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Journal articles on the topic 'Textile design'
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1
Lewis, Erin. "Between yarns and electrons: A method for designing electromagnetic expressions in woven smart textiles." Artifact 9, no. 1 (December 1, 2022): 23.1–23.25. http://dx.doi.org/10.1386/art_00023_1.
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The design of woven smart textiles presents a discrepancy of scale where the designer works at the level of structural textile design while facets of the material express at scales beyond one’s senses. Without appropriate methods to address these unknown (or hidden) material dimensions, certain expressional domains of the textile are closed off from textile design possibilities. The aim of the research has been to narrow the gap that presents when one designs simultaneously at the scale of textile structure and electron flow in yarns. It does this by detailing a method for sensing, visualizing, and discussing expressions of electromagnetism in woven smart textiles. Based on experimental research, a method of textile surface scanning is proposed to produce a visualization of the textile’s electromagnetic field. The woven textile samples observed through this method reveal an unknown textural quality that exists within the electron flow – an electromagnetic texture, which emerges at the intersection of woven design and electromagnetic domain variables. The research further contributes to the definition of specific design variables such as: field strength and diffusion expanding the practice of woven smart textile design to the electromagnetic domain.
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Feng, Bin, Hai Lian Deng, and Li Ping Yang. "Analysis of Computer-Aided Design Software Used in Home Textiles of Digital Design." Applied Mechanics and Materials 751 (April 2015): 293–97. http://dx.doi.org/10.4028/www.scientific.net/amm.751.293.
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This paper will discuss computer-aided design software use in textile design, from the development of computer-aided design applications and home textiles design, software is the core of computer-aided design in textile design, graphic combined with three-dimensional software, building the systematic of home textiles design and computer-aided design to enhance the artistic beauty of textile design. Secondly, introduce the two-dimensional and three-dimensional software application in fabric pattern and textile design. We can see the convenience of computer-aided design, which combines technology and art in one. And from the comparison of plane and solid software, both proposed to build a systematic mutual, for textile design, which is based on the performance requirements and the effect of artistic design, and the theoretical analysis of consumer purchase intention and behavior; and discussing from the beauty of color、 formal and spatial three aspects of computer-aided design to enhance the artistic beauty of textile design.
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Pradana, Bagus Firman, and Nanang Rizali. "Perancangan Tekstil Dengan Sumber Ide Griffin Untuk Fesyen Komunitas Solo Kick’s Up." TEXTURE : Art and Culture Journal 5, no. 1 (July 31, 2022): 88–96. http://dx.doi.org/10.33153/texture.v5i1.2871.
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This design developed Griffin as a basis for making textiles and functioned in the sneakerhead community fashion named Solo Kick’s Up, this activity was an introduction to a nature and identity, depicting the digital world while offering unique and interesting visuals. The purpose of this design is to develop an illustration design motif with popular visual art processing with consideration of the fashion function for the Solo Kick’s Up community. The method used consists of; design methods, design concepts and visualizations. The design method goes through the stages of problem analysis, problem solving strategies, data collection, testing, and determining the initial design ideas. The design concept includes the rationale for designing textiles. Visualization is the stage of visualizing the concept of a design plan.The results of this textile design are as follows: (1) Greek mythological creature Griffin as a source of textile design ideas in order to increase the value of textiles, The results of the design succeeded in making 7 textile designs. (2) The application of Griffin textile design as a community fashion produces outer fashion products that are memorable, attractive, unique and different from the others.
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Wang, Yan Li, Jing Li, Mei Hua Zhou, Li Xia Ma, and Yan Chao Zhao. "The Ecological Design and Developmental Ways of Ecological Textile." Advanced Materials Research 347-353 (October 2011): 2938–42. http://dx.doi.org/10.4028/www.scientific.net/amr.347-353.2938.
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At first, the paper introduces the international development trends of textiles, and indicates that we must conform to the ecological textile to resolve the green barriers. Then the paper introduces the concept and the essence of this ecological design, and raises the ways that achieves ecological textile from ecological evolving, ecological running, ecological designing, etc. At last, the paper introduces the ways of realizing ecological textile from four factors which are using regeneration material, reducing material consumption, elevating textile life and reusing the castoff textile.
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Cvetkovska, Zorica, and Elena Tomovska. "Symmetry analysis of patterns in Macedonian traditional textiles." Tekstilna industrija 72, no. 1 (2024): 4–10. http://dx.doi.org/10.5937/tekstind2401004c.
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Ornaments are a particularly important aspect in textile design, influencing the visual and aesthetic value of textile products. They are part of every culture in the world. Decorative ornaments applied in Macedonian costumes and textiles combine the tradition and techniques of manufacturing and decoration, which have been developed and passed down from generation to generation. This work investigates the ornaments in Macedonian folk costumes and textiles from the aspect of applied symmetrical operations. A number of traditional textiles with different classes of motifs, borders and two-dimensional patterns were analysed. In the era of globalizations of textile trends and designs, ornaments remain an important aspect offering creativity and innovation in design. They are a fundamental part of the textile industry continually developing onto new means of expression and functionality.
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Knowles, Caitlin G., Beomjun Ju, Busra Sennik, Amanda C. Mills, and Jesse S. Jur. "Simulation techniques for smart textile predictive design." IOP Conference Series: Materials Science and Engineering 1266, no. 1 (January 1, 2023): 012008. http://dx.doi.org/10.1088/1757-899x/1266/1/012008.
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Abstract Smart textiles must combine both textile and electronic systems into one product. This presents challenges as each industry has their own design and evaluation standards that are not compatible with one another. As such, smart textile designers tend to rely heavily on the production and iteration of physical prototypes to create a product that meets the specified design criteria. One emerging tool in the apparel industry that has potential to shorten the prototyping cycle is 3D CAD for textiles, also known as 3D garment simulation. While typically used for apparel design and e-commerce, this work presents two case studies that demonstrate how 3D garment simulation can be used as a tool for predictive design of smart textile products. In particular, how strain-dependent properties such as resistance and contact pressure can be predicted and how designs can be optimized to achieve certain performance metrics.
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Tomina, Olha, and Leonid Gook. "TEXTILES IN THE RESIDENTIAL INTERIOR." Architectural Bulletin of KNUCA, no. 22-23 (December 12, 2021): 178–82. http://dx.doi.org/10.32347/2519-8661.2021.22-23.178-182.
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The relevance of the study is due to new experience in architectural design, new technologies and types of materials and the need to generalize and systematize them to expand the formative possibilities of textiles in the design of residential interiors. Research in the field of interior textile design was carried out by: T.I. Isayeva, Khabibullina, E.V. Zmanovska and others. The purpose of the study is to identify areas, functions and compositional techniques of textiles in residential interiors. The historical reference of development of textile production is resulted. The structural analysis of textiles in the interior by types of textile materials, production technology, types of weave, types of ornaments; identified qualities of textile materials, which determine their widespread use and the main areas of application of textiles in modern residential interiors. According to the results of the research, the main functions of textiles in the interior are revealed: creation of a comfortable microclimate in the room; psychological comfort; space adjustment; visual isolation; protection of surfaces from damage and pollution; hygiene products; decorative; compositional component of interior space design. The description of types of textile wall-paper, curtains is resulted. The compositional function of textiles in the interior is revealed: accent, dominant, background, rhythm.
