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1
Zetterblom, Margareta. "Textile sound design." Licentiate thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3486.
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This thesis aims at developing conceptual and methodological tools in order toadapt sound within the textile design area. Occupational groups working with soundare to a large extent problem driven. Accordingly, textile designers working withsound- affecting properties of textiles concentrate on their dampening qualities. Theambition with this research project is to make suggestions how textile designers canwork practically with textile sound design, in a more nuanced way.The overall aim of the thesis is to develop a vocabulary to make textile designersable to express the sound affecting qualities of textiles in a language full of nuances.As a starting-point the thesis briefl y describes commonly used methods andprocesses used to describe the expressiveness of a design, followed by a morethoroughly analyze of the textile design process illustrated by a practical example.These studies constitute a foundation to make it possible to see in what way thesemethods and processes will be affected when sound is added as new design tool.By studies of two sound design models, the fi rst attempts to develop a vocabularyconcerning how to describe sound affecting qualities of a textile are developed.Research focusing on language issues, especially on the development of conceptualtools done at the research institute CRESSON, provides descriptive soundconcepts, “sound effects”, embracing the interaction between human and his soundenvironment. These concepts are followed by a model of how to describe just asound or “sound object” in “itself” (not in relation to anything else), developed byPierre Schaeffer. These theoretical models have been complemented with empiricalstudies in form of a survey, named LISTEN. Interviews were performed from aphenomenological perspective. A number of informants were asked to tell aboutthe sound environment and single sounds occurring at their working places. Theinterviews were interpreted from a phenomenographic perspective. A number ofdesign projects are fi nally presented as practical examples of different ways to workwith textiles and sound.The theoretical models provided by Schaeffer have been used to make the fi rstsystematic attempts to describe sound environments; sounds and textiles soundaffecting properties.Since the model presented by Schaeffer is developed to be used within musicalcomposition the concepts have to be additionally modifi ed to be a useful tool withinthe textile design area. The thesis presents just the fi rst attempts to use this model.The next step to take in the research project is to adjust the theoretical systems ofCRESSON and Schaeffer to suit the special area of textile design. The interactiveideas of a sound-affecting textile will also be a subject of further development.
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Berglin, Lena. "Interactive Textile Structures : Creating Multifunctional Textiles based on Smart Materials." Doctoral thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3490.
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Textiles of today are materials with applications in almost all our activities. We wear clothes all the time and we are surrounded with textiles in almost all our environments. The integration of multifunctional values in such a common material has become a special area of interest in recent years. Smart Textile represents the next generation of textiles anticipated for use in several fashion, furnishing and technical textile applications. The term smart is used to refer to materials that sense and respond in a pre-defined manner to environmental stimuli. The degree of smartness varies and it is possible to enhance the intelligence further by combining these materials with a controlling unit, for example a microprocessor. As an interdisciplinary area Smart Textile includes design spaces from several areas; the textile design space, the information technology design space and the design space of material science. This thesis addresses how Smart Textiles affect the textile design space; how the introduction of smart materials and information technology affects the creation of future textile products. The aim is to explore the convergence between textiles, smart materials and information technology and to contribute to providing a basis for future research in this area. The research method is based on a series of interlinked experiments designed through the research questions and the research objects. The experiments are separated into two different sections: interactive textile structures and health monitoring. The result is a series of basic methods for how interactive textile structures are created and a general system for health monitoring. Furthermore the result consists of a new design space, advanced textile design. In advanced textile design the focus is set on the relation between the different natures of a textile object: its physical structure and its structure in the context of design and use.
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Karlsson, Linnea. "Textile Grid." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17099.
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Textile Grid är ett undersökande textildesignprojektsom utforskar olika tekniker och material för atttänja på gränserna i textil. Utgångspunkten ärett enkelt rutmönster som översätts i teknikernatryck, väv och trikå. Rutmönstret fungerar som enkonstruktion i textilen och genom att jobba medkontrasterna mellan hårt och mjukt, samt rörelseoch stabilitet utforskas både textilens utseendeoch rörelse. Resultatet är fem material som viksoch formas efter sin egen konstruktion.Textile Grid is a design projekt about exploring
different techniques and materials to expand the
boundaries of textile; what textile usually looks
like and how it appears. The starting-point is a
simple grid that is translated in screen-print,
knitting and weave. The grid works as a
construction in the textile. By playing with the
contrast between soft and hard, stability and
movement both the expression and the behavior
of the textile are explored.
Program: Textildesignutbildningen
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Keune, Svenja. "On Textile Farming : Seeds as Material for Textile Design." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-13920.
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Presently, designing with living systems such as insects, fungi and bacteria has become an area of extended interest, proposing collaborative processes of designing and manufacturing - as a solution for symbiotic ways of living. On the scale of the interior, modern systems for interior gardening, combining both functional, e.g., food supply, purifying the air, and aesthetic values, experience exceptional popularity, ensuring a complementary perspective on horticultural landscapes indoors. As a result, the spaces where people live and crops grow increasingly intersect and therefore open up for developments that bridge both areas and where aesthetic perspectives become equally important. However, modern indoor gardening systems are shaped by commercial horticultural practices, bringing reservoirs such as buckets, tubs or tanks, mostly built of plastic, into the homes. Textile Farming aims to explore alternative forms of plant organisation by blending seeds and textile structures into a hybrid material for textile interior scenarios. Consequently the materials’ performative capacity becomes part of the textile design process. A foundational part are forms of human management, e.g. activation of the seeds, maintenance of the plants, interaction with the hybrid textile structures within and beyond interiors, that leads to experiences and expressions. By practice based design research and through a series of design examples that explore the transformative potential of seeds in textile structures, alternative forms of plant organisation and methods for the textile design process lead to scenarios that propose alternatives to how we live with and organise plants today.ArcInTexETN
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Zetterblom, Margareta. "Textile Sound Design." Doctoral thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3588.
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The thesis aims at developing conceptual and methodological tools in order to adapt sound in a “designerly” way within the discipline textile design. Occupational groups working with sound are to a large extent problem driven. This implies knowledge regarding sound and sound design mostly focuses on defensive strategies, not creative possibilities. The ambition with this research project is to make suggestions how textile designers can work practically with textile sound design, in a more nuanced way. /br As a starting point the thesis describes commonly used methods and processes used in the design process within an industrial context, followed by a more thorough analyze of the textile design process. These studies constitute a foundation to make it possible to see in what way these methods and processes will be affected when sound is added as new design tool./br By studies of two sound design models, the first attempts to develop a vocabulary concerning how to describe sound affecting qualities or sound expression of a textile are presented. Research focusing on language issues, especially on the development of conceptual tools done at the research institute Cresson, provides descriptive concepts, “sound effects”, embracing the interaction between human and his sound environment. These concepts are followed by a model of how to describe a “sound object” in “itself” (not in relation to anything else), developed by Pierre Schaeffer./br The theoretical models have been applied on the outcome of an phenomenological study named Describe. A number of design examples are finally presented as methodological examples of different ways to work with textiles and sound./br Keywords: sound, design, textile design, sound effect, sound object.Thesis to be defended in public at 24 May 2011 at 13.00, at the Gallary floor 2, The Swedish School of Textiles, Bryggaregatan 17, Borås, for the degree of Philosophy.
