Line, Space and Plane." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1259177315.

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James, Lindsey Taylor. "Invasive." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1524231202288714.

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McMahon, Sarah Caitlin. "Containers:An Exploration of Self Through Pixel and Thread." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1524491293446776.

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Smith, Allison Hope. "162 Springcrest." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1524231199349606.

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Merritt, Kelsey Ann Merritt. "The In Between: An Indepth Look at Fashion Retail Waste." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1608039464210098.

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28

Thunstedt, Erika, and Ina Obernosterer. "Designing for the Circular Consumer : A design tool for clothing companies to engage consumers in the circular textiles economy." Thesis, Mälardalens högskola, Akademin för innovation, design och teknik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-55339.

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The current prevailing take-make-waste economy has caused the global climate crisis, operating outside the Planetary Boundaries of our planet (Rockström et al., 2009), disrupting nature's balance and affecting all life on earth (WWF and Global Footprint Network, 2019). Both the European Commission and the European Environmental Agency (EEA) sees the transition to a circular economy (CE) within the product category: textiles, apparel and fabrics as a priority to address the climate impact of the textile and clothing industry (Manshoven et al., 2019). Even though there is much research done on
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Ellison, Cassandra J. "Recovery From Design." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4884.

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Through research, inquiry, and an evaluation of Recovery By Design, a ‘design therapy’ program that serves people with mental illness, substance use disorders, and developmental disabilities, it is my assertion that the practice of design has therapeutic potential and can aid in the process of recovery. To the novice, the practices of conception, shaping form, and praxis have empowering benefit especially when guided by Conditional and Transformation Design methods together with an emphasis on materiality and vernacular form.
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DeLong, Ellen Elizabeth. "Advertising Domesticity: A Content Analysis of Traditional Messages in Seventeen Magazine, 1946-1948." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1216912746.

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Landahl, Karin. "On form thinking in knitwear design." Licentiate thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3663.

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This licentiate thesis presents and discusses experimental explorations in search for new methods of form-thinking within the knitwear design process. The position of textile knitting techniques is somewhat ambiguous. This is because they are not only concerned with creating the textile material, but also with the form of the garment as these two are created in the same process. Consequently, the common perception of form and material as two separate design parameters can be questioned when it comes to knitting. Instead, we may view it as a design process that has a single design parameter; a
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Bland, Kasey Dawn. "The Life and Career of Fashion Designer, George Stavropoulos." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1217262462.

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Schmidt, Lea. "Ein Material - zwei Verfahren: Das Potenzial eines Monomaterial-Ansatzes von soliden Applikationen auf textilen Substraten aus der Perspektive des Designs." TUDpress, 2020. https://tud.qucosa.de/id/qucosa%3A74814.

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Der Zuwachs an Textile Waste ist eine zentrale Herausforderung der Textilbranche. Der Bedarf nach Textilien steigt und Textilien werden in Ausgestaltung und Funktionalität zunehmend komplexer. Oft werden dabei unterschiedliche Eigenschaften verschiedener Materialien genutzt. Dies führt zu einem Materialmix, der das Textil-Recycling vor zusätzliche Herausforderungen stellt. Das Projekt verbindet die Herausforderung steigender Mengen an Textile Waste mit dem Anspruch, komplexe textile Produkte zu schaffen.
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Minor, Sarah M. "Beasts of the Interior: Visual Essays." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1554390195795843.

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Barahona, Jose L. "Maquiladoras in Central America: An Analysis of Workforce Schedule, Productivity and Fatigue." TopSCHOLAR®, 2019. https://digitalcommons.wku.edu/theses/3146.

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Textile factories or Maquiladoras are very abundant and predominant in Central American economies. However, they all do not have the same standardized work schedule or routines. Most of the Maquiladoras only follow schedules and regulations established by the current labor laws without taking into consideration many variables within their organization that could affect their overall performance. As a result, the purpose of the study is to analyze the current working structure of a textile Maquiladora and determine the most suitable schedule that will abide with the current working structure bu
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Amoah, Maame A. "FASHIONFUTURISM: The Afrofuturistic Approach To Cultural Identity inContemporary Black Fashion." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent15960737328946.