The conclusion is made that at a choice of textiles and reception of placement it is necessary to consider regional natural and climatic conditions; the style decision of an interior is accepted; function, size, orientation on the sides of the horizon of the room; combination of textiles with finishing of surfaces of enclosing designs and subject filling of the room; combination of fabrics in texture, color and pattern; price segment.
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Sidian, Yao, Rusmawati Ghazali, and Rosita Mohd Tajuddin. "Integrating Sustainable Concepts into Textile Design Courses: An Effective Teaching Practices." International Journal of Global Optimization and Its Application 2, no. 1 (March 31, 2023): 1–11. http://dx.doi.org/10.56225/ijgoia.v2i1.159.
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This study investigates the integration of sustainable design practices into the university's textile curriculum through upcycling practices. The objective of this research is to reduce the environmental impact of the textile industry while promoting innovation and providing opportunities for students. This study provides a comprehensive literature review and case studies to outline the approach to textile upcycling. The upcycling approach is then integrated into the university's textile courses, encouraging students to recycle textiles and adopt sustainable design practices. This research analyses the design practices used and identifies considerations and steps for upcycling sustainable design approaches. Ultimately, this research serves as an extension of the university's textile design curriculum, contributing to a more sustainable future for the textile industry.
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Radulescu, I. R., R. M. Aileni, A. Salistean, S. Olaru, M. C. Grosu, R. Scarlat, and I. Sandulache. "TRAINING OF TEXTILE CREATIVES IN THE FIELD OF ETEXTILES DESIGN SOFTWARE." TEXTEH Proceedings 2021 (October 22, 2021): 371–77. http://dx.doi.org/10.35530/tt.2021.40.
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Textile technologies are rapidly developing and coping with the modern software applications of etextile design means a substantial benefit for textile creatives. The target group of textile creatives is considered to include both young professionals in the textile industry as well as students of Higher Education in technical fields. A partnership of six prestigious research and educational providers in Europe, coordinated by INCDTP – Bucharest have joined their expertise to offer educational modules related to this need, within the Erasmus+ project “OptimTex- Software tools for textiles creatives”. The project has duration of two years (2020-2022) and has already implemented the educational modules in e-learning format on the project’s website (www.optimtex.eu). The five educational modules follow the main textile technologies and describe in a Problem-Based-Learning (PBL) approach software applications for: weaving, knitting, virtual prototyping of clothing, embroidery of e-textiles (electronic textiles) and experimental design. The PBL approach consists in learning by examples, followed by the theory, the corresponding software applications and a quiz for selfassessment. The e-learning instrument was programmed in HTML5 and JavaScript and offers quick access the educational modules. INCDTP has conceived the fifth module on experimental design, by tackling plasma treatments of textiles for various functionalities: hydrophobic, hydrophilic and electrical conductivity. Full factorial, Central Composite Design and Fractional factorial experimental design plans were described. This topic is of interest for the envisaged target group, for it represents alternative and useful knowledge to the official curricula of Higher Education engineering studies. Intensive Study Programs and Multiplier events will be organized in the second project’s year for students of Higher Education and textile professionals.
10
Metcalfe, Charles. "TEXTILE DESIGN." Journal of the Textile Institute 80, no. 3 (January 1989): i. http://dx.doi.org/10.1080/00405008908658288.
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Kasapseçkin, Mustafa Adil, and Damla Altuncu. "Innovative Materials in Interior Design: Organic Light Emitting Textiles (Oleds)." Advanced Materials Research 689 (May 2013): 254–59. http://dx.doi.org/10.4028/www.scientific.net/amr.689.254.
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Most of us recognize the textile materials fromthe clothing or home textiles that we have used in daily life. As the usageareas of the textile materials are not limited to these, these materials areused in almost everywhere from the diapers to the nylon fiber, from the healthproducts in the hospitals to the architectural covers. Especially most textilematerials used in interior design are directly related to the areas such asdesign, art, technology and architecture. The textile sector which has directrelations with many developing areas develops in parallel to the today’sadvanced technology. Together with this development, due to the competitiveattitudes of the firms and the developed technology, the importance given tothe usage of the innovative materials in the today’s interior spaces hasincreased. One of the innovative materials developed is organic light emittingtextiles (OLED). Due to the light emitting textiles that will ensure us to lookat the textile materials from a new angle in interior design, it is expectedthat the interior design understanding will change. In this article, theorganic light emitting textiles are examined and it is aimed to discuss theirusage areas, advantages and disadvantages in interior design.
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Wang, Yaolin, Chenyang Liu, Xi Zhang, and Shaoting Zeng. "Research on Sustainable Furniture Design Based on Waste Textiles Recycling." Sustainability 15, no. 4 (February 15, 2023): 3601. http://dx.doi.org/10.3390/su15043601.
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As people’s living standards rise, textile waste becomes more significant, and the number of waste textiles grows swiftly, wreaking havoc on the earth’s ecosystem. Simultaneously, the creation of furniture consumes a significant amount of wood. The paint and adhesive used to manufacture it are also unsustainable and harmful to human beings. Therefore, one of the most urgent environmental challenges that needs to be paid attention to at present is the recycling of waste textiles and the sustainable recycling of furniture. Given this situation, this study proposes a solution combining sustainable design with composite material manufacturing. Guided by this solution, this study obtained a waste textile-starch composite material combining waste textiles, starch, and other components using microwave expansion technology. The material is biodegradable, environmentally friendly, and non-polluting. It can be customized to meet different design needs. Then, this research applies the material to sustainable furniture design and obtains a set of design works with sustainable characteristics. This kind of sustainable design scheme can eliminate the pollution and waste of waste textiles. At the same time, waste textile-starch composites can also serve as an economical and environmentally friendly alternative to many synthetic and natural materials used in furniture design and manufacturing. This reform scheme has a tremendous sustainable development promise and can simultaneously handle the problems of waste textile pollution and furniture resources.
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Xiao, Ya-Qian, and Chi-Wai Kan. "Review on Development and Application of 3D-Printing Technology in Textile and Fashion Design." Coatings 12, no. 2 (February 16, 2022): 267. http://dx.doi.org/10.3390/coatings12020267.
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Three-dimensional printing (3DP) allows for the creation of highly complex products and offers customization for individual users. It has generated significant interest and shows great promise for textile and fashion design. Here, we provide a timely and comprehensive review of 3DP technology for the textile and fashion industries according to recent advances in research. We describe the four 3DP methods for preparing textiles; then, we summarize three routes to use 3DP technology in textile manufacturing, including printing fibers, printing flexible structures and printing on textiles. In addition, the applications of 3DP technology in fashion design, functional garments and electronic textiles are introduced. Finally, the challenges and prospects of 3DP technology are discussed.
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Dehghani, Mohaddesa, and Pratima Goyal. "Design and Development of Textile Fabrics Using 3D Printing Technology." ECS Transactions 107, no. 1 (April 24, 2022): 19313–23. http://dx.doi.org/10.1149/10701.19313ecst.