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Worbin, Linda. "Designing dynamic textile patterns." Doctoral thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3550.
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Designing Dynamic Textile Patterns Progress in chemistry, fibres and polymers technology provides textile designers with new expressive materials, making it possible to design dynamic textile patterns, where several different expressions are inherent in the same textile, textiles that, for example, could alternate between a striped and checkered pattern. Textiles are traditionally designed and produced to keep a given, static expression during their life cycle; a striped pattern is supposed to keep its stripes. In the same way textile designers are trained to design for static expressions, where patterns and decorations are meant to last in a specific manner. However, things are changing. The textile designer now deals also with a new raw material, a dynamic textile, ready to be further designed, developed and/or programmed, depending on functional context. This transformation in practice is not an easy one for the designers. Designers need to learn how to design with these new materials and their specific qualities, to be able to develop the full expressional potential inherent in “smart textiles design”. The aim of this thesis is to display, and discuss, a methodology for designing dynamic textile patterns. So far, something that mainly has been seen in different experimental and conceptual prototypes, in artistic expressions and for commercial efforts etc. In terms of basic experimental research this thesis explores the turn in textile design practice through a series of design experiments with focus on contributing to identifying and characterizing new design variables, new design methods and new design techniques as a foundation for dynamic textile patterns.Disputationen sker den 1:a juni 2010, kl. 13.00 i Textilmuseet, Druveforsvägen 8, Borås. Opponent: Senior Lecturer, Mary- Ann Hansen, Danmarks Designskole, Denmark
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Hayden, Sara Elisabeth. "Creating cloth, creating culture : the influence of Japanese textile design on French art deco textiles, 1920-1930." Online access for everyone, 2007. http://www.dissertations.wsu.edu/Thesis/Summer2007/S_Hayden_072607.pdf.
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Montesino, Hammarskjöld Teresa. "Crafting-design : Tuft meets Embroidery." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-24034.
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This project combines industrial tuft with handmade embroidery in order to explore various combinations of textured surfaces, materials and colors. The purpose is to investigate a meeting between craft and design by focusing on the encounter between the compact and the loose, the assembly of materials, as well as variations in levels and heights. The works are mainly based on recycled materials. Three textiles pieces were designed: a First Piece focuses on the meeting between craft and design; the Second Piece relates to different textures and the Third Piece addresses growth. The combination of hand embroidery and tufting create diversity and nuances in expressions, forms and textures. The small-scale of hand-embroidery permits the use of materials difficult or impossible to handle in machines and thus break the monotony of tuft. Through the tufting technique, larger compact pieces are produced that have depth and are sound-absorbent. This project aims to create a bridge between craft and design in the field of textile design.
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Schweiger, Ronja. "Adamant Textile : The reciprocal impact of concrete and textile." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-14891.
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The primary goal of this study is to investigate the combination of concrete merged with textiles. Furthermore, it investigates exchanging the characteristics of these contrasting materials. Consequently, the work shows the reciprocal influence of both textile and concrete to each other. The resulting final collection presents six pieces with the main intention to present different expressions of flexibility. These appear through the interaction of textile and concrete, with the textile providing the flexibility. Depending on the precise characteristics of the used textiles, the flexibility can be shown through the tension in a fabric, the ability to be squeezed or the movement. A subsequent range of experiments investigates techniques, methods and material qualities to prove, that the required effects of the end result can be fulfilled. The crucial factors are the textile materials, the connection between concrete and textile and the treatment of the resulting surface or object. Depending on which way the crucial components are fused, a variety of expressions in the results can be accomplished. These can be described as rather organic through to geometric, and also depends whether the piece is in motion. The outcomes provide an overview of design possibilities, of incorporating such contrasting materials to create different properties and unexpected characteristics in each piece. Based on the final results, it can be concluded that the major objective, to explore design possibilities through a reciprocal interaction of textile and concrete, gives a strong and impressive expression. The approach of this relatively broad research is nevertheless important for the textile field. Therefore, it suggests further exploration, using the results as a foundation and narrow it down by focusing on specific factors.
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Rizvi, Syed Hussain Raza. "Design of Bioinspired Conductive Smart Textile." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062837/.
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Electrically conductive fabrics are one of the major components of smart textile that attracts a lot of attention by the energy, medical, sports and military industry. The principal contributors to the conductivity of the smart textiles are the intrinsic properties of the fiber, functionalization by the addition of conductive particles and the architecture of fibers. In this study, intrinsic properties of non-woven carbon fabric derived from a novel linear lignin, poly-(caffeyl alcohol) (PCFA) discovered in the seeds of the vanilla orchid (Vanilla planifolia) was investigated. In contrast to all known lignins which comprise of polyaromatic networks, the PCFA lignin is a linear polymer. The non-woven fabric was prepared using electrospinning technique, which follows by stabilization and carbonization steps. Results from Raman spectroscopy indicate higher graphitic structure for PCFA carbon as compared to the Kraft lignin, as seen from G/D ratios of 1.92 vs 1.15 which was supported by a high percentage of graphitic (C-C) bond observed from X-ray photoelectron spectroscopy (XPS). Moreover, from the XRD and TEM a larger crystal size (Lc=12.2 nm) for the PCFA fiber was obtained which correlates to the higher modulus and conductivity of the fiber. These plant-sourced carbon fabrics have a valuable impact on zero carbon footprint materials. In order to improve the strength and flexibility of the non-woven carbon fabric, lignin was blended with the synthetic polymer Poly acrylonitrile (PAN) in different concertation, resulting in electrical conductivity up to (7.7 S/cm) on blend composition which is enough for sensing and EMI shielding applications. Next, the design of experiments approach was used to identify the contribution of the carbonization parameters on the conductivity of the fabrics and architecture of the fibers, results show carbonization temperature as the major contributing factor to the conductivity of non-woven fabric. Finally, a manufacturing procedure was develop inspired by the architecture of plant fibers to induce controlled porosity either on the skin or core of fibers which results in stiffness and flexibility in the fibers. Coaxial Electrospinning and Physical foaming (CO2 foaming) techniques were utilized to create the hierarchical fiber architecture. Finite Element model was developed to design for mechanical properties of the bioinspired fiber mesh. Results show the polymers contributes less in a coaxial design as compared to the individual fibers for mechanical properties. This manufacturing method can use for hierarchical functionalization of fibers by adding conductive nanoparticles at different levels of fiber cross-section utilized for sensing applications in sports and medical industry.