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37

von, Essen Sabina. "Trust the Artist and the Painting : Factors that can enhance the Experience of Viewing Art in 3D Environments." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279490.

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Buying and viewing art has gone from being a traditionally physical experience to becoming digital. Due to limitations in today's two-dimensional e-commerce websites, 3D technology can be used to simulate the physical experience as much as possible. This thesis studies which factors can potentially play an important role in online art purchases, of which trust on the artist, familiarity to the artist and understanding more in depth the painting techniques were found to be the most influential on enhancing the viewers experience and engagement with a painting viewed online. These factors were l
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Chiang, Hsia Pi, and 江夏碧. "Circular Economic-Research on the service design of "ECO FASHION.com" textile industry in Taiwan." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/3r4c8n.

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Guo, Yi-Jen, and 郭伊珍. "Application Jacquard Weaving Design Research Project—Using Environmental Friendly Textile Materials inspired by Taiwan Native Plants Pattern." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/74636126793880669075.

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碩士<br>輔仁大學<br>織品服裝學系<br>90<br>As technology advances and economy develops, our natural environment was destroyed by human beings’ desires for material. Facing serious global environment pollutions, we have to rethink about the relationship between people and nature. Returning to the concept of the land ethic, resolving the mass production of consumer products, cleaning pollutions from textile production and thinking about green designs are the starting points for environmental friendly products, both on the outside and the inside. This is going to be home textiles from every day l
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40

LI, CHIA-CHIA, and 李佳家. "The Research of Continuous Pattern in Textile Design Adopted the Technologies of Digital Printing and Garment Pattern." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/n6xmsf.

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碩士<br>輔仁大學<br>織品服裝學系碩士班<br>106<br>This study fouses on estabilsh the link-up of continuous patterns on clothing through the pattern design procesure of digital print and the techniques of clothing pattern. This study was to bridge the operating method when adopting the printed patterns by assistant software. The research result is able to offer design techniciaus and designers digital to do printing apply to the process when designing digital print clothing, from the stens of finishing clothing design drawings to producing the first sample, through making the printed patterns link up at clothi
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Lix, Lisa Marie. "Probing interactions in repeated measures designs : applications in clothing and textiles research." 1995. http://hdl.handle.net/1993/18953.

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42

Chiu, Yu-Jung, and 邱瑜蓉. "DISCUSSION ON THE DECORATION OF CARVED LACQUER WARES WITH THE MOTIVES OF FLOWERS, BIRDS, CLOUDS AND EMBROIDERED GROUNDS AND APPLICATION TO THE DESIGN RESEARCH OF TEXTILES." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/65604059484542343991.

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碩士<br>輔仁大學<br>織品服裝學系<br>90<br>Lacquer is a kind of great craft in ancient Chinese. The various decorative schemes are included in carved lacquer, a kind of new technique was developed during Tang Dynasty. The decoration of carved lacquer wares with the motives, such as flowers, birds, landscape, people, clouds and embroidered grounds, is smooth, fine, delicate and exquisite. Craftsmen represented the designs of carved lacquer wares by combining craft and art. The reference to design research is to study how craftsmen represented the motives. It is a way for designing textiles that n
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Birkett, Allison. "Nature, health and stress: a research-based approach to stress within our sensorial world." 2014. http://hdl.handle.net/1993/30083.

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This practicum focuses on developing a deeper knowledge about stress and our external environments. It is directed towards the profession of Landscape Architecture, and healthcare facilities including professionals. It outlines critical information about stress: how stress affects people’s physical, emotional, mental health and well-being, and how landscape architects are able to mitigate different types of stress through the design and use of our exterior environments, offering respite and healing in times of great need. Stress reveals and manifests itself in numerous ways. It has become a ma
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