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The Quality Management System (ISO 9000) compelled manufacturers to consider the environment by reducing the use of raw materials and energy in processes and to adopt clean energy sources. The $2.5 trillion textile sector is the world's second-largest user of water, accounting for 20% of global water waste during the processes. In terms of waste, 85 percent of textiles are disposed of in landfills and only a part of the wastage is recycled. The researcher has worked on additive manufacturing technology using 3D printers for the cleaner production of textile fabrics. It uses less material than the traditional manufacturing methods as it allows to melt/fuse/bind only the required amount of filament to develop the textile products using zero-waste sustainable design strategies. A pilot study was conducted to understand the viability of the use of 3D printing technology for the production of textile material. Based on the feedback, the researcher developed 12 textile samples using different raw materials and 3D printing machines which was further evaluated. It was seen that the most suitable materials to manufacture textiles are thermoplastic polyurethane and thermoplastic polyethylene and the most suitable machine used to manufacture them is FDM and SLA technology. This technology fulfills the Sustainable Development Goal for cleaner production of textile products. It can be concluded that the use of additive manufacturing technology in the textile industry will be a promising production process to meet various requirements especially as the path from an idea to the finished fabric becomes quite easy and fast.
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Samsuddin, Muhammad Fitri, Azni Hanim Hamzah, Fazlina Mohd Radzi, Siti Nurul Akma Ahmad, Mohd Faizul Noorizan, and Mohd Ali Azraie Bebit. "Integrating Malaysian and Japanese Textile Motifs Through Product Diversification: Home Décor." Idealogy Journal 5, no. 2 (September 28, 2020): 79–88. http://dx.doi.org/10.24191/idealogy.v5i2.228.
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Malaysian textile motifs especially the Batik motifs and its product are highly potential to sustain in a global market. The integration of intercultural design of Malaysian textile motifs and Japanese textile motifs will further facilitate both textile industries to be sustained and demanded globally. Besides, Malaysian and Japanese textile motifs can be creatively design on other platforms not limited to the clothes. Therefore, this study is carried out with the aim of integrating the Malaysian textile motifs specifically focuses on batik motifs and Japanese textile motifs through product diversification. This study focuses on integrating both textile motifs and diversified the design on a home décor including wall frame, table clothes, table runner, bed sheets, lamp shades and other potential home accessories. In this concept paper, literature search was conducted to describe about the characteristics of both Malaysian and Japanese textile motifs and also to reveal insights about the practicality and the potential of combining these two worldwide known textile industries. The investigation was conducted to explore new pattern of the combined textiles motifs. The new combined pattern is visually presented as an outcome of this study. An integration of Malaysian and Japanese textile motif aims to strategize the coverage of Malaysian and Japanese textile motifs in a global market. This idea may also contribute to the new opportunities for Malaysian and Japanese textile producers in expanding their design not merely on the clothes fabric but also towards the home decor fabric design. This will turn into additional profit making and increasing economic growth of both countries as well as expanding the traditional textiles industry.
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Syahrina, Alvi, and Tien Fabrianti Kusumasari. "Designing User Experience and User Interface of a B2B Textile e-Commerce using Five Planes Framework." International Journal of Innovation in Enterprise System 4, no. 01 (January 31, 2020): 44–55. http://dx.doi.org/10.25124/ijies.v4i01.47.
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The textile industry needs an e-commerce platform to facilitate purchase of textile goods and to improve connectivity between industries. The textile industry has distinct characteristics from other industry, from its supply chain characteristics to the details of goods sold. Therefore, Indonesia Smart Textile Industry Hub (ISTIH) as a textile e-commerce platform needs to implement different strategy from e-commerce in general. Different strategies will affect the design of user experience or user experience in e-commerce. This journal will discuss how to design e-commerce specifically for textiles using the five planes method. The strategy plane produced the objectives and user needs of e-commerce, the scope plane produced the list of the required features, the structure plane produced detailed flow of user activities, the skeleton plane produced layout designs and information organization in the form of wireframes, and the surface plane produced the design up to the level of interface detail. The interface detail is also designed to meet eight golden rules of interface design. The output produced in this study is the design of the textile e-commerce interface on the alpha version of the website.
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Goetz, Susanne, Jo Lambert, and Rachel Studd. "Design and implementation of an online teaching and learning resource for textile design, arts and crafts." Art Libraries Journal 29, no. 4 (2004): 40–44. http://dx.doi.org/10.1017/s0307472200013717.
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A research team within the Textiles Department at the University of Manchester Institute of Science and Technology has since 2001 been involved in designing and realising an internet-based resource for textile students and staff at higher education institutions in the UK. The project was funded by the Arts and Humanities Research Board (AHRB). Members of the team here provide an overview of the main issues involved in planning and implementing a digitisation project, discussing technical and design details and describing the construction of textile terminology relevant to design students.
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Gurcum, Banu Hatice, Esra Secim, Pinar Arslan, Fatma Bulat, Elif Kuc, and Saban Yildirim. "EXPLORING INNOVATIVE MATERIALS IN TEXTILE DESIGN: WOODEN TEXTILES." Idil Journal of Art and Language 5, no. 26 (October 31, 2016): 1713–42. http://dx.doi.org/10.7816/idil-05-26-08.
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Garbacz, Kamil, Lars Stagun, Sigrid Rotzler, Markus Semenec, and Malte von Krshiwoblozki. "Modular E-Textile Toolkit for Prototyping and Manufacturing." Proceedings 68, no. 1 (January 6, 2021): 5. http://dx.doi.org/10.3390/proceedings2021068005.
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We present a novel E-textiles toolkit that can be used in the rapid prototyping of electronic textiles during the research and evaluation phase. The modular, Arduino-compatible toolkit incorporates various sensors and control and communication modules. The needs of fashion professionals have been considered during the conception of the toolkit, which was developed in close cooperation with partners from textile research institutes, the textile industry, art schools and design. After the initial manual prototyping, the toolkit modules can be directly transferred to reliable industrial integration using advanced machinery. To achieve this, we developed the E-textile Bonder, a machine capable of mechanically and electrically connecting modules to textiles with integrated conductors. This paper gives an overview of the toolkit as well as the design considerations discussed and implemented during the cooperation with textile industry stakeholders. Furthermore, the integration process with the E-Textile Bonder is described, and its advantages over other technologies are discussed.
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Krieger, Helga, Dorit Kaufmann, and Thomas Gries. "Kinematic Drape Algorithm and Experimental Approach for the Design of Tailored Non-Crimp Fabrics." Key Engineering Materials 651-653 (July 2015): 393–98. http://dx.doi.org/10.4028/www.scientific.net/kem.651-653.393.