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PETTERSSON, MARIA. "Technical Textile Retrospective." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17413.
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Innovative technologies and products, high-performance materials and multi functional fibres are nowadays emerging and are known as technical textiles. This phenomenon, which is quite new in our vocabulary, but the technique and heritage of using textile as functional applications is rather old. The purpose of this thesis is to track the technical textile industries and product segment in Swedish history since the beginning of the industrial revolution and hereby contribute to a broader insight in the Swedish technical textile history. Five different technical textiles segments have been described with a company example after each. A case study methodology is chosen to deepen the analysis of two companies that acted in this particular segment of technical textiles. The companies Jonsereds Fabriker AB and Göteborgs Remfabriks AB were selected. By applying the business model canvas is this thesis trying to illustrate why the companies experienced difficulties to keep up the technical textile production during the 1970s and finally had to close down. By applying a modern business model to historical companies is this thesis furthermore proposing to additional research in the emerging technical textile field.Program: Applied Textile Management
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Kim, Soon-Hye. "Painted Shibori /." Online version of thesis, 1988. http://hdl.handle.net/1850/11505.
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Jansen, Barbara. "Composing over time, temporal patterns : in Textile Design." Doctoral thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3721.
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The work presented in this thesis investigates through practice a new field of textile design exploring the visual effects of moving light as a continuous time-based medium. Thereby, the textile design pattern reveals its composition, not in one moment of time any more, but in fact over time. The thesis consist of four parts: a solo exhibition at the Textile Museum in Borås from 17th February- 28th March 2015, five posters, an interactive thesis including 48 films (download file) and present thesis book. The artefacts displayed in the thesis show a varying range of examples which explore aesthetical possibilities of how light can be integrated as an active part into textile structures, ranging from weaving to braiding techniques, both hand crafted, as well as industrial produced. Thereby three main groups of experiments: colour flow, rhythm exercise, sound_light experiment explore and discuss a range of different time-based expressions. Thus define and establish relevant new design variables and notions, whilst working with time-based design processes. In the following descriptions of these experiments two forms of writing have been used to describe the experiments. One is purely descriptive, neutral form to describe the experiments as such, whereas text titled Research Diary Notes includes reflections and personal comments on the experiences during work on the experiments. The interactive thesis and the exhibited artefacts are an invitation to view new textiles expressions and are an initial guide on the road toward future time-based design works, particularly in the area of light emitting textiles.Disputationen sker den 17:e mars 2015, kl. 10-12 i Textilmuséet, Textilhögskolan, Skaraborgsvägen 3, Borås. Opponent: Dr Nithikul Nimkulrat, Professor i textildesign, Head of Department of Textile Design, Estonian Academy of Arts.
Disputationen genomförs på engelska.
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Arshad, Khubaib, and Muhammad Mujahid. "Biodegradation of Textile Materials." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20862.
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In this research work different textile materials were buried in soil and their biodegrading pattern will be studied after different specific period of times.Program: Master Programme in Textile Technology
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Nilsson, Linnéa. "Textile influence : exploring the role of textiles in the product design process." Licentiate thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3716.
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Textile materials and textile design are a part of countless products in our surroundings, as well as of diverse design fields and industries, with very different material traditions and working methods. Textile materials and industry have undergone many changes during recent decades, in terms of how and where textiles are produced, and what textiles can be and do; in much the same way, the design practices that textiles are involved in have also developed. What these diverse and evolving design contexts in which textiles are involved in have in common is that textile materials and textile design decisions somehow meet the rest of the design during a design process. The aim of this thesis is to add to our understanding of the relationship between textiles and products in the design process, and to explore the roles that textile design plays when designing textile products, the roles they can come to play when textiles become more complex and offer new means of functionality and expressiveness, for example through smart textile technology. This thesis presents two types of result: Firstly, descriptions of textile product design processes that highlight the wide range of roles that textiles can play in the textile product design processes of today, accentuate how textile materials and design decisions can influence both what can be designed and the design process, and describe some of the additional complexities that come with designing and designing with smart textiles. These examples are presented in the appended papers, and are the outcome of an observation of students who were designing textile products and collaborative, practice-based design research projects. Secondly, this thesis presents a theoretical framework which aims to offer a broad perspective on the relationship between textile design and the product design process, with the intention of opening up for reflection on how we design, and can design, with textiles. The framework focuses on how textile design decisions and textile materials participate in the process, and to what degree they influence the development of the design; this includes methods, questions, etc. that can be used to explore and define this dynamic. One of the main points of the framework is the importance of the textile influence in textile product design processes; the specific qualities of textiles as a design material - the considerations, possibilities, and challenges, which influence both the design of the product and the process of designing it. This includes not only the textiles in the final design, but also the textiles that, in other ways, feature in this process.
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Kapur, Jyoti. "Smells: olfactive dimension in designing textile architecture." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12906.
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Designing with non-visual attributes challenges ways of representation. This research explores methods for designing with invisible materiality within the research practice, as well as ways of representation through textiles when designing spaces. Exploring textiles and smells within a space, the research program investigates spatial interactions. This research focuses on designing embodied experiences using tangible materials as expressions of smells. Through the spatial installations and performances Sight of smell, Touch of smell, and Smell, space, and body movement, haptics were explored as one of the methods of interaction with smells through textiles. Through the sense of touch, this research also investigates ways of revealing, activating, and disseminating smells within a space. Smells were purposely added through the methods of dyeing, coating, and printing to the textile materials that did not inherently embody any smells, As a result, tactile surfaces create non-visual expressions of smell. Further ideas of research in this area would explore another perspective of designing with smells in spaces. As an example, by designing textiles being smell absorbers, dividers, and re ectors, could compliment the spatial concepts and deals with the already existing smells in a living environment. In this licentiate thesis thinking through the olfactive dimension to design textiles is not only novel for the textile design eld; but also, its proposal for application in the spatial design is quite unique, and o ers a new dimension for spatial design.Horizon 2020 MSCA ITN
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Nilsson, Linnéa. "Textile Influence : exploring the relationship between textiles and products in the design process." Doctoral thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-1058.
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Textile materials and textile design are a part of countless products in our surroundings,as well as diverse design fields and industries, each of which has very different materialtraditions and working methods. The aim of this thesis is to add to our understandingof the relationship between textiles and products in the design process, and to explorehow textiles enter and influence product design processes and how products functionin textile design processes. A further aim is to examine the effect of new textiletechnology, such as smart textiles and 3D printed textiles, on this dynamic. This thesis is the result of an interplay between theoretical work, experimentalpractice-based projects, and observation of design practice, and it presents two typesof results: Firstly, descriptions of how the relationship can manifest itself in the designprocess, which give a broad picture of the relationship between textile and productand in so doing add to our understanding of textiles as design materials and highlightsome of the additional complexities and possibilities for the design process that comewith new forms of textiles. Secondly, this thesis presents ways of describing thedynamics between textiles and products in the design process, with the intention ofopening up for reflection on how we design, and can design, with textiles. Here, themain outcome is a theoretical framework which examines the relationship from botha product design and a textile design perspective, and includes methods and questionsthat can be used to explore and define how textiles and products meet in the designprocess.
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Correia, Bárbara Loução. "Reflexões de estágio na Unis Textile Design Studio." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2021. http://hdl.handle.net/10400.5/22750.
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Talman, Riikka. "Changeability as a quality in textile design." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-15990.
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The tendency to wear out and change is inherent in most materials, but – aside from a few exceptions – has been considered to be undesirable by both the industry and consumers. The work presented in this licentiate thesis suggests that, due to change in some form being an inherent property of textiles, it may be viable to look for alternative ways of designing and perceiving textiles that accept change as one of their qualities. The experimental work explores change as a quality in textiles from the perspective of the textile material, and examines irreversible changes in textiles from three different perspectives: form, use, and teaching changeability in the field of textile design. Changes in colour, pattern, texture, and structure were explored by developing knitted and woven textiles using materials with pronounced changeable properties, and exposing these to various stimuli, such as outdoor conditions and use in workshops. The experiments suggest that the combination of material and structure defines how textiles change when exposed to various stimuli. A material’s properties define what the textile reacts to and how, while the structure of the textile influences how it changes through the amount and placement of materials. In addition, time and the handling of a textile shape the exact changes that take place. Designing with changeability as a quality in textiles opens up for alternative possibilities as regards creating expressions, wherein time and change are design variables alongside more traditional qualities, and could encourage a diversity of lifespans and changes over various timescales, better connecting textiles to the properties of their raw materials. This may mean that an alternative method for evaluating quality based on change instead of permanence could be viable, wherein the notion of permanence as a sign of quality in textiles is questioned.
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Barbosa, Ana Cecilia. "Embodied self-expression through textile design." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23190.
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Motivated by studies of dress and the importance that it has on identity formation and expression of self, this research tries to answer the question of how can an interactive tool create greater means for self-expression of the dressed body through the design of textiles? The goal of pursuing the question is to ultimately promote a more sustainable fashion culture that relies on the creation of long-lasting products. Employing Research through Design as the main methodology, this research went through a series of sequential design experiments – namely workshops and prototypes – with the ambition of generating knowledge in the context of the design space, and in order to inform the design of the interactive tool proposed by the research question. The main research findings suggest that the direct engagement with the painting of textiles through ruled self-reflection tasks, in collaboration with a machine, provides great means for the creation of long-lasting products – showing, therefore, a fruitful path towards fashion sustainability. In addition to the conception and building of a final artifact, this research resulted in a set of guidelines that aims at advising the creation of other future artifacts.
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Scholz, Barbro. "what could be the role of analogue, textile user-interfaces in the digital age?" Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17104.
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This thesis discusses the role of e-textiles as user-interfaces and their properties in differenc to common interfaces such as buttons or touch-screens for example. A view on society and on our relation to nature and technical devices will be given. As a theoretical background Foucault‘s panopticism will be mentioned. The researchquestion "what could be the role of analogue, textile, user-interfaces in the digital age?"and aim will be explained, the research outline will be drawn also regarding other projects and investigations in my field. The field of critical design and interdisciplinary critical actionism will frame the position of the final project of the thesis. The final project will be presented with the scenario of my project. The reports closeswith a reflection on outcome, the design process and a perspective of future research.Program: Master Programme in Fashion and Textile Design
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Becerra, Venegas Francisca. "Textile Hybrids : Exploring knitted textiles by challenging properties of elasticity and flexibility through combinations with wood." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23510.
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Textile Hybrids explores knitted textiles by challenging properties of elasticity and flexibility through yarn composition, technical construction and combinations with wood. This study is placed in the field of textile spatial design and suggests experimental ways to explore three-dimensionality in a knitted textile by changing its properties through material synergies. The outcome is a three piece series of modular three-dimensional, standalone textile objects. The construction, assembly and flexibility of each piece make it possible to separate all components for reassembly, recycling or reusing, suggesting further research possibilities into more tangible contexts within textile spatial design, architecture, furniture design and product design. This study is derived from an interest to explore different ways a textile can exist on its own in a spatial context such as the home, without solely being the material covering a load-bearing framework i.e a couch or a chair.
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Lewis, Erin. "Radiant Textiles : A framework for designing with electromagnetic phenomena." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26256.
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The design of smart, interactive, computational, and electronic textiles involves working with unknown variables that expand the tangible dimensions of textiles. Non-visual concepts such as electromagnetic fields, electrical current, computational code, and the temporal attributes of materials that exhibit dynamic qualities require that textile designers be able to perceive and manipulate domains of the textile that extend beyond its conventional forms of expression. Through these qualities, the textile becomes an interface to otherwise imperceptible phenomena of electromagnetism and thereby opens up to new textile design expressions. However, to do so requires a shift in the understanding of how fundamental textile concepts such as material, form, and expression interrelate to affect the expressive domain of the textile itself. This research aims to describe the material attributes, characteristics, and expressions of electromagnetic phenomena as explored through experimental research methods and suggests ways in which electromagnetic phenomena can be worked with as a design material for smart textiles. Further, it seeks to expand upon conventional design variables of textiles to include its electromagnetic domain. The experiments presented in this thesis suggest a framework for working with magnetic, dielectric, and conductive materials through textile techniques of weaving and knitting. The experiments point to the interrelationship between the textile material, structure, and form, identifying this triad as the key influencers that determine how textile expressions can embrace electromagnetic phenomena. The results of the experimental work are methods that show accessible ways for textile designers to visualize and perceive electromagnetic fields in textiles, such as sensing the impressions of textile structures on the magnetic field using a method of scanned-surface imaging; perceiving electromagnetic fields using textile antennas and spatial exploration, resulting in sonic expression; and kinetic textile behaviours at the yarn level through magnetic interactions. Furthermore, the design possibilities of the materials, methods and tools suggested in this thesis are demonstrated through examples of interactive artefacts, e.g., in the form of ambient energy harvesting forest mobiles and radio-frequency (RF) body extensions. The results suggest the variety of electromagnetic textile expressions that can be created when methods and tools to perceive and manipulate electromagnetic phenomena in textiles are consciously utilized.