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In the preforming process, the textile is draped into the geometry of the structural part and afterwards consolidated with resin via injection. For preforming processes non-crimp fabrics (NCFs) have become increasingly popular for cost effective applications. For the realization of automated draping of two-dimensional textiles into three-dimensional complex geometries during the preforming process there is a high advantage for the use of tailored textiles compared to textiles with uniform material properties. Large flat surfaces require a high bending stiffness and low shear stiffness due to high structural stability of the textile and small radii of curvature require a low bending stiffness due to good drapeability of the textile. The bending and the shear stiffness of NCFs with a given layup can be influenced by the manufacturing parameters of the knitting yarn. With tailored NCFs it is possible to adapt the manufacturing parameters of the knitting yarn locally in the production direction to improve drapeability and handling of the textile in the preforming process. To use the high potential of tailored NCFs, the development of the new textile structure has to go hand in hand with the characterization and with the simulation of the draping process. An experimental approach and a modelling approach using a kinematic drape algorithm have been developed to define the local stitching parameters for tailored NCFs dependent on the geometry of the component part.
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Dembitskaya, Alexandra S., and Irina V. Rybaulina. "Geometric ornament in domestic textile design: formation and ways of improvement." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 64 (2022): 316–24. http://dx.doi.org/10.37816/2073-9567-2022-64-316-324.
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The paper identifies and describes the main ways and forms of establishment and development of geometric ornament from the canonical textile ornament to modern textile geometric patterns. The authors trace the most significant historical stages of formation and features of artistic domestic textiles. It is noted that the manufacturing period had a crucial impact on the development of domestic geometric ornament. Industrial technologies made it possible to obtain more complex ornamental compositions on the surface of the fabric compared to the printed pattern of handicraft fabrics. The study also analyzes the impact of constructivism as a new style of the early 20th century, considers geometrized propaganda textiles, which influenced the formation of new views on the creation of artistic techniques for designing geometric ornamental textile patterns and briefly, on separate examples, dwells on the stylistic trends of the middle — the second half of the 20th century, which affected the shaping of artistic and aesthetic concept of designing a modern geometric pattern. The authors pay particular attention to modern methods of designing geometric textile ornaments. It has been determined that a modern geometric ornament combines various design approaches and technologies for its application to fabric, which makes it possible to obtain completely new artistic and figurative solutions and aesthetic features of perception. The paper points out the possibilities of developing the structural organization of geometric ornamental forms in modern domestic textile design.
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Plakantonaki, Sofia, Kyriaki Kiskira, Nikolaos Zacharopoulos, Ioannis Chronis, Fernando Coelho, Amir Togiani, Konstantinos Kalkanis, and Georgios Priniotakis. "A Review of Sustainability Standards and Ecolabeling in the Textile Industry." Sustainability 15, no. 15 (July 27, 2023): 11589. http://dx.doi.org/10.3390/su151511589.
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Environmental damage and the resulting global warming are two of the most serious threats to living species. These problems are the result of industrialization in all fields. The textile and fashion industries bear a negative impact on the environment and contribute significantly to water, air, and solid waste pollution. Over the last decades, consumer buying habits have shifted, and clothing purchases have increased dramatically. The manufacturing process of these textiles, from pretreatment to dyeing and finishing, involves the use of numerous chemicals that are harmful to both humans and the planet. Textiles have been identified as unsustainable products due to their entire life cycle, from raw material cultivation to manufacturing, and generate a large amount of toxic waste and greenhouse gases. Therefore, embedding sustainability in strategy is essential to meet evolving investor pressure, consumer demand, and regulatory requirements. More alternatives are available, such as ecofriendly textiles. Governments are promoting the idea of ecolabels and sustainability standards that endorse the textile’s “ecofriendliness”. Ecolabeling stimulates consumers and manufacturers to buy and produce ecotextiles, simultaneously allowing consumers to compare the various products. Consumers are gradually requesting more ecofriendly products. To save our environment and future generations, the textile industry must become more sustainable. Major brands should implement sustainable manufacturing practices. This review paper investigates the requirements of ecofriendly textiles, restricted substances, and ecolabeling in the textile industry and highlights the need to enhance the expertise and information existing in the design process with regard to the sustainability of finished products in order to create a more sustainable textile sector. Such a shift is only feasible if the designers are guided by a clear vision of design for sustainability.
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KHALID QURESHI, AMNA. "UTILIZING SMART TEXTILES IN INTERIOR DESIGN TO REPLACE CONVENTIONAL ARCHITECTURAL FINISHES." TEXTEH Proceedings 2019 (November 5, 2019): 105–9. http://dx.doi.org/10.35530/tt.2019.24.
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Many architects and designers coincide that fabric structures have an imperative role to play in creating an ecofriendly future. In recent years, the use of smart textiles has been particularly popular in the construction practices. These are hailed as environmentally friendly, deliberated as architecturally aesthetic and are usually cost effective. There is a growing demand for hybrid textile materials that combine strength and functionality in a lightweight product at a competitive price. These materials are developed with advanced technical interventions. This paper aims to conceptualize the idea of using smart textiles in the interior architecture to ensure sustainability by replacing the conventional architectural finishes. The use of smart textiles that fetches the possibilities offered by both textile and interior design in the present world has been highlighted with examples. Studies illustrate that the use of smart textile materials have several benefits in the built environment in terms of weight, transparency, adaptability, indoor climate, atmosphere and acoustics. Examples are taken from the superlative case studies from all across the world. The research combines the versatile information and explores the diversity of smart textiles, presenting a framework of future prospects for the utilization of the materials in the modern interior design concepts.
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Ciptandi, Fajar, Tri Hastuti Susilowati, and Mochammad Sigit Ramadhan. "Opportunities of using Spirulina platensis as homemade natural dyes for textiles." Open Agriculture 6, no. 1 (January 1, 2021): 819–25. http://dx.doi.org/10.1515/opag-2020-0167.
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Abstract Some previous studies on Spirulina platensis show that this species contains pigments that can be used as natural dyes in textiles. However, research on the usage of spirulina natural pigment in certain types of conventional textile handicraft home industries in Indonesia has not been conducted. The purpose of this study is to utilize the potential of Spirulina platensis as homemade natural dyes for the development of designs in textiles. Through an experimental methodology, various experiments starting from the extraction process and dyeing were conducted to find out the right way to produce home dyes using spirulina and techniques of surface textile design to apply them in textiles. This is useful as one of the solutions today, since an increasing number of consumers are consciously seeking sustainable products, with no exception to the types of textile products. Therefore, this will provide an opportunity for business collaboration ideas in agribusiness and craft textiles. Additionally, it can add to the nature of textile natural dyes derived from various plant species in Indonesia.
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Dickson, Keith, and Anne-Marie Coles. "Textile design protection:." Technovation 20, no. 1 (January 2000): 47–53. http://dx.doi.org/10.1016/s0166-4972(99)00096-6.
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Taieb, Amine Haj, and Hela Mnejja. "Design of Microencapsulated Nigelle Sativa Oil Impregnated in Textile Structure." Journal of Engineering Research and Reports 25, no. 5 (July 5, 2023): 81–87. http://dx.doi.org/10.9734/jerr/2023/v25i5913.