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KOWALSKI, JO-ANNE. "Dead Skin, Living Machine : textile under surgery." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17417.
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Dead Skin, Living Machine is a process of making / building textile dead skin as inspirational source with respect to textile interaction. Knits are elaborated within perception, identity and interaction as witnesses of object's life in our environment, while the act of knitting is wildly ruled by its own responsive potential. Knitting and videos dialog work tend to explore the emergence of textile material.Program: Master Programme in Fashion Design
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Eronen, Tiia. "Idle and hang around : foldable textile furnishing." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20048.
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This thesis deals with foldable, portable and eco-friendly textile furnishing for students. Students move quite often and therefore big and heavy furniture is sometimes a problem. In this project prototypes of a hanging sofa called Idle and a hanging storage system called Hang Around are presented. These products can be pulled up to the ceiling when there is no use for them and taken down when needed. The idiom of the products communicates stability and security even though they are suitable for living in motion. The aim has been to create sustainable products that can help to maintain the feeling of home and security in the middle of a hectic and mobile life. The forms of the products and the textile patterns have been developed simultaneously. The inspiration for the pattern design comes from Northern forests. The patterns are digital printed on woollen fabric. The materials and techniques used in this project were chosen because of their limited environmental impacts. Idle and Hang Around are designed to suit the concept house Nestet, which is an eco-friendly exhibition house with solid wood construction. The house, where Idle and Hang Around appear, was built in the centre of Borås in June 2005.Program: Konstnärligt masterprogram i mode- och textildesign
Uppsatsnivå: D
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Morgan, Laura. "Laser textile design : the development of laser dyeing and laser moulding processes to support sustainable design and manufacture." Thesis, Loughborough University, 2016. https://dspace.lboro.ac.uk/2134/23176.
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This research developed new creative opportunities for textile design by investigating CO2 laser processing technology to achieve surface design and three-dimensional effects. A practice based and interdisciplinary textile design methodology was employed, integrating scientific and technical approaches with a reflective craft practice. It was found that the synthesis of design and science was imperative to achieving the research goal of evolving techniques that have opened new design opportunities for textile design whilst being viable and communicable for industrial and commercial application. Four distinct Laser Textile Design techniques were developed in this research including: a laser enhanced dyeing technique for wool and wool blends; Peri-Dyeing, a laser dye fixation technique; a laser moulding technique; and a laser fading linen technique.
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Svensson, Mikaela. "Woven modularity : exploring playful expressions in textile design." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23480.
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This degree work is a project that started out from weaving, which became the founding technique for how a modular textile took its shape, woven together as interlaced parts. Modularity was taken into this work in order to avoid a flat result and give the woven textile playful attributes and multiple functions. By using bold colours and layers in weaving, an investigation of the interactive and playful side of this textile technique was done. The method was based on workshops where geometrical forms were systematically woven into a repetitive pattern according to the plain weave binding. The result were three voluminous textiles with a given hierarchy of colours and material as they were placed at different levels. Practically, it is a textile that can be fitted to different spaces by being either diminished or built out, in order to be interactive. The quantity of elements within the textiles became the essence and the quality in the project and the advantage is that it is a textile that can be made from waste.
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Grady, L. "The contribution of textile design to the development of a novel textile process." Thesis, University of Huddersfield, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233576.
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TALMAN, RIIKKA. "Transient impressions : designing breaking and changing textile expressions." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18056.
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'Transient impressions' explores breaking and changing qualities in textiles. Sustainability and people’s relationship to textiles are discussed through decomposing and changing processes in textile material and through different life-spans of materials. The project proposes a way of working with textile material, where expressions are designed to change over different periods of time.Program: Konstnärligt masterprogram i mode- oh textildesign
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Persson, Ingrid. "Tactile constructions : Building with textile, sensual mathematics." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5832.
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In my thesis work I choose to define textile as a way of constructing, before seeing it as a material. I have explored the possibilities of building with the tension that is formed between the threads in weaving and knitting. By mixing the two techniques in the same fabric, I can benefit from their different qualities as the material produced creates the shape of the space. As a textile designer studying spatial design, I have carried out this investigation to raise the importance and impact of textile in interior, and as an interior. By challenging the hierarchy of building construction materials and giving textile more value, I can acquire more sensual, tactile and maybe even unexpected qualities in the interiors I create.
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Bai, Qiang. "Textile antenna design and shape distortion study." Thesis, University of Sheffield, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575081.
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The idea of using textile materials for wearable antenna design has attracted much attention in the industry and academia because it is lightweight, flexible, and most importantly the textile antenna can be seamlessly integrated into garments. However, the wearable antennas which are made of flexible materials, such as textiles, have to face a common challenge: shape distortion. Unlike conventional antennas, which are usually fabricated by hard materials like metal and well protected within enclosures, wearable textile antennas will be integrated into clothes and operate directly on the human body surface. Therefore, it is very necessary to investigate the textile antenna performance under shape distortion conditions. This study focuses on the purely textile antenna design and the evaluation of the antenna performance under shape distortion conditions. Several types of antenna, such as coplanar waveguide fed (CPW) antenna and planar inverted-F antenna (PIF A), are fabricated in textile materials and investigated in 2.45 GHz wireless networking band. Moreover, the artificial magnetic conductor (AMC) structures and the microstrip antenna array are investigated in the latter part of this thesis. In this study, the textile antenna under test are not only bent, but also crumpled in different formats along the E-plane and H-plane. Both input impedance and radiation patterns are investigated, and the comparisons between simulation and measurement are analyzed.
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Wang, Xiao Bing. "Concurrent design towards global textile/apparel development." Thesis, University of Leeds, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427041.
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Igoe, Elaine. "In textasis : matrixial narratives of textile design." Thesis, Royal College of Art, 2013. http://researchonline.rca.ac.uk/1646/.
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Since its inception in the late 1970s, the academic field of design research has lacked significant input from textile design. Textile design inhabits a liminal space that spans art, design, craft; the decorative and functional; from handiwork to industrial manufacture. This PhD by thesis, although recognizing this particularity, asserts textile design as a design discipline and seeks to address key questions that define a design discipline (Archer 1979). Specific factors have prevented the participation of textile design in the development of design theory: the universalism of the Modernist age decried many of the innate characteristics of textiles despite the fact that the versatility of textiles has made it one of the most appropriate mediums for its message. This suppression points to the femininely gendered nature of textiles and how this affected the participation of textile designers in the development of design research. Addressing this historical and cultural context necessitated the utilization of feminist qualitative research methods in a methodology that references matrixial theory (Ettinger 2006) and relationality. Encounters, conversations, stories, drawings, metaphor, meshing and restorying are all key research methods used in this study. In its autoethnographic approach, my position as a textile designer and as the researcher is frequently foregrounded, and is also blended with the experiences of other textile designers. The study unfolds and expands in a non-linear way, structure and outcome co-evolving through my contingent thinking and activity. Theory and texts are montaged from anthropology, philosophy, literature, cognitive psychology and psychoanalysis to define key characteristics of textile design and its associated thinking, both tacit and explicit. These characteristics are then placed into the context of the design research agenda, with particular reference to design thinking and problem-solving. This both strengthens the position of textiles as a design discipline and highlights its anomalies. Through analysing the articulation of textile design practice and thinking, this study proposes an alternative perspective on design thinking and problem-solving in design which contrasts with the notions of divergence followed by convergence which are predominant in design research literature. It suggests that textile design thinking is fundamentally dimensionally expansive yet set in tense relation to external forces of folding and rhizomatic breakage (Deleuze 1993/1999, Deleuze & Guattari 1987/2008). This paradigm of design thinking rests upon the significance of long-established textile metaphors for the embodied and interconnected activities of cognition and action, and is indicative of particular views of post- Postmodernist thought. Based on this, as well as on other key characteristics of textile design process and thinking that have been defined, pedagogic implications are discussed and specific areas of current design research discourse which would benefit from greater involvement from textile designers and theorists are explored.
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Somi, Bongiwe Promrose. "Investigating the possibility of using wild silk fancy yarns to produce upholstery fabrics for home furniture." Thesis, Nelson Mandela Metropolitan University, 2013. http://hdl.handle.net/10948/7616.
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About a decade ago an attempt to build a viable wild silk industry, prompted by the discovery of the naturally available wild silk cocoons in the North West Province of South Africa, was made and a degumming plant was established in the Ganyesa village. The challenges faced in that establishment soon brought the developments to a standstill and cited among the problems was the lack of designer input in the production stages, which resulted in poor quality products. Focusing on the design problem the intention of this research is to explore a more effective design and production method for the wild silk fabrics. Through assessing the previously produced fabrics in order to identify their limitations, and by experimenting with innovative fabric production processes, a suitable aesthetic quality can be added to the final products. Starting with the investigation of current trends and choosing a design theme as a guide for the production process, fabric samples intended for use in upholstery of home furniture are developed. With the objective of successfully achieving a balance between aesthetic appeal and suitability for the intended end use, the fabrics are subjected to performance assessments based on internationally recognised standards. From the findings of this research it is therefore envisaged that, from the design aspect, proper redevelopment of the South African wild silk industry could encourage further involvement from textile designers. This would bring more improvement to the fabrics produced and encourage their use in different applications.
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Beach, Joni Leigh. "Apparel Textile Design Process as Related to Creativity." Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/36697.
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This study was framed by the question, How is creativity integrated into the design process of apparel textile designers? A qualitative approach was used to explore the integration of creativity in the design process of two designers in the field of clothing and textiles. The personal experiences of a weaver and a costume designer were shared with the researcher through interviews, participant observation, logs, and document/visuals. Data were analyzed by a method of coding and categorizing. Comparative analysis was conducted on the studies of the weaver and the costume designer. A comparative analysis was done among the findings of the two apparel textile designers and from the review of the literature. First, steps of the design process as related to creativity were explored. The design process model stated by Koberg and Bagnall (1981) was used to analyze and discuss the findings. It was found that the apparel textile designers' process included the steps of acceptance, analysis, definition, ideation, idea selection, implementation, and evaluation. Many themes emerged from the data for each of the steps of design. Amabile's (1996) three components of creative performance (domain-revelant skills, creative-revelant skills, and task motivation) were used to examine and discuss the creativity of the weaver and the costume designer. It was found that the design process acted as a framework, and creativity allowed for the generation of new ideas and outcomes in the designer's work. The study of apparel textile designers, their individual design processes, and creativity serves to expand the body of knowledge of the design process and creativity related directly to the textile arts and to aid in the development of methods in design education.Master of Science
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Porcher, Mathieu. "CAMOLUTION : Contemporary surface pattern expressions in textile design." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-13028.
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Camolution is a project that explores the camouflage pattern in a textile designcontext. The motive is to reinterpret an obsolete concealment function andinstead, to hide and reveal visual textile aspects within the pattern. Theprimary aim of this work is to develop a contemporary camouflage patterncollection of printed and knitted textiles, and to explore the concealmentfunction through visual deceptions. The patterns were developed witha method that uses a selection of rules in colour contrasts,style influences and textile proprieties to design a series of patternexperiments. The final pattern designs were screen printed, digitalprinted and knitted, and applied as garment prototypes. This part wasdone in collaboration with the fashion brand Björn Borg. The result setsout a collection of textiles and clothes connected by three differentconcepts of misled vision. It was found that the camouflage function in thiswork was an efficient tool to advertise the brand symbols within the textiles.This work proposes an alternative design method of using the camouflageconcept in textile design, contributing with new expressions, techniquesand qualities.
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Veja, Priti. "An investigation of integrated woven electronic textiles (e-textiles) via design led processes." Thesis, Brunel University, 2015. http://bura.brunel.ac.uk/handle/2438/10528.
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Electronic textiles (e‐textiles) are created by the amalgamation of electronics and textiles, where electronics are integrated into or onto fabric substrates. Woven textiles are specifically considered in this thesis to integrate electronics into textiles' orthogonal architecture. This thesis investigates 'How can the weaving process be manipulated to make woven e-textiles with integrated electronics?' The methodological approach taken is practice based research carried out via a technical materials approach and creative craft methods. An investigation of woven e-textiles through design led practice and woven expertise is presented. Previously, woven e-textiles have been investigated either via technical material approaches, (where the main emphasis remains on function) or via creative craft methods, (which emphasise experimental forms, manipulate integration methods and apply craft based knowledge). Both of these approaches have presented only limited investigation of unobtrusive integrated electronics in woven e-textiles, and woven structures have not been fully utilised to support the integration. The research applies reflective practice through a design process model; this is based on the researcher's previous weaving expertise and designing methods. The work investigates how woven construction may be manipulated to develop novel integrated woven e-textiles. It was found that five woven approaches were particularly of value for electronics integration. These were the use of double cloth, the integration of multiple functions into the textiles as part of the weaving, the use of complex weaving techniques to attach and integrate components, the use of inlay weft weaving and the manipulation of floats (free floating threads). The thesis makes original contributions to knowledge, including identification of key stages in the woven e-textile design process, identification and application of advanced weaving techniques to facilitate integrated woven e-textiles, and compilation of a systematic record of woven e-‐textile techniques as a technical woven repository. Underpinning design principles that influence the developed e-textile outcomes are identified. A range of woven e-textile samples are designed and made. Three specific examples including an actuator ('RGB colour mixer'), a circuit ('corrugated pleat LED v2') and a soft module ('battery holder module v4'), are described in detail to illustrate their development using the e-textile design process model. The knowledge gained has potential to be applied to industrial woven processes for e-textiles.