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Textiles have been used for protection from solar radiation since the time of ancient civilizations. Textile structures render unique characteristics required for sun screening apparel such as pliability, good mechanical strength, softness, esthetics, and other engineered properties. However, textiles as such may not be able to provide effective protection and theyshould be treated with ultraviolet (UV) blocking agents to ensure that the fabrics deflect the harmful UV rays. Several UV blocking agents are being developed to add or improve the UV protection function of textiles. There are opportunities for health and well-being by using cosmetotextiles in which substances that enhance skin appearance, or vitamins can be absorbed by the skin.
The aim of this article is the diffusion of Nigella Sativa oil encapsulated and impregnated in textile structures for the children of the moon.
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Chen, Hung-Jen, and Lan-Hui Huang. "An Investigation of the Design Potential of Thermochromic Home Textiles Used with Electric Heating Techniques." Mathematical Problems in Engineering 2015 (2015): 1–5. http://dx.doi.org/10.1155/2015/151573.
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Thermochromic colorants have been developed since before the 1900s. There are a large number of patents in different applications of thermochromic textiles, but many innovations leave the field of aesthetic and functional textile design unexplored in the area of smart materials. This study aims to develop thermochromic home textiles that change colors and patterns by integrating thermochromic pigments and electric conductive yarns into textile structures. Stainless steel conductive yarns were sewed on textile substrates to enable heat generation to increase fabric temperature. The heat generation and temperature rise could be controlled by monitoring the voltage applied. The experiments of this study focused on analyzing electric resistance and heating properties of the conductive yarns and observing color changing time and color changing effects of the thermochromic textiles. By using the technique in this research, an image of “tai chi” was designed and implemented in a backlighting thermochromic fabric. It illustrates a range of opportunities for thermochromic textiles in new design research directions of Chinese calligraphy and traditional Chinese painting.
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Lee, Ju-Hee, and Min-Woo Han. "Design and Evaluation of Smart Textile Actuator with Chain Structure." Materials 16, no. 16 (August 8, 2023): 5517. http://dx.doi.org/10.3390/ma16165517.
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Textiles composed of fibers can have their mechanical properties adjusted by changing the arrangement of the fibers, such as strength and flexibility. Particularly, in the case of smart textiles incorporating active materials, various deformations could be created based on fiber patterns that determine the directivity of active materials. In this study, we design a smart fiber-based textile actuator with a chain structure and evaluate its actuation characteristics. Smart fiber composed of shape memory alloy (SMA) generates deformation when the electric current is applied, causing the phase transformation of SMA. We fabricated the smart chain column and evaluated its actuating mechanism based on the size of the chain and the number of rows. In addition, a crochet textile actuator was designed using interlooping smart chains and developed into a soft gripper that can grab objects. With experimental verifications, this study provides an investigation of the relationship between the chain actuator’s deformation, actuating force, actuator temperature, and strain. The results of this study are expected to be relevant to textile applications, wearable devices, and other technical fields that require coordination with the human body. Additionally, it is expected that it can be utilized to configure a system capable of flexible operation by combining rigid elements such as batteries and sensors with textiles.
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Ugale, Prateeti, Shourya Lingampally, James Dieffenderfer, and Minyoung Suh. "Wearable Solutions: Design, Durability, and Electrical Performance of Snap Connectors and Integrating Them into Textiles Using Interconnects." Textiles 4, no. 3 (July 17, 2024): 328–43. http://dx.doi.org/10.3390/textiles4030019.
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Electronic textiles (e-textiles) merge textiles and electronics to monitor physiological and environmental changes. Innovations in textile functionalities and diverse applications have propelled e-textiles’ popularity. However, challenges like connection with external devices for signal processing and reliable interconnections between flexible textiles and rigid electronic circuits persist. Wearable connectors enable the effective communication of e-textiles with external devices. Factors such as electrical functionality and mechanical durability along with textile compatibility are crucial for their performance. Merging the rigid connectors on the flexible textiles requires conductive and flexible interconnects that can bridge this gap between soft and hard components. This work focuses on designing two-part detachable mechanical snap connectors for e-textiles. The textile side connectors are attached to the data transmission cables within the textiles using three interconnection techniques—conductive epoxy, conductive stitches, and soldering. Three types of connectors were developed that require three detaching or unmating forces (low, medium, and high). All connectors were subjected to 5000 mating–unmating cycles to evaluate their mechanical durability and electrical performance. Connectors with low and medium unmating forces exhibited a stable performance, while those with high unmating forces failed due to wear and tear. Conductive stitches maintained better conductance as compared to conductive epoxy and soldering methods.
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Hu, Lulu. "Design and Application of Splicing Patterns based on Rotary Screen Printing in Modern Home Textiles." BCP Social Sciences & Humanities 15 (March 13, 2022): 92–95. http://dx.doi.org/10.54691/bcpssh.v15i.367.
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Patchwork is a very popular classical aestheticism handicraft in the world. Patchwork is an art form developed from patchwork under a certain social economy and cultural background. Patchwork is a modern printing and dyeing of patchwork art. Contemporary form from the perspective of technology. With rotary screen printing as a technical support, the pattern design, textile fabrics and home textiles are organically combined, thus giving birth to a spliced pattern style. This article introduces the application of splicing patterns in the field of modern home textiles to obtain a unique and integrated effect of the finished product appearance. Due to the development of new materials and new technology, splicing design is "intercepting" and "integrating" to inject new vitality into modern home textile design visually. Therefore, this article explores and summarizes the innovative design and application prospects of splicing design in modern home textile design, and guides design thinking and creative methods in practice.
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Akinnibosun, Oluwatoyin Funke, Adebayo Abiodun Adeloye, and Olugbenga Benjamin Emidun. "The Entrepreneurial Content in the Industrial Design Curriculum in Southwest Nigeria: Textile Design Techniques and Trends." Prithvi Academic Journal 7 (May 13, 2024): 78–88. http://dx.doi.org/10.3126/paj.v7i1.65765.
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This paper explored the incorporation of entrepreneurial content in the industrial design curriculum in universities in Southwest Nigeria, with a specific focus on textile design. Acknowledging the landscape of the global textile industry and the cultural significance of textiles in Southwest Nigeria, the study examined the existing industrial design curriculum, highlighting the level of consideration given to entrepreneurship in the development of the curriculum. The study adopted the content analysis approach to investigate the entrepreneurial content of textile design in the industrial design curriculum. The industrial design curriculum of the Federal University of Technology, Akure (FUTA) was selected because FUTA is the only university offering the industrial design curriculum in the region. The curriculum was analyzed across all levels, the entrepreneurial courses were highlighted based on the course synopsis while other courses were classified as general courses. The study revealed that entrepreneurship was given good consideration during the development of the curriculum. It was therefore recommended that the curriculum be updated regularly to ensure it remains relevant and meets the entrepreneurial needs of the students.
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Zhang, Chunxia. "Creation of a system for designing textile patterns using an iterative function system." International Journal of Innovative Research and Scientific Studies 7, no. 1 (January 9, 2024): 115–26. http://dx.doi.org/10.53894/ijirss.v7i1.2530.