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Wood, Jesse William. "Design for Six Sigma: Design and Development of an Equine Composite Flooring System." NCSU, 2008. http://www.lib.ncsu.edu/theses/available/etd-03242008-210051/.
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The purpose of this research was to develop a composite flooring system to be used in the equine surgical unit in the College of Veterinary Medicine at North Carolina State University. This material was developed due to an extensive need for a new flooring system that would accurately meet the needs of the customers and stakeholders involved. Research included the origin of Design for Six Sigma (DFSS), tools that differentiated it from previous design processes, past/present flooring solutions, structure/dynamics of a horse, horse tendencies, and composite theories. By implementing the five step procedure of DFSS, Define, Measure, Analyze, Design, and Verify, a sound product was able to be realized. Certain DFSS tools were implemented such as Voice of the Customer Analysis, Reverse Engineering, Brainstorming, Design of Experiment, Pugh Concept Analysis, Computer Aided Design, and Finite Element Modeling. The end solution was a composite flooring system that meets the needs of not only the primary market but many secondary markets as well.
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Worth, Syd Graham. "Textile design consultancy in the UK a study of a small group of textile design consultants working in the U.K. /." Boston Spa, U.K. : British Library Document Supply Centre, 1998. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.267443.
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ATAPHOL, SUJIRAPINYOKUL. "Texniture, a freestanding functional textile object." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20310.
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The purpose of this thesis is to explore the possibilities to create freestanding functional textile object that involves thepotential of traditional textile technique for creating three-dimensional textile structures. These three-dimensional textilestructures are used to generate the style of freestanding functional textile object and to create a product for the public room.The subculture and techniques involved in Thai textile techniques are the inspirations throughout this project. Forexample, sitting on the floor is prominent in this subculture and is, therefore; an initiation of the furniture development in thisproject. Meanwhile, Scandinavian design also influences the aesthetic and finds out the simple solution with its simplicityand functionalism. Nature is also a powerful source of inspiration in creating these three-dimensional knitted textiles.These factors influence the method used to explore techniques, colours and style. Moreover, sociology is considered to guidethe design process and to determine the style of freestanding textile object, for instance; the relationships among people.“Texniture” is a name given to the freestanding functional textile object and is a kind of the furniture created in this project. The resultshows how three-dimensional textiles can be manipulated in space, and aims to give audiences a new understanding of textiles.Texniture 1Program: Konstnärligt masterprogram i mode- och textildesign
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Gibson, Nathan Scott. "An Engineering Design Approach for Accelerating Innovative Design Solutions in a Rapid Prototyping Environment." NCSU, 2000. http://www.lib.ncsu.edu/theses/available/etd-20001110-123920.
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With time as a major competitive factor in today's marketplace, it is crucial to bring products to the market and solve problems in existing products in a swift manner. Rapid prototyping methods are very effective ways of streamlining this effort. However, current rapid prototyping methods generally apply after a solution concept has been selected. Many current conceptual design methods were reviewed and it was shown that a need exists for similar acceleration of the problem identification, idea generation, and concept selection portions of the design process. This would bring the conceptual front end of the design process under the umbrella of what is considered "rapid prototyping". The Ideal Final Result (IFR) of each of the three major conceptual steps was developed to be able to formulate a series of steps to accelerate the process by performing only what is necessary to accomplish the IFR's. The existing methods and custom-designed methods provided for filling in what was needed for each step. An "Ideality-based" concept selection method was developed to make the idea selection process more complete. The entire methodology is explained in detail, and a case study to use the new methodology was performed on an existing, real problem situation to show the useful and accelerated nature of the method.
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Kristensen, Johnstone Tonje. "Surface patterns, spatiality and pattern relations in textile design." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12987.
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This licentiate thesis focuses on surface patterns, spatiality, and pattern relations in textile design, and aims to explore surface patterns as spatial definers and what they mean in the context of surface patterns. A secondary focus relates to applying conceptual spatial determinations as alternative design variables in design processes, and exploring how these could be used to define and analyse pattern relations. Through a series of exploratory design experiments that used printed and projected surface patterns in a three-dimensional setting, which were documented using photographs and film, the notion of pattern relations, wherein scale was used as a design variable, was explored. The outcome of the experiments showed the expressional possibilities that surface patterns may provide in a defined space, and how these are connected to pattern relations. In order to encourage an accompanying discussion regarding alternative methods of analysing surface patterns, the construction of a theoretical model was initiated. Workshops with design students were used as another practical method in this work. The results showed that there is great potential in using conceptual spatial determinations to define pattern relations by viewing surface patterns as spatial definers, rather than taking a traditional perspective on their functions. Another outcome is the theoretical model, which proposes a specific approach to pattern relations. This research demonstrates how conceptual spatial determinations can benefit the textile design process, as well as design teaching, which could in turn provide the field with new expressions that may lead to a change in or fruitful addition to the practice.
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Jansen, Barbara. "Composing over time, temporal patterns : in Textile Design." Licentiate thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3653.
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The work presented in this thesis is a first attempt investigating a new field, exploring the visual effects of movement using light as a continuous time-based medium. Composing over time, temporal patterns - in Textile Design is a practice based research project that investigates the following research question: What does it mean, if time and change – constant movement – becomes part of the textile design expression? The research question has been investigated in a number of experiments that explore the visual effects of movement using light integrated into textile structures as a medium. Thereby, the textile design pattern reveals its composition, not in one moment of time any more, but in fact over time. This thesis aims to create time-based textiles with an emphasis on developing aesthetics of movement – or to establish movement as an aesthetic moment in textile design. Two distinct groups of experiments, colour flow and rhythm exercise, explore a range of different time-based expressions. The experiments have been displayed and explored using woven and braided textile structures which have been construct mainly through the integration of PMMA optical fibres. Through the design processes a first platform and understanding about time as a design material has been developed, which allows composing time-based patterns in light design. New design variables, notions and tools have been defined and established. The achieved new expressions will hopefully lead to discussions on and envisioning of future textiles, opening up the general perception of what textiles are supposed to be like, to show, to express etc., i.e. expands notions of what it means to read a piece of textile work.Editor: Lars Hallnäs (LHS), Swedish School of Textiles
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Norrsell, Lovisa. "GIVING TEXTILES FORM : Exploring Self-supporting Possibilities." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-14882.
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Giving textiles form is a project in textile design exploring how textiles can create self-supporting three-dimensional forms with after finishing techniques. The project focuses on the textile to be self-supporting, by working against and challenging the properties of a textile fabric. The motive for the project is to widen the definition of what a textile can do. The methods of origami and traditional Japanese wood joinery are used to find a functioning and durable construction, as well as manipulating the textiles with colour and after finishing techniques. The result of this work is three coloured textile forms that are three-dimensional and self-supporting, the use of colour strengthens the depth and adds a spatial dimension. This work contributes to broaden the field of textile design by expanding the use of textile.
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Kooroshnia, Marjan. "Creating diverse colour-changing effects on textiles." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3722.
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With the technological progress of materials science, the palette of colours with which to print on textiles has expanded beyond those with previously known properties and expressions to a new generation, with more advanced functionality and expressive properties. This new range of colours is characterised by their ability when printed on textiles to change colour in relation to external factors and internal programmes; for example, leuco dye-based thermochromic inks generally change colour in response to temperature fluctuations. This research explores the design properties and potentials of leuco dye-based thermochromic inks printed on textiles, with regard to creating a wider range of colour-changing effects for textile applications. The significance of this for textile design is related to the development of a methodology for designing dynamic surface patterns. The research was conducted by creating a series of design experiments using leuco dye-based thermochromic inks, which resulted in different recipes and methods, along with a pedagogical tool. The results highlighted the diverse colour-changing properties of leuco dye-based thermochromic inks, which have the potential to create more complex patterns on textiles. The outcome of this research proposes a foundation for textile designers with which to approach new ways of thinking and designing.
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Worth, Syd Graham. "Textile design consultancy in the U.K. : a study of a small group of textile design consultants working in the U.K." Thesis, Manchester Metropolitan University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267443.
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Homlong, Siri. "The Language of Textiles : Description and Judgement on Textile Pattern Composition." Doctoral thesis, Uppsala : Acta Universitatis Upsaliensis (AUU), 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-7216.
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Meyer, Jan. "Textile pressure sensor : design, error modeling and evaluation /." Zürich : ETH, 2008. http://e-collection.ethbib.ethz.ch/show?type=diss&nr=18050.
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Soranakom, Chote, and Barzin Mobasher. "Flexural Analysis and Design of Textile Reinforced Concrete." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1244046537373-61938.
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A model is presented to use normalized multi-linear tension and compression material characteristics of strain-hardening textile reinforced concrete and derive closed form expressions for predicting moment-curvature capacity. A set of design equations are derived and simplified for use in spreadsheet based applications. The model is applicable for both strain-softening and strainhardening materials. The predictability of the simplified model is checked by model calibration and development of design charts for moment capacity and stress developed throughout the cross section of a flexural member. Model is calibrated by predicting the results of Alkali Resistant Glass and Polyethylene fabrics. A case for the flexural design of Glass Fiber Reinforced Concrete (GFRC) specimen as a simply supported beam subjected to distributed load is used to demonstrate the design procedure.
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Jia, Wei. "Image analysis and representation for textile design classification." Thesis, University of Dundee, 2011. https://discovery.dundee.ac.uk/en/studentTheses/c667f279-d7a6-4670-b23e-c9dbe2784266.
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A good image representation is vital for image comparision and classification; it may affect the classification accuracy and efficiency. The purpose of this thesis was to explore novel and appropriate image representations. Another aim was to investigate these representations for image classification. Finally, novel features were examined for improving image classification accuracy. Images of interest to this thesis were textile design images. The motivation of analysing textile design images is to help designers browse images, fuel their creativity, and improve their design efficiency. In recent years, bag-of-words model has been shown to be a good base for image representation, and there have been many attempts to go beyond this representation. Bag-of-words models have been used frequently in the classification of image data, due to good performance and simplicity. “Words” in images can have different definitions and are obtained through steps of feature detection, feature description, and codeword calculation. The model represents an image as an orderless collection of local features. However, discarding the spatial relationships of local features limits the power of this model. This thesis exploited novel image representations, bag of shapes and region label graphs models, which were based on bag-of-words model. In both models, an image was represented by a collection of segmented regions, and each region was described by shape descriptors. In the latter model, graphs were constructed to capture the spatial information between groups of segmented regions and graph features were calculated based on some graph theory. Novel elements include use of MRFs to extract printed designs and woven patterns from textile images, utilisation of the extractions to form bag of shapes models, and construction of region label graphs to capture the spatial information. The extraction of textile designs was formulated as a pixel labelling problem. Algorithms for MRF optimisation and re-estimation were described and evaluated. A method for quantitative evaluation was presented and used to compare the performance of MRFs optimised using alpha-expansion and iterated conditional modes (ICM), both with and without parameter re-estimation. The results were used in the formation of the bag of shapes and region label graphs models. Bag of shapes model was a collection of MRFs' segmented regions, and the shape of each region was described with generic Fourier descriptors. Each image was represented as a bag of shapes. A simple yet competitive classification scheme based on nearest neighbour class-based matching was used. Classification performance was compared to that obtained when using bags of SIFT features. To capture the spatial information, region label graphs were constructed to obtain graph features. Regions with the same label were treated as a group and each group was associated uniquely with a vertex in an undirected, weighted graph. Each region group was represented as a bag of shape descriptors. Edges in the graph denoted either the extent to which the groups' regions were spatially adjacent or the dissimilarity of their respective bags of shapes. Series of unweighted graphs were obtained by removing edges in order of weight. Finally, an image was represented using its shape descriptors along with features derived from the chromatic numbers or domination numbers of the unweighted graphs and their complements. Linear SVM classifiers were used for classification. Experiments were implemented on data from Liberty Art Fabrics, which consisted of more than 10,000 complicated images mainly of printed textile designs and woven patterns. Experimental data was classified into seven classes manually by assigning each image a text descriptor based on content or design type. The seven classes were floral, paisley, stripe, leaf, geometric, spot, and check. The result showed that reasonable and interesting regions were obtained from MRF segmentation in which alpha-expansion with parameter re-estimation performs better than alpha-expansion without parameter re-estimation or ICM. This result was not only promising for textile CAD (Computer-Aided Design) to redesign the textile image, but also for image representation. It was also found that bag of shapes model based on MRF segmentation can obtain comparable classification accuracy with bag of SIFT features in the framework of nearest neighbour class-based matching. Finally, the result indicated that incorporation of graph features extracted by constructing region label graphs can improve the classification accuracy compared to both bag of shapes model and bag of SIFT models.