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This study conducted research to tackle the issues of inadequate pattern design impacts and pattern distortion in textile pattern design systems. Using the experimental verification method, the iterative function system is tried to be used in the textile pattern design system. Through the iterative function system, the system hardware structure configuration can be improved, the system software function can be optimized, the system operation efficiency can be improved, and the pattern design and textile clarity and accuracy can be guaranteed. The textile pattern design system based on an iterated function system has high practicability in the practical application process, which can better prove the system's efficiency and improve the accuracy of pattern simulation. The fractal pattern created based on fractal theory perfectly combines science and art. These patterns can greatly enrich the pattern types of textiles and shorten the pattern design cycle. At the same time, it also breaks the habitual thinking of the human brain to a certain extent, broadens the thinking and vision for designers, helps designers develop new creative resources, and takes it as the entry point of pattern design in the textile industry, bringing new vitality to textile art design. This paper provides rich experience and guidance for textile pattern design systems based on iterated function systems and enriches the existing literature.
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Haddad, Peter, Amir Servati, Saeid Soltanian, Frank Ko, and Peyman Servati. "Breathable Dry Silver/Silver Chloride Electronic Textile Electrodes for Electrodermal Activity Monitoring." Biosensors 8, no. 3 (August 24, 2018): 79. http://dx.doi.org/10.3390/bios8030079.
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The focus of this study is to design and integrate silver/silver chloride (Ag/AgCl) electronic textile (e-textile) electrodes into different textile substrates to evaluate their ability to monitor electrodermal activity (EDA). Ag/AgCl e-textiles were stitched into woven textiles of cotton, nylon, and polyester to function as EDA monitoring electrodes. EDA stimulus responses detected by dry e-textile electrodes at various locations on the hand were compared to the EDA signals collected by dry solid Ag/AgCl electrodes. 4-h EDA data with e-textile and clinically conventional rigid electrodes were compared in relation to skin surface temperature. The woven cotton textile substrate with e-textile electrodes (0.12 cm2 surface area, 0.40 cm distance) was the optimal material to detect the EDA stimulus responses with the highest average Pearson correlation coefficient of 0.913 ± 0.041 when placed on the distal phalanx of the middle finger. In addition, differences with EDA waveforms recorded on various fingers were observed. Trends of long-term measurements showed that skin surface temperature affected EDA signals recorded by non-breathable electrodes more than when e-textile electrodes were used. The effective design criteria outlined for e-textile electrodes can promote the development of comfortable and unobtrusive EDA monitoring systems, which can help improve our knowledge of the human neurological system.
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Labode, Oladoyin J., and Olasunmbo O. Braide. "Symbolic Designs of Textile Art in African Fabrics." Polish Journal of the Arts and Culture New Series, no. 16 (2/2022) (November 30, 2022): 71–86. http://dx.doi.org/10.4467/24506249pj.22.010.16833.
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ABSTRAKT This paper examines the symbolic designs of expressive creativity on African fabrics in textile art. It highlights the variations on the theme, symbolic design, colour, and techniques used for the production of African fabrics. Data for the study rely on primary and secondary sources. The primary data were obtained from in-depth interview, samples of African fabrics drawn from exhibition catalogues as well as unstructured interview schedules with primary artists producing some of the textiles in Africa and users wearing clothes drawn from the African people in Nigeria, Mali, Ghana, Cote d’Ivoire and Tanzania. The illustration of the variations in symbols found in African textile, derived from exhibition catalogues, were used to express the cultural contextual meaning of design patterns on African fabrics. Cultural nationalism and identity dominate the printed geometric forms of flora and fauna as well as other patterns of symbolic designs found on the fabrics. The symbolic designs and variations in theme, colour and patterns on African textile represent rare artistic creativity and expression in the current development of textile art in Africa.
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Dai, Meng Ge, and Jung Ho Jung. "Analysis of textile design and creation activities to cure middle-aged women from depression." Korea Institute of Design Research Society 8, no. 4 (December 31, 2023): 524–37. http://dx.doi.org/10.46248/kidrs.2023.4.524.
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The issue of depression among middle-aged women is gaining attention, and there's a need for effective responses. This study focuses on textile design activities as a method to enhance psychological health. It begins by identifying healing elements in textiles based on previous research, followed by analyzing cases of textile creation activities according to these elements. The cases analyzed primarily involve textile healing activities targeted at middle-aged women. The study finds that textile design activities, particularly knitting and related techniques, are effective in promoting psychological stability, confidence, self-efficacy, as well as social interaction and a sense of group belonging in middle-aged women. This research contributes to improving the psychological health and social well-being of middle-aged women. Future research should include groups with diverse cultural and social backgrounds and employ methods like experimental studies. It is hoped that further research will deepen and expand the field, providing comprehensive understanding and guidelines when textile design is applied in psychotherapy.
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Kunkhet, Arus, and Disaya Chudasri. "Developing Design Approaches for Tile Pattern Designs Inspired by Traditional Textile Patterns." Processes 10, no. 12 (December 19, 2022): 2744. http://dx.doi.org/10.3390/pr10122744.
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This article presents multidisciplinary research that involved design (i.e., textiles, tiles, pattern design), mathematics (i.e., symmetry and seven frieze groups) and a viewpoint on product design and development for business opportunities. This research comprised a design experiment and a survey. In the design experiment, two design approaches were created to translate the characteristics of traditional textile patterns into new pattern designs for floor tiles. These two design approaches were entitled: “partial replication”, and “combination and simplification”. The seven frieze groups were used as a transformation rule in both design approaches, resulting in two sets of frieze patterns. Although they were derived from the same origin, they looked different. A survey was conducted with 61 respondents to gain outsiders’ perspectives on these new pattern designs. The findings include: (i) positive responses to applying traditional textile patterns to other products, (ii) plausible products for pattern designs, (iii) preferences for design approaches and frieze patterns and (iv) opportunities for design research and education with other disciplines. This paper concludes with theoretical and practical implications for further research.
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Wu, Yunyun, Sara S. Mechael, and Tricia Breen Carmichael. "Wearable E-Textiles Using a Textile-Centric Design Approach." Accounts of Chemical Research 54, no. 21 (October 19, 2021): 4051–64. http://dx.doi.org/10.1021/acs.accounts.1c00433.
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Matsuo, T. "Material design and textile science for specialty textiles technologies." International Journal of Clothing Science and Technology 16, no. 1/2 (February 2004): 194–203. http://dx.doi.org/10.1108/09556220410520478.
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Cui, Ziqi, Siman Zhang, Salvatore Viscuso, and Alessandra Zanelli. "Weaving Octopus: An Assembly–Disassembly-Adaptable Customized Textile Hybrid Prototype." Buildings 13, no. 10 (September 22, 2023): 2413. http://dx.doi.org/10.3390/buildings13102413.
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As global challenges evolve rapidly, lightweight architecture emerges as an effective and efficient solution to meet rapidly changing needs. Textiles offer flexibility and sustainability, addressing spatial requirements in urban and residential designs, particularly in underutilized areas. This study developed a user-friendly and customizable textile hybrid structure prototype by exploring different weaving methods to find more flexible and adaptable solutions. The research adopts a three-stage process: concept design, parametric simulation prototype, and physical scale-up testing. Methodologies include Finite Element Analysis (FEA) for assessing structural bending and tensile behavior, evolutionary computation for multi-objective optimization, Arduino for enabling interactive dynamic and lighting systems, and a website interface for bespoke decisions. Results revealed a groundbreaking textile hybrid prototype, applicable individually or collectively, with flexible assembly and disassembly in various scenarios. The prototype also offers an eco-friendly, cost-efficient facade renovation solution, enhancing aesthetics and providing shading benefits. The research encompasses interactive lightweight construction design, bending-active textile hybrids, form-finding, circular economy, and mass customization, contributing to advances in lightweight construction design while promoting sustainable practices in textile architecture.
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LIU, YANHUI, GUOQING ZHU, ZHENGQIN LIU, XINYI HU, and RUITAO JIANG. "Tactile design of manipulator fingers based on fingertip/textilefriction-induced vibration stimulations." Industria Textila 71, no. 01 (February 27, 2020): 28–32. http://dx.doi.org/10.35530/it.071.01.1354.
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Textile-like soft and flexible products are widely used in our daily life. Understanding the relationship between the tactilesensations of textiles and the tactile stimuli is essential for developing humanoid robot’s finger haptic system, especiallyfor certain kind of robot systems such as service robots and exploratory robots. This paper built a frequency space thatcan qualitatively represent a roughness sensation of textiles by a developing independently random match algorithm incombination with neurophysiological features of cutaneous mechanoreceptors. The experimental results show that thesum of amplitude in frequency range between 18 and 118 Hz can effectively describe the roughness sensory of textilewith accuracies of 98.5%. In other words, by applying the sum of amplitude in frequency range between 18 and 118 Hzcould successfully match roughness sensation of textiles, and it will help engineer of humanoid robot design manipulatorfinger haptic system in textile field.
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Evania, Vincentia Natasha. "PERANCANGAN TEKSTIL MARBLING PADA MATERIAL DENIM UNTUK PRODUK SEPATU BOOTS WANITA." TEXTURE : Art and Culture Journal 5, no. 2 (December 31, 2022): 188–96. http://dx.doi.org/10.33153/texture.v5i2.4876.
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ABSTRACTThe project background of this design final project is that the marbling technique has been widely known in the 15th century. This technique was initially applied to paper and now began to be applied to textile media. The marbling technique which has quite good potential in providing a variety of decorations to textiles has attracted the attention of the author to make technical innovations in exploring and innovating marbling techniques on denim material for women's boots.The purpose of designing this project is to produce marbling products on textile media with tapak dara flower visuals that can add variety to clothing complementary products that have distinctive and different characters with consideration of the function for textile motifs on women's boots.The method used in this design project is the design method. This method consists of 3 stages, namely the design method, design concept and visualization. The results of this design resulted in 8 motif designs, all of the motif designs processed the visual of the tapak dara flower as the main motif with the concept of coloring the forecasting trend 2019-2020: Cortex which produces bright colors.
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Cao, Fei, Jian Ping Shi, Xian Yan Liu, and Chang Sheng Zhang. "Modern Home Textiles Database Query System." Advanced Materials Research 175-176 (January 2011): 398–401. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.398.
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This study made a discussion of the exploitation and application of home textile bedding data-base design. The target is to closely follow the International Textile Fashion trend and to design a lot of world-class home textile bedding products. This article bases on the practicality of the textile bedding design. Database is divided into three modules: style classification database, design theme classification database and the processing technology database. In a comprehensive basis of market research, database is using VB programming language and Access database development tools. Because it has the function of flexible, quickly and accurately find the technical parameters, design styles and product styles and other related information of the processing. There are many descriptions, pictures, process technology and so on of home textiles bedding in the data-base. From the data-base, designers can easily inquiry the color, variety, fashion, style, function, process technology etc. Then, designers can exchange and innovation by using what they inquiry from the database. Through the innovation, home textile enterprises enhance the market competitiveness. It’s conducive to improve the overall development of textile industry by the data-base.
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Wang, Yang. "Research on Flexible Capacitive Sensors for Smart Textiles." Journal of Physics: Conference Series 2181, no. 1 (January 1, 2022): 012038. http://dx.doi.org/10.1088/1742-6596/2181/1/012038.
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Abstract Smart textiles are a new era of smart textiles that not only have traditional textile functions, but also have information collection, feedback, and multiple intelligent interaction functions with users. As a manifestation of the combination of art and technology in the textile field, smart textiles are of great significance to traditional textiles, clothing, home textiles, and wearable devices. From the perspectives of the background, technology, and development prospects of smart textiles, this article systematically analyses the application technology of smart textiles in practice. Starting from the current state of smart textile research, the article explains the promotion of new material technology to the research of smart textiles. Focus on the technical improvement of capacitive sensing equipment based on flexible fabrics, and find a sensing fabric structure with lower hysteresis, fast response time, good repeatability and stability through design experiments.
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Ribul, Miriam. "Regenerative Textiles: A Framework for Future Materials Circularity in the Textile Value Chain." Sustainability 13, no. 24 (December 16, 2021): 13910. http://dx.doi.org/10.3390/su132413910.
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Materials science breakthroughs have regenerated high value fibres from end-of-life cellulose-based textiles that can be introduced into existing textile fabrication processes from raw material to textile product in established textile value chains. Scientific developments with regenerated cellulose fibres obtained from waste textiles suggest their potential to replace virgin resources. The current scale-up of regeneration technologies for end-of-life cellulose-based textiles towards pilot and commercial scales can potentially achieve a future materials circularity, but there is a lack of a long-term view of the properties of materials after consecutive recycling stages take place. Cellulose-based materials cannot be infinitely recycled and maintain the same quality, a factor which may provide new challenges for future textile processes in the context of the circular bioeconomy. This paper maps collaborative design and materials science projects that use regenerated cellulose obtained from waste feedstock according to materials in the value chain they seek to substitute. It also presents four new processes that use regenerated cellulose materials in relation to their intervention in the value chain (as determined in a PhD investigation). A framework is presented to demonstrate how these circular material design processes take place at earlier stages of the textile value chain after subsequent regeneration stages.
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Xiao, Ya-Qian, and Chi-Wai Kan. "Review on the Development and Application of Directional Water Transport Textile Materials." Coatings 12, no. 3 (February 23, 2022): 301. http://dx.doi.org/10.3390/coatings12030301.
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Moisture (sweat) management in textile products is crucial to regulate human thermo-physiological comfort. Traditional hydrophilic textiles, such as cotton, can absorb sweat, but they retain it, leading to undesired wet adhesion sensation and even excessive cooling. To address such issues, the development of functional textiles with directional water transport (DWT) has garnered great deal of interest. DWT textile materials can realize directional water transport and prevent water penetration in the reverse direction, which is a great application for sweat release in daily life. In this review article, the mechanism of directional water transport is analyzed. Then, three key methods to achieve DWT performance are reviewed, including the design of the fabric structure, surface modification and electrospinning. In addition, the applications of DWT textile materials in functional clothing, electronic textiles, and wound dressing are introduced. Finally, the challenges and future development trends of DWT textile materials in the textile field are discussed.
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Safitri, Dewi Diana, and Tiwi Bina Affanti. "PERANCANGAN TEKSTIL PAKAIAN DENGAN PEWARNA DARI SAMPAH MANGROVE DAN PENERAPAN MOTIFNYA DENGAN PADUAN TEKNIK IKAT CELUP DAN ECO PRINTING." Ornamen 19, no. 2 (December 1, 2022): 121–31. http://dx.doi.org/10.33153/ornamen.v19i2.4590.
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The background of this design, there is an exploration of manual textile techniques among textile designers, this is in line with the demands of the times, namely, the development of existing trends in order to meet the needs of consumers and the market. The combination of tie-dying and eco-printing techniques attracts attention to be explored again using natural dyes with the addition of embroidery techniques on Bemberg cloth media, which will produce textiles with novelty in their aesthetic motifs. The purpose of this design is to produce clothing textiles with novelty in their unique motif aesthetics among textile designers to meet the needs of consumers and the market. The novelty value offered in this design is the design of clothing textiles according to fashion patterns with a combination of dyeing and eco printing techniques with embroidery techniques. Natural coloring using extraction from mangrove waste. Composing motifs using natural dyes from mangrove waste with two fixations of quicklime and tunjung to obtain varied visual aesthetics in one natural coloring. The media used in this blend of tie-dying and eco-printing techniques is bemberg cloth. Bemberg cloth material was chosen because it has very good absorption. The design method uses the SP Gustami theory. This design produces 6 unique designs with visual ideas of line, plane and color, which can be achieved by a combination of tritik, jumputan tie-dyed and eco printing techniques, three of which are applied to sheets of cloth measuring 200cm long and 120cm wide. It is hoped that the "Design of Clothing Textiles with Dye from Mangrove Waste and the Application of its Motifs with a Combination of Ikat Dip and Eco Printing Techniques" can add variety to fashion products that have unique, distinctive and limited edition characters.
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Rubik, Frieder, Kai Nebel, Christina Klusch, Hanna Karg, Kim Hecht, Martina Gerbig, Sven Gärtner, and Barbara Boldrini. "Textiles on the Path to Sustainability and Circularity—Results of Application Tests in the Business-to-Business Sector." Sustainability 16, no. 14 (July 12, 2024): 5954. http://dx.doi.org/10.3390/su16145954.
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The textile sector is responsible for a number of environmental impacts, e.g., climate change, and is not pursuing sustainable production and consumption patterns. Due to the increasing quantities of textiles, their share is rising, and a trend reversal from a linear to a circular and sustainable textile chain is needed. This article presents the background, methodological approach and results of a participatory textile development model. In the commercial B2B sector, three textile prototypes were developed together with users and trialled over several months in three application areas. Textile development took into account the requirements of fibre regeneration in the product design and focused on innovative more sustainable chemical recycling solutions. The three sustainably aligned textiles were subjected to spectroscopic and textile–technological tests. The sustainability tool screening life cycle assessments analysed their environmental profile and compared it with reference textiles that are used as the standard. Overall, it is clear that the three textiles can match conventional reference textiles in terms of quality and have considerable environmental benefits compared to the reference textiles. The user survey did identify concerns about a high artificial fibre content, although a general rejection of recycled fibres was not observed. The results show that a sustainable transformation is possible but must start with the fibre composition; recycling, on the other hand, is of minor importance.
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Salolainen, Maarit, Anna-Mari Leppisaari, and Kirsi Niinimäki. "Transforming Fashion Expression through Textile Thinking." Arts 8, no. 1 (December 24, 2018): 3. http://dx.doi.org/10.3390/arts8010003.
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The focus of this research is on the experiences of a new fashion pedagogy linked to textile studios at Aalto University, School of Arts, Design and Architecture, in Helsinki, Finland. Rich practice-based research and skilled use of materials and textile techniques are elements of transforming fashion design implemented through studio-based pedagogy. Effective learning is constructed by adding tacit and haptic knowledge of textiles into fashion expression. Furthermore, while textile design combines elements from aesthetic creativity with technical skills, this knowledge, textile thinking, can form a new grounding for fashion design. Through reflective learning, practically oriented and theoretical knowledge can be combined, and hands-on studio pedagogy has established the platform for this type of learning. Fashion students’ textile studies extend to woven fabrics and jacquards as well as knits, embroideries, prints, and other finishing techniques and aim to teach them about industrial manufacturing and provide them with an understanding of industrial processes and requirements. This research observes this transformation process of fashion expression through textile thinking based on observations, teachers’ reflections, and student interviews. Further, the learning outcomes have been reflected against the transformation of the curriculum to provide understanding for this development process.
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Kgatuke, Matholo, Dorothy Hardy, Katherine Townsend, Eloise Salter, Tina Downes, Karen Harrigan, Susan Allcock, and Tilak Dias. "Exploring the Role of Textile Craft Practice in Interdisciplinary E-Textiles Development through the Design of an Illuminated Safety Cycling Jacket." Proceedings 32, no. 1 (December 5, 2019): 12. http://dx.doi.org/10.3390/proceedings2019032012.
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Most E-textile research tends to fall within the arts or science disciplinary boundaries, despite E-textiles themselves being interdisciplinary in nature. This work explores how contemporary woven textile practice methodologies can play a role within interdisciplinary research, expanding the creative and technical applications of materials and technologies. A team of electronics, textiles, and fashion specialists was formed to design and make an illuminated jacket for use by cyclists. The jacket incorporated bespoke woven panels that integrated electronic yarns within the pattern. The development of this prototype raised questions about the use of craft practice methodologies in the development of new E-textiles.
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Cabral, Isabel, Amanda Schuch, and Fernanda Steffens. "Color Biomimetics in Textile Design: Reproduction of Natural Plant Colors through Instrumental Colorant Formulation." Journal of Imaging 10, no. 7 (June 21, 2024): 150. http://dx.doi.org/10.3390/jimaging10070150.
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This paper explores the intersection of colorimetry and biomimetics in textile design, focusing on mimicking natural plant colors in dyed textiles via instrumental colorant formulation. The experimental work was conducted with two polyester substrates dyed with disperse dyes using the exhaustion process. Textiles dyed with different dye colors and concentrations were measured in a spectrophotometer and a database was created in Datacolor Match Textile software version 2.4.1 (0) with the samples’ colorimetric properties. Colorant recipe formulation encompassed the definition and measurement of the pattern colors (along four defined natural plants), the selection of the colorants, and the software calculation of the recipes. After textile dyeing with the lowest expected CIELAB color difference (ΔE*) value recipe for each pattern color, a comparative analysis was conducted by spectral reflectance and visual assessment. Scanning electron microscopy and white light interferometry were also used to characterize the surface of the natural elements. Samples dyed with the formulated recipe attained good chromatic similarity with the respective natural plants’ colors, and the majority of the samples presented ΔE* between 1.5 and 4.0. Additionally, recipe optimization can also be conducted based on the colorimetric evaluation. This research contributes a design framework for biomimicking colors in textile design, establishing a systematic method based on colorimetry and color theory that enables the reproduction of nature’s color palette through the effective use of colorants.